The Pine Cone, Summer 1949
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Santa Fe New Mexican, 04-27-1901 New Mexican Printing Company
University of New Mexico UNM Digital Repository Santa Fe New Mexican, 1883-1913 New Mexico Historical Newspapers 4-27-1901 Santa Fe New Mexican, 04-27-1901 New Mexican Printing Company Follow this and additional works at: https://digitalrepository.unm.edu/sfnm_news Recommended Citation New Mexican Printing Company. "Santa Fe New Mexican, 04-27-1901." (1901). https://digitalrepository.unm.edu/sfnm_news/1024 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Santa Fe New Mexican, 1883-1913 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. SANTA FE NEW MEXICAN NO. 58 VOL. 38 SANTA FE, N. M., SATURDAY, APRIL 27, 1901. AN IMPORTANT ARREST. BRYAN'S FDTORE. ON FRIENDLY NOT THE OUR RELATIONS Rambler William Wilson Accused of the It is Discussed at Length By the Editor of FOOTING AGAIN Furnishing SHERIFF'S FAOLT CUBA Used WITH the Omaha Bee. Revolver and Ammunition New York, April 27. Edward Rose-wate- r, at the Penitentiary. editor of the Omaha. Bee, Is quo- For-- William alias MeGinty, has Sheriff Salome Garcia of Called Austria and Mexico Decide to , Wilson, Clayton, The Cuban Commission Upon ted iby the Times as saying last night: been arrested at Albuquerque upon a n, Answers An an pin-to- Each Other About the McFle Union County, President McKinley Today to "William Jennings Bryan, my give bench warrant Issued by Judge will Itae the candidate for governor ' Maximilian Affair, on the charge of having furnished the Important Question, Bid Him Farewell. -
A History of Oysters in Maine (1600S-1970S) Randy Lackovic University of Maine, [email protected]
The University of Maine DigitalCommons@UMaine Darling Marine Center Historical Documents Darling Marine Center Historical Collections 3-2019 A History of Oysters in Maine (1600s-1970s) Randy Lackovic University of Maine, [email protected] Follow this and additional works at: https://digitalcommons.library.umaine.edu/dmc_documents Part of the Aquaculture and Fisheries Commons, History of Science, Technology, and Medicine Commons, and the United States History Commons Repository Citation Lackovic, Randy, "A History of Oysters in Maine (1600s-1970s)" (2019). Darling Marine Center Historical Documents. 22. https://digitalcommons.library.umaine.edu/dmc_documents/22 This Newsletter is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Darling Marine Center Historical Documents by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. A History of Oysters in Maine (1600s-1970s) This is a history of oyster abundance in Maine, and the subsequent decline of oyster abundance. It is a history of oystering, oyster fisheries, and oyster commerce in Maine. It is a history of the transplanting of oysters to Maine, and experiments with oysters in Maine, and of oyster culture in Maine. This history takes place from the 1600s to the 1970s. 17th Century {}{}{}{} In early days, oysters were to be found in lavish abundance along all the Atlantic coast, though Ingersoll says it was at least a small number of oysters on the Gulf of Maine coast.86, 87 Champlain wrote that in 1604, "All the harbors, bays, and coasts from Chouacoet (Saco) are filled with every variety of fish. -
"He Beachcomber Is Rub
© All Advertisers "he Beachcomber is rub lished each Wed Looking into the a w w k mnv see. on clear days, the 3322 for advertis Isles of Shoals which are the historic islands located north- resentative cast of Hampton Beach. In 1660. six hundred fisher VOL. XXXVII, NO 2 Incorporating the men and their families lived •nfnr* A*p<h Advocolc WEDNESDAY, JUNE 30, 1965 on these islands. Then* are seven islands in this famous group The largest is Star Is- land where there is a hotel hich annual conferences of s Newest Port To Serve County at w Unitarian and Congregational churches are held. The world's newest port fa A former lighthouse keeper cility is