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Gavin Ames Avid Editor
Gavin Ames Avid Editor Profile Gavin is an exceptionally talented editor. Fast, creative, and very technically minded. He is one of the best music editors around, with vast live multi-cam experience ranging from The Isle of Wight Festival, to Take That, Faithless and Primal Scream concerts. Since excelling in the music genre, Gavin went on to develop his skills in comedy, editing Shooting Stars. His talents have since gone from strength to strength and he now has a wide range of high-end credits under his belt, such as live stand up for Bill Bailey, Steven Merchant, Ed Byrne and Angelos Epithemiou. He has also edited sketch comedy, a number of studio shows and comedy docs. Gavin has a real passion for editing comedy and clients love working with him so much that they ask him back time and time again! Comedy / Entertainment / Factual “The World According to Jeff Goldblum” Series 2. Through the prism of Jeff Goldblum's always inquisitive and highly entertaining mind, nothing is as it seem. Each episode is centred around something we all love — like sneakers or ice cream — as Jeff pulls the thread on these deceptively familiar objects and unravels a wonderful world of astonishing connections, fascinating science and history, amazing people, and a whole lot of surprising big ideas and insights. Nutopia for National Geographic and Disney + “Guessable” In this comedy game show, two celebrity teams compete to identify the famous name or object inside a mystery box. Sara Pascoe hosts the show with John Kearns on hand as her assistant. Alan Davies and Darren Harriott are the team captains, in a format that puts a twist on classic family games. -
Laura Morrod Resume
LAURA MORROD – Editor FATE Director: Lisa James Larsson. Producer: Macdara Kelleher. Starring: Abigail Cowen, Danny Griffin and Hannah van der Westhuysen. Archery Pictures / Netflix. LOVE SARAH Director: Eliza Schroeder. Producer: Rajita Shah. Starring: Grace Calder, Rupert Penry-Jones, Bill Paterson and Celia Imrie. Miraj Films / Neopol Film / Rainstar Productions. THE LAST KINGDOM (Series 4) Director: Sarah O’Gorman. Producer: Vicki Delow. Starring: Alexander Dreymon, Ian Hart, David Dawson and Eliza Butterworth. Carnival Film & Television / Netflix. THE FEED Director: Jill Robertson. Producer: Simon Lewis. Starring: Guy Burnet, Michelle Fairlye, David Thewlis and Claire Rafferty. Amazon Studios. ORIGIN Director: Mark Brozel. Executive Producers: Rob Bullock, Andy Harries and Suzanne Mackie. Producer: John Phillips. Starring: Tom Felton, Philipp Christopher and Adelayo Adedayo. Left Bank Pictures. THE GOOD KARMA HOSPITAL 2 Director: Alex Winckler. Producer: John Chapman. Starring: Amanda Redman, Amrita Acharia and Neil Morrissey. Tiger Aspect Productions. THE BIRD CATCHER Director: Ross Clarke. Producers: Lisa Black, Leon Clarance and Ross Clarke. Starring: August Diehl, Sarah-Sofie Boussnina and Laura Birn. Motion Picture Capital. BRUCE SPRINGSTEEN: IN HIS OWN WORDS Director: Nigel Cole. Producer: Des Shaw. Starring: Bruce Springsteen. Lonesome Pine Productions. 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] HUMANS (Series 2) Director: Mark Brozel. Producer: Paul Gilbert. Starring: Gemma Chan, Colin Morgan and Emily Berrington. Kudos Film and Television. AFTER LOUISE Director: David Scheinmann. Producers: Fiona Gillies, Michael Muller and Raj Sharma. Starring: Alice Sykes and Greg Wise. Scoop Films. DO NOT DISTURB Director: Nigel Cole. Producer: Howard Ella. Starring: Catherine Tate, Miles Jupp and Kierston Wareing. -
Guardian and Observer Editorial
Monday 01.01.07 Monday The year that changed our lives Swinging with Tony and Cherie Are you a malingerer? Television and radio 12A Shortcuts G2 01.01.07 The world may be coming to an end, but it’s not all bad news . The question First Person Are you really special he news just before Army has opened prospects of a too sick to work? The events that made Christmas that the settlement of a war that has 2006 unforgettable for . end of the world is caused more than 2 million people nigh was not, on the in the north of the country to fl ee. Or — and try to be honest here 4 Carl Carter, who met a surface, an edify- — have you just got “party fl u”? ing way to conclude the year. • Exploitative forms