DOCSLIB.ORG

The Omen! BLOODY VALENTINES Exploitation Movie King John Dunning Interviewed!

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Omen! BLOODY VALENTINES Exploitation Movie King John Dunning Interviewed! THE DEVIL’S CHILD THE MAKinG OF THE Omen! BLOODY VALENTINES EXPLOitatiON MOvie KinG JOHN DunninG IntervieWED! MEDIEVAL MADNESS THE BLOOD On Satan’S SCARY MOVIE ClaW! ROUNDUP NEW DVDS and Blu-Rays DSD RevieWED! FREE! 06 Check out the teaser issue of CultTV Times... covering everything from NCIS to anime! Broadcast the news – the first full issue of Cult TV Times will be available to buy soon at Culttvtimes.com Follow us on : (@CultTVTimes) for the latest news and issue updates For subscription enquiries contact: [email protected] Introduction MACABRE MENU A WARM WELCOME TO THE 4 The omen 09 DVD LIBRARY 13 SUBS 14 SATAn’S CLAW DARKSIDe D I G I TA L 18 John DUnnIng contributing scripts it has to be good. I do think that Peter Capaldi is a fantastic choice for the new Doctor, especially if he uses the same language as he does in The Thick of It! Just got an early review disc in of the Blu-ray of Corruption, which is being released by Grindhouse USA in a region free edition. I have a bit of a vested interest in this one because I contributed liner notes and helped Grindhouse’s Bob Murawski find some of the interview subjects in the UK. It has taken some years to get this one in shops but the wait has been worthwhile because I can’t imagine how it could have been done better. I’ll be reviewing it at length in the next print issue, out in shops on October 24th. I really feel we’re on a roll with Dark Side at present. We printed more of our previous issue (155) than ever before, and registered our highest his issue of Dark Side Digital looks at the making of The Omen, ever UK sale with the Dracula AD 1972 issue (154). That proves to me a true horror classic that stands the test of time. Being a big that our studied coverage of retro material alongside carefully chosen Tfan of composer Jerry Goldsmith I was one of the first in line to modern day stuff is the right way to continue. I get more excited about see this at a midnight preview in 1976 in The Odeon, Leicester Square. seeing a printed issue landing on my doorstep now than I ever did in I managed to talk my good friend John Willimot into driving us (my the past, and that is partly down to the sterling work being done by ex-wife Lindy and myself) to the West End for this, even though he our regular contributors such as Denis Meikle, who can always be relied was not a fan of horror films himself. Not long after the scary opening upon to entertain and educate. James Kloda’s incisive reviews are music came up, John announced he was going to the loo. He stayed always a pleasure to read, and to my mind serve up a perfect balance there for the entire movie. It was pretty scary stuff in its day and still of wicked witticism and informed critical comment and witticism. is nowadays. I actually prefer The Omen to The Exorcist because I James came to my attention through my good friend Calum Waddell, think that The Omen is the better crafted film. Sorry Mark. It certainly who is also one of my favourite writers. In the upcoming issue, Calum has better photography and music, and the fact that it is largely set has managed to grab us a real exclusive in the shape of a fascinating in England probably has some bearing for my greater appreciation interview with actress Me Me Lai, star of such exploitation movie of it too. The sequels were disappointing of course, though they do classics as Au Pair Girls, Eaten Alive and Last Cannibal World. As far have their moments, and as for the recent Omen remake, well that was as I know, the reclusive Me Me has never been interviewed by a film totally pointless. The generally enjoyable Final Destination movies are mag before, and Calum really gets her to open up about her extensive basically variations on The Omen theme anyway. career. The only shame with Calum is he’s not a convert to 60s British Our striking cover art this issue comes from the hugely talented horrors - he freely admits that he finds most of the Hammer stuff Peter Wallbank, who is a massive Omen fan. He tells me that he once boring. Oh well, that’s his youth speaking, and he’s sure to grow out of visited the church in Putney where Patrick Troughton met his end, and it. There’s some hope though, because he’s working alongside his High was wandering around it when approached by a lady Vicar, who asked Rising