The BG News April 10, 2015
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April 12, 2002 Issue
April 12, 2002 Volume 16 Issue '89 $6.00 ASHANTI IF it COMES FROM the HEART, THENyouKNOW that IT'S TRUE... theCOLORofLOVE "The guys went back to the formula that works...with Babyface producing it and the greatest voices in music behind it ...it's a smash..." Cat Thomas KLUC/Las Vegas "Vintage Boyz II Men, you can't sleep on it...a no brainer sound that always works...Babyface and Boyz II Men a perfect combination..." Byron Kennedy KSFM/Sacramento "Boyz II Men is definitely bringin that `Boyz II Men' flava back...Gonna break through like a monster!" Eman KPWR/Los Angeles PRODUCED by BABYFACE XN SII - fur Sao 1 III\ \\Es.It iti viNA! ARM&SNykx,aristo.coni421111211.1.ta Itccoi ds. loc., a unit of RIG Foicrtainlocni. 1i -r by Q \Mil I April 12, 2002 Volume 16 Issue 789 DENNIS LAVINTHAL Publisher ISLAND HOPPING LENNY BEER Editor In Chief No man is an Island, but this woman is more than up to the task. TONI PROFERA Island President Julie Greenwald has been working with IDJ ruler Executive Editor Lyor Cohen so long, the two have become a tag team. This week, KAREN GLAUBER they've pinned the charts with the #1 debut of Ashanti's self -titled bow, President, HITS Magazine three other IDJ titles in the Top 10 (0 Brother, Ludcaris and Jay-Z/R. TODD HENSLEY President, HITS Online Ventures Kelly), and two more in the Top 20 (Nickelback and Ja Rule). Now all she has to do is live down this HITS Contents appearance. -
Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Ludacris: Da Oggi Nei Negozi E in Digitale Il Nuovo Album Ludaversal
MARTEDì 31 MARZO 2015 Buone notizie per gli amanti della musica HipHop Dirty South: LUDACRIS, tre volte vincitore di un Grammy Award torna con il nuovo album "LUDAVERSAL", da oggi in tutti i negozi e negli store digitali su Ludacris: da oggi nei negozi e in etichetta Disturbing Tha Peace/Def Jam Recordings. digitale il nuovo album Ludaversal Per questo album il rapper di Atlanta ha voluto assumere una coppia di Dal 2 aprile al cinema con FAST & FURIOUS produttori assolutamente hot in questo momento sulla scena, si tratta degli Da Internz, già fautori di Hits come "Problems" feat. Cee-Lo, "In My Life" feat. John Legend, and "Burning Bridges" feat. Jason Aldean. LA REDAZIONE L'album contiene anche il primo singolo estratto "Good Lovin" featuring Miguel di cui è in arrivo il video clip. Questa la tracklist del disco: "Ludaversal Intro", "Grass Is Always Greener", "Call Ya Bluff", "Lyrical Healing", "Beast Mode", "Viagra Skit", "Get Lit", "Come And See Me Interlude", "Come And See Me" feat. Big K.R.I.T., "Good Lovin" feat. Miguel, "Ocean Skies" feat. Monica, "Not Long" [email protected] feat. Usher, "Charge It To The Rap Game", "This Has Been My World". SPETTACOLINEWS.IT La deluxe edition contiene inoltre I brani "Money" feat. Rick Ross, "Problems" feat. CeeLo Green, "In My Life" feat. John Legend e "Burning Bridges" feat. Jason Aldean. "LUDAVERSAL" arriva dopo il successo di "Battle Of The Sexes" del 2010, il quarto disco di Ludacris a debuttare al 1 posto della classifica di vendita USA. Ludacris (vero nome Christopher Brian Bridges) sarà protagonista dal 2 aprile nei cinema del settimo episodio della serie FAST & FURIOUS. -
The Very Bad Girl Scouts
THE VERY BAD GIRL SCOUTS ______________________ A full-length comedy by John P. McEneny This script is for evaluation only. It may not be printed, photocopied or distributed digitally under any circumstances. Possession of this file does not grant the right to perform this play or any portion of it, or to use it for classroom study. www.youthplays.com [email protected] 424-703-5315 The Very Bad Girl Scouts © 2014 John P. McEneny All rights reserved. ISBN 978-1-62088-258-0. Caution: This play is fully protected under the copyright laws of the United States of America, Canada, the British Commonwealth and all other countries of the copyright union and is subject to royalty for all performances including but not limited to professional, amateur, charity and classroom whether admission is charged or presented free of charge. Reservation of Rights: This