Inside: Hard Hitter
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The Berkeley Beacon
SPORTS LIFESTYLE OPINION Athlete scores in academics Cheeky Business boosts self-care Transfers tough out transition The Berkeley Beacon Emerson College’s student newspaper since 1947 • berkeleybeacon.com Thursday October 13, 2016 • Volume 70, Issue 5 THE FEATURE Students Sexual health surprised by and self-care automatic combine tuition charge Kyle Labe, Beacon Staff Bret Hauff, Beacon Staff In the words of iconic hip-hop duo Salt-N-Pepa, “Let’s talk about sex.” Or If you didn’t check your ECmail this rather, as Cheeky Business aims: sex-pos- summer, you may have missed a few itivity. emails that could’ve saved you $130. Cheeky Business is a feminist website In years past, students voluntarily en- created by Emerson alumni Ashley Cun- rolled for tuition insurance to assure they ningham. It seeks to examine the intrinsic would be refunded 80 percent of their tui- connectivity of sexual and mental health, tion and fees if they left the college mid-se- and to bring taboo branches of self-care, mester because of a physical or mental like masturbation and pornography, into health issue. This year, all undergraduates the spotlight. were automatically charged for the insur- With articles ranging from body image ance, according to Emerson’s website. Stu- in bed to the various flavors of one’s va- dents were given until Sept. 7, the first day gina, the website features original content of classes, to opt out of the plan. from Cunningham, and submissions and The college does reimburse a portion of forums. students’ tuition if they drop out for med- Cunningham graduated in ‘15 with a ical reasons, but the amount decreases as degree in marketing. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Most Underrated Band of All Time?
:: View email as a web page :: For the past 15 years, Manchester Orchestra has been one of the most popular emo bands on the planet. The one person who has been there every step of the way is founding singer-songwriter Andy Hull, who started the band when he was in his teens and has charted his own growing-up process with each album. Manchester Orchestra has also matured a lot over the years, evolving from an intense and volatile post-hardcore outt on albums like 2009’s Mean Everything To Nothing to the expansive and philosophical indie rock of their latest, The Million Masks Of God, which drops next week. Along the way, they’ve managed to somehow grow their audience while retaining committed fans who connected with the early records as teenagers, including famous acolytes like Phoebe Bridgers and Julien Baker. “Even though everything did well at that time, it wasn’t really accepted by critics and ‘cool’ people,” Hull recently mused about his back catalogue, “and that totally worked in our favor, because it still holds up. It sounds, to me, pretty timeless.” Ahead of the release of The Million Masks Of God, Hull reected on every Manchester Orchestra LP, candidly breaking down the myriad fascinating dramas that marked the process of making each record. Check it out here. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" and the Beginning of the 21st Century In case you missed it... The latest Indiecast visualizer digs further into the ongoing conict between Morrissey and The Simpsons. -
S Final Album,Alt-Nation
Motif Music Award Winners On a rainy Tuesday night, an eclectic crowd of roughly 400 musicians and music lovers, from folk to hardcore, from hip-hop to EDM, gathered to swap stories, down drinks and receive awards. Thanks to all who came out, and thanks to the nearly 4,000 Motif readers who took the time to vote for their favorites. It was awesome to see so much talent in one room – in this case, at The Met Café in Pawtucket. Different styles, genres, ages and instruments all mixed together, including stand-out performances by the amazing School of Rock teens, the almost-performance-art random rock of The Viennagram, the acoustic stylings of Amanda Salemi and hip-hop duo DirtyDurdie. There was something for everyone, in what was probably the most eclectic mix of styles to share a Rhode Island stage in a very, very long time. Big thanks to all, as well as to our many presenters, hosts John Fuzek and BettySioux Tailor, Rhodies Food Truck (rhodiesfoodtruck.tumblr.com), and of course, The Met Café. Yes, there are winners (you picked ‘em!), but Motif puts on this awards show to celebrate all the amazing music and musical talent that’s fostered and we hope will thrive in our small-population, big- talent state. We don’t so much care who won – we’re just glad so many came out to play. [AMERICANA] By: John Fuzek BEST ACT: Consuelo’s Revenge Consuelo doesn’t need revenge this time around. The band, whose self-termed musical label is “Genericana,” showed they are tops in the Americana category this year. -