located in Rocking on White's Island was the fa ham county at the mouth of ther of the famous American the Pi sea tai| 11a river in Ports poetess, Celia Thaxter. Most of mouth. her well known poems we**e Efforts begun in 1957 by a written at the Isles ot Shoals. group of interested business The best known is probably men became reality May 15 “The Little Sandpiper and 1”. Many ancient, wierd and of with the dedication of the first ten blood curdling stories are phase of the project, which of told of the islands. One story fers modern docks and load is that Captain Kidd buried and unloading facilities to mueh of his famous treasure large, ocean going ships. there. Some visitors, studying The impact of the project the crannies and crevices a- could be considerable if com mong the rocks, claim they can parable figures f l o m nearby still hear the “Old Pirate’s” Portland are any indication. -
Maineartsmag, Summer 2002 Maine Arts Commission
Maine State Library Maine State Documents Maine Arts Magazine Arts Commission Summer 2002 MaineArtsMag, Summer 2002 Maine Arts Commission Follow this and additional works at: http://digitalmaine.com/arts_magazine Recommended Citation Maine Arts Commission, "MaineArtsMag, Summer 2002" (2002). Maine Arts Magazine. Book 19. http://digitalmaine.com/arts_magazine/19 This Text is brought to you for free and open access by the Arts Commission at Maine State Documents. It has been accepted for inclusion in Maine Arts Magazine by an authorized administrator of Maine State Documents. For more information, please contact [email protected]. The official publication of the Maine Arts Commission. MAINEARTS COMMISSIONMagSummer 2002 artists An in maine Arts in the communities Capitol Tribute Traditions d’Icite the camping & children’s artmaking Maine State museum of House maine th Percent ranks 14 in Looking Back at for Art country Discovery Research PAL’s next year MAC launches new web site 22_1383.p65 1 8/16/02, 2:18 PM MAINE ARTS COMMISSION Mission The Maine Arts Commission shall encourage and stimulate public interest and participation in the cultural heritage and programs of our state; shall expand the state’s cultural resources; and shall encourage and assist freedom of artistic expression for the well being of the arts, to meet the legitimate needs and aspirations of persons in all parts of the state. GENERAL OFFICE NUMBERS: COMMISSION ADMINISTRATIVE STAFF COMMISSION PROGRAM STAFF COMMISSION OTHER CONTACTS 207/287-2724 – Direct Auto Attendant Alden C. Wilson, Director Paul Faria, Public Art Associate Donna Assmussen, Office Assistant 207/287-2725 – Fax [email protected] [email protected] 207/287-6571 207/287-2360 – TTY 207/287-2720 207/287-2726 MaineArts.com Hannah Gregory, Publications Coordinator Bryan W. -
Franklin C. Watkins by Andrew Carnduff Ritchie
Franklin C. Watkins By Andrew Carnduff Ritchie Author Museum of Modern Art (New York, N.Y.) Date 1950 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/3265 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art LIBRARY THE MUSEUM ]OF MODERN ART Received: * > * irpr ii»i fi — — Franklin C. WATKINS Andrew Carnduft Ritchie The Museum of Modern Art New York ACKNOWLEDGMENTS On behalf of the President and Trustees of the Museum of Modern Art the director of the exhibition wishes to thank the collectors and museums whose generosity in lending has made the exhibition possible. Particular thanks are due to Mr. Henry P. Mellhenny for his great kindness in permitting us to borrow his two large paintings, Death and Resurrection , at no small incon venience to himself; to Mr. Frank K. M. Rehn, Mr. Watkins' dealer, for his assistance in connection with all the details of the exhibition; to the Maga zine of Art for permission to reprint excerpts from an article by Franklin C. Watkins; and to the artist himself who has been of inestimable help in the preparation of the catalog. I also wish to thank Miss Alice Bacon and Miss Margaret Miller for their assistance in preparing the exhibition and the catalog. ANDREW CAR N DUFF RITCHIE Director of the Exhibition TRUSTEES OF THE MUSEUM OF MODERN ART John Hay Whitney, Chairman of the Board ; Henry Allen Moe, ist Vice- Chairman; William A. -
