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Diamond Textiles Lookbook 2020
E stablished over 25 years ago, We pride ourselves on being a fair trade Diamond Textiles has become an distributor—providing jobs and internationally acclaimed wholesale support for countless rural villages in textile company. Our company is India and Indonesia. based on a dream of creating fabrics Diamond Textiles holds dearly its that intertwine traditional organic tenets of personable customer service elements with a modern relevance. and exceptional quality of fabric. What’s Inside We currently distribute fabrics across Whether you are a large international the United States, in Europe, Africa, distributor, a small storefront, or a Tweed Thicket Canada, South America, Australia, cottage industry, you are served equally Pluses & Crosses and Asia. and professionally. Topstitch Confetti Faded Memories Nikko™, Nikko II, Nikko III Cotton Embossed Primitive Stars Sandcastle Nikko Geo Moon Cloth Diamond Textiles Wholesale Fabric Supplier 13731 Desmond Street Pacoima CA 91331 Spring [email protected] PHONE: 818-899-9144 2020 FAX: 818-899-9145 Tweed Thicket We’ve added new colors to our popular Tweed Thicket collection to include lush blue greens: blue suede, French grey and dragonfly. To complement these we are Tweed introducing earthtones of butter rum, pink ginger and natural twine. Tweed Thicket is a yarn-dyed cotton now Thicket available in 36 colors. Shipping to shops in July 2020. Avobe right and below: Quilt blocks from the Kinship: 100 Block Fusion Sampler from the #100Days100Blocks sew-along by gnomeangel.com Bianca Dress. Pattern by Violette Field www.diamondtextilesusa.com (818) 899-9144 [email protected] www.diamondtextilesusa.com (818) 899-9144 [email protected] Tweed Thicket Pluses & Crosses Pluses & Crosses Inspired by hand stitching and visible mending, Diamond Textiles is combining an array of saturated hues with a special weaving process to create the look of hand stitching. -
Embroidery Tools & Equipment. Categories of Basic Stitch~S of Hand
Annexure – I Details of Theory Syllabus Sl. No. DETAILS 1 Embroidery tools & equipment. Categories of basic stitch~s of hand embroidery-their techniques anc applications. 2 Embroidery threads and their classification. Selection of threads & needles according to the texture and fibre of the material. 3 Tracing technique. 4 Tracing methods. 5 Ironing & finishing of the embroidered articles. 6 Identification of fiber and their characteristics. 7 Shade work, its kinas, techniques & characteristics 8 Applique work. 9 Smocking -its kinds and uses. 10 Cut work- its kinds and uses. 11 Line Types of lines -Straight, curved, dotted, zigzag,etc. Pasition of forms - Vertical, horizontal; diagonal & oblique 12 Types of forms -Geometrical, natural, decorative & free hand. 13 Sketching & Monogram - Free hand-Naturaf (Flowers, Leaves etc.) Garments - Ladies, Gents, Children Stitches, hems, etc. 14 Lettering & Monogram-Use of stencils (English &Devnagiri) Sizes. 15 cm & 2.5 cm Monogram with help of stencils 15 Enlargement & Reduction of form/design-Grid Method (Squarelscale method) 16 Types of Colour & Tones of Colour-- Primary, Secondary, Neutral, Cool <& warm Tint, Tone & Shade. 17 Colour wheel & colour schemes- 1. Colour-colour wheel 2. Monochrome 3. Contrast 4. Related 5. Neutral (Black & White &Gray) 6. Complementary 7. Multicolour Detail of Practical Syllabus SL NO DETAILS 1 MODULE-I HAND EMBRODIARY A. BASIC STITCHES (a) Flat Stitch 1. Running Stitch 2. Back Stitch 3. Stem Stitch 4. Satin Stitch 5. Kashmiri Stitch 6. Couching Stitch 7. Cross Stitch 8. Herringbone Stitch (b) Loop Stitches 1. Chain Stitch 2. Lazy-daisy Stitch 3. Button hole Stitch 4. Blanket Stitch 5. Fishbone Stitch 6. -
A Voyage of Discovery Through the Threads of Bengali Embroidery