Somebody Told Me You Died
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2020 Somebody Told Me You Died Barry E. Maxwell Follow this and additional works at: https://scholarworks.umt.edu/etd Part of the Nonfiction Commons Let us know how access to this document benefits ou.y Recommended Citation Maxwell, Barry E., "Somebody Told Me You Died" (2020). Graduate Student Theses, Dissertations, & Professional Papers. 11606. https://scholarworks.umt.edu/etd/11606 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. SOMEBODY TOLD ME YOU DIED By BARRY EUGENE MAXWELL Associate of Arts in Creative Writing, Austin Community College, Austin, TX, 2015 Bachelor of Arts with Honors, The University of Texas at Austin, Austin, TX, 2017 Thesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts in Nonfiction The University of Montana Missoula, MT May 2020 Approved by: Scott Whittenburg Dean of The Graduate School Judy Blunt Director, Creative Writing Department of English Kathleen Kane Department of English Mary-Ann Bowman Department of Social Work Maxwell, Barry, Master of Fine Arts, Spring 2020 Creative Writing, Nonfiction Somebody Told Me You Died Chairperson: Judy Blunt Somebody Told Me You Died is a sampling of works exploring the author’s transition from “normal” life to homelessness, his adaptations to that world and its ways, and his eventual efforts to return from it. -
Music & Entertainment Auction
Hugo Marsh Neil Thomas Plant (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction 20th February 2018 at 10.00 For enquiries relating to the sale, Viewing: 19th February 2018 10:00 - 16:00 Please contact: Otherwise by Appointment Saleroom One, 81 Greenham Business Park, NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment www.specialauctionservices.com Music As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to the auction; the purchase will be made at their own risk. Special Auction Services will give indica- tions of provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price Internet Buyers Premium: 20.5% plus Value Added Tax making a total of 24.6% of the Hammer Price Historic Vocal & other Records 9. Music Hall records, fifty-two, by 16. Thirty-nine vocal records, 12- Askey (3), Wilkie Bard, Fred Barnes, Billy inch, by de Tura, Devries (3), Doloukhanova, 1. English Vocal records, sixty-three, Bennett (5), Byng (3), Harry Champion (4), Domingo, Dragoni (5), Dufranne, Eames (16 12-inch, by Buckman, Butt (11 - several Casey Kids (2), GH Chirgwin, (2), Clapham and inc IRCC20, IRCC24, AGSB60), Easton, Edvina, operatic), T Davies(6), Dawson (19), Deller, Dwyer, de Casalis, GH Elliot (3), Florrie Ford (6), Elmo, Endreze (6) (39, in T1) £40-60 Dearth (4), Dodds, Ellis, N Evans, Falkner, Fear, Harry Fay, Frankau, Will Fyfe (3), Alf Gordon, Ferrier, Florence, Furmidge, Fuller, Foster (63, Tommy Handley (5), Charles Hawtrey, Harry 17. -
“Canned History”: American Newsreels and The
“Canned History”: American Newsreels and the Commodification of Reality, 1927-1945 By Joseph E.J. Clark B.A., University of British Columbia, 1999 M.A., University of British Columbia, 2001 M.A., Brown University, 2004 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of American Civilization at Brown University Providence, Rhode Island May, 2011 © Copyright 2010, by Joseph E.J. Clark This dissertation by Joseph E.J. Clark is accepted in its present form by the Department of American Civilization as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date:____________ _________________________________ Professor Susan Smulyan, Co-director Date:____________ _________________________________ Professor Philip Rosen, Co-director Recommended to the Graduate Council Date:____________ _________________________________ Professor Lynne Joyrich, Reader Approved by the Graduate Council Date:____________ _________________________________ Dean Peter Weber, Dean of the Graduate School iii Curriculum Vitae Joseph E.J. Clark Date of Birth: July 30, 1975 Place of Birth: Beverley, United Kingdom Education: Ph.D. American Civilization, Brown University, 2011 Master of Arts, American Civilization, Brown University, 2004 Master of Arts, History, University of British Columbia, 2001 Bachelor of Arts, University of British Columbia, 1999 Teaching Experience: Sessional Instructor, Department of Gender, Sexuality, and Women’s Studies, Simon Fraser University, Spring 2010 Sessional Instructor, Department of History, Simon Fraser University, Fall 2008 Sessional Instructor, Department of Theatre, Film, and Creative Writing, University of British Columbia, Spring 2008 Teaching Fellow, Department of American Civilization, Brown University, 2006 Teaching Assistant, Brown University, 2003-2004 Publications: “Double Vision: World War II, Racial Uplift, and the All-American Newsreel’s Pedagogical Address,” in Charles Acland and Haidee Wasson, eds. -
