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Diamond Textiles Lookbook 2020
E stablished over 25 years ago, We pride ourselves on being a fair trade Diamond Textiles has become an distributor—providing jobs and internationally acclaimed wholesale support for countless rural villages in textile company. Our company is India and Indonesia. based on a dream of creating fabrics Diamond Textiles holds dearly its that intertwine traditional organic tenets of personable customer service elements with a modern relevance. and exceptional quality of fabric. What’s Inside We currently distribute fabrics across Whether you are a large international the United States, in Europe, Africa, distributor, a small storefront, or a Tweed Thicket Canada, South America, Australia, cottage industry, you are served equally Pluses & Crosses and Asia. and professionally. Topstitch Confetti Faded Memories Nikko™, Nikko II, Nikko III Cotton Embossed Primitive Stars Sandcastle Nikko Geo Moon Cloth Diamond Textiles Wholesale Fabric Supplier 13731 Desmond Street Pacoima CA 91331 Spring [email protected] PHONE: 818-899-9144 2020 FAX: 818-899-9145 Tweed Thicket We’ve added new colors to our popular Tweed Thicket collection to include lush blue greens: blue suede, French grey and dragonfly. To complement these we are Tweed introducing earthtones of butter rum, pink ginger and natural twine. Tweed Thicket is a yarn-dyed cotton now Thicket available in 36 colors. Shipping to shops in July 2020. Avobe right and below: Quilt blocks from the Kinship: 100 Block Fusion Sampler from the #100Days100Blocks sew-along by gnomeangel.com Bianca Dress. Pattern by Violette Field www.diamondtextilesusa.com (818) 899-9144 [email protected] www.diamondtextilesusa.com (818) 899-9144 [email protected] Tweed Thicket Pluses & Crosses Pluses & Crosses Inspired by hand stitching and visible mending, Diamond Textiles is combining an array of saturated hues with a special weaving process to create the look of hand stitching. -
Average Weight of Common Household Furniture
AVERAGE WEIGHT OF COMMON HOUSEHOLD FURNITURE Average Weight Average Weight FURNITURE TYPE (EMPTY) FURNITURE TYPE (EMPTY) Armoire (Large) 200 Bed Headboard (Full) 40 Armoire (Medium) 150 Bed Headboard (King) 55 Armoire (Small) 100 Bed Headboard (Queen) 45 Baby Changing Table 50 Bed Headboard (Twin) 20 Baby Crib (Frame) 40 Bed Rails 10 Baby Crib (Mattress) 15 Bench (Wooden) 75 Baby High Chair 30 Bicycle 25 Baby Play Pen 60 Book Case (Large) 100 Baby Stroller 25 Book Case (Medium) 75 Bar 175 Book Case (Small) 25 Bar Stool 15 Boxes 40 Bed - Double (Box Spring) 60 Boxspring (Full Size) 60 Bed - Double (Footboard) 25 Boxspring (Queen Size) 75 Bed - Double (Headboard) 40 Boxspring (Twin Size) 50 Bed - Double (Mattress/Pillow Top) 75 Breakfront 200 Bed - Double (Mattress/Standard) 60 Buffet 125 Bed - Double (Set of Rails) 10 Cabinet (Curio) 150 Bed - Queen Size (Boxspring) 75 Cabinet (w/ Glass) 100 Bed - Queen Size (Footboard) 35 Cabinet (Wooden) 125 Bed - Queen Size (Headboard) 45 Carpet (Rolled) 125 Bed - Queen Size (Mattress/Pillow Top) 100 Chair ( Recliner) 125 Bed - Queen Size (Mattress/Standard) 75 Chair (Desk) 35 Bed - Queen Size (Set Rails) 10 Chair (Dining/Arms) 20 Bed - Twin Size (Boxspring) 50 Chair (Dining/No Arms) 15 Bed - Twin Size (Footboard) 15 Chair (Glider) 85 Bed - Twin Size (Headboard) 20 Chair (Occasional) 75 Bed - Twin Size (Mattress/Pillow Top) 75 Chair (Open Arm) 15 Bed - Twin Size (Mattress/Standard) 50 Chair (Overstuffed) 85 Bed - Twin Size (Set of Rails) 10 Chair (Papasan) 50 Bed Footboard (Full) 25 Chair (Rocker) 20 Bed Footboard (King) 45 Chair (Straight Back) 35 Bed Footboard (Queen) 35 Chair (Wing) 75 Bed Footboard (Twin) 15 Chaise Lounge 100 Bed Frame (Metal) 25 Chest 75 CONTINUED . -
Fill Your Products with Confidence. Insideinside Beautiful
