Boston Book Fair List 2016
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Maineartsmag, Summer 2002 Maine Arts Commission
Maine State Library Maine State Documents Maine Arts Magazine Arts Commission Summer 2002 MaineArtsMag, Summer 2002 Maine Arts Commission Follow this and additional works at: http://digitalmaine.com/arts_magazine Recommended Citation Maine Arts Commission, "MaineArtsMag, Summer 2002" (2002). Maine Arts Magazine. Book 19. http://digitalmaine.com/arts_magazine/19 This Text is brought to you for free and open access by the Arts Commission at Maine State Documents. It has been accepted for inclusion in Maine Arts Magazine by an authorized administrator of Maine State Documents. For more information, please contact [email protected]. The official publication of the Maine Arts Commission. MAINEARTS COMMISSIONMagSummer 2002 artists An in maine Arts in the communities Capitol Tribute Traditions d’Icite the camping & children’s artmaking Maine State museum of House maine th Percent ranks 14 in Looking Back at for Art country Discovery Research PAL’s next year MAC launches new web site 22_1383.p65 1 8/16/02, 2:18 PM MAINE ARTS COMMISSION Mission The Maine Arts Commission shall encourage and stimulate public interest and participation in the cultural heritage and programs of our state; shall expand the state’s cultural resources; and shall encourage and assist freedom of artistic expression for the well being of the arts, to meet the legitimate needs and aspirations of persons in all parts of the state. GENERAL OFFICE NUMBERS: COMMISSION ADMINISTRATIVE STAFF COMMISSION PROGRAM STAFF COMMISSION OTHER CONTACTS 207/287-2724 – Direct Auto Attendant Alden C. Wilson, Director Paul Faria, Public Art Associate Donna Assmussen, Office Assistant 207/287-2725 – Fax [email protected] [email protected] 207/287-6571 207/287-2360 – TTY 207/287-2720 207/287-2726 MaineArts.com Hannah Gregory, Publications Coordinator Bryan W. -
News from the Jerome Robbins Foundation Vol
NEWS FROM THE JEROME ROBBINS FOUNDATION VOL. 6, NO. 1 (2019) The Jerome Robbins Dance Division: 75 Years of Innovation and Advocacy for Dance by Arlene Yu, Collections Manager, Jerome Robbins Dance Division Scenario for Salvatore Taglioni's Atlanta ed Ippomene in Balli di Salvatore Taglioni, 1814–65. Isadora Duncan, 1915–18. Photo by Arnold Genthe. Black Fiddler: Prejudice and the Negro, aired on ABC-TV on August 7, 1969. New York Public Library for the Performing Arts, Jerome Robbins Dance Division, “backstage.” With this issue, we celebrate the 75th anniversary of the Jerome Robbins History Dance Division of the New York Public Library for the Performing Arts. In 1944, an enterprising young librarian at The New York Public Library named One of New York City’s great cultural treasures, it is the largest and Genevieve Oswald was asked to manage a small collection of dance materials most diverse dance archive in the world. It offers the public free access in the Music Division. By 1947, her title had officially changed to Curator and the to dance history through its letters, manuscripts, books, periodicals, Jerome Robbins Dance Division, known simply as the Dance Collection for many prints, photographs, videos, films, oral history recordings, programs and years, has since grown to include tens of thousands of books; tens of thousands clippings. It offers a wide variety of programs and exhibitions through- of reels of moving image materials, original performance documentations, audio, out the year. Additionally, through its Dance Education Coordinator, it and oral histories; hundreds of thousands of loose photographs and negatives; reaches many in public and private schools and the branch libraries. -
Franklin C. Watkins by Andrew Carnduff Ritchie