of labour are According to the Institute of Pay- wonderful woman, just Admittedly, we’ve got 5bn years under attack: former camel jockeys roll Professionals, whose mem- before she flew to the before the sun fi rst explodes in the United Arab Emirates are to bers have to calculate employees’ Are the Gibbs watching? . other side of the world and then implodes, sucking the be compensated to the tune of sick pay, December 27 — the fi rst a new year’s kiss for Cherie earth into oblivion, but new year $9m, and Calcutta has banned day back at work after Christmas 7 Karina Kelly, 5,000,002,007 promises to be rickshaw pullers. That just leaves — and January 2 are the top days 16 and pregnant bleak. -
Jockey Records
JOCKEYS, KENTUCKY DERBY (1875-2020) Most Wins Jockey Derby Span Mts. 1st 2nd 3rd Kentucky Derby Wins Eddie Arcaro 1935-1961 21 5 3 2 Lawrin (1938), Whirlaway (’41), Hoop Jr. (’45), Citation (’48) & Hill Gail (’52) Bill Hartack 1956-1974 12 5 1 0 Iron Liege (1957), Venetian Way (’60), Decidedly (’62), Northern Dancer-CAN (’64) & Majestic Prince (’69) Bill Shoemaker 1952-1988 26 4 3 4 Swaps (1955), Tomy Lee-GB (’59), Lucky Debonair (’65) & Ferdinand (’86) Isaac Murphy 1877-1893 11 3 1 2 Buchanan (1884), Riley (’90) & Kingman (’91) Earle Sande 1918-1932 8 3 2 0 Zev (1923), Flying Ebony (’25) & Gallant Fox (’30) Angel Cordero Jr. 1968-1991 17 3 1 0 Cannonade (1974), Bold Forbes (’76) & Spend a Buck (’85) Gary Stevens 1985-2016 22 3 3 1 Winning Colors (1988), Thunder Gulch (’95) & Silver Charm (’98) Kent Desormeaux 1988-2018 22 3 1 4 Real Quiet (1998), Fusaichi Pegasus (2000) & Big Brown (’08) Calvin Borel 1993-2014 12 3 0 1 Street Sense (2007), Mine That Bird (’09) & Super Saver (’10) Victor Espinoza 2001-2018 10 3 0 1 War Emblem (2002), California Chrome (’14) & American Pharoah (’15) John Velazquez 1996-2020 22 3 2 0 Animal Kingdom (2011), Always Dreaming (’17) & Authentic (’20) Willie Simms 1896-1898 2 2 0 0 Ben Brush (1896) & Plaudit (’98) Jimmy Winkfield 1900-1903 4 2 1 1 His Eminence (1901) & Alan-a-Dale (’02) Johnny Loftus 1912-1919 6 2 0 1 George Smith (1916) & Sir Barton (’19) Albert Johnson 1922-1928 7 2 1 0 Morvich (1922) & Bubbling Over (’26) Linus “Pony” McAtee 1920-1929 7 2 0 0 Whiskery (1927) & Clyde Van Dusen (’29) Charlie -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
Film, Television and Video Productions Featuring Brass Bands
Film, Television and Video productions featuring brass bands Gavin Holman, October 2019 Over the years the brass bands in the UK, and elsewhere, have appeared numerous times on screen, whether in feature films or on television programmes. In most cases they are small appearances fulfilling the role of a “local” band in the background or supporting a musical event in the plot of the drama. At other times band have a more central role in the production, featuring in a documentary or being a major part of the activity (e.g. Brassed Off, or the few situation comedies with bands as their main topic). Bands have been used to provide music in various long-running television programmes, an example is the 40 or more appearances of Chalk Farm Salvation Army Band on the Christmas Blue Peter shows on BBC1. Bands have taken part in game shows, provided the backdrop for and focus of various commercial advertisements, played bands of the past in historical dramas, and more. This listing of 450 entries is a second attempt to document these appearances on the large and small screen – an original list had been part of the original Brass Band Bibliography in the IBEW, but was dropped in the early 2000s. Some overseas bands are included. Where the details of the broadcast can be determined (or remembered) these have been listed, but in some cases all that is known is that a particular band appeared on a certain show at some point in time - a little vague to say the least, but I hope that we can add detail in future as more information comes to light. -
Appendix 1 Periodicals of Interest to the Television Teacher