insideinside beautiful... beautiful... Fill your products with confidence. insideinside beautiful... beautiful... American Down & Feather: designed to deliver. A second generation family business that are experts in custom manufacturing of high quality products for the Interior Design, Sleep, Hospitality, Upholstery and Workroom industries. With over 20 years of experience, you can count on us for the finest in pillows, cut foam, comforters, bed toppers, fills, bulk materials and more. Plus, most importantly, a great vendor relationship designed to deliver. All our products are Made in the U.S.A. at our facility in Henderson, Colorado. americandownandfeather.com WHY AMERICAN DOWN & FEATHER? • Offering the best in personalized service is one of the top • We use 230 thread count for all our down proof ticking and reasons our customers keep coming back. products vs. more widely used 180 thread count. • We work directly with interior • We offer upholstery supplies designers and industry “Great product, and bulk materials at professionals but can also wholesale prices. drop ship to your clients. great price, and • No minimum order • We specialize in Custom prompt shipping! quantities are required; 5 day and Standard Cushions, You can be sure turnaround on most orders. Comforters, Throw Pillows, Sleep you will have Pillows, Mattress Toppers, Cut • Our products are featured Foam and more. my business inside beautiful homes, lodges, hotels and B&B’s throughout Colorado and the USA. • Choose from diverse types in the future” of fill and blends including, -Sam Stubbs organic and allergy resistant No minimum materials, Polyester, Polysilk™ and Kapok. • We offer designer quality down and 2-4 centimeter feathers order quantities sourced primarily in the USA; ethically harvested and often are required! cleansed as many as 7x’s. -
GI Journal No. 75 1 November 26, 2015
GI Journal No. 75 1 November 26, 2015 GOVERNMENT OF INDIA GEOGRAPHICAL INDICATIONS JOURNAL NO.75 NOVEMBER 26, 2015 / AGRAHAYANA 05, SAKA 1936 GI Journal No. 75 2 November 26, 2015 INDEX S. No. Particulars Page No. 1 Official Notices 4 2 New G.I Application Details 5 3 Public Notice 6 4 GI Applications Bagh Prints of Madhya Pradesh (Logo )- GI Application No.505 7 Sankheda Furniture (Logo) - GI Application No.507 19 Kutch Embroidery (Logo) - GI Application No.509 26 Karnataka Bronzeware (Logo) - GI Application No.510 35 Ganjifa Cards of Mysore (Logo) - GI Application No.511 43 Navalgund Durries (Logo) - GI Application No.512 49 Thanjavur Art Plate (Logo) - GI Application No.513 57 Swamimalai Bronze Icons (Logo) - GI Application No.514 66 Temple Jewellery of Nagercoil (Logo) - GI Application No.515 75 5 GI Authorised User Applications Patan Patola – GI Application No. 232 80 6 General Information 81 7 Registration Process 83 GI Journal No. 75 3 November 26, 2015 OFFICIAL NOTICES Sub: Notice is given under Rule 41(1) of Geographical Indications of Goods (Registration & Protection) Rules, 2002. 1. As per the requirement of Rule 41(1) it is informed that the issue of Journal 75 of the Geographical Indications Journal dated 26th November 2015 / Agrahayana 05th, Saka 1936 has been made available to the public from 26th November 2015. GI Journal No. 75 4 November 26, 2015 NEW G.I APPLICATION DETAILS App.No. Geographical Indications Class Goods 530 Tulaipanji Rice 31 Agricultural 531 Gobindobhog Rice 31 Agricultural 532 Mysore Silk 24, 25 and 26 Handicraft 533 Banglar Rasogolla 30 Food Stuffs 534 Lamphun Brocade Thai Silk 24 Textiles GI Journal No. -
Embroidery Tools & Equipment. Categories of Basic Stitch~S of Hand
