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ARCHITECTS Allegheny
InARCHITECTS Allegheny The North Side Work of Notable Architects : A Tour and Exploration 17 April 2010 NEIGHBORHOOD BUILDING/SITE YEAR ARCHITECT Central N.S. Russel Boggs House 1888 Longfellow Alden Harlow Allegheny Commons Commons Design 1876 Mitchell & Grant West Park 1964 Simonds and Simonds Allegheny Center St. Peter’s RC Church 1872 Andrew Peebles Allegheny Post Office 1895 William Martin Aiken Children’s Museum 2004 Koning Eizenberg Buhl Planetarium 1938 Ingham, Pratt & Boyd Allegheny Library 1889 Smithmeyer & Pelz IBM Branch Office 1975 Office of Mies /FCL & Assoc. Allegheny East Osterling Studio 1917 F.J. Osterling Sarah Heinz House 1915 R.M. Trimble Schiller School 1939 Marion M. Steen Workingman’s S.B. 1902 James T. Steen JrOUAM Hall Bldg 1890s? F.J. Osterling Latimer School 1898 Frederick C. Sauer Central N.S. Allegheny General 1930 York & Sawyer Garden Theatre 1914 Thomas H. Scott Engine Co. No.3 1877 Bailey and Anglin Orphan Asylum 1838 John Chislett N.S. Unitarian Church 1909 R.M. Trimble N.S. YMCA 1926 R.M. Trimble Allegheny West B.F. Jones, Jr. House 1908 Rutan & Russell J.C. Pontefract House 1886 Longfellow & Alden Calvary M.E. Church 1893 Vrydaugh Shepherd Wolfe Emmanuel P.E. Church 1885 H.H. Richardson Manchester Union M.E. Church 1866 Barr & Moser Woods Run Western Penitentiary 1876 E.M. Butz R.L. Matthews Dept. 1902 Frederick Scheibler Jr. McClure Ave Presbyt. 1887 Longfellow Alden Harlow 1 WILLIAM MARTIN AIKEN William Aiken (1855–1908) was born in Charleston, South Carolina and edu- cated at The University of the South (1872–1874) where he taught in his last year of attendance and moved to Charleston, S.C. -
Maineartsmag, Summer 2002 Maine Arts Commission
Maine State Library Maine State Documents Maine Arts Magazine Arts Commission Summer 2002 MaineArtsMag, Summer 2002 Maine Arts Commission Follow this and additional works at: http://digitalmaine.com/arts_magazine Recommended Citation Maine Arts Commission, "MaineArtsMag, Summer 2002" (2002). Maine Arts Magazine. Book 19. http://digitalmaine.com/arts_magazine/19 This Text is brought to you for free and open access by the Arts Commission at Maine State Documents. It has been accepted for inclusion in Maine Arts Magazine by an authorized administrator of Maine State Documents. For more information, please contact [email protected]. The official publication of the Maine Arts Commission. MAINEARTS COMMISSIONMagSummer 2002 artists An in maine Arts in the communities Capitol Tribute Traditions d’Icite the camping & children’s artmaking Maine State museum of House maine th Percent ranks 14 in Looking Back at for Art country Discovery Research PAL’s next year MAC launches new web site 22_1383.p65 1 8/16/02, 2:18 PM MAINE ARTS COMMISSION Mission The Maine Arts Commission shall encourage and stimulate public interest and participation in the cultural heritage and programs of our state; shall expand the state’s cultural resources; and shall encourage and assist freedom of artistic expression for the well being of the arts, to meet the legitimate needs and aspirations of persons in all parts of the state. GENERAL OFFICE NUMBERS: COMMISSION ADMINISTRATIVE STAFF COMMISSION PROGRAM STAFF COMMISSION OTHER CONTACTS 207/287-2724 – Direct Auto Attendant Alden C. Wilson, Director Paul Faria, Public Art Associate Donna Assmussen, Office Assistant 207/287-2725 – Fax [email protected] [email protected] 207/287-6571 207/287-2360 – TTY 207/287-2720 207/287-2726 MaineArts.com Hannah Gregory, Publications Coordinator Bryan W. -
The Great Unwashed Public Baths in Urban America, 1840-1920