Appendix 1 Periodicals of Interest to the Television Teacher Broadcast The broadcasting industry's weekly magazine. Up-to-the-minute news, information, rumour and gossip with useful longer critical articles. An invaluable source for the teacher wishing to keep abreast or even ahead of current developments in broadcasting. (lllA Wardour Street, London Wl) Independent Broadcasting Quarterly journal of the Independent Broadcasting Authority. Occasionally carries articles of interest both on programmes and educational developments. (Free from the IBA, 70 Brompton Road, London SW3) Journal of the Centre for Advanced TV Studies Contains abstracts and reviews of recent books on television. (48 Theobalds Road, London, WCl 8NW) Journal ofEducational Television Journal of the Educational Television Association. Mainly devoted to educational technology but an increasing number of articles discuss the place of television within the curriculum. (80 Micklegate, York) The Listener Published weekly by the BBC. Contains transcripts of programmes and background articles on broadcasting. Media, Culture and Society A new journal published by the Polytechnic of Central London (309 Regent Street, London Wl) Media Reporter Quarterly journal, mainly devoted to journalism, but also carrying articles on media education. (Brennan Publications, 148 Birchover Way, Allestree, Derby) Media Studies Association Newsletter Contains conference reports, articles, news and reviews relating to media education. (Forster Building, Sunderland Polytechnic, Sunderland) Screen Quarterly. Mainly devoted to film, but there are occasionally critical articles on television. Screen Education Quarterly. Aimed specifically at media teachers and the most useful journal currently available for television teachers. Both Screen and Screen Education are published by the Society for Education in Film and Television. -
Westminsterresearch the Artist Biopic
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies. -
Rachel Freck - Casting Director
RACHEL FRECK - CASTING DIRECTOR The Office, 28 Elmbourne Rd, London SW17 8JR Tel: 020 8673 2455 Mb No: 07980 585 607 Email: [email protected] Winner of: EMMY AWARD 2009 for Outstanding Casting for a mini-series- for ‘LITTLE DORRIT’ Casting Director: ‘THE OFFICE’, Winner of: GOLDEN GLOBES, BAFTAS, RTS, BRITISH COMEDY AWARDS, TRIC, ETC Winner of Best Casting: BRITISH TELEVISION ADVERTISING CRAFT AWARDS 2004 Films NATIVITY 2 – THE SECOND Feature Film Mirrorball/BBC Films COMING! Director Debbie Isitt By Debbie Isitt Producer Nick Jones TOAST Screenplay By Lee Hall based on the Feature Film Ruby Films/BBC Films Nigel Slater Autobiography Director S. J. Clarkson Producer Faye Ward NATIVITY Feature Film Mirrorball/BBC Films By Debbie Isitt Director Debbie Isitt Producer Nick Jones THE MARK OF CAIN Feature Film Red Productions for Channel 4 Films By Tony Marchant Director Marc Munden Producer Lynn Horsford Exec Producer Nicola Shindler Winner of BAFTA best single drama 2008 CONFETTI Feature Film Improvised Comedy Feature Film for BBC Films by Debbie Isitt Director Debbie Isitt Producers David Thompson for BBC Films & Ian Benson for Wasted Talent THE FESTIVAL Feature Film Film Four and Scottish Screen by Annie Griffin Director Annie Griffin Producers Annie Griffin, Chris Young for Young Pirate Productions Winner of Best Comedy Film – British Comedy Awards 2005 2006 BAFTA nominated for: The Carl Foreman Award for Special Achievement by a British Director The Alexander Korda Award for the Outstanding British Film of the Year THE GREAT PRETENDER Feature Film Starring Ewan McGregor (in development) by Peter Capaldi Director Peter Capaldi Producer Elaine Collins Film for Television HOLY FLYING CIRCUS Film for TV Hillbilly TV for BBC-4. -
David-Greathead-Cv
David Greathead Avid Offline / Online Profile Previously staff editor at Prime Focus, David Greathead is well loved and renowned for his speed and creativity. He really understands individual director’s quirks and creative preferences and pushes it further to produce promos and programmes with real style and flair. In addition to this he is very laid back and easy to get along with and brings calm to a stressful environment. Long Form Credits “How To Garden With Carol Klein” Series 2, 5 x 60min. The gardening guru shares her insights on everything from edibles to ornamentals. Knickerbocker Glory for Channel 5 “The Nolans Coming Home” 1 x 60min. The singing sisters return to dry land after their incredible sea trip. Colleen, Linda, Maureen and Anne share more glamorous, revelatory and moving moments. Koska for Quest Red “Ricky and Ralphs Very Northern Roadtrip” 2 x 1hr episodes. Royle