Franklin C. Watkins By Andrew Carnduff Ritchie Author Museum of Modern Art (New York, N.Y.) Date 1950 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/3265 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art LIBRARY THE MUSEUM ]OF MODERN ART Received: * > * irpr ii»i fi — — Franklin C. WATKINS Andrew Carnduft Ritchie The Museum of Modern Art New York ACKNOWLEDGMENTS On behalf of the President and Trustees of the Museum of Modern Art the director of the exhibition wishes to thank the collectors and museums whose generosity in lending has made the exhibition possible. Particular thanks are due to Mr. Henry P. Mellhenny for his great kindness in permitting us to borrow his two large paintings, Death and Resurrection , at no small incon venience to himself; to Mr. Frank K. M. Rehn, Mr. Watkins' dealer, for his assistance in connection with all the details of the exhibition; to the Maga zine of Art for permission to reprint excerpts from an article by Franklin C. Watkins; and to the artist himself who has been of inestimable help in the preparation of the catalog. I also wish to thank Miss Alice Bacon and Miss Margaret Miller for their assistance in preparing the exhibition and the catalog. ANDREW CAR N DUFF RITCHIE Director of the Exhibition TRUSTEES OF THE MUSEUM OF MODERN ART John Hay Whitney, Chairman of the Board ; Henry Allen Moe, ist Vice- Chairman; William A. -
Landscapes in Maine 1820-1970: a Sesquicentennial Exhibition
LANDSCAPE IN MAINE 1820-1970 Digitized by the Internet Archive in 2015 https://archive.org/details/landscapesinmainOObowd LANDSCAPE IN MAINE 1820-1970 Landscape in Maine 1820-1970 Jl iSesquicentennial exhibition Sponsored by the Maine Federation of Women's Clubs, through a grant from Sears-Roebuck Foundation, The Maine State Commission on the Arts and Humanities, Colby College, Bowdoin College and the University of Maine at Orono. Colby College Art Museum April 4 — May 10 Bowdoin College Museum of Art May 21 — June 28 Carnegie Gallery, University of Maine, Orono July 8 — August 30 The opening at Colby College to be on the occasion of the first Arts Festival of the Maine Federation of Women's Clubs. 1970 is the Sesquicentennial year of the State of Maine. In observance of this, the Bowdoin College Museum of Art, the Carnegie Gallery of the University of Maine at Orono and the Colby College Art Museum are presenting the exhibition. Landscape in Maine, 1820-1970. It was during the first few years of Maine's statehood that American artists turned for the first time to landscape painting. Prior to that time, the primary form of painting in this country had been portraiture. When landscape appeared at all in a painting it was as the background of a portrait, or very occasionally, as the subject of an overmantel painting. Almost simultaneously with the artists' interest in landscape as a suitable sub- ject for a painting, they discovered Maine and its varied landscape. Since then, many of the finest American artists have lived in Maine where they have produced some of their most expressive works. -
No. 96, March 2015
Newspaper Jan Mot Afgiftekantoor 1000 Brussel 1 Verschijnt vijfmaal per jaar in V. U . Jan Mot januari – maart – mei – Regentschapsstraat 67 augustus – oktober 1000 Brussel No. 96, maart 2015 Erkenningsnummer P309573 163 – 165 Jaargang 19 No. 96 rtunity to discuss not only the ogy by Erwin Panofsky but an artunity to discuss not content of the lip-synched also the different strategies of only the content of the conference on iconol using the lecture as lip-synched Did such type of works deserve a different structure than a regular exhibition format? It was the interest in creating a space to dis- cuss ideas more actively than they normally are that brought us to a number of works that will be presented in this program. But, how is this different from say, a public con- ference program, we asked ourselves. After some discussions it became clear, that even if it might look like a seminar, this should still be conceived as an exhibition. In it the time and function of often so-called educa- tional programs would be blurred, and will conceive the gallery not solely as a space to (advertisement) BRUSSELS, FEB 19 - Jan Mot is pleased to announce the seventh solo exhibition with Rineke Dijkstra which will include a new video work, entitled The Gymschool, St Petersburg, 2014. This work was filmed in Russia and commissioned by Manifesta, the European Biennial of Contemporary art, for its last edition in 2014. The show marks the gallery’s 20 year long collaboration with Dijkstra which began with a first presentation at the art fair in Brussels in Spring 1995. -
