God's Faithfulness to Promise
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Either a Daimon, Or a Hero, Or Perhaps a God:” Mythical Residents of Subterranean Chambers
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 15 | 2002 Varia “Either a Daimon, or a Hero, or Perhaps a God:” Mythical Residents of Subterranean Chambers Yulia Ustinova Electronic version URL: http://journals.openedition.org/kernos/1385 DOI: 10.4000/kernos.1385 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 2002 ISSN: 0776-3824 Electronic reference Yulia Ustinova, « “Either a Daimon, or a Hero, or Perhaps a God:” Mythical Residents of Subterranean Chambers », Kernos [Online], 15 | 2002, Online since 21 April 2011, connection on 01 May 2019. URL : http://journals.openedition.org/kernos/1385 ; DOI : 10.4000/kernos.1385 Kernos Kemos 15 (2002), p. 267-288. "Either a Daimon, or a Hero, or Perhaps a God:" Mythical Residents of Subterranean Chambers In his list of seers who uttered gods' orders and messages to mortals not only when alive, but also after their death, Strabo1 mentions "...Amphiaraos, Trophonios, Orpheus, Musaios, and the god of the Getae, formerly Zalmoxis, a Pythagorean, who is in our time Dekaineos, the diviner of Byrebistas... ,,2 Aristides groups together Trophonios, Amphiaraos, Amphilochos and the Asclepiads.3 Celsus includes Zalmoxis, Mopsos, Amphilochos, Amphiaraos, and Trophonios in his register of mortals who died and were nevertheless worshiped, whieh makes Origen wonder, "whether one of these is either a daimon, or a hero, or perhaps a god, more active than mortals" (ft ècr'tt nç èv 'toîç 'tOtQU'tOlÇ Eï'tE 8atllcov Eï'tE llPcoÇ Eï'tE Kat 8E6ç, èVEPYéOv 't!Va lldÇova ft Ka'teX av8pco1tov;).4 The bewilderment of Origen 'is reasonable, given the elusiveness of these figures. -
The Catholic Biblical Quarterly Monograph Series 44 EDITORIAL BOARD Mark S
The Catholic Biblical Quarterly Monograph Series 44 EDITORIAL BOARD Mark S. Smith, Chairperson Lawrence E. Boadt, C.S.P. Richard J. Clifford, S.J. John J. Collins Frederick W. Danker Robert A. Di Vito Daniel J. Harrington, S.J. Ralph W. Klein Léo Laberge, O.M.I. Bruce J. Malina Pheme Perkins Eugene C. Ulrich Ronald D. Witherup, S.S. Studies in the Greek Bible Essays in Honor of Francis T. Gignac, S.J. EDITED BY Jeremy Corley and Vincent Skemp The Catholic Biblical Quarterly Monograph Series 44 © 2008 The Catholic Biblical Association of America, Washington, DC 20064 All rights reserved. No part of this book may be reproduced in any form or by any means without permission in writing from the Catholic Biblical Association of America. Produced in the United States of America Library of Congress Cataloging-in-Publication Data Studies in the Greek Bible : essays in honor of Francis T. Gignac, S.J. / edited by Jeremy Corley and Vincent Skemp. p. cm. — (The Catholic biblical quarterly monograph series ; 44) Includes bibliographical references and indexes. ISBN 0-915170-43-4 (alk. paper) 1. Bible. Greek—Versions—Septuagint. 2. Bible—Criticism, interpretation, etc. I. Gignac, Francis T. II. Corley, Jeremy. III. Skemp, Vincent T. M. BS38.S78 2008 220.6—dc22 2008026572 Contents FOREWORD Alexander A. Di Lella, O.F.M. ix INTRODUCTION Jeremy Corley and Vincent Skemp, editors xiii PART ONE GENESIS CREATION TRADITIONS 1 CREATION UNDER CONTROL: POWER LANGUAGE IN GENESIS :–: Jennifer M. Dines 3 GUARDING HEAD AND HEEL: OBSERVATIONS ON SEPTUAGINT GENESIS : C. T. Robert Hayward 17 “WHAT IS epifere?” GENESIS :B IN THE SAHIDIC VERSION OF THE LXX AND THE APOCRYPHON OF JOHN Janet Timbie 35 v vi · Contents PART TWO LATER SEPTUAGINTAL BOOKS 47 A TEXTUAL AND LITERARY ANALYSIS OF THE SONG OF THE THREE JEWS IN GREEK DANIEL :- Alexander A. -
Apollo and His Cult in the Geometric and Archaic Periods