Washiîi! The Great Unwashed Public Baths in Urban America, 1840-1920 a\TH5 FOR Marilyn Thornton Williams Washing "The Great Unwashed" examines the almost forgotten public bath movement of the nineteenth and early twentieth cen turies—its origins, its leaders and their motives, and its achievements. Marilyn Williams surveys the development of the American obsession with cleanliness in the nineteenth century and discusses the pub lic bath movement in the context of urban reform in New York, Baltimore, Philadel phia, Chicago, and Boston. During the nineteenth century, personal cleanliness had become a necessity, not only for social acceptability and public health, but as a symbol of middle-class sta tus, good character, and membership in the civic community. American reformers believed that public baths were an impor tant amenity that progressive cities should provide for their poorer citizens. The bur geoning of urban slums of Irish immi grants, the water cure craze and other health reforms that associated cleanliness with health, the threat of epidemics—es pecially cholera—all contributed to the growing demand for public baths. New waves of southern and eastern European immigrants, who reformers perceived as unclean and therefore unhealthy, and in creasing acceptance of the germ theory of disease in the 1880s added new impetus to the movement. During the Progressive Era, these fac tors coalesced and the public bath move ment achieved its peak of success. Between 1890 and 1915 more than forty cities constructed systems of public baths. City WASHING "THE GREAT UNWASHED" URBAN LIFE AND URBAN LANDSCAPE SERIES Zane L. Miller and Henry D. -
Franklin C. Watkins by Andrew Carnduff Ritchie
Franklin C. Watkins By Andrew Carnduff Ritchie Author Museum of Modern Art (New York, N.Y.) Date 1950 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/3265 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art LIBRARY THE MUSEUM ]OF MODERN ART Received: * > * irpr ii»i fi — — Franklin C. WATKINS Andrew Carnduft Ritchie The Museum of Modern Art New York ACKNOWLEDGMENTS On behalf of the President and Trustees of the Museum of Modern Art the director of the exhibition wishes to thank the collectors and museums whose generosity in lending has made the exhibition possible. Particular thanks are due to Mr. Henry P. Mellhenny for his great kindness in permitting us to borrow his two large paintings, Death and Resurrection , at no small incon venience to himself; to Mr. Frank K. M. Rehn, Mr. Watkins' dealer, for his assistance in connection with all the details of the exhibition; to the Maga zine of Art for permission to reprint excerpts from an article by Franklin C. Watkins; and to the artist himself who has been of inestimable help in the preparation of the catalog. I also wish to thank Miss Alice Bacon and Miss Margaret Miller for their assistance in preparing the exhibition and the catalog. ANDREW CAR N DUFF RITCHIE Director of the Exhibition TRUSTEES OF THE MUSEUM OF MODERN ART John Hay Whitney, Chairman of the Board ; Henry Allen Moe, ist Vice- Chairman; William A. -
U.S. Post Office and Court House: Draft Nomination
NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 U.S. POST OFFICE AND COURTHOUSE (JAMES R. BROWNING U.S. COURT OF APPEALS) Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: U.S. Post Office and Courthouse (James R. Browning U.S. Court of Appeals) Other Name/Site Number: 2. LOCATION Street & Number: 95-99 Seventh Street (Northeast Corner of Mission and Seventh Streets) Not for publication: City/Town: San Francisco Vicinity: San Francisco North State: CA County: San Francisco Code: 075 Zip Code: 94102 3. CLASSIFICATION Ownership of Property Category of Property Private: Building(s): X_ Public-Local: District: ___ Public-State: ___ Site: ___ Public-Federal: X Structure: ___ Object: ___ Number of Resources within Property Contributing Noncontributing 1 buildings sites structures objects Total Number of Contributing Resources Previously Listed in the National Register: 1 Name of Related Multiple Property Listing: N/A NPS Form 10-900 USDI/NPS NRHP Registration Form ((Rev. 8-86) OMB No. 1024-0018 U.S. POST OFFICE AND COURTHOUSE (JAMES R. BROWNING U.S. COURT OF APPEALS) Page 2 United States Department of the Interior, National Park Service National Register of Historic Plaaces Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that tthis ____ nomination ____ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. -