a voyage of discovery through the threads of Bengali embroidery a voyage of discovery through the threads of Bengali embroidery . -
Research Article
Available Online at http://www.journalajst.com ASIAN JOURNAL OF SCIENCE AND TECHNOLOGY Asian Journal of Science and Technology ISSN: 0976-3376 Vol. 08, Issue, 10, pp.60 84-6089, October, 2017 RESEARCH ARTICLE KANTHA EMBROIDERY-A WOMAN-CENTRIC PATH TOWARDS EMPOWERMENT FOR ARTISANS IN WEST BENGAL 1Dr. Debaleena Debnath and 2Sreenanda Palit 1Assistant Professor, Folklore Dept., Kalyani University, Nadia, West Bengal 2Associate Professor and Centre Coordinator-Fashion Communication, National Institute of Fashion Technology, Kolkata, Ministry of Textiles, Govt. of India ARTICLE INFO ABSTRACT Article History: Niaz Zaman describes the needlecraft of Kantha as "women's art”. Traditionally the Kantha embroidery Received 04th July, 2017 of Bengal has been the forte of women, unlike Zardosi and Ari work which is predominated by men Received in revised form folk. The craft has a history of being a revered recycled product. A Kantha is considered to be layers of 21st August, 2017 old sarees or dhotis quilted together to form a blanket, used by the poor as a protection against cold. Accepted 06thSeptember, 2017 Later the ‘nakshi’ form of it was born in the household of undivided Bengal as a portrait of women’s th Published online 17 October, 2017 aspiration and dream. The paper discusses how Kantha has been dominated by women and has eventually helped to empower hundreds of them. The various factors that made it woman-centric have Key words: been explored through primary research conducted among 50 artisans from Nanoor, Birbhum District, Kantha, Needlecraft, Quilting, and Kadambagachi, Barashat District of West Bengal. The study presents a comparative study of both Women empowerment, the clusters. -
Dr. Mahuya Hom Choudhury Scientist-C
Dr. Mahuya Hom Choudhury Scientist-C Patent Information Centre-Kolkata . The first State level facility in India to provide Patent related service was set up in Kolkata in collaboration with PFC-TIFAC, DST-GoI . Inaugurated in September 1997 . PIC-Kolkata stepped in the 4th plan period during 2012-13. “Patent system added the fuel to the fire of genius”-Abrham Lincoln Our Objective Nurture Invention Grass Root Innovation Patent Search Services A geographical indication is a sign used on goods that have a specific geographical origin and possess qualities or a reputation that are due to that place of origin. Three G.I Certificate received G.I-111, Lakshmanbhog G.I-112, Khirsapati (Himsagar) G.I 113 ( Fazli) G.I Textile project at a glance Patent Information Centre Winding Weaving G.I Certificate received Glimpses of Santipore Saree Baluchari and Dhanekhali Registered in G.I registrar Registered G.I Certificates Baluchari G.I -173-Baluchari Dhanekhali G.I -173-Dhaniakhali Facilitate Filing of Joynagar Moa (G.I-381) Filed 5 G.I . Bardhaman Mihidana . Bardhaman Sitabhog . Banglar Rasogolla . Gobindabhog Rice . Tulaipanji Rice Badshah Bhog Nadia District South 24 Parganas Dudheswar District South 24 Chamormoni ParganasDistrict South 24 Kanakchur ParganasDistrict Radhunipagol Hooghly District Kalma Hooghly District Kerela Sundari Purulia District Kalonunia Jalpaiguri District FOOD PRODUCTS Food Rasogolla All over West Bengal Sarpuria ( Krishnanagar, Nadia Sweet) District. Sarbhaja Krishnanagar, Nadia (Sweet) District Nalen gur All over West Bengal Sandesh Bardhaman Mihidana Bardhaman &Sitabhog 1 Handicraft Krishnanagar, Nadia Clay doll Dist. Panchmura, Bishnupur, Terrakota Bankura Dist. Chorida, Baghmundi 2 Chhow Musk Purulia Dist. -
