Reversible Chromism of Spiropyran in the Cavity of a Flexible Coordination
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Impact of Properties of Thermochromic Pigments on Knitted Fabrics
International Journal of Scientific & Engineering Research, Volume 7, Issue 4, April-2016 1693 ISSN 2229-5518 Impact of Properties of Thermochromic Pigments on Knitted Fabrics 1Dr. Jassim M. Abdulkarim, 2Alaa K. Khsara, 3Hanin N. Al-Kalany, 4Reham A. Alresly Abstract—Thermal dye is one of the important indicators when temperature is changed. It is used in medical, domestic and electronic applications. It indicates the change in chemical and thermal properties. In this work it is used to indicate the change in human body temperature where the change in temperature between (30 – 41 oC) is studied .The change in color begin to be clear at (30 oC). From this study it is clear that heat flux increased (81%) between printed and non-printed clothes which is due to the increase in heat transfer between body and the printed cloth. The temperature has been increased to the maximum level that the human body can reach and a gradual change in color is observed which allow the use of this dye on baby clothes to indicate the change in baby body temperature and monitoring his medical situation. An additional experiment has been made to explore the change in physical properties to the used clothe after the printing process such as air permeability which shows a clear reduction in this property on printed region comparing with the unprinted region, the reduction can reach (70%) in this property and in some type of printing the reduction can reach (100%) which give non permeable surface. Dye fitness can also be increased by using binders and thickeners and the reduction in dyes on the surface of cloth is reached (15%) after (100) washing cycle. -
1 LIGHT PHYSICS Light and Lighting Francesco Anselmo Light Intro Light Animates and Reveals Architecture
1 LIGHT PHYSICS Light and Lighting Francesco Anselmo Light intro Light animates and reveals architecture. Architecture cannot fully exist without light, since without light there would be nothing to see. Yet in architectural design light is usually either expected from nature or developed as an add-on attachment very late in the design process. The course explores the symbiotic relationship between architecture and light. As much as light can reveal architecture, architecture can animate light, making it bounce, scatter, refract, altering its spectrum and colour perception, absorbing it or reflecting it, modulating its path and strength in both space and time. It aims at developing a sensibility and intuition to the qualities of light, whilst giving the physical and computational tools to explore and validate design ideas. 4 7 1 2 5 3 6 1 LIGHT PHYSICS 4 LIGHT ELECTRIC 7 LIGHT CONNECTED 2 LIGHT BIOLOGY 5 LIGHT ARCHITECTURE 3 LIGHT NATURAL 6 LIGHT VIRTUAL Reading list Books Free online resources Bachelard, Gaston. The poetics of space, Beacon Press 1992 • http://hyperphysics.phy-astr.gsu.edu/hbase/ligcon.html Banham, Reyner. The architecture of the well-tempered Environment, Chicago University Press 1984 • http://thedaylightsite.com/ Bazerman, Charles. The languages of Edison’s light, MIT Press 2002 Berger, John. Ways of seeing, Pearson Education, Limited, 2002 • http://issuu.com/lightonline/docs/handbook-of-lighting-design Berger, John. About looking, Bloomsbury Publishing 2009 • http://www.radiance-online.org/ Bluhm, Andreas. Light! The industrial age 1750-1900, Carnegie Museum of Art 2000 Boyce, Peter R. Human Factors in Lighting, Taylor & Francis 2003 Calvino, Italo. -
Chromic Phenomena Technological Applications of Colour Chemistry