Masaryk University Faculty of Arts Department of Archaeology and Museology Classical Archaeology Barbora Chabrečková Apollo and His Cult in the Geometric and Archaic Periods Bachelor's Diploma Thesis Supervisor: PhDr. Marie Pardyová, CSc. 2014 I hereby declare that this thesis is my own work, created with use of primary and secondary sources listed in the bibliography. …………………………… Author’s signature 2 Acknowledgement I would like to thank my supervisor PhDr. Marie Pardyová, CSc., for guidance, constructive criticism and all the valuable advice. And thank my mother, for endless support, encouragement, and patience. 3 Table of contents 1. Introduction ..................................................................................................................................... 5 2. Origin of the deity ........................................................................................................................... 7 2.1 Doric origin based on etymology of the name ........................................................................ 7 2.2 Mythological birth at Delos and its later significance ............................................................. 8 2.3 Hypothesis on Asian origin ................................................................................................... 10 2.3.1 Based on epithet Lykeios ............................................................................................... 10 2.3.2 Based on Hittite and Luwian sources ........................................................................... -
Promise and Fulfillment: Believing the Promises of God
Leaven Volume 6 Issue 3 Poverty and Possessions Article 4 1-1-1998 Promise and Fulfillment: Believing the Promises of God Victor Knowles Follow this and additional works at: https://digitalcommons.pepperdine.edu/leaven Part of the Biblical Studies Commons, Christianity Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Knowles, Victor (1998) "Promise and Fulfillment: Believing the Promises of God," Leaven: Vol. 6 : Iss. 3 , Article 4. Available at: https://digitalcommons.pepperdine.edu/leaven/vol6/iss3/4 This Article is brought to you for free and open access by the Religion at Pepperdine Digital Commons. It has been accepted for inclusion in Leaven by an authorized editor of Pepperdine Digital Commons. For more information, please contact [email protected], [email protected], [email protected]. Knowles: Promise and Fulfillment: Believing the Promises of God Poverty and POssessiOns 113 Believing the Promises of God By VICTOR KNOWLES TheN he said, "Everything I told you while I was with I grew up believing in the promises of God. I remem- you coMes to this: All the things writteN about me in the ber the songs we sang in church, songs that included Law Of MOses, in the PrOphets, and in the Psalms have to phrases like these: Be not disMayed what' er betide, God be fulfilled." (Luke 24:44 The Message) will take care of you. HOw firm afOundatiON ... is Laid for your faith in His exceLLent word!StaNding ON the prom- The word promise appears more than 100 times in ises I caNNOtfall. -
Foundation Rituals and the Culture of Building in Ancient Greece
FOUNDATION RITUALS AND THE CULTURE OF BUILDING IN ANCIENT GREECE Gloria R. Hunt A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Art. Chapel Hill 2006 Approved by Advisor: Donald C. Haggis Reader: Jaroslav Folda Reader: Robin F. Rhodes Reader: G. Kenneth Sams Reader: Mary C. Sturgeon ©2006 Gloria R. Hunt ii ABSTRACT GLORIA R. HUNT: Foundation Rituals and the Culture of Building in Ancient Greece (Under the direction of Donald C. Haggis) This dissertation examines the evidence for foundation rituals in post-Bronze Age Greece while investigating their function and meaning in ancient Greek culture. Foundation rituals are prescribed rites known throughout the ancient Mediterranean that marked the initiation of a buildings’ construction, usually with a combination of prayer, sacrifice, and the burial of foundation