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* 29 Heidi F. Jie HREADS STORIES IN THE THREADS: INTERVENTION AND T REINTERPRETATION IN KANTHA-MAKING The art of mending is an ancient craft. From clothing to pottery, what was worn and damaged was repaired to be used again. The repurposing of textiles has long been appreciated as an art form. Quilting, or the sewing together of layers of fabric by stitching through those layers to produce a thicker fabric, has been practiced in many regions around the world, from Europe and Asia to the Americas and Africa, and has taken on many forms and techniques. Quilting refers to the activity as well as the stitching technique used to work through the layers, and there are similarities and variances in both of these across traditions and cultures. For the purposes of this essay, the term ‘craft’ will refer to the mastery, skill and effort involved in making a thing by hand, in this case, a textile work such as a kantha. Because these works are an expression of that skill, requiring the use of imagination and creativity, they are a form of art.1 TORIES IN THE S The word ‘kantha’ speaks not only of a textile used for bedding and the name of the stitch; it has come to refer to any object using the stitch as part of its design. It can be found on a variety objects from saris to home furnishings today. Very simple and versatile, it lends itself easily to many design possibilities and materials. The only criterion for the perfect kantha stitch is that it is even in size and spacing, an exacting task. -
Introduction History of Bengal
Introduction West Bengal is one of the thirty-seven constituent states/ Union Territories of the Union of India lying on the eastern region of the country. India's total landmass is divided into 28 states and 9 union territories. Until 6 August 2019, there were officially 29 states in India. However, that number now has decreased by one to make 28 states after Jammu & Kashmir was granted the status of a Union Territory with its own legislature. It is the 4th ranked state in percentage share of 7.79 to total population of India and also the seventh most populous of the sub-national entity of the world, with over 91 million inhabitants covering a total area of 88,752 sq. km3. West Bengal is one of the most thickly populated states with population density of 1028 per sq. km. The striking point is that with 2.70 percent land share of the country it sustains 7.55 per cent of its population, ranks 12th in area but 4th in population share. A major agricultural producer, West Bengal is the 6th largest contributor to India’s net domestic product. It is bordered by the five national boundaries of Orissa, Jharkhand and Bihar on the west, Sikkim on the north and Assam on the east. It has international borders with the neighbouring countries – Bhutan and Nepal on the north and Bangladesh on the east. History of Bengal Bengal finds a place even in prehistoric times. Stone-age tools have been excavated in the state dating back 20,000 years. Remains of civilization in the greater Bengal region date back 4,000 years. -
A Socio-Economic Study of Kantha-Stitch Craftswomen of Santiniketan
Journal of Textile and Clothing Science ISSN (Online): 2581-561X Available online at http://www.jtcsonline.com A SOCIO-ECONOMIC STUDY OF KANTHA-STITCH CRAFTSWOMEN OF SANTINIKETAN Dibyendu Bikash Datta1 1Associate Professor, Department of Fashion Management Studies, National Institute of Fashion Technology (Ministry of Textiles, Govt. of India), Plot-3B, Block-LA, Sector III, Salt Lake City, Kolkata - 700 098 A R T I C L E I N F O A B S T R A C T Article history: Handicraft industries is an important role in the livelihood and Presented in National Workshop economy of rural people of the developing countries like India. and Seminar on Exploration of The kantha craft of Santiniketan is not an exception to this KANTHA EMBROIDERY for the Niche Market concept. Most of the Indian traditional industries are suffering from stagnation or decline and they survive even with the Keywords: onslaught in the era of globalization. Production organization Women, competition, hindrances, plays a vital role not only in