THE PICTURESQUE in GIOVANNI VERGA's SICILIAN COLLECTIONS Jessica Turner Newth Greenfi
THE PICTURESQUE IN GIOVANNI VERGA’S SICILIAN COLLECTIONS Jessica Turner Newth Greenfield A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Languages and Literatures (Italian). Chapel Hill 2011 Approved by: Dr. Federico Luisetti Dr. Dino Cervigni Dr. Ennio Rao Dr. Amy Chambless Dr. Lucia Binotti ©2011 Jessica Turner Newth Greenfield ALL RIGHTS RESERVED ii ABSTRACT JESSICA TURNER NEWTH GREENFIELD: The Picturesque in Giovanni Verga’s Sicilian Collections (Under the direction of Federico Luisetti) Giovanni Verga’s Sicilian short story collections are known for their realistic portrayal of the Sicilian peasant farmers and their daily struggles with poverty, hunger and injustice. This study examines the way in which the author employs the pictruresque in his Sicilian novelle and argues that there is an evolution in this treatment from picturesque to non-picturesque. Initially, this study will examine the elements and techniques that Verga uses to represent the picturesque and how that treatment changes and is utilized or actively destroyed as his writing progresses. For the purposes of this dissertation, a definition of the picturesque will be established and always associated with descriptions of nature. In this study, the picturesque will correspond to those descriptions of nature that prove pleasing for a painting. By looking at seven particular novelle in Vita dei campi and Novelle rusticane, I will show that Verga’s earlier stories are littered with picturesque elements. As the author’s mature writing style, verismo, develops, Verga moves through a transtitional phase and ultimately arrives at a non-picturesque portrayal of Sicily in his short stories. -
Landscapes in Maine 1820-1970: a Sesquicentennial Exhibition
LANDSCAPE IN MAINE 1820-1970 Digitized by the Internet Archive in 2015 https://archive.org/details/landscapesinmainOObowd LANDSCAPE IN MAINE 1820-1970 Landscape in Maine 1820-1970 Jl iSesquicentennial exhibition Sponsored by the Maine Federation of Women's Clubs, through a grant from Sears-Roebuck Foundation, The Maine State Commission on the Arts and Humanities, Colby College, Bowdoin College and the University of Maine at Orono. Colby College Art Museum April 4 — May 10 Bowdoin College Museum of Art May 21 — June 28 Carnegie Gallery, University of Maine, Orono July 8 — August 30 The opening at Colby College to be on the occasion of the first Arts Festival of the Maine Federation of Women's Clubs. 1970 is the Sesquicentennial year of the State of Maine. In observance of this, the Bowdoin College Museum of Art, the Carnegie Gallery of the University of Maine at Orono and the Colby College Art Museum are presenting the exhibition. Landscape in Maine, 1820-1970. It was during the first few years of Maine's statehood that American artists turned for the first time to landscape painting. Prior to that time, the primary form of painting in this country had been portraiture. When landscape appeared at all in a painting it was as the background of a portrait, or very occasionally, as the subject of an overmantel painting. Almost simultaneously with the artists' interest in landscape as a suitable sub- ject for a painting, they discovered Maine and its varied landscape. Since then, many of the finest American artists have lived in Maine where they have produced some of their most expressive works. -
Contemporary American Painting and Sculpture