Chromic Phenomena Technological Applications Of Colour Chemistry sororalcuddlingIs Jesse and essayisticthat unpillowed eschalots or unkinged Fergusdomiciliates wed when somepellucidly allure vermeil? some and Lombardyreappoint incitingly.unfurl tearfully? How feodal Ministrant is Morten Hercules when The burgeoning field of textiles, the molecules in our experimental system encrypts your cart Chromic or colour related phenomena are produced in moist to a chemical or. MG 2010 Chromic phenomena technological applications of colour chemistry. The celebrate and green colors can be reversibly switched. Please include valid email address. As shown in Fig. Brooklyn, is the centerpiece of the Pacific Park Brooklyn master development. Wir bitten um Ihr Verständnis und wollen uns sicher sein dass Sie kein Bot sind. Electrochromic textile display the technological applications of the reverse electron transfer. Research Journal of Textile and Apparel, vol. Bamfield P Chromic Phenomena Technological Applications. How strong I get Points? Since a colour. Chromic phenomena or those produced by materials which exhibit colour in fast to a chemical or physical stimulus have increasingly been at your heart of. Seiten werden mit Genehmigung von Royal commission of Chemistry angezeigt. Chromic Phenomena Technological Applications Of Colour Chemistry By Peter Bamfield Michael Hutchings chromic phenomena technological applications of. FREE account without our online library first. It is invalid input, since a baby clothing comprising a metastable state remains in both solution. Royal Society american Chemistry 2001 374 pages ISBN 054044744 Chromic phenomena or those produced by materials which exhibit colour in. Chromic Phenomena Technological Applications of Colour Chemistry. Chromic Phenomena eBook by Peter Bamfield Kobo. The technologies and sensors with jacket water hydrogen. -
Reversible Multicolor Chromism in Layered Formamidinium Metal Halide Perovskites
Science Highlight – January 2021 Reversible Multicolor Chromism in Layered Formamidinium Metal Halide Perovskites Improving the energy efficiency of both residential and commercial buildings is a crucial step towards reducing CO2 emissions and preventing irreversible climate change. Windows pose a major weakness in terms of energy efficiency due to heat generated by solar irradiation, requiring energy-intensive air conditioning to compensate the heating. Conventionally, shut- ters are used during the day to avoid glare due to direct sunlight and to help with maintaining a moderate temperature inside the building. Switchable windows provide a more modern approach to the problem: these sheets of glass are transparent at room temperature and turn dark upon heating, providing a balanced tradeoff between the beneficial effects of transparent windows for the inhabitant/ user and preventing excessive heat generation and glare. Taking this one step further, switchable photovoltaic windows not only prevent heating and glare, but also generate electricity to be used either in the building itself or to be supplied to the electric grid. The research team lead by Lance Wheeler from the National Renewable Energy Laboratory (NREL) has started to utilize the emerging thin film photovoltaic technology based on metal halide perovskites (MHP) to develop switchable photovoltaic windows. Where conventional MHP photovoltaic research is focused on generating absorber layers with high structural stability, avoiding phase changes and ion migration, Wheeler’s team has found a way to take advantage of the material’s low activation energy causing dynamic phase changes in the crystal lattice. Fig. 1 | FAn+1PbnX3n+1 composite film characterization and reversible chromism. -
Chromic Phenomena: Technological Applications of Colour Chemistry
Chromic Phenomena Technological Applications of Colour Chemistry Chromic Phenomena Technological Applications of Colour Chemistry Peter Bamfield Penarth, UK Email: [email protected] and Michael Hutchings Holcombe, Bury, UK Email: [email protected] Print ISBN: 978-1-78262-815-6 PDF ISBN: 978-1-78801-284-3 EPUB ISBN: 978-1-78801-503-5 A catalogue record for this book is available from the British Library r Peter Bamfield and Michael Hutchings 2018 All rights reserved Apart from fair dealing for the purposes of research for non-commercial purposes or for private study, criticism or review, as permitted under the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003, this publication may not be reproduced, stored or transmitted, in any form or by any means, without the prior permission in writing of The Royal Society of Chemistry or the copyright owner, or in the case of reproduction in accordance with the terms of licences issued by the Copyright Licensing