economic activity but also in the challenges, artisans, embroidery, distribution of benefits of economic activity among the kantha. participants. The productivity of workers and earnings share vary substantially across different production organization, namely independent, intermediaries (under mahajan) and cooperative, and potentiality of growth varies across the trade. The present note seeks to analyse the above-noted issues with reference to kantha crafts of Santiniketan of West Bengal. The study reveals that production organization tied to mahajans is proliferating in the era of liberalization, privatization, and globalization of the economy while independent and cooperative organizations rather stagnate or even suffer decline. -
A Study of Kantha Workers in Rural Bengal
International Journals of Multidisciplinary Research Academy Editorial Board Dr. CRAIG E. REESE Professor, School of Business, St. Thomas University, Miami Gardens Dr. S. N. TAKALIKAR Principal, St. Johns Institute of Engineering, PALGHAR (M.S.) Dr. RAMPRATAP SINGH Professor, Bangalore Institute of International Management, KARNATAKA Dr. P. MALYADRI Principal, Government Degree College, Osmania University, TANDUR Dr. Y. LOKESWARA CHOUDARY Asst. Professor Cum, SRM B-School, SRM University, CHENNAI Prof. Dr. TEKI SURAYYA Professor, Adikavi Nannaya University, ANDHRA PRADESH, INDIA Dr. T. DULABABU Principal, The Oxford College of Business Management,BANGALORE Dr. A. ARUL LAWRENCE SELVAKUMAR Professor, Adhiparasakthi Engineering College, MELMARAVATHUR, TN Dr. S. D. SURYAWANSHI Lecturer, College of Engineering Pune, SHIVAJINAGAR Mr. PIYUSH TIWARI Ir. Executive, Dispatch (Supply Chain), SAB Miller India (Skal Brewaries Ltd.) July IJMT Volume 1, Issue 2 ISSN: 2249-1058 2011 __________________________________________________________ Prof S. R. BADRINARAYAN Sinhgad Institute for Management & Computer Applications, PUNE Mr. GURSEL ILIPINAR ESADE Business School, Department of Marketing, SPAIN Mr. ZEESHAN AHMED Software Research Eng, Department of Bioinformatics, GERMANY Mr. SANJAY ASATI Dept of ME, M. Patel Institute of Engg. & Tech., GONDIA(M.S.) Mr. G. Y. KUDALE N.M.D. College of Management and Research, GONDIA(M.S.) Editorial Advisory Board Dr.MANJIT DAS Assitant Professor, Deptt. of Economics, M.C.College, ASSAM Dr. ROLI PRADHAN Maulana Azad National Institute of Technology, BHOPAL Dr. N. KAVITHA Assistant Professor, Department of Management, Mekelle University, ETHIOPIA Prof C. M. MARAN Assistant Professor (Senior), VIT Business School, TAMIL NADU DR. RAJIV KHOSLA Associate Professor and Head, Chandigarh Business School, MOHALI Dr. S. K. SINGH Asst. -
Zardozi Embroidery
ZARDOZI EMBROIDERY List of Contents 1. Introduction 1.1 History of the craft 2. Regions Known for Zardozi Work in India 3. Producer Communities 4. Raw Material 4.1. Metal Wire 4.2. Embellishments 4.3 Raw Material Procurement 5. Tools Used 5.1. Adda / frame 5.2. Needle 5.3. Scissors 6. The Process of Zardozi Embroidery 6.1. Designing 6.2. Tracing 6.3. Setting the Adda / Frame 6.4. The Embroidery 7. Uses of the Product 8. Marketing 9. Changes in Recent Years 10. References 1. Introduction Different styles of Indian embroidery have been handed down from generation to generation such as Zardozi, Chikankari, Sujni, Kantha, Kasuti, Toda, mirror work. The passion for embroidery in India has led to great experimentation in the field, with several styles, creating dazzling effects such as the 'stained glass' look, the long cross stitch, rice stitch, textured panels and much more. One can see embroidery on wall hangings, saris, textiles and garments, incorporating unique motifs and patterns. Zardozi is one of the oldest and most beautiful embroidery styles of India. It is used extensively in clothing and home decoration. Painstakingly and delicately done by hand, creations in Zardozi work are timeless, unbounded by the shackles of trends. 1.1 History of the craft Zardozi — the magnificent metallic embellishment of India — dates back to ancient times. It finds mention in Vedic literature, the Ramayana and the Mahabharata, and all accounts of the Sultanate period. The country, from very early times, was known for the use of gold embroidery on a variety of objects including furnishings, trappings, parasols, and equestrian ornaments. -