deposits containing offerings of various types and/or sacrificial material. These distinctive deposits were ritually interred during the beginning stages of construction, usually within the fabric of the structure itself. The discovery of foundation deposits in association with cult architecture from all over the ancient Greek world and from every historical period attests that foundation rituals were regular features of sacred building. This dissertation presents all published foundation deposits in their archaeological contexts and identifies patterns in placement, method of deposition, type of material deposited, and geographic distribution. Reconstructed from the archaeological evidence, ancient Greek foundation rituals are related to the broader history of foundation rituals in the ancient Mediterranean, especially to the traditions of Egypt and Mesopotamia. -
Divine Riddles: a Sourcebook for Greek and Roman Mythology March, 2014
Divine Riddles: A Sourcebook for Greek and Roman Mythology March, 2014 E. Edward Garvin, Editor What follows is a collection of excerpts from Greek literary sources in translation. The intent is to give students an overview of Greek mythology as expressed by the Greeks themselves. But any such collection is inherently flawed: the process of selection and abridgement produces a falsehood because both the narrative and meta-narrative are destroyed when the continuity of the composition is interrupted. Nevertheless, this seems the most expedient way to expose students to a wide range of primary source information. I have tried to keep my voice out of it as much as possible and will intervene as editor (in this Times New Roman font) only to give background or exegesis to the text. All of the texts in Goudy Old Style are excerpts from Greek or Latin texts (primary sources) that have been translated into English. Ancient Texts In the field of Classics, we refer to texts by Author, name of the book, book number, chapter number and line number.1 Every text, regardless of language, uses the same numbering system. Homer’s Iliad, for example, is divided into 24 books and the lines in each book are numbered. Hesiod’s Theogony is much shorter so no book divisions are necessary but the lines are numbered. Below is an example from Homer’s Iliad, Book One, showing the English translation on the left and the Greek original on the right. When citing this text we might say that Achilles is first mentioned by Homer in Iliad 1.7 (i.7 is also acceptable). -
Greek Mythology Link (Complete Collection)
Document belonging to the Greek Mythology Link, a web site created by Carlos Parada, author of Genealogical Guide to Greek Mythology Characters • Places • Topics • Images • Bibliography • Español • PDF Editions About • Copyright © 1997 Carlos Parada and Maicar Förlag. This PDF contains portions of the Greek Mythology Link COMPLETE COLLECTION, version 0906. In this sample most links will not work. THE COMPLETE GREEK MYTHOLOGY LINK COLLECTION (digital edition) includes: 1. Two fully linked, bookmarked, and easy to print PDF files (1809 A4 pages), including: a. The full version of the Genealogical Guide (not on line) and every page-numbered docu- ment detailed in the Contents. b. 119 Charts (genealogical and contextual) and 5 Maps. 2. Thousands of images organized in albums are included in this package. The contents of this sample is copyright © 1997 Carlos Parada and Maicar Förlag. To buy this collection, visit Editions. Greek Mythology Link Contents The Greek Mythology Link is a collection of myths retold by Carlos Parada, author of Genealogical Guide to Greek Mythology, published in 1993 (available at Amazon). The mythical accounts are based exclusively on ancient sources. Address: www.maicar.com About, Email. Copyright © 1997 Carlos Parada and Maicar Förlag. ISBN 978-91-976473-9-7 Contents VIII Divinities 1476 Major Divinities 1477 Page Immortals 1480 I Abbreviations 2 Other deities 1486 II Dictionaries 4 IX Miscellanea Genealogical Guide (6520 entries) 5 Three Main Ancestors 1489 Geographical Reference (1184) 500 Robe & Necklace of -