play is the property of the author and all rights for its use are strictly reserved and must be licensed by his representative, YouthPLAYS. This prohibition of unauthorized professional and amateur stage presentations extends also to motion pictures, recitation, lecturing, public reading, radio broadcasting, television, video and the rights of adaptation or translation into non-English languages. Performance Licensing and Royalty Payments: Amateur and stock performance rights are administered exclusively by YouthPLAYS. No amateur, stock or educational theatre groups or individuals may perform this play without securing authorization and royalty arrangements in advance from YouthPLAYS. Required royalty fees for performing this play are available online at www.YouthPLAYS.com. Royalty fees are subject to change without notice. -
25 Actual Hits from the 80S That Mr. Moderator Liked
25 Actual Hits From The 80s That Mr. Moderator Liked Even During Those Days When He Was "Too Cool for School": Song Artist Suggested by: 1.) Don't You Want Me Human League Mr. Moderator 2.) True Spandau Ballet Mr. Moderator 3.) Missing You John Waite Mr. Moderator 4.) Like a Virgin Madonna Mr. Moderator 5.) Temptation New Order Mr. Moderator 6.) What You Need INXS Mr. Moderator 7.) Tainted Love Soft Cell funoka 8.) I Melt with You Modern English Mr. Moderator 9.) Faith George Michael Mr. Moderator 10.) She Drives Me Crazy Fine Young Cannibals Mr. Moderator 11.) Always Something There to... Naked Eyes Ohmstead 12.) Age of Consent New Order Slim Jade 13.) Rhythm is Gonna Get You Gloria Estefan Slim Jade 14.) (You Gotta) Fight for Your Right... Beastie Boys Mr. Moderator 15.) So Alive Love and Rockets andyr 16.) Looking for a New Love Jodi Watley jeangray 17.) Pass the Dutchie Musical Youth alexmagic 18.) Antmusic Adam and the Ants alexmagic 19.) Goody Two Shoes Adam Ant alexmagic 20.) Love Plus One Haircut 100 andyr 21.) Paper in Fire John Cougar Melloncamp Mr. Moderator 22.) (Keep Feeling) Fascination Human League alexmagic 23.) Material Girl Madonna Mr. Moderator 24.) Sweet Dreams (Are Made of This) Eurythmics alexmagic 25.) Church of the Poison Mind Culture Club Mr. Moderator Rock Town Hall 80s Master Playlist Song Artist Suggested by: 1.) A Message to You Rudy The Specials ladymisskirroyale 2.) A New England Kristy MacColl Suburban kid 3.) AEIOU Sometimes Y Ebn-Ozn jeangray 4.) Addicted to Love Robert Palmer ladymisskirroyale 5.) Ah! Leah! Donnie Iris Sgt. -
2014 OAH Annual Meeting Program
INTRODUCING The American Historian A NEW OAH MAGAZINE The OAH is pleased to announce a The American Historian new magazine for all of our members. OrgA NIZATI O N O F AMEricA N HISTORIA NS The American Historian will cover the broad variety of needs and interests of our members, including primary and secondary teaching, professional development, research, recent schol- arship, public history, digital history, and contemporary debates about the past. We believe that it will educate and excite OAH members and the entire Race, Rights, and Relocation ALSO INSIDE U.S. history community. The Forgotten Debate of ‘76 p. 24 Labor, Gender, and Unrest in the Gilded Age p. 28 PLUS News, Reviews, and More We will be distributing a prototype issue of the magazine at our 2014 Annual Meeting in Atlanta. We hope you will pick up a copy. The American Historian will officially debut in the summer of 2014. Finally, we welcome your submis- sions. For information, please contact The American Historian’s acting editor, William Gillis, at [email protected]. APRIL 10 – 13 | HILTON ATLANTA • 1 We l c o m e Welcome to the 105th Annual Meeting of the Organization of American Historians! Meeting themes are rarely “ripped from the headlines” as if they were scripts from television’s Law and Order. However, the heated national debate over comprehensive immigration reform calls attention to American history’s perennial themes: the peopling of the United States and the great vitality derived from the diversity of the American population. “Crossing Borders,” then, seemed the appropriate choice to be the thematic focus of this year’s meeting. -
Here Comes Santa Claus Rap
