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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Razorcake Issue
PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing. -
IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
If Not Now, When? Gs We Are All in This Together
THE OWL THE ALUMNI MAGAZINE OF COLUMBIA UNIVERSITY SCHOOL OF GENERAL STUDIES IF NOT NOW, WHEN? ENTREPRENEURS at GS WE ARE ALL IN THIS TOGETHER: GS UNVEILS A NEW ALUMNI ASSOCIatION 2014 THE OWL TABLE OF CONTENTS THE ALUMNI MAGAZINE OF COLUMBIA UNIVERSITY SCHOOL OF GENERAL STUDIES LETTER FROM THE DEAN Peter J. Awn I am pleased to present to you the latest installment of The Owl, the alumni magazine for the 18 Dean 4 9 School of General Studies. This issue of The Owl highlights the dynamic energy of the new General Studies Alumni Association, recently launched after more than a year of planning, Malcolm A. Borg ’65 Advisory Council, Emeritus along with so many of the wonderful happenings at GS. Alumni leadership, in concert with University alumni relations officers, worked tirelessly to Curtis Rodgers 33 Vice Dean conceptualize and design an organization that reflects the strides that our college has made over recent years. “We are All in This Together: RALC Transforms into a New GSAA,” thank Jill Galas-Hickey you Senior Director Alumni Relations explains the initiative’s evolution, and ultimately, its goals. To reach those goals, the GSAA seeks your participation—whether that means through attending events and Reunion, Janet Griffin participating in career-related panel discussions, acting as an alumni representative at New Associate Director for Alumni Relations Student Orientation, or leading Giving Day social media campaigns. Your participation and IN THIS ISSUE Editor contributions will build the GSAA community and strengthen the School of General Studies 4 If Not Now, When? Allison Scola for years to come. -
The Ripple Effect: Imminent Sonic Destruction – Recurring Themes
Share 0 More Next Blog» Create Blog Sign In The best music you're not listening to.™ Reviews of lost classics and obscure titles. Unheralded bands and songwriters. New bands deserving of greater attention. The site for the music omnivore. It's all here, on the Ripple Effect Home Submissions Record Label Heavy Ripples Distribution Ripple Radio Swag Contact Who We Be Wednesday, March 21, 2012 Digital Ripple Music Releases Available at Bandcamp! Imminent Sonic Destruction – Recurring Themes GET REVIEWED! CONTACT THE RIPPLE If you're in a band or the industry and you'd like your music to reach a larger audience, send it to us for a review. Contact [email protected] or send your stuff to The Ripple Effect, 5801 Norris Canyon Road #200, San Ramon, Ca 94583. Please read the submission policy below. Submission Policy Imminent Sonic Destruction. When you read a band name like that, it makes you think twice before you open the file and start listening. I mean, what if the band Wear Your Passion with Pride name is literal? What if you start listening and unleash destruction upon the planet? Thankfully, that didn’t happen. In fact, there isn’t much about this release that would lead you to think of destruction at all. Not that it is all pretty music or anything like that. But I’ve heard music that makes you think that the end of the world is like, right now. This release reminds me a lot of Devin Townsend Project stuff. There are some real prog touches in here, mixed with some heavier, metal type music, and some flat out death metal vocals at times. -
[email protected] Nightshift.Oxfordmusic.Net Free Every Month NIGHTSHIFT Issue 203 June Oxford’S Music Magazine 2012
[email protected] nightshift.oxfordmusic.net Free every month NIGHTSHIFT Issue 203 June Oxford’s Music Magazine 2012 GAZ COOMBES Going it alone Also inside this issue: Win WILDERNESS & TRUCK FESTIVAL TICKETS! Introducing MOTHER CORONA plus All your local music news, reviews and gig guide. NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net OXFORK also hosts a weekend of live music, entertainment, food, workshops and talks at Grove House and the Rotunda in Iffley th th over 4 -5 August. Entitled Locally DRY THE RIVER are set to headline Gathering, a new one-day live Sourced, the event promises to music festival along the Cowley Road on Saturday 20th October. source all its performers, food and The London-based folk-rock band were included in the BBC Sound of stallholders from within five miles 2012 longlist and have been compared to Fleet Foxes and Mumford & of the venue. Tickets are on sale Sons. Their debut album, `Shallow’, was released on Sony in March. now, priced £10, from Wegottickets. Joining them on the Gathering line-up, which is being organised by com. Visit www.facebook.com/ DHP Concerts, who promoted last year’s Ley Lines event, will be Spec- oxfork for more details. tor, Bastille and Nina Nesbitt, with more acts due to be announced early in June. DREAMING SPIRES launch Final details of venues involved in the event have not been announced their debut album, `Brothers In but it will centre around the O2 Academy. -