List of Awardees Sl. No Name Craft State Recipients of National Award
List of Awardees Sl. No Name Craft State Recipients of National Award for the Year 2012 1 Shri Chanchal Chakraborty Metal Delhi 2 Shri T. M. Mayachar Bronze Carving Karnataka 3 Shri Man Mohan Soni Metal Engraving Uttar Pradesh 4 Shri Harpal Singh Yadav Brass Engraving Uttar Pradesh 5 Smt. Jhunu Dutta Cane &Bamboo West Bengal 6 Shri M.Devaraj Silpi Stone Carving Tamil Nadu Clay Modeling 7 Shri Sudhir Kumar Paul West Bengal (Terracotta) 8 Shri P.G.Keshavulu Gold Leaf Painting Andhra Pradesh 9 Shri K.Siva Prasad Reddy Kalamkari Painting Andhra Pradesh Shri Khatri Jumabhai 10 Rogan Painting Gujarat Daudbhai Shri Bhanubhai Chunilal Kalamkari Traditional 11 Gujarat Chitara Matani Pachhedi Painting 12 Shri Samsher Khan Miniature Phad Painting Rajasthan 13 Shri Shiv Shankar Sharma Miniature Painting Rajasthan 14 Shri Sindhe Maruthi Rao Leather Puppet Andhra Pradesh 15 Smt. Chandra Gujar Leather Mojri Juti Rajasthan Bagh Print (Traditional 16 Mohammed Dawood Khatri Hand Block Print with Madhya Pradesh Natural colour) 17 Smt. Khropeu Koza Artistic Tribal Textiles Nagaland Hand Embroidery 18 Smt.Shweta Kaistha Delhi Chikankari Kantha Stitch 19 Smt. Mahamaya Sikdar West Bengal Nakshi Kantha 20 Shri Rathindra Nath Malik Coconut Shell Carving West Bengal Recipients of National Award for the Year 2013 1 Shri Tijuram Vishwakarma Wrought Iron Chhattisgarh 2 Shri Sivakumar S.R Vedic Metal Art Kerala Sheet Metal art ware in 3 Shri R.Venkateshwarlu Telangana brass 4 Shri R.V.Shajahan @ Shaji Wood Carving Kerala 5 Shri K.R.Mohanan Wood Carving Kerala 6 Smt. Anita Das Cane & Bamboo Tripura 7 Shri Keshava Maharana Stone Carving Odisha 8 Smt. -
Photo Story of Durga Puja Your Home – Stuff Like Crockery, Cutlery, Tirthankar Das Decorative Items and Other Utilities
THE COGNITION TREE October 2018 Issue Volume 1 Reviews... Page -2 | Opinion... Page - 3 | Photostory of Durga Puja... Page - 4 | Through Lenses... Page - 5 | Literary Wisdom... Page - 6 | Travellogue... Page - 7 | Interview Corner... Page - 8 NEWS IN BRIEF The Kolkata Call for ‘MAA asche’ Bollywood joins #metoo Priyadarshini Mukherjee pandals and the deities. The work of art of the pandals, i.e., the puja stations where Yaa Devi Sarva Bhute Shu, the deity is established and the puja is held, Shakti Rupey Na Sanskrita| is always presented via exciting themes or Namasta Seyi Namasta Seyi, subjects. The themes mostly signify history, Namasteseyi Namo Namahaaa|| science, art and literature, modern life, society or any latest event. They are he is the one revered since ages and steeped in our rich culture and traditions. reverted to always to picturize the The themes also are sometimes discovered Smanifestation of women power, the as upholding various pertinent social issues greatest epitome of strength and vitality. and places causing general awareness. With Tanushree Dutta accusing actor Nana She is the one who annihilated Mahishasura Pujas generally entice various sponsors Patekar of harassing her on the sets of Horn and is a figurative representation of the from a lucrative prospective who cohere ‘OK’ Pleassss and later sending political domination of good over evil in our society. for its brand promotions at the same time; it Durga Puja is metaphorically symbolized is a formative ground for any projection of party goons to cover up the act, it seems by the ‘Sharater er Akash, kash phooler art and literature.