“Ecstasy Has Been Given to the Tiger:” Aggression in the Quaker Meeting for Worship
“Ecstasy Has Been Given to the Tiger:” Aggression in the Quaker Meeting for Worship JenniferJen Jack Gieseking Submitted in partial fulfillment of the requirements for the degree of Master of Arts at Union Theological Seminary April 1, 2004 CC Copyright BY-NC 2004 For the tiger in you, that you may meet it aware and often. -●-●-●- "Greed and Aggression" by Sharon Olds (The Golden Cell, 1986) Someone in Quaker meeting talks about greed and aggression and I think of the way I lay the massive weight of my body down on you like a tiger lying down in gluttony and pleasure on the elegant heavy body of the eland it eats, the spiral horn pointing to the sky like heaven. Ecstasy has been given to the tiger, forced into its nature the way the forcemeat is cranked down the throat of the held goose, it cannot help it, hunger and the glory of eating packed at the center of each tiger cell, for the life of the tiger and the making of new tigers, so there will always be tigers on the earth, their stripes like stripes of night and stripes of fire-light— so if they had a God it would be striped, burnt-gold and black, the way if I had a God it would renew itself the way you live and live while I take you as if consuming you while you take me as if consuming me, it would be a God of love as complete satiety, greed and fullness, aggression and fullness, the way we once drank at the body of an animal until we were so happy we could only faint, our mouths running, into sleep. -
Religions of the Ancient Greeks
KEY THEMES IN ANCIENT HISTORY RELIGIONS OF THE ANCIENT GREEKS P. A. Cartledge Glare College, Cambridge SIMON PRICE P. D. A. Garnsey Jesus College, Cambridge Key Themes in Ancient History aims to provide readable, informed and origi nal studies of various basic topics, designed in the first instance for students and teachers of Classics and Ancient History but also for those engaged in related disciplines. Each volume is devoted to a general theme in Greek, Roman, or where appropriate, Graeco-Roman history or to some salient aspect or aspects of it. Besides indicating the state of current research in the relevant area, authors seek to show how the theme is significant for our own as well as ancient culture and society By providing books for courses that are oriented around themes it is hoped to encourage and stimulate promising new developments in teaching and research in ancient history Other books in the series Death-ritual and social structure in classical antiquity, by Ian Morris 521 i 37611 o 37465 0 (hardback), o 4 (paperback) Literacy and oraliy in ancient Greece, by Rosalind Thomas o 521 37346 8 (hardback), 0 52’ 37742 0 (paperback) Slavery and society at Rome, by Keith Bradley o 521 37287 9 (hardback), 0 521 36887 7 (paperback) Law, violence, and communiçy in classical Athens, by David Cohen o 521 38167 3 (hardback), 0 521 38837 6 (paperback) Public order in ancient Rome, by Wilfried Nippel o 521 38327 7 (hardback), o 521 38748 3 (paperback) V Friendshz in the classical world, by David Konstan o 521 45402 6 (hardback), 0 521 45998 2 (paperback) Sport and sociqy in ancient Greece, by Mark Golden o 521 49698 (hardback), 0 521 49790 6 (paperback) Food and society in classical antiquity, by Peter Garnsey 0 521 64182 9 (hardback), o 521 64588 3 (paperback) J• CAMBRIDGE UNIVEi.sjry PRESS 10 Introduction (iv) a stone temple built by the heroes Trophonios and Agamedes, burnt I down In 548 BC.22 CHAPTER 2 Though it might be tempting to find archaeological correlates of all four of these temples, the temptation should be resisted. -
"Women in Herodotus' "Histories"."