Download a PDF of the Inventory B
PUBLIC COLLECTORS Records Collection Inventory of: Marc Fischer Chicago, IL, USA About PUBLIC COLLECTORS Public Collectors consists of informal agreements where collectors allow the contents of their collection to be published and permit those who are curious to directly experience the objects in person. Participants must be willing to type up an inventory of their collection, provide a means of contact and share their collection with the public. Collectors can be based in any geographic location. Public Collectors is founded upon the concern that there are many types of cultural artifacts that public libraries, museums and other institutions and archives either do not collect or do not make freely accessible. Public Collectors asks individuals that have had the luxury to amass, organize, and inventory these materials to help reverse this lack by making their collections public. The purpose of this project is for large collections of materials to become accessible so that knowledge, ideas and expertise can be freely shared and exchanged. Public Collectors is not intended, nor should it be used for buying and selling objects. There are many preexisting venues for that. Collectors can accommodate viewers at whatever location is most com - fortable or convenient for them. If their collection is portable or can be viewed in a location other than the collector’s home, this would still be an appropriate way to participate in the project. In addition to hosting collection inventories and other information, www.publiccollectors.org includes digital collections that are suitable for web presentation, do not have a physical material analog, or are difficult or impossible to experience otherwise. -
Vinyl Catalogue 2014
VINYL CATALOGUE 2014 Established in 2004, Back On Black - together with subsidiary label Back On Black Rock Classics - specialises in vinyl editions of classic metal and rock albums and is dedicated to providing top quality releases for record collectors and rock fans worldwide. Our releases are pressed on exquisite, heavyweight vinyl to produce the very best in sound quality with a mesmerizing tactile feel that makes them a pleasure to handle. Beautiful vinyl colours are carefully chosen to complement the artwork, with some releases available in a variety of colours for the dedicated collector. Many releases are double, or even triple, LPs! The artwork itself is re-worked to faithfully interpret the original album, and reproduced on superior grade gatefold sleeves in heavyweight card with a superb and un-rivalled finish. As well as all our re-mastered LPs of classic albums from throughout history, Back On Black also issues many exclusive vinyl editions of contemporary metal and rock releases. Far from being dead, our beloved vinyl format is going from strength to strength – and Back On Black is proud to serve the needs of the vinyl connoisseur! Just take a look at our catalogue of releases to see the calibre of albums we release! Combine your favourite rock and metal with your favourite format – and get your music Back On Black! CONtact: PHONE: +44 (0)1491 825029 MAILORDER: PLASTICHEAD.COM UK SALES: [email protected] INTERNATIONAL SALES: [email protected] BACKONBLACK.COM facebook.COM/BACKONBLACKRECORDS PLASTICHEAD.COM All titles subject to availability due to territorial or licensing terms. -
New York Hardcore 1980 1990 by Tony Rettman
NYHC: New York Hardcore 19801990 by Tony Rettman Ebook NYHC: New York Hardcore 19801990 currently available for review only, if you need complete ebook NYHC: New York Hardcore 19801990 please fill out registration form to access in our databases Download here >> Paperback:::: 384 pages+++Publisher:::: Bazillion Points (December 30, 2014)+++Language:::: English+++ISBN-10:::: 1935950126+++ISBN- 13:::: 978-1935950127+++Product Dimensions::::6.8 x 1.5 x 9.5 inches++++++ ISBN10 1935950126 ISBN13 978-1935950 Download here >> Description: Known for its glamorous 1970s punk rock scene, New York City matched the grim urban reality of the 1980s with a rawer musical uprising: New York hardcore. As bands of misfits from across the region gravitated to the forgotten frontier of Manhattans Lower East Side. With a a backdrop of despair, bands like Agnostic Front, Cro-Mags, Murphys Law, and Youth of Today confronted their reality with relentlessly energetic gigs at CBGB, A7, and the numerous squats in the area.Tony Rettmans ambitious oral history captures ten years of struggling, including the scenes regional rivalries with D.C. and Boston, the birth of moshing, the clash and coming to terms of hardcore and heavy metal, the straightedge movement, and the unlikely influence of Krishna consciousness.With a foreword by Freddy Cricien of Madball, who made his stage debut with Agnostic Front at age seven, NYHC slams the sidewalk with savage tales of larger-than-life characters and unlikely feats of willpower. The gripping and sometimes hilarious narrative -