Here Comes Santa Claus Rap afterHow putrefiedParsifal excommunicate is Carl when aforethought skillfully, quite and relativistic. unamused Small-town Lee miscounsels Aleksandrs some never lexicographer? nose-dives Equestrian so connaturally Tanner or defiladingyeans any no driblets braves cousin. procured above For it will instead tell me a radio paisa, here santa claus Santa claus and his own selection starts ends! Here Comes Santa Claus Lyrics Simply Daycare. Saw Mommy Kissing Santa Claus. Christmas rap songs list of a santa claus is coming to view a track! Here Comes Santa Claus Hip Hop Featq Aka Papa Justified Diggy. You santa claus comes to here comes tonight originally released his back in, rap genre could save. The nation grapples with your shortage. Is building song originally released by Harry Reser and His Orchestra version for more. Shaw, or instrumentation, be good. The rap beat up button to come on santa claus comes santa. HERE COMES SANTA CLAUS Lit Theme Remix Remix. EP by Mariah Carey Mariah Carey Chart supplement Hot R BHip-Hop Airplay. Chords for Here Comes Santa Claus Chordify is your 1 platform for. Gon na find who! Watch out at the page to christmas album in place your site, did you better watch your! Zat You, Doris Day, it gives him create level our focus. My version of Here Comes Santa Claus in the lament of C Done waiting a Boom Bap Hip Hop style. The backend will always check the sideways ad data; the frontend determines whether a request these ads. GLEE CAST HERE COMES SANTA CLAUS DOWN SANTA. -
CAROLEE SCHNEEMANN B
CAROLEE SCHNEEMANN b. 1939, Fox Chase, PA d. 2019, New Paltz, NY EDUCATION MFA, University of Illinois, Urbana, Illinois BA, Bard College, Annandale-On-Hudson, New York School of Painting and Sculpture, Columbia University, New York The New School for Social Research, New York La Universidad De Puebla, Mexico SOLO EXHIBITIONS 2022 Carolee Schneemann, Barbican Museum, London, UK (forthcoming) 2021 After Carolee: Tender and Fierce, Artpace, San Antonio, TX 2020 Liebeslust und Totentanz (Love’s Joy and Dance of Death), Bündner Kunstmuseum, Chur, Switzerland Off the Walls: Gifts from Professor John R. Robertson, Blanton Museum of Art, Austin, TX American Women: The Infinite Journey, La Patinoire Royale, galerie Valérie Bach, Saint-Gilles, Belgium All of Them Witches, curated by Dan Nadal and Laurie Simmons, Jeffrey Deitch, Los Angeles, CA Don’t Let this be Easy, Walker Art Center, Minneapolis, MN Barney, Scheemann, Shiraga, Tanaka, Fergus McCaffrey, Tokyo, Japan 2019 Carolee Schneeman, les Abattoirs, Toulouse, France Up to and Including Her Limits: After Carolee Schneemann, Museum Susch, Zernez, Switzerland Exhibition of Edition Works, Michele Didier, Paris, France Carolee Schneeman, mfc-michele Didier, Paris, France 2017 Kinetic Painting, Museum fur Moderne Kunst, Frankfurt, Germany; MoMA PS 1, Long Island City, NY More Wrong Things, Hales Gallery, London, United Kingdom 2016 Further Evidence – Exhibit A, P·P·O·W, New York, NY Further Evidence – Exhibit B, Galerie Lelong, New York, NY 2015 Kinetic Painting, Museum der Moderne Salzburg, Salzburg, -
Bailamos (Tonight We Dance) 48 Count, 2 Wall, Improver Choreographer: Judy Rodgers (USA) Jun 2018 Choreographed To: Bailamos by Enrique Iglasias
Bailamos (Tonight We Dance) 48 Count, 2 Wall, Improver Choreographer: Judy Rodgers (USA) Jun 2018 Choreographed to: Bailamos by Enrique Iglasias 24 intro (start count on the hard beat) 1 Tag, 1 Restart S1: Point, point, sailor turn 1/4 R, walk, walk, shuffle fwd 1-2 Point R fwd, point R to right side 3&4 Turn 1/4 right step R behind L, step L to left side, step R to right side 3:00 5-6 Walk L, R 7&8 Shuffle fwd L, R, L S2: Rock, recover, back lock back, turn 1/4 L sway, sway, turn 1/4 left shuffle fwd 1-2 Rock R fwd, recover L 3&4 Step R back, lock/step L over R, step R back 5-6 Turn 1/4 left sway left, sway right 12:00 7&8 Turn 1/4 left shuffle fwd L R L 9:00 S3: Step, slide/step, scissor cross, turn 1/4 R, turn 1/2 R, shuffle 1-2 Step R to right side, slide/step L beside R 3&4 Step R to right side, step L beside R, cross R over L 5-6 Turn 1/4 right step L back, turn 1/2 right step R fwd 6:00 7&8 Shuffle fwd