Productions partner Naomi Holwill filming extras for Arrow’s him what he was interested in. With some trepidation he mentioned upcoming Blu-ray of Vincent Prices wonderful Theatre of Blood and the Omen connection and she suddenly turned very frosty, saying: “We says he enjoyed the movie quite a lot. Who couldn’t? don’t like to advertise any connection with THAT film.” So much for It’s also lovely to now I have John Martin back on board, because he your Christian charity. was always one of Britain’s best genre writers and has spent too long Peter will also be contributing some of his amazing art to our out of the public eye. John was supposed to have been contributing a upcoming Doctor Who special, out at the end of November. This will Madeline Smith interview for 156 but on the day she proved difficult to not be classed as an issue of The Dark Side. Instead it’s a one-off pin down and so he has had to rearrange it for a date that’s just a bit special that will sit alongside the usual issue on the shelves at too late for it to be included - so look for it in 157 instead. As a great newsagents. Therefore it won’t be sent out to subscribers as part of replacement John managed to enjoy a candid chat with the gorgeous their deal. I took this decision because it’s not a given fact that every Barbara Bouchet, star of many a giallo and the larky 1967 Casino reader who loves horror also loves Doctor Who, even though our look Royale. Since issue 157 also contains interviews with the late Karen back at this classic series on its 50th anniversary will concentrate on Black and Suspiria’s Jessica Harper, it’s taking on a bit of a femme the monsters of the show and its more macabre episodes. fatale feel. Retro fans are still well catered for though, with an amazing I have to confess that I’ve not really been watching the latest Denis Meikle article on cinema double features of the 50 and 60s, and incarnation of the series, though the option to catch up is always the concluding part of John Hamilton’s history of Tigon. Okay, that’s available these days. From the bits I’ve seen it looks much slicker another page of ramblings done, now it’s time for you to get on with all than it ever was in my childhood, and with the likes of Mark Gatiss the good stuff in DSD 6. Enjoy! Allan Bryce editor: Allan Bryce Web master: Design & Production: Kevin Coward [email protected]. Advertisement Manager: Neville King. Website: www.thedarksidemagazine.com. Subscriptions Manager: Yannie Overton - Published by: Ghoulish Publishing Ltd, 29 [email protected] Cheyham Way, South Cheam, Surrey SM2 7HX. online publisher: Neville King Printed in the EU. Distribution: Comag, C:7A6 = [email protected] Unit 3, Tavistock Road, West Drayton, Advertising enquiries: Middlesex UB7 7QE. 16#-*4)*/( 56 [email protected] © Copyright 2012 Ghoulish Publishing Ltd ISSN 0960 6653 3 The DarkSide DIGITAL Horror Classics trange, isn’t it, that two of Hollywood strip and had produced for The Omen, which at this point was the most successful 70s films several documentaries as well as the called The AntiChrist. When Warners about Satanic goings-on were popular blaxploitation movie, The Mack. optioned the script, there was a clause in instigated by deeply religious But the ‘Devil’s child’ idea excited him so the contract that the rights would revert people? much that he sat down that same night back to the producers if the film had not William Peter Blatty, a and wrote a 10-page treatment. Then been made within a year, and with two devout Catholic, wrote The he contacted David Seltzer a TV writer days left before the year was up it was Exorcist as a confirmation and friend, who immediately turned it down. clear that the film would not be made Sexploration of his own faith and belief Seltzer changed his mind, though, there. in God, and the unsung hero behind after Bernhard paid him an advance. Eddie Rosen, an agent at the studio, The Omen is Bob Munger, a born again And after three months of research he had read it and recommended to Christian who was a good friend of the sat down and hammered out The Omen Neufeld that Richard Donner might be film’s producer, Harvey Bernhard. script in six weeks. a good choice to direct. Donner had Munger had got round to thinking, His screenplay took a lot of mainly done popular TV shows up to “What if there was a demonic son of symbolism from The Bible including the this point but was highly regarded as a Satan alive today?” He was having dinner Nanny’s name, Baylock, which came capable pair of hands.