Contemporary American Painting and Sculpture
ILLINOIS Liahy^BY AT URBANA-CHAMPAIGN AnoMiTEGTURE t/livMwir Of kill NOTICE: Return or renew all Library Materialsl The Minimum Fee for each Lost BooK is $50.00. The person charging this material is responsible for its return to the library from which it was withdrawn on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for discipli- nary action and may result in dismissal from the University. To renew call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN ^^ RPR^ ^ a:C 2 1998 L161—O-1096 LJj^«-*v Umermfi Paintm^ UNIVERSITY OF ILLINOIS / 1^ m II IK WA.NUKRKKS Jovii- 1 iciin.m UNIVERSITY OF ILLINOIS EXHIBITION OF CONTEMPORARY AMERICAN PAINTING College of Fine and Applied Arts Architecture Building Sunday, March 4, through Sunday, April 15, 1951 UNIVERSITY OF ILLINOIS PRESS, URBANA IHtUSRARYOfTHt MAn G .j51 OHivERSirr OF laiNois COPYRIGHT 1951 BY THE UNIVERSITY OF ILLINOIS PRESS MANUFACTURED IN 1 UK UNITED STATES ( )l AMIRKA (jV-/vtXv RICKER LIBRARY ARCHITECTURE is, L>- UNIVERSJT^ OF lUINfUS -t-^ UNIVERSITY OF ILLINOIS EXHIBITION OF CONTEMPORARY AMERICAN PAINTING GEORGE D. STODDARD President of the University DEAN REXFORD NEWCOMB Chairman, Festival of Contemporary Arts OPERATING COMMITTEE N. Britsky H. A. Schultz J. D. Hogan A. S. Weller J. W. Kennedy N. V. Ziroli E. C. Rae C. \'. Dono\an, Chairman STAFF COMMITTEE MEMBERS L. F, Bailey J. H. G. Lynch E. H. Betts M. B. Martin C. E. Bradbury R. Perlman E. J. Bransby A. J. Pulos C. W. Briggs J. W. Raushenberger L. R. -
Report of the President, Bowdoin College 1958-1959
Bowdoin College Bowdoin Digital Commons Annual Report of the President Special Collections and Archives 1-1-1959 Report of the President, Bowdoin College 1958-1959 Bowdoin College Follow this and additional works at: https://digitalcommons.bowdoin.edu/presidents-reports Recommended Citation Bowdoin College, "Report of the President, Bowdoin College 1958-1959" (1959). Annual Report of the President. 68. https://digitalcommons.bowdoin.edu/presidents-reports/68 This Book is brought to you for free and open access by the Special Collections and Archives at Bowdoin Digital Commons. It has been accepted for inclusion in Annual Report of the President by an authorized administrator of Bowdoin Digital Commons. For more information, please contact [email protected]. •'I £90 President's Report for the Sessions of 1958- 1959 BOWDOIN COLLEGE BULLETIN Digitized by the Internet Archive in 2013 http://archive.org/details/reportofpresiden19581bowd President's Report the Sessions for of 1 958-1 959 BOWDOIN COLLEGE BULLETIN Number 333 June 1959 Published four times during the College Year in September, December, March, and June, by The College Entered as second-class matter, June 28, 1907, at Brunswick, Maine under Act of Congress of July 16, 1894 — REPORT OF THE PRESIDENT To the Trustees and Overseers of Bowdoin College: I have the honor to submit the following report for the academic year 1958-1959: THE IMAGE OF BOWDOIN Modern sociological jargon so quickly adopted by Madison Avenue, focuses attention on the importance of "image"; the image of an institution denotes the manner in which it is viewed by its public. Careful scrutiny of the image of Bowdoin, and the assessment of the accuracy of that image, should be fruitful in understanding the College in today's dynamic world, and in enhancing the service of the College in the world of tomorrow. -
Tanaquil Le Clercq the Exquisite Dancer, Renowned Beauty, and Last Wife of George Balanchine Captivated the Dance World—Until Illness Robbed Her of Her Gift