Landscapes in Maine 1820-1970: a Sesquicentennial Exhibition
LANDSCAPE IN MAINE 1820-1970 Digitized by the Internet Archive in 2015 https://archive.org/details/landscapesinmainOObowd LANDSCAPE IN MAINE 1820-1970 Landscape in Maine 1820-1970 Jl iSesquicentennial exhibition Sponsored by the Maine Federation of Women's Clubs, through a grant from Sears-Roebuck Foundation, The Maine State Commission on the Arts and Humanities, Colby College, Bowdoin College and the University of Maine at Orono. Colby College Art Museum April 4 — May 10 Bowdoin College Museum of Art May 21 — June 28 Carnegie Gallery, University of Maine, Orono July 8 — August 30 The opening at Colby College to be on the occasion of the first Arts Festival of the Maine Federation of Women's Clubs. 1970 is the Sesquicentennial year of the State of Maine. In observance of this, the Bowdoin College Museum of Art, the Carnegie Gallery of the University of Maine at Orono and the Colby College Art Museum are presenting the exhibition. Landscape in Maine, 1820-1970. It was during the first few years of Maine's statehood that American artists turned for the first time to landscape painting. Prior to that time, the primary form of painting in this country had been portraiture. When landscape appeared at all in a painting it was as the background of a portrait, or very occasionally, as the subject of an overmantel painting. Almost simultaneously with the artists' interest in landscape as a suitable sub- ject for a painting, they discovered Maine and its varied landscape. Since then, many of the finest American artists have lived in Maine where they have produced some of their most expressive works. -
Custom House Tower
Custom House Tower Located in the National Register of Historic Places - Custom House District, the original neoclassical- designed Boston Custom House building was completed in 1844 and the clock tower later completed in 1915. This National Historic Landmark was the tallest building in Boston until 1964. 3 McKinley Square Financial District Boston, MA Architectural Features Neo-Classical Design < Original Base Structure > Cruciform (cross) Shaped Greek Doric Patio & Roman Dome 36 Fluted Doric Granite Columns Each Column - Single Piece of Granite Columns 32’ high | 5’ Diameter Top Portion of Building 26th Floor | Observation Deck Tower Clock | 22’ Diameter | 4 Faces Building Use and Transition Developed at Base of City Docks (prior to land reclamation) Location Facilitated Cargo Registration & Inspection Conversion to 80 Room Hotel Marriott Custom House PROJECT SUMMARY Project Description A Neo-Classical designed architectural and historic landmark comprised of a 3-story cruciform (cross) shape building with a Greek Doric portico, Roman dome and 36 fluted Doric columns, each carved from a single piece of granite from nearby Quincy, Massachusetts. The building was positioned at the base of the shipping docks, prior to land reclamation in the Boston seaport area. The 32 story, 356’ Custom House Clock Tower was later completed between 1913 - 1915 and was the tallest building in Boston until 1964. Official Building Name Custom House Tower Marriott Custom House (2016) Other Building Names Boston Custom House U.S. Custom House Location Boston Custom House District | National Register of Historic Places 3 McKinley Square, Boston, MA in Boston’s Financial District Bordered by McKinley Square, State Street, India Street & Central Street Original Custom House Site Purchased - 1837 | Completion - 1847 Clock Tower Start - 1913 | Completion - 1915 History Custom House original use - shipping inspection & registration Federally owned until 1987 Custom House Tower - Tallest building in Boston 1915 to 1964 LEADERSHIP | OWNERSHIP | PROJECT DESIGN U.S. -
Contemporary American Painting and Sculpture