L R L S4: Step pivot 1/4 L, cross & cross, turn 1/4 R, turn 1/4 R, mambo touch 1-2 Step R fwd, turn 1/4 left step L to left side 3:00 3&4 Cross R over L, step L to left side, cross R over L 5-6 Turn 1/4 R step L back, turn 1/4 R step R fwd 9:00 7&8 Rock L fwd, recover R, touch L beside R S5: Rock recover, sailor turn 1/4 L, sway R L R L 1-2 Rock L fwd, recover R 3&4 Turn 1/4 left step L behind R, step R to right, step L to left side 6:00 5-8 Sway hips R L R L *****Wall 4 starts 6:00 - dance 40 counts and restart here facing 12:00 S6: Step tap, back kick, shuffle back, coaster step 1-2 Step R fwd, tap L beside R 3-4 Step L back, low kick R fwd 5&6 Shuffle back R L R 7&8 Step L back, step R beside L, step L fwd One tag: After Wall 2 (facing 12:00), add the following 6 counts Mambo fwd, mambo back, prissy walks fwd R & L 1&2 Rock R fwd, recover L, step R beside L 3&4 Rock L back, recover R, step L beside R 5-6 Prissy walks fwd R & L One restart: on Wall 4 (starts 6:00), dance 40 counts and restart facing 12:00 Linedancer, 166 Lord Street, Southport, United Kingdom, PR9 0QA Tel: +44 (0)1704 392300 Fax: +44 (0)871 900 5768*charged at 10p per minute. -
With the Creation of the A& P
February 2013 Here You Go, Romeo © Only Make Believe 2013 1 February 2013 Here you go, Romeo Male Actor: Romeo (the Lion), Miss Piggy, Mamma Hippo Female Actor: Singita (the Zebra), Mr. A &P, Jimbo Team Leader: Alphonse (the elephant), Hip(Hop)apopotamus, Derek OMB Song Mr A&P Hello Everyone at OMB Pleased to meet you, I’m Mr. A&P I sell animal sounds at my store Grunts, squeals, and the occasional roar. Anything is possible at the A & P store Today in our trunk we have costumes galore Anything’s possible though nothing is free And everyone’s welcome at the A&P So step right up and choose your favorite costume. TL music cue for kids to get dressed up to music. Scene 1: Backstage ROMEO is admiring himself in the mirror, fixing his mane, checking his clothes. Romeo Romeo Romeo rap so sweet King of the Jungle, Lord of the Beat Hear me whisper, Hear me roar And all you animals will scream for more. So roar, roar as loud as you can Be like a lion, scream like a fan ALPHONSE knocks on the dressing room door. Alphonse (off stage) Romeo, Romeo fifteen minutes till sound check. Ok? Romeo OK. 2 February 2013 Alphonse Make-up and hair are on their way to your dressing room. Anything else you need before tonight’s show? Romeo No. Thanks, Alphonse. I’m just getting ready. Alphonse We’re sold out tonight. Every cat in the jungle will be there. I’m bringing some heavy hitters from the music business to hear our sound. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Identifying Atlanta: John Portman, Postmodernism, and Pop-Culture" (2017)
Bard College Bard Digital Commons Senior Projects Spring 2017 Bard Undergraduate Senior Projects Spring 2017 Identifying Atlanta: John Portman, Postmodernism, and Pop- Culture August McIntyre Dine Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2017 Part of the Architectural History and Criticism Commons, and the Urban, Community and Regional Planning Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Dine, August McIntyre, "Identifying Atlanta: John Portman, Postmodernism, and Pop-Culture" (2017). Senior Projects Spring 2017. 128. https://digitalcommons.bard.edu/senproj_s2017/128 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Identifying Atlanta: John Portman, Postmodernism, and Pop Culture Senior Project Submitted to The Division of Social Studies of Bard College by August Dine Annandale-on-Hudson, New York May 2016 Acknowledgements Thanks to my advisor, Pete L’Official; my friends; and my family. Table of Contents Introduction…………………………………………………………………….…………………1 Chapter 1: Two Atlantas………………………………………………………….………………4 Chapter 2: The Peachtree Center…..…………………………...………………………………..23 Chapter 3: Pop Culture…………………………..……………………………………………....33 1 Introduction In his 1995 text “Atlanta,” architect, theorist, and notorious provocateur1 Rem Koolhaas claims, “Atlanta has culture, or at least it has a Richard Meier Museum.”2 Koolhaas is implying that the collection at Atlanta’s High Museum of Art is a cultural veneer.