New Year's Weekend Continues with Breaking
For Immediate Release NEW YEAR’S WEEKEND CONTINUES WITH BREAKING BENJAMIN AT HARD ROCK HOTEL & CASINO ATLANTIC CITY DECEMBER 30 AT 8 PM Atlantic City, NJ (October 29, 2018) – New Year’s weekend at Hard Rock Hotel & Casino Atlantic City just got even bigger with the addition of hard rockers, Breaking Benjamin at Hard Rock Live at Etess Arena on Sunday, December 30 at 8 p.m. Tickets are on-sale this Friday, November 2 at 10 a.m. Multi-platinum band Breaking Benjamin has amassed a sizeable and diehard fan base, both through their chart-topping music, as well as their electrifying live performances. Their latest release, Dark Before Dawn certified GOLD and debuted #1 on Billboard’s Top 200 chart and spun off two #1 rock tracks, “Failure” and “Angels Fall.” “Failure” was also named the most played song at Active Rock for 2015. 2009’s Dear Agony, certified PLATINUM and debuted #4 on the Billboard Top 200 and #1 on the iTunes Rock Album Chart. Dear Agony also spun off the platinum selling and #1 Active Rock single “I Will Not Bow” where it stayed #1 for five weeks straight. Their discography also includes 2002’s Saturate, 2004’s We Are Not Alone, 2006’s Phobia. We Are Not Alone spawned a pair of #1 radio hits, “So Cold” and “Sooner or Later.” Phobia debuted at # 2 on Billboard’s Top 200, hit #1 on the Rock Album Chart and was one of the top 50 selling rock albums of 2006. It featured one #1 and two Top 5 rock radio hits “Breath,” “Diary of Jane” and “Until The End.” Tickets to see Breaking Benjamin, ranging from $39.00 to $59.00, go on sale this Friday, November 2 at 10 AM. -
Eric Clapton
ERIC CLAPTON BIOGRAFIA Eric Patrick Clapton nasceu em 30/03/1945 em Ripley, Inglaterra. Ganhou a sua primeira guitarra aos 13 anos e se interessou pelo Blues americano de artistas como Robert Johnson e Muddy Waters. Apelidado de Slowhand, é considerado um dos melhores guitarristas do mundo. O reconhecimento de Clapton só começou quando entrou no “Yardbirds”, banda inglesa de grande influência que teve o mérito de reunir três dos maiores guitarristas de todos os tempos em sua formação: Eric Clapton, Jeff Beck e Jimmy Page. Apesar do sucesso que o grupo fazia, Clapton não admitia abandonar o Blues e, em sua opinião, o Yardbirds estava seguindo uma direção muito pop. Sai do grupo em 1965, quando John Mayall o convida a juntar-se à sua banda, os “Blues Breakers”. Gravam o álbum “Blues Breakers with Eric Clapton”, mas o relacionamento com Mayall não era dos melhores e Clapton deixa o grupo pouco tempo depois. Em 1966, forma os “Cream” com o baixista Jack Bruce e o baterista Ginger Baker. Com a gravação de 4 álbuns (“Fresh Cream”, “Disraeli Gears”, “Wheels Of Fire” e “Goodbye”) e muitos shows em terras norte americanas, os Cream atingiram enorme sucesso e Eric Clapton já era tido como um dos melhores guitarristas da história. A banda separa-se no fim de 1968 devido ao distanciamento entre os membros. Neste mesmo ano, Clapton a convite de seu amigo George Harisson, toca na faixa “While My Guitar Gently Weeps” do White Album dos Beatles. Forma os “Blind Faith” em 1969 com Steve Winwood, Ginger Baker e Rick Grech, que durou por pouco tempo, lançando apenas um album. -
141715236.Pdf
This issue of the Other Press has been brought to you by these people (and others) · Don't you love them so? Table Cont 28 30 , Georwe s Malady· Now if :r: could just prowam t ·his VCR to tape "Friends." - I guess it had to happen. The deli tions of its members." This is not At worst, when foisting spurious O where I go for sandwiches has a to say that he did not cherish propaganda, mission statements ~ mission statement. Posted in billboard such beliefs, only that he was too are misleading. At best, they are +-' proportions behind the counter, where busy eradicating a disease to superfluous. One local retail outlet, the menu should be, is their corporate embroider the words on a doily