Load more

Recommended publications
  • Edmond Press
    International Press International Sales Venice: wild bunch The PR Contact Ltd. Venice Phil Symes - Mobile: 347 643 1171 Vincent Maraval Ronaldo Mourao - Mobile: 347 643 0966 Tel: +336 11 91 23 93 Email: [email protected] Email: [email protected] Fax: 041 5265277 Carole Baraton 62nd Mostra Venice Film Festival: Tel: +336 20 36 77 72 Hotel Villa Pannonia Email: [email protected] Via Doge D. Michiel 48 Gaël Nouaile 30126 Venezia Lido Tel: +336 21 23 04 72 Tel: 041 5260162 Email: [email protected] Fax: 041 5265277 Silva Simonutti London: Tel: +33 6 82 13 18 84 The PR Contact Ltd. Email: [email protected] 32 Newman Street London, W1T 1PU Paris: Tel: + 44 (0) 207 323 1200 Wild Bunch Fax: + 44 (0) 207 323 1070 99, rue de la Verrerie - 75004 Paris Email: [email protected] tel: + 33 1 53 01 50 20 fax: +33 1 53 01 50 49 www.wildbunch.biz French Press: French Distribution : Pan Européenne / Wild Bunch Michel Burstein / Bossa Nova Tel: +33 1 43 26 26 26 Fax: +33 1 43 26 26 36 High resolution images are available to download from 32 bd st germain - 75005 Paris the press section at www.wildbunch.biz [email protected] www.bossa-nova.info Synopsis Cast and Crew “You are not where you belong.” Edmond: William H. Macy Thus begins a brutal descent into a contemporary urban hell Glenna: Julia Stiles in David Mamet's savage black comedy, when his encounter B-Girl: Denise Richards with a fortune-teller leads businessman Edmond (William H.
    [Show full text]
  • From Sexploitation to Canuxploitation (Representations of Gender in the Canadian ‘Slasher’ Film)
    Maple Syrup Gore: From Sexploitation to Canuxploitation (Representations of Gender in the Canadian ‘Slasher’ Film) by Agnieszka Mlynarz A Thesis presented to The University of Guelph In partial fulfilment of requirements for the degree of Master of Arts in Theatre Studies Guelph, Ontario, Canada © Agnieszka Mlynarz, April, 2017 ABSTRACT Maple Syrup Gore: From Sexploitation to Canuxploitation (Representations of Gender in the Canadian ‘Slasher’ Film) Agnieszka Mlynarz Advisor: University of Guelph, 2017 Professor Alan Filewod This thesis is an investigation of five Canadian genre films with female leads from the Tax Shelter era: The Pyx, Cannibal Girls, Black Christmas, Ilsa: She Wolf of the SS, and Death Weekend. It considers the complex space women occupy in the horror genre and explores if there are stylistic cultural differences in how gender is represented in Canadian horror. In examining variations in Canadian horror from other popular trends in horror cinema the thesis questions how normality is presented and wishes to differentiate Canuxploitation by defining who the threat is. ACKNOWLEDGEMENTS I would like to express my deepest gratitude to Dr. Paul Salmon and Dr. Alan Filewod. Alan, your understanding, support and above all trust in my offbeat work ethic and creative impulses has been invaluable to me over the years. Thank you. To my parents, who never once have discouraged any of my decisions surrounding my love of theatre and film, always helping me find my way back despite the tears and deep- seated fears. To the team at Black Fawn Distribution: Chad Archibald, CF Benner, Chris Giroux, and Gabriel Carrer who brought me back into the fold with open arms, hearts, and a cold beer.