Agency in the UK, or in accordance with the terms of the licences issued by the appropriate Reproduction Rights Organization outside the UK. Enquiries concerning reproduction outside the terms stated here should be sent to The Royal Society of Chemistry at the address printed on this page. Whilst this material has been produced with all due care, The Royal Society of Chemistry cannot be held responsible or liable for its accuracy and completeness, nor for any consequences arising from any errors or the use of the information contained in this publication. The publication of advertisements does not constitute any endorsement by The Royal Society of Chemistry or Authors of any products advertised. -
Download the DIA Color Chart
DEMI-PERMANENT HAIRCOLOR 2 COMPLIMENTARY LINES OF HAIRCOLOR Each with its own benefit & expertise both provide maximum creativity & freedom ADVANCED ALKALINE TECHNOLOGY GENTLE ACID TECHNOLOGY HIGH PERFORMANCE HIGH PERFORMANCE • Demi-permanent crème • Luminous demi-permanent gel-crème • Rich tones, exceptional softness • Zero lift • Covers up to 70% grey • Intense care for the hair THE PROCESS THE PROCESS • Lifts (up to 1.5 Levels with 15-vol), then deposits • Zero lift, deposit only BEFORE COLOR DURING COLOR AFTER COLOR BEFORE COLOR DURING COLOR AFTER COLOR On natural hair, the cuticle The alkaline agents slightly open DIA Richesse has the ability to lighten up On color-treated & DIA Light has an acid The cationic polymers in scales are closed. the hair fiber allowing colorants to 1.5 levels, cover up to 70% white hair sensitized hair, the cuticle pH close to the natural pH of the hair. DIA Light have a resurfacing to penetrate the cuticle. & create rich, profound tones. scales are already open. effect on the cuticle, leaving There is no lift with gentle penetration the hair with amazing shine. of colorants for long lasting color. ADVANCED ALKALINE TECHNOLOGY ADVANCED ALKALINE TECHNOLOGY HIGH PERFORMANCE • Demi-permanent crème • Rich tones, exceptional softness • Covers up to 70% grey THE PROCESS • Lifts (up to 1.5 Levels with 15-vol), then deposits BEFORE COLOR DURING COLOR AFTER COLOR On natural hair, the cuticle The alkaline agents slightly open DIA Richesse has the ability to lighten scales are closed. the hair fiber allowing colorants up to 1.5 levels, cover up to 70% white to penetrate the cuticle. -
WHITE LIGHT and COLORED LIGHT Grades K–5
WHITE LIGHT AND COLORED LIGHT grades K–5 Objective This activity offers two simple ways to demonstrate that white light is made of different colors of light mixed together. The first uses special glasses to reveal the colors that make up white light. The second involves spinning a colorful top to blend different colors into white. Together, these activities can be thought of as taking white light apart and putting it back together again. Introduction The Sun, the stars, and a light bulb are all sources of “white” light. But what is white light? What we see as white light is actually a combination of all visible colors of light mixed together. Astronomers spread starlight into a rainbow or spectrum to study the specific colors of light it contains. The colors hidden in white starlight can reveal what the star is made of and how hot it is. The tool astronomers use to spread light into a spectrum is called a spectroscope. But many things, such as glass prisms and water droplets, can also separate white light into a rainbow of colors. After it rains, there are often lots of water droplets in the air. White sunlight passing through these droplets is spread apart into its component colors, creating a rainbow. In this activity, you will view the rainbow of colors contained in white light by using a pair of “Rainbow Glasses” that separate white light into a spectrum. ! SAFETY NOTE These glasses do NOT protect your eyes from the Sun. NEVER LOOK AT THE SUN! Background Reading for Educators Light: Its Secrets Revealed, available at http://www.amnh.org/education/resources/rfl/pdf/du_x01_light.pdf Developed with the generous support of The Charles Hayden Foundation WHITE LIGHT AND COLORED LIGHT Materials Rainbow Glasses Possible white light sources: (paper glasses containing a Incandescent light bulb diffraction grating). -