Family stars Ricky Tomlinson and Ralf Little reunite for a road trip in a campervan around the North of England. The stars share memories, entertain each other, and discover just what sets the north apart from the rest of the UK. North One for UKTV “The Wonderful World of Chocolate” 1 x 60min. Documentary series. The UK chocolate market is worth over £5 billion a year. This delicious world is packed with eccentric and colourful modern day Willy Wonkas - many of whom have given up everything in their pursuit of chocolate perfection. This series uncovers eye-popping factory secrets and reveals chocolate’s rich history. Elephant House Studios for Channel 5. “Garden Rescue” 6 x 45min. -
+14 Days of Tv Listings Free
CINEMA VOD SPORTS TECH + 14 DAYS OF TV LISTINGS 1 JUNE 2015 ISSUE 2 TVGUIDE.CO.UK TVDAILY.COM Jurassic World Orange is the New Black Formula 1 Addictive Apps FREE 1 JUNE 2015 Issue 2 Contents TVGUIDE.CO.UK TVDAILY.COM EDITOR’S LETTER 4 Latest TV News 17 Food We are living in a The biggest news from the world of television. Your television dinners sorted with revolutionary age for inspiration from our favourite dramas. television. Not only is the way we watch television being challenged by the emergence of video on 18 Travel demand, but what we watch on television is Journey to the dizzying desert of Dorne or becoming increasingly take a trip to see the stunning setting of diverse and, thankfully, starting to catch up with Downton Abbey. real world demographics. With Orange Is The New Black back for another run on Netflix this month, we 19 Fashion decided to celebrate the 6 Top 100 WTF Steal some shadespiration from the arduous journey it’s taken to get to where we are in coolest sunglass-wearing dudes on TV. 2015 (p14). We still have a Moments (Part 2) long way to go, but we’re The final countdown of the most unbelievable getting there. Sports Susan Brett, Editor scenes ever to grace the small screen, 20 including the electrifying number one. All you need to know about the upcoming TVGuide.co.uk Formula 1 and MotoGP races. 104-08 Oxford Street, London, W1D 1LP [email protected] 8 Cinema CONTENT 22 Addictive Apps Editor: Susan Brett Everything you need to know about what’s Deputy Editor: Ally Russell A handy guide to all the best apps for Artistic Director: Francisco on at the Box Office right now. -
A More Attractive ‘Way of Getting Things Done’ Freedom, Collaboration and Compositional Paradox in British Improvised and Experimental Music 1965-75
A more attractive ‘way of getting things done’ freedom, collaboration and compositional paradox in British improvised and experimental music 1965-75 Simon H. Fell A thesis submitted to the University of Huddersfield in fulfilment of the requirements for the degree of Doctor of Philosophy The University of Huddersfield September 2017 copyright statement i. The author of this thesis (including any appendices and/or schedules to this thesis) owns any copyright in it (the “Copyright”) and he has given The University of Huddersfield the right to use such Copyright for any administrative, promotional, educational and/or teaching purposes. ii. Copies of this thesis, either in full or in extracts, may be made only in accordance with the regulations of the University Library. Details of these regulations may be obtained from the Librarian. This page must form part of any such copies made. iii. The ownership of any patents, designs, trade marks and any and all other intellectual property rights except for the Copyright (the “Intellectual Property Rights”) and any reproductions of copyright works, for example graphs and tables (“Reproductions”), which may be described in this thesis, may not be owned by the author and may be owned by third parties. Such Intellectual Property Rights and Reproductions cannot and must not be made available for use without the prior written permission of the owner(s) of the relevant Intellectual Property Rights and/or Reproductions. 2 abstract This thesis examines the activity of the British musicians developing a practice of freely improvised music in the mid- to late-1960s, in conjunction with that of a group of British composers and performers contemporaneously exploring experimental possibilities within composed music; it investigates how these practices overlapped and interpenetrated for a period.