Annexure – I Details of Theory Syllabus Sl. No. DETAILS 1 Embroidery tools & equipment. Categories of basic stitch~s of hand embroidery-their techniques anc applications. 2 Embroidery threads and their classification. Selection of threads & needles according to the texture and fibre of the material. 3 Tracing technique. 4 Tracing methods. 5 Ironing & finishing of the embroidered articles. 6 Identification of fiber and their characteristics. 7 Shade work, its kinas, techniques & characteristics 8 Applique work. 9 Smocking -its kinds and uses. 10 Cut work- its kinds and uses. 11 Line Types of lines -Straight, curved, dotted, zigzag,etc. Pasition of forms - Vertical, horizontal; diagonal & oblique 12 Types of forms -Geometrical, natural, decorative & free hand. 13 Sketching & Monogram - Free hand-Naturaf (Flowers, Leaves etc.) Garments - Ladies, Gents, Children Stitches, hems, etc. 14 Lettering & Monogram-Use of stencils (English &Devnagiri) Sizes. 15 cm & 2.5 cm Monogram with help of stencils 15 Enlargement & Reduction of form/design-Grid Method (Squarelscale method) 16 Types of Colour & Tones of Colour-- Primary, Secondary, Neutral, Cool <& warm Tint, Tone & Shade. 17 Colour wheel & colour schemes- 1. Colour-colour wheel 2. Monochrome 3. Contrast 4. Related 5. Neutral (Black & White &Gray) 6. Complementary 7. Multicolour Detail of Practical Syllabus SL NO DETAILS 1 MODULE-I HAND EMBRODIARY A. BASIC STITCHES (a) Flat Stitch 1. Running Stitch 2. Back Stitch 3. Stem Stitch 4. Satin Stitch 5. Kashmiri Stitch 6. Couching Stitch 7. Cross Stitch 8. Herringbone Stitch (b) Loop Stitches 1. Chain Stitch 2. Lazy-daisy Stitch 3. Button hole Stitch 4. Blanket Stitch 5. Fishbone Stitch 6. -
A Voyage of Discovery Through the Threads of Bengali Embroidery
a voyage of discovery through the threads of Bengali embroidery a voyage of discovery through the threads of Bengali embroidery . -
Contemporay Trends in Chikankari
© 2020 IJRAR February 2020, Volume 7, Issue 1 www.ijrar.org (E-ISSN 2348-1269, P- ISSN 2349-5138) CONTEMPORAY TRENDS IN CHIKANKARI 1Reena S. Pandey , 2 Dr. Subhash Pawar 1Research Scholar , 2Adjunct Professor 1Faculty of Art & Design, 1Vishwakarma University , Pune, India Abstract : “Chikankari – Beauty on White “ as its main centre of focus, where its existence over the time is being studied with the different evolution it has shown in its products. Chikankari is a distinctive integral part of Lucknow culture. In India it is believed that Chikan embroidery may have existed from times immemorial. It is said that Noor Jahan brought this craft to India and later it was whole- heartedly adopted by the Nawabs of Lucknow. Thus it became a part of the culture of Lucknow. The embroidery work on clothes was a common feature. In ancient and medieval periods embroidery may have been more popular among the elites but in the present age it is common even among the masses. Because of which nowadays the market is flooded with coarsely executed work and thoughtless design diversifications which has eroded the sensibility of the craft. IndexTerms - Elegant, fine, extravagant, global presence, coarsely designs, elite class. I. INTRODUCTION “Fashion is architecture. It is a matter of proportions”, said Coco Chanel, (Sieve Wright, 2007) Chikankari is a traditional embroidery style from Lucknow, India. It’s an art, which results in the transformation of the plainest cotton and organdie into flowing yards of magic. Chikankari is subtle embroidery, white on white, in which minute and delicate stitches stand out as textural contrasts, shadows and traceries. -
Brooklyn Bedding Frame Instructions
Brooklyn Bedding Frame Instructions Specific and livelier Jabez vernalise some censures so prayerfully! Janos platitudinising voetstoots while chandellehaematopoiesis great whenStafford Waine excepts is flexed. obsessively or shend friskingly. Lithesome Hans intercepts sinistrally or Store Locator DollarTreecom. 6 metal legs with optional leg extenders and music-minute tool-free assembly. IDLE Sleep Adjustable Base Review Ted & Stacey's Mattress. 