    [Show full text]
  • The Unnamable Ii the Statement of Randolph Carter
    The Unnamable Ii The Statement Of Randolph Carter Anaphoric and covetable Yacov never alphabetise riotously when Ashby coapt his photocopies. Animalic and condolent Ric always outfoxes craftily and suds his Murat. Sturgis remains supernational after Marwin disburthen counter or snuffles any epidiascope. Its adaptations include the how The Unnamable II The Statement of Randolph Carter. This did not lessen his viewpoints. Books i più recenti consigli del club del libro di Oprah Winfrey in formato ebook o audiolibro. The Unnamable II The Statement of Randolph Carter 1993. Unnamable II The Statement of Randolph Carter The. Unnamable II The The Statement of Randolph Carter AKA The Unnamable Returns 1993 R0 America Lions Gate Home Entertainment R2 Germany VCL. Initially met with carter movie walks a bank failure to his statement of randolph. THE UNNAMABLE II THE STATEMENT OF RANDOLPH CARTER 1992 A steam of demonic nature too hideous to have a sensible once again terrorizes the. Is credited for the temple, only this page to date for prints at his lack of the unnamable ii. Google account to carter is randolph goes on your comments. The Unnamable II The Statement of Randolph Carter 10000 Details 75 x 425 x 1 hand-cut paper VHS sleeve 2019-2020. Your site again it is randolph. Similar Movies like The Unnamable II The Statement of. Please fill in his career took a video streaming sources for a small town in mind when it is. He now works mainly for television but if still contributing to investigate motion picture industry. One by using americanized words fail me! Favicon created by clicking ok, carter remain unknown entity in her employment required fields of! Citations are based on reference standards.
    [Show full text]
  • The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema
    Journal of Religion & Film Volume 8 Issue 3 October 2004 Article 7 October 2004 The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema Kelly J. Wyman University of Missouri - Kansas City, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Wyman, Kelly J. (2004) "The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema," Journal of Religion & Film: Vol. 8 : Iss. 3 , Article 7. Available at: https://digitalcommons.unomaha.edu/jrf/vol8/iss3/7 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema Abstract The character of Satan has been explored repeatedly in American films, although neither film noreligion r scholars have extensively investigated the topic. This article examines the medieval Christian roots of Satan as seen in American cinema and proposes that the most identifiable difference between the medieval Devil and the Satan shown in American films is his level of power over humanity. Hollywood's Satans echo medieval depictions of Satan in form, appearance, and ways of interacting with humans. Although less frightening, pop culture's view of Satan - even when he is treated humorously - is thus linked through movies to medieval religious beliefs. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol8/iss3/7 Wyman: The Devil We Already Know Introduction From George Méliès' 1896 film La Manoir Du Diable (The Devil's Manor), to more recent productions such as Roman Polanski's Rosemary's Baby (1968) and The Ninth Gate (1999), diabolism has been a significant foundation for films which explore religious subject matter.
    [Show full text]
  • Mccrimmon Mccrimmon
    ISSUE #14 APRIL 2010 FREE! NOT FOR RESALE MARC PLATT chats about Point of Entry RICHARD EARL on his roles in Doctor Who and Sherlock Holmes MAGGIE staBLES is back in the studio as Evelyn Smythe! RETURN OF THE McCRIMMON FRazER HINEs Is baCk IN THE TaRdIs! PLUS: Sneak Previews • Exclusive Photos • Interviews and more! EDITORIAL Well, as you read this, Holmes and the Ripper will I do adore it. But it is all-consuming. And it reminded finally be out. As I write this, I have not long finished me of how hard the work is and how dedicated all our doing the sound design, which made me realize one sound designers are. There’s quite an army of them thing in particular: that being executive producer of now. When I became exec producer we only had a Big Finish really does mean that I don’t have time to do handful, but over the last couple of years I have been the sound design for a whole double-CD production. on a recruitment drive, and now we have some great That makes me a bit sad. But what really lifts my spirits new people with us, including Daniel Brett, Howard is listening to the music, which is, at this very moment, Carter, Jamie Robertson and Kelly and Steve at Fool being added by Jamie Robertson. Only ten more Circle Productions, all joining the great guys we’ve been minutes of music to go… although I’m just about to working with for years. Sound design is a very special, download the bulk of Part Two in a about half an hour’s crazy world in which you find yourself listening to every time.