ILLINOIS Liahy^BY AT URBANA-CHAMPAIGN AnoMiTEGTURE t/livMwir Of kill NOTICE: Return or renew all Library Materialsl The Minimum Fee for each Lost BooK is $50.00. The person charging this material is responsible for its return to the library from which it was withdrawn on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for discipli- nary action and may result in dismissal from the University. To renew call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN ^^ RPR^ ^ a:C 2 1998 L161—O-1096 LJj^«-*v Umermfi Paintm^ UNIVERSITY OF ILLINOIS / 1^ m II IK WA.NUKRKKS Jovii- 1 iciin.m UNIVERSITY OF ILLINOIS EXHIBITION OF CONTEMPORARY AMERICAN PAINTING College of Fine and Applied Arts Architecture Building Sunday, March 4, through Sunday, April 15, 1951 UNIVERSITY OF ILLINOIS PRESS, URBANA IHtUSRARYOfTHt MAn G .j51 OHivERSirr OF laiNois COPYRIGHT 1951 BY THE UNIVERSITY OF ILLINOIS PRESS MANUFACTURED IN 1 UK UNITED STATES ( )l AMIRKA (jV-/vtXv RICKER LIBRARY ARCHITECTURE is, L>- UNIVERSJT^ OF lUINfUS -t-^ UNIVERSITY OF ILLINOIS EXHIBITION OF CONTEMPORARY AMERICAN PAINTING GEORGE D. STODDARD President of the University DEAN REXFORD NEWCOMB Chairman, Festival of Contemporary Arts OPERATING COMMITTEE N. Britsky H. A. Schultz J. D. Hogan A. S. Weller J. W. Kennedy N. V. Ziroli E. C. Rae C. \'. Dono\an, Chairman STAFF COMMITTEE MEMBERS L. F, Bailey J. H. G. Lynch E. H. Betts M. B. Martin C. E. Bradbury R. Perlman E. J. Bransby A. J. Pulos C. W. Briggs J. W. Raushenberger L. R. -
Report of the President, Bowdoin College 1958-1959
Bowdoin College Bowdoin Digital Commons Annual Report of the President Special Collections and Archives 1-1-1959 Report of the President, Bowdoin College 1958-1959 Bowdoin College Follow this and additional works at: https://digitalcommons.bowdoin.edu/presidents-reports Recommended Citation Bowdoin College, "Report of the President, Bowdoin College 1958-1959" (1959). Annual Report of the President. 68. https://digitalcommons.bowdoin.edu/presidents-reports/68 This Book is brought to you for free and open access by the Special Collections and Archives at Bowdoin Digital Commons. It has been accepted for inclusion in Annual Report of the President by an authorized administrator of Bowdoin Digital Commons. For more information, please contact [email protected]. •'I £90 President's Report for the Sessions of 1958- 1959 BOWDOIN COLLEGE BULLETIN Digitized by the Internet Archive in 2013 http://archive.org/details/reportofpresiden19581bowd President's Report the Sessions for of 1 958-1 959 BOWDOIN COLLEGE BULLETIN Number 333 June 1959 Published four times during the College Year in September, December, March, and June, by The College Entered as second-class matter, June 28, 1907, at Brunswick, Maine under Act of Congress of July 16, 1894 — REPORT OF THE PRESIDENT To the Trustees and Overseers of Bowdoin College: I have the honor to submit the following report for the academic year 1958-1959: THE IMAGE OF BOWDOIN Modern sociological jargon so quickly adopted by Madison Avenue, focuses attention on the importance of "image"; the image of an institution denotes the manner in which it is viewed by its public. Careful scrutiny of the image of Bowdoin, and the assessment of the accuracy of that image, should be fruitful in understanding the College in today's dynamic world, and in enhancing the service of the College in the world of tomorrow. -
National Register of Historic Places Registration Form Pylrt /7
NPS Form 10-900 OMB NO. 1024-0018 (Rev. 10-90) United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Registerpulletin 16A). Complete each item by marking "xu in the appropriate box or by entering the information requested. If any item does not apply to the property being documented, enter "NIA" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place addit~onalentries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. historic name CantonHD other nameskite number n roughly Washington Street from Pecunit Street to southwest of Dedham Street, and Pleasant Street from street & number&ntoois Road - not for publication city or town Canton - vicinity state Massachusetts code MA county Norfolk code 071 zip code 02021 As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this &nomination request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property @meets 0 does not meet the National Register Criteria. 1 recommend that this property be considered significant Cl nationally CI statewide d~ocai~y.(0 See continuation sheet for additional comments.) pylrt /7/ 2009 Signature of certifying oficialf'ritle Brona Simon, SHPO bate Massachusetts Historical Commission State or Federal agency and bureau In my opinion, the property O meets CI does not meet the National Register criteria. -