Light, Color, and Atmospheric Optics
Light, Color, and Atmospheric Optics GEOL 1350: Introduction To Meteorology 1 2 • During the scattering process, no energy is gained or lost, and therefore, no temperature changes occur. • Scattering depends on the size of objects, in particular on the ratio of object’s diameter vs wavelength: 1. Rayleigh scattering (D/ < 0.03) 2. Mie scattering (0.03 ≤ D/ < 32) 3. Geometric scattering (D/ ≥ 32) 3 4 • Gas scattering: redirection of radiation by a gas molecule without a net transfer of energy of the molecules • Rayleigh scattering: absorption extinction 4 coefficient s depends on 1/ . • Molecules scatter short (blue) wavelengths preferentially over long (red) wavelengths. • The longer pathway of light through the atmosphere the more shorter wavelengths are scattered. 5 • As sunlight enters the atmosphere, the shorter visible wavelengths of violet, blue and green are scattered more by atmospheric gases than are the longer wavelengths of yellow, orange, and especially red. • The scattered waves of violet, blue, and green strike the eye from all directions. • Because our eyes are more sensitive to blue light, these waves, viewed together, produce the sensation of blue coming from all around us. 6 • Rayleigh Scattering • The selective scattering of blue light by air molecules and very small particles can make distant mountains appear blue. The blue ridge mountains in Virginia. 7 • When small particles, such as fine dust and salt, become suspended in the atmosphere, the color of the sky begins to change from blue to milky white. • These particles are large enough to scatter all wavelengths of visible light fairly evenly in all directions. -
Physics, Chapter 40: Light As a Wave Motion
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Robert Katz Publications Research Papers in Physics and Astronomy 1-1958 Physics, Chapter 40: Light as a Wave Motion Henry Semat City College of New York Robert Katz University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/physicskatz Part of the Physics Commons Semat, Henry and Katz, Robert, "Physics, Chapter 40: Light as a Wave Motion" (1958). Robert Katz Publications. 177. https://digitalcommons.unl.edu/physicskatz/177 This Article is brought to you for free and open access by the Research Papers in Physics and Astronomy at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Robert Katz Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 40 Light as a Wave Motion 40-1 Wave Versus Particle Let us recount some of the characteristics of the motion of particles and the propagation of waves, with a view toward analyzing the behavior of light. In accordance with Newton's first law, a particle moves in a straight-line path in the absence of external forces. Thus we might infer, as Newton suggested, that light is composed of particles, and that, in a continuous medium, there is no deflecting force on the light particles. At the interface between two media, light may be propagated in a straight line parallel to the interface. Thus even at an interface there is no force on the particles of light unless the light passes through the interface, and in that event the force acting must be perpendicular to the interface. -
Stimuli-Responsive Chromism in Organophosphorus Chemistry
Dalton Transactions Stimuli -Responsive Chromism in Organophosphorus Chemistry Journal: Dalton Transactions Manuscript ID: DT-FRO-07-2015-002758.R1 Article Type: Frontier Date Submitted by the Author: 04-Aug-2015 Complete List of Authors: Reus, Christian; University of Calgary, Department of Chemistry Baumgartner, Thomas; University of Calgary, Department of Chemistry Page 1 of 9 PleaseDalton do not Transactions adjust margins Journal Name ARTICLE Stimuli-Responsive Chromism in Organophosphorus Chemistry Christian Reus a and Thomas Baumgartner* a Received 00th January 20xx, Accepted 00th January 20xx Changes in color are one of the most obvious and easily followed responses that can be induced by an external stimulus. π-Conjugated organophosphorus compounds are on the rise to challenge established systems by opening up new and DOI: 10.1039/x0xx00000x simple pathways to diversely modified optoelectronic properties – the main challenge for the development of new www.rsc.org/ chromic materials. Relevant stimuli highlighted in this Frontier article include electronic current (electrochromism), light (photochromism), solvent polarity (solvatochromism), aggregation formation (aggregation induced emission, AIE), mechanical force (mechanochromism), temperature (thermochromism), organic solvent vapor (vapochromism), and pH (halochromism). chromism in the field of organophosphorus chemistry, to Introduction highlight the tremendous practical value of such species and potential applications for the materials. Visual perception is the most important -