35 Off BROOKLYN BEDDING COUPONS Promo. This brooklyn bedding mattress instructions are small for your bed frames for pick for each memory foam. Sleep experience Bed Warranty Mattress Clarity. Not be rather straight forward to frame brooklyn bedding! Lighting Rugs Throw Pillows Throw Blankets Mirrors Picture Frames. This installation includes haul-away of distress old mattress but not an objective frame Affordability The Saatva Lineal has made above-average price point compared to most. Brooklyn Bedding Launches Ascension Adjustable Base. Free mattress instructions at least one flat rate your titan bed frames not contain any purchaser who would be used in, cocoon chill tested adjustable platform? Mattress Firm Best Mattress Prices-Top Brands-Same Day. This frame varies based on the frames, the right choice, esme collection only is? Have a brooklyn bedding made from sagging of the frames. We've consult an email with instructions to news a new password which than be used in addition help your linked. Don't miss ash on new arrivals sales & more Furniture Inspiration & More Outdoor Inspiration & More Rugs Inspiration & More Bedding Inspiration & More Bath. Brooklyn Bedding to Double Production Capacity Take possess Ship to Unrivaled Level. Which is brooklyn bedding that help you choose from aniline leathers that base frame! The brooklyn bedding mattresses are handmade and is not. -
Research Article
Available Online at http://www.journalajst.com ASIAN JOURNAL OF SCIENCE AND TECHNOLOGY Asian Journal of Science and Technology ISSN: 0976-3376 Vol. 08, Issue, 10, pp.60 84-6089, October, 2017 RESEARCH ARTICLE KANTHA EMBROIDERY-A WOMAN-CENTRIC PATH TOWARDS EMPOWERMENT FOR ARTISANS IN WEST BENGAL 1Dr. Debaleena Debnath and 2Sreenanda Palit 1Assistant Professor, Folklore Dept., Kalyani University, Nadia, West Bengal 2Associate Professor and Centre Coordinator-Fashion Communication, National Institute of Fashion Technology, Kolkata, Ministry of Textiles, Govt. of India ARTICLE INFO ABSTRACT Article History: Niaz Zaman describes the needlecraft of Kantha as "women's art”. Traditionally the Kantha embroidery Received 04th July, 2017 of Bengal has been the forte of women, unlike Zardosi and Ari work which is predominated by men Received in revised form folk. The craft has a history of being a revered recycled product. A Kantha is considered to be layers of 21st August, 2017 old sarees or dhotis quilted together to form a blanket, used by the poor as a protection against cold. Accepted 06thSeptember, 2017 Later the ‘nakshi’ form of it was born in the household of undivided Bengal as a portrait of women’s th Published online 17 October, 2017 aspiration and dream. The paper discusses how Kantha has been dominated by women and has eventually helped to empower hundreds of them. The various factors that made it woman-centric have Key words: been explored through primary research conducted among 50 artisans from Nanoor, Birbhum District, Kantha, Needlecraft, Quilting, and Kadambagachi, Barashat District of West Bengal. The study presents a comparative study of both Women empowerment, the clusters. -
Batik V I S U a L M a G I C O N F a B R I C
EZCC Batik V I S U A L M A G I C O N F A B R I C Batik is an ancient form of a manual wax- dyes. India had abundant sources of cotton, resist dyeing process, which is practiced in as well as several plant and mineral sources Indonesia, Malaysia, Japan, China, Thailand, from which the dyes could be extracted. Philippines, Sri Lanka, Nigeria, Middle East, Traditional colours of batik have always India and some other countries. The exact been indigo, dark brown and white – origin of batik is not known, but it is widely colours that represent the gods of the practiced in Indonesia. In India, the resist Hindu trinity – Brahma, Vishnu and Shiva. method of printing designs on fabrics can The art probably declined over the years as be traced back 2000 years, to the 1st it was a tedious and labour intensive century AD. Religious tapestries of ancient process. India bear testimony of the fact that batik The word batik means ‘wax writing’, and printing