Boston Book Fair List 2016
EDWARD T. POLLACK FINE ARTS 29 FEENEY WAY - PORTLAND, ME 04103 [email protected] - WWW.EDPOLLACKFINEARTS.COM Tel 617-610-7173 - MEMBER: IFPDA, ABAA, ILAB BOSTON BOOK FAIR LIST - October 2016 I. BOOKS 1. (Corot, Daubigny, Buhot et. al.). FRENCH ETCHERS by Roger Riordan. Dodd, Mead, NY, 1884. Folio, gold-decorated cloth, Title page, Contents, and 20 etchings on laid paper, each accompanied by two pages of descriptive text. Removed from deteriorated binding and housed in an attractive new clamshell box on which is preserved the label from the original cover. Plates all generally in good order with occasional browning at the edges, and a few with very short tears at the sheet edges. Scarce, with no copies showing in any of the online databases, and only 12 copies located by OCLC. $2400.00 The etchings are as follows: 1.Corot Paysage d'italie 2.GravesandeMoulin a Veules 3.YonBords de la Marne 4.Feyen-PerrinVendangeuse 5.CasanovaFin Gourmet 6.Bastien LepageRetour Des Champs 7.DaubignyPommiers a Anvers 8.VeyrassatCheval a L'Ecurie 9.LanconEnlevement des Glaces au Bois de Boulogne 10.NehligLe Rixe au Cabaret 11.MartialBois de Pierrefonds 12.RopsL'Affuteur 13.BuhotUne Matinee d'Hiver au Quai de L'Hotel Dieu 14.BurnandAu Couvent 15.BallinPortsmouth - Magasin au Charbon de la Flotte Anglaise 16.RudeauxM'Aime un Peu, Beaucoup 17.JacquemartUne Genoise 18.AppianBarques et Pecheurs 19.ChauvelApres la Pluie 20.BeauverieRue des Rosiers, Montmarte 2. Achdjian, Albert. LE TAPIS - THE RUG. Editions Self, Paris, 1949. Quarto, stiff wraps with DJ, 287pp., + index, profusely illustrated with plates in color and b/w. -
Pueblo Federal Building and Post Office 421 North Main Street Southwest Corner of North Main Street and West Fifth Street City O
Pueblo Federal Building and Post Office HABS No. C0-186 421 North Main Street Southwest corner of North Main Street and West Fifth Street City of Pueblo Pueblo County Co 1orado PHOTOGRAPHS WRITTEN HISTORICAL AND DESCRIPTIVE DATA HISTORIC AMERICAN BUILDINGS SURVEY Rocky Mountain Regional Office National Park Service P.O. Box 25287 Denver, Colorado 80225-0287 Pueblo Federal Building and Post Off ice Pueblo, Colorado HABS No. C0-186 Page 1 HISTORIC AMERICAN BUILDINGS SURVEY ~AB.> PUEBLO FEDERAL BUILDING AND POST OFFICE c.01...0 PUEBLO, COLORADO ~J-P\Ae~ l- Location: 421 North Main Street, Pueblo, Colorado, the southwest corner of North Main Street and West Fifth Street, on Lots 1 through 6, Block 34, Pueblo. Quadrangle Map: Pueblo Northeast, Colorado (1961, photorevised 1970 and 1974). UTM Coordinates, 13/534260/4235770 Date of Construction: 1896-98 (addition, 1935-36) Present Owner: U.S. Postal Service, 421 N. Main Street, Pueblo, Colorado. Present Use: U.S. Post Office and federal offices occupy first floor; upper floors are vacant. Significance: The Pueblo Federal Building and Post Off ice was the first federal building erected in the city and the second constructed in Colorado. The building housed the main post office, United States courts, and federal agencies for almost a century. Designed by William Martin Aiken, Supervising Architect for the Treasury Department, the Federal Building was one of the most architecturally influential edifices in the city, setting construction and design standards for subsequent development. The building continues to serve as one of Pueblo's most significant downtown landmarks. Historians: Thomas H. Simmons and R.