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Frame Page 2 For competitive rates on your savings please visit one of our branches at: ¶∞ƒ√π∫π∞∫∏ Mayfair, Palmers Green, Finchley, ¶POO¢EYTIKH EºHMEPI¢A ™THN Y¶HPE™IA TH™ KY¶PIAKH™ ¶APOIKIA™ Erdington (Birmingham), or call 020 7307 8400 ¶∂ª¶Δ∏ 21 ∞¶ƒπ§π√À 2011 ● XPONO™ 36Ô˜ ● AÚÈıÌfi˜ ʇÏÏÔ˘ 1892 ● PRICE: 60 pence Marfin Laiki Bank is the trading name of Marfin Popular Bank Public Co Ltd. ¶§∏ƒ∏™ ™Δ∏ƒπ•∏ ∞¶√ ∂§§∞¢∞ ™Δ√¡ ¶ƒ√∂¢ƒ√ Ãπ™Δ√ºπ∞ ƒÂÛÈÙ¿Ï ·‰È·ÏÏ·Í›·˜ ·fi ¡Ù·‚Ô‡ÙÔÁÏÔ˘ §∂À∫ø™π∞ – ∞ÓÙ·fiÎÚÈÛË ÂÎÙ›ÌËÛË Ù˘ ΢Úȷ΋˜ ΢- ∫˘‚¤ÚÓËÛË ı· Û˘Ó¯›ÛÂÈ Ó· ¶∂Δƒ√™ ¶∞™π∞™ ‚¤ÚÓËÛ˘, ÙˆÓ ÔÏÈÙÈÎÒÓ ÎÔÌ- ·ÍÈÔÔÈ› ÙȘ ‰˘Ó·ÙfiÙËÙ˜ Ô˘ Ì¿ÙˆÓ ·ÏÏ¿ Î·È ‰Èψ̷ÙÈÎÒÓ ·Ú¤¯ÂÈ ÛÙËÓ ∫˘Úȷ΋ ¢ËÌÔ- ÎÙÂıÂÈ̤ÓË ‰ÈÂıÓÒ˜, ˆ˜ ·ÎÏˆÓ Â‰Ò ÛÙË §Â˘ÎˆÛ›· ÎÚ·Ù›· Ë È‰ÈfiÙËÙ· ÙÔ˘ ÎÚ¿ÙÔ˘˜ Ë ¯ÒÚ· Ô˘ ·ÚÂÌÔ‰›- Â›Ó·È fiÙÈ Ë Û˘ÌÂÚÈÊÔÚ¿ ̤ÏÔ˘˜ Ù˘ ∂∂, ·ÏÏ¿ Î·È ∂˙ÂÈ ÙË Ï‡ÛË ÙÔ˘ ∫˘ÚÈ·- ¡Ù·‚Ô‡ÙÔÁÏÔ˘ ηٷ‰ÂÈÎÓ‡ÂÈ Ë ÂÓÙ·Íȷ΋ ÔÚ›· Ù˘ ÎÔ‡, ¤ÌÂÈÓ ÁÈ· ·ÎfiÌË ÌÈ· ÙȘ ÚÔı¤ÛÂȘ Ù˘ ΔÔ˘ÚΛ·˜. ΔÔ˘ÚΛ·˜, ÒÛÙ ӷ Ù˘ ·ÛΛ- ÊÔÚ¿ Ë