TANAQUIL LE CLERCQ THE EXQUISITE DANCER, RENOWNED BEAUTY, AND LAST WIFE OF GEORGE BALANCHINE CAPTIVATED THE DANCE WORLD—UNTIL ILLNESS ROBBED HER OF HER GIFT. SHE REMAINS A FASCINATING FIGURE SHADED IN LIGHT AND DARK Words TONI BENTLEY “I’m not a swan, I’m a crane,” protested Tanaquil Le Clercq when She decided to live, though she said that until the end she still dreamed cast by George Balanchine in Swan Lake. She had a point. Jacques of herself “walking, never wheeling.” d’Amboise likened her to “an elegant praying mantis.” She was, in It must be remembered that this tragedy was visited not only upon fact, so resistant to her role, one usually so coveted, that her boss had the young ballerina but also upon Balanchine, tossing this man, who to stand in the wings and literally give her a push; a careful observer knew better than any before him how to move a woman into her beauty, could see the jolt as she flew onstage. into a place of unprecedented powerlessness. In a cruelly perverse pas Le Clercq was the first American ballerina entirely trained from child- de deux, he would gather Le Clercq up from the bed, and facing her hood by Balanchine. She presented not only the prototype of the sleek outward, leaning her against his chest, he would partner her, placing physique that would become world famous as a “Balanchine dancer” but her flopping feet atop his own and moving about their apartment, try- in her elegance, sophistication, and spunky, speedy, tongue-in-cheek wit, ing to incite in those famous limbs a flicker of muscle memory where she was the ballet world’s Barbara Stanwyck, a far cry from the prevail- so much had lived. -
Dorathi Bock Pierre Dance Collection, 1929-1996
http://oac.cdlib.org/findaid/ark:/13030/c8pc33q9 No online items Finding Aid for the Dorathi Bock Pierre dance collection, 1929-1996 Processed by Megan Hahn Fraser and Jesse Erickson, March 2012, with assistance from Lindsay Chaney, May 2013; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ ©2013 The Regents of the University of California. All rights reserved. Finding Aid for the Dorathi Bock 1937 1 Pierre dance collection, 1929-1996 Descriptive Summary Title: Dorathi Bock Pierre dance collection Date (inclusive): 1929-1996 Collection number: 1937 Creator: Pierre, Dorathi Bock. Extent: 27 linear ft.(67 boxes) Abstract: Collection of photographs, performance programs, publicity information, and clippings related to dance, gathered by Dorathi Bock Pierre, a dance writer and publicist. Language: Finding aid is written in English. Language of the Material: Materials are in English. Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. -
Celebration: the Art of the Pas De Deux 35
Celebration: The Art of the Pas de Deux 35 Miami City Ballet CELEBRATION: THE ART OF THE PAS DE DEUX Charleston Gaillard Center May 25, 6:30pm Martha and John M. Rivers Performance Hall Artistic Director and Moderator Lourdes Lopez Conductor Gary Sheldon Piano Ciro Fodere and Francisco Rennó Spoleto Festival USA Orchestra 1 hour, 30 minutes | Performed without an intermission Afternoon of a Faun (1953) Choreography Jerome Robbins Music Claude Debussy Staging Jean-Pierre Frohlich Set and Lighting Design Jean Rosenthal Lighting Recreation Les Dickert Costume Design Irene Sharif Scenic Supervision Arnold Abramson Dancers Unity Phelan and Chase Finlay* Pause Other Dances (1976) Choreography Jerome Robbins Music Frédéric Chopin Staging Isabelle Guérin Costume Design Santo Loquasto Lighting Design Jennifer Tipton Lighting Recreation Les Dickert Dancers Simone Messmer and Renan Cerdeiro Piano Francisco Rennó Pause In the Night (1970) Choreography Jerome Robbins Music Frédéric Chopin Staging Miami City Ballet Costume Design Anthony Dowell Lighting Design Jennifer Tipton Lighting Recreation Les Dickert Dancers Emily Bromberg and Kleber Rebello Unity Phelan and Chase Finlay* Katia Carranza and Reyneris Reyes Piano Ciro Fodere The 2018 dance series is sponsored by BlueCross BlueShield of South Carolina. Support provided by The Jerome Robbins Foundation. Sponsored by Eastern Distribution. This performance is made possible in part through funds from the Spoleto Festival USA Endowment, generously supported by BlueCross BlueShield of South Carolina, Wells Fargo, and Bank of America. *Guest artists from New York City Ballet. 