in a "statement of core values" C manifesto, replete with such feel-good and have them framed. issued to its employees, imparts 0 sentiments as "We recognize and But we Jive in a time when the stunning revelation, "We respect the rights of others" and "We humility and quiet accomplish recognize that profitability is · acknowledge the diversity in our ment are seen as weaknesses, essential to our success." Well, U community." The poor harried em when enterprising executroids duh. Might as well include the part C ployee making my sandwich behind buy off-the-rack personalities about opening the doors. As for the counter was so busy respecting . from Tony Robbins and other the respect-the-rights-of-others 0 rights and acknowledging diversity such snake oil salesmen, when type of statements, these are •- that he forgot the mustard. -
Statesman, V. 23, N. 5.Pdf (4.053Mb)
leL~rU VI FINu "1M L t:R UHALAN JV"lJ Lrl Klein Devastated in-Primarie as Suffolk County Execu- received 39,765 votes, while winner. " Klein later told 10:45 PM, announced that Suffolk County." Putting tive John Klein suffered a Klein trailed with 18,278. reporters that he would not Klein had conceded, and his own political career on devastating defeat last night Matthews, with 85 percent seek re-election on an proclaimed, "Our victory the line, Cohalan charged in his bid for re-election, of the votes in, led Klein independent ticket. tonight marks the beginning Klein with responsibility for losing both the Republican 1,524-1,230, scoring an Meanwhile, at Cohalan's of a new era in Suffolk corruption and scandal in and Conservative primaries. unanticipated upset. Patchogue headquarters, a County." county government. The landslide victory of The county executive's jubilant crowd of more than Cohalan, in his own Cohalan blamed his Islip Town Supervisor Peter concession came at 10:10 500 supporters were words, successfully "tapped o p p o n e n t w i t h Cohalan in the GOP race, PM at his Smithtown shouting, "We're number a vein - of anti-Klein mismanagement of the combined with the unex- campaign headquarters, one!" Cohalan arrived at sentiment among voters in (Continued on page 7) pected triumph of Conser- where about 100 -vative Party opponent despondent supporters had William Matthews, may gathered. "Ladies and spell the end of Klein's gentlemen," Klein began, 21-year political career. "as all of you have seen, the With 85 percent of the handwriting is on the vote tallied, Cohalan wall...Cohalan is the High Poll Turnout Gave Cohalan Edge By JACK MILLROD Patchogue - It was fitting that Peter Cohalan proclaimed victory last night in a shopping plaza, for it was in shopping plazas all over Suffolk County that the Islip town- supervisor won his battle for the Republican THE WINNER: Peter Cohalan addresses the piss on his primary victory last night. -
Entertain Ent 'Gatsby' a Spectacular Disappointment and a Case of Mistaken Identity Premonition Was Correct
Pa.ge 14, The Retriever, April 22, 1974 Entertain_ent 'Gatsby' a spectacular disappointment and a case of mistaken identity premonition was correct. Mia. For those planning to see the new Sam Waterston delivered a good (Gatsby for Tom), at the time of her Farrow, an appreciably better Daisy,' performance as Nick, but the ly released film version of The Great' death. was good, but Mia Farrow is Mia Gatsby, having been taken by' the . Robert Redford portraying the Farrow and a star actress she is not. novel, several words of caution: character appears to be so pathetic desperate Jay Gatsby is as credible Managing to convey Daisy that he is almost repulsive by the end prepare to be disappointed. The as John Wayne attempting the role of fairly well, there is still enough Paramount film, despite a $6.4 million of the movie. Bruce Dern as Tom-is Father Carras (Exorcist). Redford 'lacking in her "money-voiced another major example of poor budget and a reputable cast of himself realized the possibility of elegance" to make one feel that she casting; Tom Buchanan is supposedly character.s, falls short of portrayingi criticism of his part ;unfortunately his ,short-changes the role. a big, athletic, aggressive individual, the of the most widely ~yshque but Dern appears for' the most part ac~lalmed F. Scott Fitzgerald work., SImply e~ough the film's main ."Tartuffe" opens passive and beaten. pr?blem is following too closely to the novel. Much of the dialogue is lifted Without a doubt, the finest act verbatum from the novel, whict next at theater ing should be credited to Karen Black and Scott Wilson.