_________________________________________________________________________Swansea University E-Theses "Women in Herodotus' "Histories"." Georgiou, Irene-Evangelia How to cite: _________________________________________________________________________ Georgiou, Irene-Evangelia (2002) "Women in Herodotus' "Histories".". thesis, Swansea University. http://cronfa.swan.ac.uk/Record/cronfa43005 Use policy: _________________________________________________________________________ This item is brought to you by Swansea University. Any person downloading material is agreeing to abide by the terms of the repository licence: copies of full text items may be used or reproduced in any format or medium, without prior permission for personal research or study, educational or non-commercial purposes only. The copyright for any work remains with the original author unless otherwise specified. The full-text must not be sold in any format or medium without the formal permission of the copyright holder. Permission for multiple reproductions should be obtained from the original author. Authors are personally responsible for adhering to copyright and publisher restrictions when uploading content to the repository. Please link to the metadata record in the Swansea University repository, Cronfa (link given in the citation reference above.) http://www.swansea.ac.uk/library/researchsupport/ris-support/ Women in H erodotus’ H is t o r ie s Irene-Evangelia Georgiou Submitted to the University of Wales in fulfilment of the requirements for the Degree of Doctor of Philosophy University of Wales Swansea 2 0 0 2 ProQuest Number: 10821395 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. -
Some Old Masters of Greek Architecture
TROPHONIUS SLAYING AGAMEDES AT THE TREASURY OF IIYRIEUS. SOME OLD MAS- TERS OE GREEK ARCHITECTURE By HARRY DOUGLAS CURATOR OP * « « KELLOGG TERRACE PUBLISHED KT THE QURRTCR-OAK GREAT BARRINGTON, MASS., 1599 « * «* O COPIED Library of CaBgM , % Qfflco of the H*gl*t9r of Copyright* 54865 Copyright, 1899, By HARRY DOUGLAS. SECOND COPY. O EDWARD TRANCIS SCARLES WHOSE APPRECIATION OF THE HARMONIES OF ART, AND "WHOSE HIGH IDEALS OF ARCHITECTURE HAVE FOUND EXPRESSION IN MANY ENDURING FORMS, THIS BOOK IS RESPECTFULLY INSCRIBED. ^ PBEERCE Tub temptation to wander, with all the recklessness of an amateur, into the traditions of the best architec- ture, which necessarily could be found only in the his- tory of early Hellenic art, awakened in the author a desire to ascertain who were the individual artists primarily responsible for those architectural standards, which have been accepted without rival since their crea- tion. The search led to some surprise when it was found how little was known or recorded of them, and how great appeared to be the indifference in which they were held by nearly all the writers upon ancient art, as well as by their contemporary historians and biog- raphers. The author therefore has gone into the field of history, tradition and fable, with a basket on his arm, as it were, to cull some of the rare and obscure flowers of this artistic family, dropping into the basket also such facts directlv or indirectly associated with the VI PEEFACE. architects of ancient Greece, or their art, as interested him personally. The basket is here set down, contain- ing, if nothing more, at least a brief allusion to no less than eighty-two architects of antiquity. -
Bulfinch's Mythology the Age of Fable by Thomas Bulfinch
1 BULFINCH'S MYTHOLOGY THE AGE OF FABLE BY THOMAS BULFINCH Table of Contents PUBLISHERS' PREFACE ........................................................................................................................... 3 AUTHOR'S PREFACE ................................................................................................................................. 4 INTRODUCTION ........................................................................................................................................ 7 ROMAN DIVINITIES ............................................................................................................................ 16 PROMETHEUS AND PANDORA ............................................................................................................ 18 APOLLO AND DAPHNE--PYRAMUS AND THISBE CEPHALUS AND PROCRIS ............................ 24 JUNO AND HER RIVALS, IO AND CALLISTO--DIANA AND ACTAEON--LATONA AND THE RUSTICS .................................................................................................................................................... 32 PHAETON .................................................................................................................................................. 41 MIDAS--BAUCIS AND PHILEMON ....................................................................................................... 48 PROSERPINE--GLAUCUS AND SCYLLA ............................................................................................. 53 PYGMALION--DRYOPE-VENUS