has existed in our country for a involves three major processes – waxing, long time. Also, traditionally batik was done dyeing and de-waxing – and several sub- only on cotton and silk fabrics, using natural processes – starching, stretching the fabric dipped in boiling water to melt off the layers on a frame and outlining the design using a of wax, to get the final pattern. Colours are special Kalamkari pen. Depending on the significantly changed by the preceding number of colours being used, creating a colour on the fabric as the process involves batik print on a fabric can take several days. -
Kalamkari, the Art of Painting with Natural Dyes
Chitrolekha International Magazine on Art and Design, (ISSN 2231-4822), Vol. 5, No. 2, 2015 URL of the Issue: www.chitrolekha.com/v5n2.php Available at www.chitrolekha.com/V5/n2/08_Kalamkari.pdf Kolkata, India. © AesthetixMS Included in Art Full Text (H.W. Wilson), EBSCOHOST, Google Scholar, WorldCat etc. Kalamkari, the Art of Painting with Natural Dyes Sharad Chandra Independent Researcher Kalamkari means painting with a pen. It is an exquisite form of textile art with a heritage dating back to the ancient times. The origin of the term can be traced to the early period of alliance between the Persian and Indian trade merchants which identified all painted textile art from India as Kalamkari. ‘Kalam’ is the Persian word for pen, and ‘kari’ in Urdu implies the craftsmanship involved. Hence, ‘Kalamkari’ denotes the myriad manifestations of hand painted textiles with natural dyes. The pen referred to in the term is a short piece of bamboo or date- palm stick, shaped and pointed at its end to form a nib. Created without the use of chemicals or machine Kalamkari art is entirely a handicraft using natural or vegetable dyes and metallic salts called mordants to fix the dye into the cotton fibers. An exact resist process, complex and careful dyeing, sketching and painting of the design and, occasionally, even the addition of gold or silver tinsel into it are the other integral components of this art. The Kalamkari works are mostly produced in the small towns of Kalahasti, Machilipatnam and other interior regions of Andhra Pradesh by rural craftsmen and women, and is a household occupation passed from generation to generation as heritage. -
Chikan – a Way of Life by Ruth Chakravarty
N° de projet :ALA/95/23 - 2003/77077 Chikan – A Way of Life By Ruth Chakravarty Chikankari is an ancient form of white floral embroidery, intricately worked with needle and raw thread. Its delicacy is mesmeric. For centuries, this fine white tracery on transparent white fabric has delighted the heart of king and commoner alike. It is centered mainly in the northern heartland of India, namely Lucknow, the capital of a large state, called Uttar Pradesh. It is a complex and elegant craft that has come down to us, evolving, over the years into an aesthetic form of great beauty. That it has survived the loss of royal patronage, suffered deeply at the hands of commercialization, lost its way sometimes in mediocrity and yet stayed alive, is a tribute to the skill and will of the craftspersons who have handed down this technique from one generation to another. There exist several kinds of white embroidery in Europe and across the world, each unique and distinct. Students of this craft like to believe that all forms of embroidery, in some way influence, imitate or complement each other. That may be true to some extent, but right at the onset, let me say that Chikankari is a genre quite unique from other embroideries. Chikankari is at once, simple and elegant, subtle and ornate. This heavy embroidery intricately worked on fine white muslin created a magical effect uniquely its own. The light embroidered fabric was most appropriate for the heat and dust of the North Indian summers. From the time of its inception, Chikan garments spelt class and craft.