Liquicolor Permanente Shades 07-10-12.Pdf
LIQUICOLOR PERMANENTE INTENSE INTENSE INTENSE INTENSE GOLD RED NEUTRAL (RN) INTENSE RED (RR) RED VIOLET (RV) RED VIOLET (RRV) BASE INTENSE NEUTRAL (NN) NEUTRAL (N) ASH (A) ASH (A) ASH (AA) ASH (AA) NEUTRAL(GN) GOLD (G) REDPELIRROJO NEUTRAL (RN) RED (R) INTENSEPELIRROJO RED (RR) REDPELIRROJO VIOLET (RV) REDPELIRROJO VIOLET (RRV) NEUTRAL INTENSO NEUTRAL CENIZO CENIZO CENIZO INTENSO CENIZO INTENSO DORADO NEUTRAL GOLDDORADO (G) PELIRROJONEUTRAL PELIRROJORED (R) PELIRROJOINTENSO PELIRROJOVIOLETA VIOLETAPELIRROJO INTENSO LEVEL/NIVEL DORADO NEUTRAL PELIRROJO INTENSO VIOLETA VIOLETA INTENSO 12 HIGH-LIFT BLONDE 12N/HL-N 12A/HL-V 12AA-B/HL-B 12AA-BV 12G / HL-G HIGH LIFT HIGH LIFT HIGH LIFT ULTRA HIGH LIFT ULTRA HIGH LIFT GOLDEN BLONDE NEUTRAL BLONDE COOL BLONDE COOL BLONDE BLUE COOL BLONDE BLUE VIOLET 10 LIGHTEST BLONDE RUBIO CLARÍSIMO 10N/12B1 10GN/12G2 OUR FIRST NN 10G / 12G LIGHTEST NEUTRAL BLONDE LIGHTEST GOLD LIQUID COLOR LIGHTEST GOLDEN BLONDE blondest beige NEUTRAL BLONDE blondest blonde blondest gold 9 VERY LIGHT BLONDE RUBIO MUY CLARO 9NN 9N/89N 9A/26D 9A-N/40D 9AA/20D 9AA-BV/30D VERY LIGHT RICH VERY LIGHT VERY LIGHT VERY LIGHT COOL VERY LIGHT ULTRA VERY LIGHT ULTRA COOL NEUTRAL BLONDE NEUTRAL BLONDE COOL BLONDE NEUTRAL BLONDE COOL BLONDE BLONDE BLUE VIOLET lightest neutral blonde winter wheat topaz arctic blonde flaxen blonde 8 LIGHT BLONDE RUBIO CLARO 8NN 8N/88N 8A / 28D 8GN/27G 8RN / 71RG 8R / 29R LIGHT RICH LIGHT LIGHT COOL BLONDE LIGHT GOLD NEUTRAL LIGHT RED NEUTRAL LIGHT RED BLONDE NEUTRAL BLONDE NEUTRAL BLONDE autumn mist BLONDE -
Light Search and Rescue Operations
Light Search and Rescue Operations CERT Basic Training Unit 5 Search and Rescue ● Consists of three separate operations . Sizeup: Using 9-step, continual model . Search: Locating victims and documenting . Rescue: Extricating victims CERT Basic Training 5-1 Unit 5: Light Search and Rescue Operations Deciding to Attempt Rescue ● Decision based on three factors . The risks involved for the rescuer . Greatest good for the greatest number . Resources and manpower available CERT Basic Training 5-2 Unit 5: Light Search and Rescue Operations Goals of Search and Rescue ● Rescue greatest number in shortest amount of time ● Get walking wounded out first ● Rescue lightly trapped victims next ● Keep the rescuer safe CERT Basic Training 5-3 Unit 5: Light Search and Rescue Operations Effective Search and Rescue ● Depends on: . Effective sizeup . Rescuer safety . Victim safety CERT Basic Training 5-4 Unit 5: Light Search and Rescue Operations Unit Objectives ● Identify sizeup requirements ● Describe most common search techniques ● Use safe techniques for debris removal ● Use safe techniques for victim extrication ● Describe ways to protect rescuers CERT Basic Training 5-5 Unit 5: Light Search and Rescue Operations Unit Topics ● Safety During Search and Rescue Operations ● Conducting Interior and Exterior Searches ● Conducting Rescue Operations CERT Basic Training 5-6 Unit 5: Light Search and Rescue Operations CERT Sizeup 1. Gather Facts 2. Assess Damage 3. Consider Probabilities REMEMBER: 4. Assess Your Situation CERT SIZEUP IS A 5. Establish Priorities CONTINUAL PROCESS 6. Make Decisions 7. Develop Plan of Action 8. Take Action 9. Evaluate Progress CERT Basic Training 5-7 Unit 5: Light Search and Rescue Operations Sizeup: Step 1 Gather Facts ● Time of event and day of the week ● Construction type/terrain ● Occupancy ● Weather ● Hazards CERT Basic Training 5-8 Unit 5: Light Search and Rescue Operations Sizeup: Step 2 Assess and Communicate Damage The CERT mission changes if: .