ILLINOIS Liahy^BY AT URBANA-CHAMPAIGN AnoMiTEGTURE t/livMwir Of kill NOTICE: Return or renew all Library Materialsl The Minimum Fee for each Lost BooK is $50.00. The person charging this material is responsible for its return to the library from which it was withdrawn on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for discipli- nary action and may result in dismissal from the University. To renew call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN ^^ RPR^ ^ a:C 2 1998 L161—O-1096 LJj^«-*v Umermfi Paintm^ UNIVERSITY OF ILLINOIS / 1^ m II IK WA.NUKRKKS Jovii- 1 iciin.m UNIVERSITY OF ILLINOIS EXHIBITION OF CONTEMPORARY AMERICAN PAINTING College of Fine and Applied Arts Architecture Building Sunday, March 4, through Sunday, April 15, 1951 UNIVERSITY OF ILLINOIS PRESS, URBANA IHtUSRARYOfTHt MAn G .j51 OHivERSirr OF laiNois COPYRIGHT 1951 BY THE UNIVERSITY OF ILLINOIS PRESS MANUFACTURED IN 1 UK UNITED STATES ( )l AMIRKA (jV-/vtXv RICKER LIBRARY ARCHITECTURE is, L>- UNIVERSJT^ OF lUINfUS -t-^ UNIVERSITY OF ILLINOIS EXHIBITION OF CONTEMPORARY AMERICAN PAINTING GEORGE D. STODDARD President of the University DEAN REXFORD NEWCOMB Chairman, Festival of Contemporary Arts OPERATING COMMITTEE N. Britsky H. A. Schultz J. D. Hogan A. S. Weller J. W. Kennedy N. V. Ziroli E. C. Rae C. \'. Dono\an, Chairman STAFF COMMITTEE MEMBERS L. F, Bailey J. H. G. Lynch E. H. Betts M. B. Martin C. E. Bradbury R. Perlman E. J. Bransby A. J. Pulos C. W. Briggs J. W. Raushenberger L. R. -
Report of the President, Bowdoin College 1958-1959
Bowdoin College Bowdoin Digital Commons Annual Report of the President Special Collections and Archives 1-1-1959 Report of the President, Bowdoin College 1958-1959 Bowdoin College Follow this and additional works at: https://digitalcommons.bowdoin.edu/presidents-reports Recommended Citation Bowdoin College, "Report of the President, Bowdoin College 1958-1959" (1959). Annual Report of the President. 68. https://digitalcommons.bowdoin.edu/presidents-reports/68 This Book is brought to you for free and open access by the Special Collections and Archives at Bowdoin Digital Commons. It has been accepted for inclusion in Annual Report of the President by an authorized administrator of Bowdoin Digital Commons. For more information, please contact [email protected]. •'I £90 President's Report for the Sessions of 1958- 1959 BOWDOIN COLLEGE BULLETIN Digitized by the Internet Archive in 2013 http://archive.org/details/reportofpresiden19581bowd President's Report the Sessions for of 1 958-1 959 BOWDOIN COLLEGE BULLETIN Number 333 June 1959 Published four times during the College Year in September, December, March, and June, by The College Entered as second-class matter, June 28, 1907, at Brunswick, Maine under Act of Congress of July 16, 1894 — REPORT OF THE PRESIDENT To the Trustees and Overseers of Bowdoin College: I have the honor to submit the following report for the academic year 1958-1959: THE IMAGE OF BOWDOIN Modern sociological jargon so quickly adopted by Madison Avenue, focuses attention on the importance of "image"; the image of an institution denotes the manner in which it is viewed by its public. Careful scrutiny of the image of Bowdoin, and the assessment of the accuracy of that image, should be fruitful in understanding the College in today's dynamic world, and in enhancing the service of the College in the world of tomorrow. -
The Immigrant Oyster (Ostrea Gigas)
THE IMMIGRANT OYSTER (OSTREA GIGAS) NOW KNOWN AS THE PACIFIC OYSTER by E. N. STEELE PIONEER OLYMPIA OYSTERMAN IN COOPERATION WITH PACIFIC COAST OYSTER GROWERS ASSOCIATION, INC. TABLE OF CONTENTS CHAPTER I.........................................................................................................................Page 1 INTRODUCTION AN OYSTER GOES ABROAD SEED SETTING IN MAYAGI PREFECTURE IN YEAR 1918 SEEDS WERE VERY SMALL IN YEAR 1919 STORY OF JOE MAYAGI AND EMY TSUKIMATO SAMISH BAY SELECTED FOR EXPERIMENTAL PLANTINGS FIRST PLANTING OF SEED WAS A SUCCESS EXPERIMENTAL WORK IN JAPAN REPORT BY DR. GALTSOFF (Doc. 1066) U. S. BIOLOGIST Dr. HORI, JAPANESE BIOLOGIST OFFICIAL) REPORT ON SEED IN 1919 LESSONS LEARNED FROM JAPANESE EXPERIENCE Time