    [Show full text]
  • GUÍA De Creación De Personaje CTHULHU
    Foundation for Archeological Research Guía para nuevos miembros Una guía no-oficial para crear investigadores para el juego de rol “La Llamada de Cthulhu” ” publicado en España por Edge Entertainment bajo licencia de Chaosium. Para ser utilizado principalmente en “Los Misterios de Bloomfield”-“The Bloomfield Mysteries”, una adaptación de “La Sombra de Saros”, campaña escrita por Xabier Ugalde, para su uso en las aulas de Primaria en las áreas de Ciencias Sociales, Lengua Castellana y Lengua Extranjera: Inglés Adaptado para Educación Primaria por: ÓscarRecio Coll [email protected] https://jueducacion.com/ El Copyright de las ilustraciones de La Llamada de Cthulhu y de La Sombra de Saros además de otras presentes en este material así como la propiedad intelectual/comercial/empresarial y derechos de las mismas son exclusiva de sus autores y/o de las compañías y editoriales que sean propietarias o hayan comprado los citados derechos sobre las obras y posean sobre ellas el derecho a que se las elimine de esta publicación de tal manera que sus derechos no queden vulnerados en ninguna forma o modo que pudiera contravenir su autoría para particulares y/o empresas que las hayan utilizado con fines comerciales y/o empresariales. Esta compilación no tiene ningún uso comercial ni ánimo de lucro y está destinada exclusivamente a su utilización dentro del ámbito escolar y su finalidad es completamente didáctica como material de desarrollo y apoyo para la dinamización de contenidos en las diferentes áreas que componen la Educación Primaria. Bienvenidos/as a la F.A.R. (Fundación de Investigaciones Arqueológicas), en este sencillo manual encontrarás las instrucciones para ser parte de nuestra fundación y completar tu registro como miembro.
    [Show full text]
  • Monster! #27: Lovecraftian Horrors, Vol. 1 Online
    u0fjT [Free] Monster! #27: Lovecraftian Horrors, Vol. 1 Online [u0fjT.ebook] Monster! #27: Lovecraftian Horrors, Vol. 1 Pdf Free Tim Paxton, Steve Fenton, Stephen R. Bissette, Daniel Best *Download PDF | ePub | DOC | audiobook | ebooks Download Now Free Download Here Download eBook #522689 in Books 2016-04-02Original language:English 8.50 x .32 x 5.50l, .37 #File Name: 1530568277126 pages | File size: 52.Mb Tim Paxton, Steve Fenton, Stephen R. Bissette, Daniel Best : Monster! #27: Lovecraftian Horrors, Vol. 1 before purchasing it in order to gage whether or not it would be worth my time, and all praised Monster! #27: Lovecraftian Horrors, Vol. 1: 3 of 3 people found the following review helpful. We got your monsters right here!By Fred AdelmanThis issue is a little bit different than all the others. The majority of the zine is dedicated to films that can be described as "Lovecraftian" (I hate that word, too, Tim) or otherwise films based on stories by H.P. Lovecraft. It also contains films that contain the Lovecraft touch (My favorite Lovecraft film is still THE RESURRECTED - 1991), including Part 1 of an extensive article (written by the always interesting Stephen R. Bissette) of the TV movie deemed too scary for TV and released theatrically, DARK INTRUDER (1965).This 125 page issue is not able to give all the Lovecraftian films their proper due, so the next issue will also deal with H.P. Lovecraft.There are also some non-Lovecraft delights also found in this issue, including Part 1 writer Daniel Best's extensive article on the Dracula stage tour in Australia in 1929, Part 2 of Christos Mouroukis' Monster Movie Marathon (which includes my favorite horror film of all time, PHANTASM - 1979), Dino-Monsters in Film Literature, book reviews and the always welcome Movie Checklist.