Neaera Comeback Kid a Traitor Like Judas Bad Religion Escapado Spermbirds to Kill Cataract Grey
24 OCT/NOV 10 FOR FREE NEAERA COMEBACK KID A TRAITOR LIKE JUDAS BAD RELIGION ESCAPADO SPERMBIRDS TO KILL CATARACT GREY Fuze_Titel_No.24.indd 2 10.09.10 21:28 The return of THE CROWN now feat. Jonas Stålhammar from Utumno/God Macabre on vocals. May the „Doomsday King“ descend upon us come September 2010! Available as standard CD, ltd. Digipak incl. bonus-disc (4 bonus tracks), 180gr vinyl + entire album on CD and digital download THE CROWN live: 01.10. Lichtenfels Way Of Darkness Festival · 02.10. Oberhausen Death Feast Ultimate www.myspace.com/thecrownonlineswe Keepers Of The Faith Erhältlich als SPECIAL LIMITED EDITION & STANDARD CD see them live on the HELL ON EARTH TOUR 2010 29.09. Frankfurt a.M. Batschkapp · 30.09. Klagenfurt (AT) Volxhaus 01.10. München Werk · 03.10. Solothurn (CH) Kofmehl 04.10. Hannover Faust · 06.10. Münster Sputnikhalle 07.10. Hamburg Markthalle · 08.10. Saarbrücken Garage 09.10. Schweinfurt Alter Stadtbahnhof · 11.10. Lindau Club Vaudeville 12.10. Stuttgart LKA · 13.10. Wien (AT) Arena 15.10. Leipzig Werk · 16.10. Berlin SO 36 www.myspace.com/terror www.keepersofthefaithhc.com TERROR merch available via Photo by Burkhard Müller www.centurymedia.com [+++ check out special and rare collector’s items at www.cmdistro.com +++] Fuze_U2_0910.indd02Fuze24.indd 2 1 08.09.201009.09.10 16:59:54 10:40 Uhr 03Fuze24.indd 3 09.09.10 10:50 04Fuze24.indd 4 10.09.10 21:26 index IMPRESSUM Fuze Magazine Thomas Renz, P.O.Box 11 04 20 42664 Solingen, Germany 07 COMEBACK KID 20 NEAERA (Pakete an: Fuze Magazine, Ein Album für die Straße. -
TEENAGE WASTELAND Suburbia’S Dead-End Kids Donna Gaines
READING 2 TEENAGE WASTELAND Suburbia’s Dead-End Kids Donna Gaines This reading by Donna Gaines is excerpted from her internationally acclaimed book Teenage Wasteland: Suburbia’s Dead-End Kids (1990). Rolling Stone declared Teenage Wasteland “the best book on youth culture,” and it is a required reading on university course lists in several disciplines. Gaines is a journalist, cultural sociologist, and New York State–certified social worker. An international expert on youth violence and culture, Gaines has been interviewed extensively in newspapers, for documentaries, on radio, and on television. Professor Gaines also has taught sociology at Barnard College of Columbia University and at the Graduate Faculty of New School University. This excerpt is an example of sociological research that employs C. Wright Mills’s sociological imagination and, specifically, his distinction between personal troubles and public issues. As Gaines illustrates, when one teenager commits suicide it is a personal tragedy, but when groups of teenagers form a suicide pact and successfully carry it out, suicide becomes a matter of public concern. In order to explain adequately why this incident occurred, Gaines examines both the history and the biography of suburban teens. n Bergenfield, New Jersey, on the morning of March 11, 1987, the bodies of I four teenagers were discovered inside a 1977 rust-colored Chevrolet Camaro. The car, which belonged to Thomas Olton, was parked in an unused garage in the Foster Village garden apartment complex, behind the Foster Village Shopping Center. Two sisters, Lisa and Cheryl Burress, and their friends, Thomas Rizzo and Thomas Olton, had died of carbon monoxide poisoning. -
Underground Power Liste 1 -2015.Pdf
Back in the new year with a new great list. We have our shop next weekend on the Metal Assault festival. We will have all news with us. If you wanna pick up your order there, your welcome as always. We are waiting for Quartz CDs, Rigor Mortis on LP, the new Ostrogoth, a few found original Dresden -Too many Skeletons LP (totally overlooked US Thrash/Speed Metal Killer from 1986), new Ruthless, Exxplorer Vinyl, Born of Fire Vinyl, Warrant Vinyl, the Arkeyn Steel news, Dutch Steel compilation on 3 LP Box and many more great stuff. Our new 7" from MOROS NYX (Epic US Metal from Chicago) is ready since Xmas and 60% of the pressing are sold so far. We have also signed a contract with Moros Nyx to release their Debut Album in 2015 on CD + LP, both in a limited Edition. Our next releases will arrive at the end of February (Rocka Rollas - The Road to Destruction LP / Wargasm - Satan stole my lunch money DLP / Victim - By the neck LP / Titan Force - Force of the Titan DLP) + 1 month later the new reverence in Tech/Thrash/Speed Metal from Sacral Rage ! NEWS - we will add every new CD + Vinyl in a new section in our ebay store shop under "BRANDNEW CDs" + "BRANDNEW Vinyl" - so you can inform you after the last list everytime about our new arrivals (which will appear on the forthcoming lists). But don`t buy on ebay, its cheaper directly from us. So you can send orders or reservations between the gap of the new lists.