36 Celebration: The Art of the Pas de Deux Program Notes About the Choreographer Afternoon of a Faun JEROME ROBBINS (choreographer) is world renowned for Music: Prélude à l’Après-midi d’un Faune by Claude Debussy his work as a choreographer of ballets as well as his work as a director and choreographer in theater, movies, and television. -
National Endowment for the Arts Annual Report 1979
National Endowment for the Arts National Endowment for the Arts Washington, D.C. 20506 Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1979. Respectfully, Livingston L. Biddle, Jr. Chairman The President The White House Washington, D.C. February 1980 1 Contents Chairman’s Statement 2 The Agency and Its Functions 4 National Council on the Arts 5 Programs Deputy Chairman’s Statemen~ 8 Dance 10 Design Arts 30 Expansion Arts 50 Folk Arts 84 Literature 100 Media Arts: Film/Radio/Television 118 Museum 140 Music 172 Opera-Musical Theater 202 Special Projects 212 Theater 222 Visual Arts 240 Policy and Planning Challenge Grants 272 Evaluation 282 International/Fellows 283 Research 286 Special Constituencies 288 Office for Partnership Executive Director’s Statement 296 Education (Artists-in-Schools) 299 Federal-State Partnership (State Programs) 305 Intergovernmental Activities 312 Financial Summary 314 History of Authorizations and Appropriations 315 Chairman’s Statement A Common Cause for the Arts isolated rural coraraunities to the barrios and Perhaps nothing is raore enviable--or raore ghettoes of our inner cities. The dreara---that daunting--than the opportunity to raake a prac of access for all Araericans to the best in art- tical reality out of a visionary dreara. I happen is becoraing reality. to have this unusual privilege. As special assist But reality, as we all know, is a thorny ant to Senator Claiborne Pell frora 1963 to thing, with catches, snares and tangles. -
NEWS from the JEROME ROBBINS FOUNDATION VOL. 7, NO. 1 (2020) 75Th Anniversary Gala of New York Public Library for the Performing Arts’ Jerome Robbins Dance Division
NEWS FROM THE JEROME ROBBINS FOUNDATION VOL. 7, NO. 1 (2020) 75th Anniversary Gala of New York Public Library for the Performing Arts’ Jerome Robbins Dance Division On Wednesday, December 4, 2019, The New York Public Library for the Performing Arts celebrated the Jerome Robbins Dance Division’s 75th anniversary with a unique gala that raised more than $723,000 in critical funds that will help the division document, collect, and preserve the history of dance and provide free services and programs for all. More than 200 dance-loving attendees moved through the Library for the Performing Arts in Lincoln Center viewing site-specific movement pieces cre- ated specifically for the occasion by Ephrat Asherie, The Bang Group, Jean Butler, Adrian Danchig-Waring, Heidi Latsky, Michelle Manzanales, Rajika Puri, and Pam Tanowitz. Staged in unexpected spaces (among the stacks, on reading room tables, through hallways, and on stairways), these brief performances fea- tured dancers including Chelsea Ainsworth, Chris Bloom, Jason Collins, Shelby Colona, Lindsey Jones, Jeffrey Kazin, Victor Lozano, Aishwarya Madhav, Georgina Pazcoguin, Nic Petry, Jaclyn Rea, Tommy Seibold, Amber Sloan, Gretchen Smith, Leslie Taub, Melissa Toogood, and Peter Trojic. The evening’s performances culminated in the Library’s Bruno Walter Auditorium with an excerpt from Jerome Robbins’ Other Dances, featuring American Ballet Theatre Principal Dancer Sarah Lane and New York City Ballet Principal Dancer Gonzalo Garcia. Jerome Robbins originally created the work in 1976 for a fundraiser to support the Library. The Jerome Robbins Dance Division’s 75th Anniversary Gala was chaired by Caroline Cronson & The Jerome Robbins Foundation.