    [Show full text]
  • A Canadian Perspective on the International Film Festival
    NEGOTIATING VALUE: A CANADIAN PERSPECTIVE ON THE INTERNATIONAL FILM FESTIVAL by Diane Louise Burgess M.A., University ofBritish Columbia, 2000 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the School ofCommunication © Diane Louise Burgess 2008 SIMON FRASER UNIVERSITY Fall 2008 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or by other means, without permission ofthe author. APPROVAL NAME Diane Louise Burgess DEGREE PhD TITLE OF DISSERTATION: Negotiating Value: A Canadian Perspective on the International Film Festival EXAMINING COMMITTEE: CHAIR: Barry Truax, Professor Catherine Murray Senior Supervisor Professor, School of Communication Zoe Druick Supervisor Associate Professor, School of Communication Alison Beale Supervisor Professor, School of Communication Stuart Poyntz, Internal Examiner Assistant Professor, School of Communication Charles R Acland, Professor, Communication Studies Concordia University DATE: September 18, 2008 11 SIMON FRASER UNIVERSITY LIBRARY Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the "Institutional Repository" link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work.
    [Show full text]
  • Film Reviews
    Page 117 FILM REVIEWS Year of the Remake: The Omen 666 and The Wicker Man Jenny McDonnell The current trend for remakes of 1970s horror movies continued throughout 2006, with the release on 6 June of John Moore’s The Omen 666 (a scene­for­scene reconstruction of Richard Donner’s 1976 The Omen) and the release on 1 September of Neil LaBute’s The Wicker Man (a re­imagining of Robin Hardy’s 1973 film of the same name). In addition, audiences were treated to remakes of The Hills Have Eyes, Black Christmas (due Christmas 2006) and When a Stranger Calls (a film that had previously been ‘remade’ as the opening sequence of Scream). Finally, there was Pulse, a remake of the Japanese film Kairo, and another addition to the body of remakes of non­English language horror films such as The Ring, The Grudge and Dark Water. Unsurprisingly, this slew of remakes has raised eyebrows and questions alike about Hollywood’s apparent inability to produce innovative material. As the remakes have mounted in recent years, from Planet of the Apes to King Kong, the cries have grown ever louder: Hollywood, it would appear, has run out of fresh ideas and has contributed to its ever­growing bank balance by quarrying the classics. Amid these accusations of Hollywood’s imaginative and moral bankruptcy to commercial ends in tampering with the films on which generations of cinephiles have been reared, it can prove difficult to keep a level head when viewing films like The Omen 666 and The Wicker Man.
    [Show full text]
  • 1 April 2012 DEAD by DAWN 29 March - 1 April 2012 All Screenings in Cinema One
    29 March - 1 April 2012 DEAD BY DAWN 29 March - 1 April 2012 All screenings in Cinema One Thursday THE FIELDS 2330 – 0115 Friday RED TEARS 1200 – 1335 What You Make It short film programme 1415 – 1515 THE OMEN 1600 – 1800 Long Shorts short film programme 1900 – 2035 BELOW ZERO + Q&A with Signe Olynyk and Bob Schultz 2115 – 2315 THE PUPPET MONSTER MASSACRE 0015 – 0130 Saturday DELIVERANCE 1245 – 1445 Cutting Edge short film programme 1530 – 1715 NIGHTMARE FACTORY 1815 – 1950 LOBOS DE ARGA + Q&A with Juan Martinez Moreno 2045 – 2250 Late Night Triple Bill Bear + JUAN DE LOS MUERTOS 0000 – 0155 Infernal Nuns + DEMONS 0230 – 0405 MACABRE 0425 – 0600 Sunday CREEPSHOW 1345 – 1550 2D & Deranged short animation programme 1630 – 1740 RED NIGHTS 1830 – 2015 HAUNTERS 2100 – 2245 Freebies, Blethering, Shit Film Amnesty 2330 – 2350 THE CABIN IN THE WOODS 2350 – 0140 Some times may be subject to slight change. Welcome to Dead by Dawn! It’s sound advice to be more afraid of the living than the dead. Sure, the dead can kill you, but at least they’re easy to spot. In this year’s programme too many of the monsters will smile when they meet you, and will still be smiling when they lock you in a meat freezer. Or encourage you onto a ledge. Or offer to share their martini. You could try politely declining their kind offer, see how that works out... Dead by Dawn is a discovery festival which exists to showcase potential and vibrant emerging talent, but also aims to screen the widest possible range of what can be described as horror both in feature and short form.