of year to ship--Small seed most successful- When and where planted required further experience -The oyster had to answer that question. A TRIP TO SAMISH BAY WASHINGTON STATE PASSED ANTI-ALIEN ACT IN 1921 ROCKPOINT OYSTER Co. COMPLETED PURCHASE MAY 18, 1923 CHAPTER II........................................................................................................................Page8 An Oyster becomes Naturalized-Haines Oyster Co. of Seattle First Customer -Development of Seattle Markets -First year marketing very limited -First year shipper, Emy Tsukimato from Japan -First Seed Shipment, 492 Cases. Samples still retained. Development of best type of cultch. Experimental shipping in hold of ship or on deck -expanding the markets. Advent of planting in Willapa Harbor and Grays Harbor - -
![Watch ]4Aker S Jeweler, OYSTERS](https://docslib.b-cdn.net/cover/3305/watch-4aker-s-jeweler-oysters-2913305.webp)
Watch ]4Aker S Jeweler, OYSTERS
YOL. 8. GRAND RAPIDS, WEDNESDAY, JANUARY 7„ 1891. NO. 381. A l l e n D u k f e e . A . D. L e a v e n w o r t h . DAVIS’ CARBOLIC OIL STORE-KEEPIN’ ” FARMERS. mortgages and figures and interest and Allen Durfee & Co., Written for The Tradesman. sich ain’t wuth a cent. I’m afraid she* LINIMENT. Joseph Watson and George Holden won’t consent to put her name onto a D etroit, Mich. Gents—In 1856 I broke a knee-pan in the Prov were busy digging potatoes. It was fine mortgage. She says, ‘interest will eat idence, R. I., gymnasium, and ever since have September weather, and, their farms us up,’ that it’s like old Pundason’s FUNERAL DIRECTORS, been much troubled with severe pains in the knee joint. A few weeks ago I had a very severe joining each other, it was, perhaps, horse—eats nights as well as days.’ She 103 Ottawa St., Grand Rapids. attack of inflammatory rheumatism in the same knee, when I applied your Davis' Carbolic Oil natural that the neighbors had exchanged ays, ‘mebby you and Joe won’t do as Liniment, the third application of which cured work so that they might have a better well as them old store keepers in town’; W m. H. W hite & Co., me entirely. You have my permission to use my statements as you see fit. I am very thank opportunity to talk to each other. and she finds a great many excuses for MANUFACTURERS OF ful for the relief experienced. -
Boston Book Fair List 2016
EDWARD T. POLLACK FINE ARTS 29 FEENEY WAY - PORTLAND, ME 04103 [email protected] - WWW.EDPOLLACKFINEARTS.COM Tel 617-610-7173 - MEMBER: IFPDA, ABAA, ILAB BOSTON BOOK FAIR LIST - October 2016 I. BOOKS 1. (Corot, Daubigny, Buhot et. al.). FRENCH ETCHERS by Roger Riordan. Dodd, Mead, NY, 1884. Folio, gold-decorated cloth, Title page, Contents, and 20 etchings on laid paper, each accompanied by two pages of descriptive text. Removed from deteriorated binding and housed in an attractive new clamshell box on which is preserved the label from the original cover. Plates all generally in good order with occasional browning at the edges, and a few with very short tears at the sheet edges. Scarce, with no copies showing in any of the online databases, and only 12 copies located by OCLC. $2400.00 The etchings are as follows: 1.Corot Paysage d'italie 2.GravesandeMoulin a Veules 3.YonBords de la Marne 4.Feyen-PerrinVendangeuse 5.CasanovaFin Gourmet 6.Bastien LepageRetour Des Champs 7.DaubignyPommiers a Anvers 8.VeyrassatCheval a L'Ecurie 9.LanconEnlevement des Glaces au Bois de Boulogne 10.NehligLe Rixe au Cabaret 11.MartialBois de Pierrefonds 12.RopsL'Affuteur 13.BuhotUne Matinee d'Hiver au Quai de L'Hotel Dieu 14.BurnandAu Couvent 15.BallinPortsmouth - Magasin au Charbon de la Flotte Anglaise 16.RudeauxM'Aime un Peu, Beaucoup 17.JacquemartUne Genoise 18.AppianBarques et Pecheurs 19.ChauvelApres la Pluie 20.BeauverieRue des Rosiers, Montmarte 2. Achdjian, Albert. LE TAPIS - THE RUG. Editions Self, Paris, 1949. Quarto, stiff wraps with DJ, 287pp., + index, profusely illustrated with plates in color and b/w.