    [Show full text]
  • Birth and Ruin: Ttte Devil Versus Social Codes in Rosemary's Baby, the Exorcist and Ttie Omen
    BIRTH AND RUIN: TTTE DEVIL VERSUS SOCIAL CODES IN ROSEMARY'S BABY, THE EXORCIST AND TTIE OMEN BY NATASHA LOPUSINA A Thesis submitted to the Faculty of Graduate Studies In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department ofEnglish University of Manitoba Winnipeg, Manitoba @ Natasha Lopusina, March 2005 THE UNIVERSITY OF MANITOBA FACULTY OF GRADUATE STUDIES COPYRIGHT PERMISSION BIRTH AND RUIN: THE DEVIL VERSUS SOCIAL CODES IN ROSEMARY'S BABY, THE EXORCIST AND THE OMEN BY NATASHA LOPUSINA A ThesisÆracticum submitted to the Faculty of Graduate Studies of The University of Manitoba in partial fulfillment of the requirement of the degree MÄSTER Of ARTS NATASHA LOPUSINA O 2OO5 Permission has been granted to the Library of the University of Manitoba to lend or sell copies of this thesis/practicum, to the National Library of Canada to microfilm this thesis and to lend or sell copies of the film, and to University Microfilms Inc. to publish an abstract of this thesis/practicum. This reproduction or copy of this thesis has been made available by authority of the copyright owner solely for the purpose of private study and research, and may only be reproduced and copied as permitted by copyright laws or with express written authorization from the copyright owner. Table of contents Abstract 2 Introduction J CHAPTER I. Rosemary's Baby - A Woman's Realþ Within a Lie t3 CHAPTER II. The Visual Terror of The Exorcist's Daughter 39 CHAPTER III. The Devil as The Omen of the American Family 66 Conclusion 94 Bibliography 103 Abstract In mv thesis Birth and Ruin: The Devil versus Social Codes in Rosemaryt's Bab\t.
    [Show full text]
  • Finery June July August 1St Draft
    Greater Bay Area Costumers Guild Volume 13, Number 3 June-July-August 2015 Which Who Are You? ???? All photos courtesy of Jean Martin and Christopher Erickson Tickets for the Doctor Who Who-Dunnit Murder Mystery are on sale now. See The GBACG website for more information Page 2 In This Issue: 50 Plus years of “Doctor Who” Costuming , page 2-Cypress Lawn, page 7 - President’s Letter, page 7 - Editor’s Letter, page 8 – How to Get a Free Decades Of Style Pattern, Page 8- Upcoming Events, Page 9 Finery is the newsletter of the Greater Bay Area Costumers Guild, an educational group dedicated to all aspects of costume and textile arts, and is published bi-monthly. The next deadline for submissions is 8/15/15 If you have any suggestions for articles or topics of interest, please contact the editor, Robin McGann, at [email protected] 50 Plus Years of “Doctor Who” Costuming By Jean Martin and Christopher Erickson “Doctor Who” is a classic, long-running British science fiction show that began in 1963 about a time- traveling alien who regenerates, has adventures, saves the universe and has an affection for the human race. “Doctor Who” has become even more popular since its re-launch in 2005, and you can see fans in costumes from its 50 plus-year run at numerous conventions and events. With more than five decades of characters and episodes to choose from, fans have a wealth of costume inspirations from the 12 Doctors (so far) who mostly wear suits that are either based on various time periods or are whimsical creations.
    [Show full text]