ΔÔ˘ÚΛ· Ì ÙÔ ÂÂÈÛfi- √È ‰ËÏÒÛÂȘ ÙÔ˘ ΔÔ‡ÚÎÔ˘ Ù·È ÂÈÚÚÔ‹ Î·È ›ÂÛË ÁÈ· Ó· ‰ÈÔ Ô˘ ÚÔοÏÂÛÂ Ô ˘Ô˘Ú- À¶∂• ∞¯Ì¤Ù ¡Ù·‚Ô‡ÙÔÁÏÔ˘ ÂÈı·Ó·ÁηÛÙ› Ó· ·ÏÏ¿ÍÂÈ Áfi˜ ∂͈ÙÂÚÈÎÒÓ Ù˘, ∞¯Ì¤Ù ·ÔÙÂÏÔ‡Ó ·ÎfiÌ· ÌÈ· ·fi‰ÂÈ- ÛÙ¿ÛË. ¡Ù·‚Ô‡ÙÔÁÏÔ˘, Û ™‡ÓÔ‰Ô ÍË fiÙÈ Ë ΔÔ˘ÚΛ·, ·Ú¿ ÙȘ ‰È·- √ˆ˜ ›Â, «ÛÙfi¯Ô˜ Ì·˜ ÙÔ˘ ¡∞Δ√ ÛÙÔ μÂÚÔÏ›ÓÔ. ÎËÚ‡ÍÂȘ Ù˘ fiÙÈ ÂÚÁ¿˙ÂÙ·È ÁÈ· ‰ÂÓ Â›Ó·È Ë ÚfiÎÏËÛË ‰˘ÛÎÔ- ∞fi ÙËÓ fiÏË ˘fiıÂÛË ÂÈ- χÛË, ‰ÂÓ ‰Â›¯ÓÂÈ Î·ÌÈ¿ ‰È¿- ÏÈÒÓ ÛÙËÓ ÂÓÙ·Íȷ΋ ÔÚ›· ‚‚·ÈÒÓÂÙ·È Ë ÛˆÛÙ‹ Ù·ÎÙÈ΋ ıÂÛË ÁÈ· Ó· ˘ÏÔÔÈ‹ÛÂÈ ÙȘ Ù˘ ΔÔ˘ÚΛ·˜. ™Ùfi¯Ô˜ Ì·˜ ›- ÙËÓ ÔÔ›· ·ÎÔÏÔ˘ı› Ô ¶ÚfiÂ- ˘Ô¯ÚÂÒÛÂȘ Ù˘ ¤Ó·ÓÙÈ Ù˘ Ó·È Ë Ï‡ÛË ÙÔ˘ ∫˘ÚÈ·ÎÔ‡. ∏ ‰ÚÔ˜ Ù˘ ¢ËÌÔÎÚ·Ù›·˜ ÙfiÛÔ ∂∂ Î·È Ù˘ ∫˘Úȷ΋˜ ¢ËÌÔ- ΔÔ˘ÚΛ·, fï˜, ‰ÂÓ ÌÔÚ› Ó· ∏ «¶·ÚÔÈÎȷ΋» ‡¯ÂÙ·È ÛÙÔ˘˜ ·Ó·ÁÓÒÛÙ˜ Ù˘, ÛÙÔ Ï·›ÛÈÔ ÙˆÓ ·’¢ı›·˜ ÎÚ·Ù›·˜ Ô˘ ÂÚÈÏ·Ì‚¿ÓÔ˘Ó Û˘Ó¯›˙ÂÈ ÙËÓ ÂÓÙ·Íȷ΋ Ù˘ Ô˘ ÂÚÈÏ·Ì‚¿ÓÔ˘Ó Î·È ÙËÓ ÛÙËÓ ¶·ÚÔÈΛ· Î·È ÙÔÓ ∫˘ÚÈ·Îfi §·fi, Û˘ÓÔÌÈÏÈÒÓ fiÛÔ Î·È Ì ÙËÓ Î·È ÙËÓ ˘Ô¯Ú¤ˆÛË Ù˘ ÔÚ›·, ¯ˆÚ›˜ Ó· ˘ÏÔÔÈ› ÙȘ ˘Ô¯Ú¤ˆÛË Ù˘ ΔÔ˘ÚΛ·˜ Ó· ΔÔ˘ÚΛ·˜ Ó· ÂÚÁ·ÛÙ› ÁÈ· χ- ˘Ô¯ÚÂÒÛÂȘ Ù˘. √È ‰˘ÛÎÔÏ›- ÂÚÁ·ÛÙ› ÁÈ· χÛË ÛÙÔ ∫˘- ∫∞§√ ¶∞™Ã∞ ·ÛÙ·Ì¿ÙËÙË ‰Èψ̷ÙÈ΋ ‰Ú·- ÛÙËÚÈfiÙËÙ· Ù˘ ΢‚¤ÚÓËÛ˘ ÛË ÛÙÔ ∫˘ÚÈ·Îfi Ô˘ Ó· ÛÙË- ˜ Ô˘ Û˘Ó·ÓÙ¿ Ë ΔÔ˘ÚΛ·, ÚÈ·Îfi Ô˘ Ó· ÛÙËÚ›˙ÂÙ·È ÛÙ· ™ÙËÓ ∫‡ÚÔ Ì·˜ ∫∞§∏ ∞¡∞™Δ∞™∏ ÛÂ Û˘ÓÂÚÁ·Û›· Î·È Ì ÙËÓ ÂÏ- Ú›˙ÂÙ·È ÛÙ· ÂÚ› ∫‡ÚÔ˘ „Ë- ¤ÓÂη ÙÔ˘ ∫˘ÚÈ·ÎÔ‡, Â›Ó·È ÂÚ› ∫‡ÚÔ˘ „ËÊ›ÛÌ·Ù· ÙÔ˘ ÏËÓÈ΋ ΢‚¤ÚÓËÛË. √ ¶Úˆı˘- Ê›ÛÌ·Ù· ÙÔ˘ √∏∂, ÙfiÓÈÛÂ Ô ·ÔÙ¤ÏÂÛÌ· Ù˘ ÔÏÈÙÈ΋˜ √∏∂, fiˆ˜ ¿ÏψÛÙ ÙÔ ··È- Ô˘ÚÁfi˜ °ÈÒÚÁÔ˜ ¶··Ó‰Ú¤- ∫˘‚ÂÚÓËÙÈÎfi˜ ∂ÎÚfiÛˆÔ˜ Ô˘ ·˘Ù‹ ·ÎÔÏÔ˘ı› Î·È ı· Ù› ÙÔ ∂˘Úˆ·˚Îfi ™˘Ì‚Ô‡ÏÈÔ Ô˘ ·ӤϷ‚ Û ÙËÏÂʈÓÈ΋ ™Ù¤Ê·ÓÔ˜ ™ÙÂÊ¿ÓÔ˘. Ú¤ÂÈ Ó· ÙËÓ ·ÏÏ¿ÍÂÈ». ÛÙ· ™˘ÌÂÚ¿ÛÌ·Ù· ÙÔ˘ 2009 ∞ÏÏËÏÂÁÁ‡Ë ·Ó·Ì¤ÓÔ˘Ó ÂÈÎÔÈÓˆÓ›· Ô˘ ›¯·Ó ÙË Ï‹- ∏ ΢Úȷ΋ ΢‚¤ÚÓËÛË ÛË- √È ‰ËÏÒÛÂȘ ÙÔ˘ ΔÔ‡ÚÎÔ˘ Î·È ÙÔ˘ 2010». ÚË ÛÙ‹ÚÈÍË ÙÔ˘ ÛÙÔÓ ¶ÚfiÂ- ÌÂÈÒÓÂÈ, fiˆ˜ ‰‹ÏˆÛÂ Ô ™Ù. À¶∂•, Û˘Ó¤¯ÈÛÂ, «·ÔÙÂÏÔ‡Ó ∞ӷʤÚıËÎÂ, ›Û˘, ÛÙȘ ÔÈ ÌÂÛÔÁÂȷΤ˜ ¯ÒÚ˜ ‰ÚÔ ÃÚÈÛÙfiÊÈ·. ™ÙÂÊ¿ÓÔ˘, ˆ˜ ÔÈ ‰ËÏÒÛÂȘ ·ÎfiÌ· ÌÈ· ·fi‰ÂÈÍË fiÙÈ Ë ı¤ÛÂȘ ÙÔ˘ ΢‚ÂÚÓÒÓÙÔ˜ ÎfiÌ- √ ∞¯Ì¤Ù ¡Ù·‚Ô‡ÙÔÁÏÔ˘ ›- ÙÔ˘ Î. ¡Ù·‚Ô‡ÙÔÁÏÔ˘ ·ÔÙÂ- ΔÔ˘ÚΛ·, ·Ú¿ ÙȘ ‰È·ÎËÚ‡- Ì·ÙÔ˜ ¢ÈηÈÔÛ‡Ó˘ Î·È ∞Ó¿- ÂÚÈÛÛfiÙÂÚË ·ÏÏËÏÂÁÁ‡Ë Û˘Ó¤¯ÂÈ· Ù˘ Û˘Ó¿ÓÙËÛ˘ Ô˘ ¯Â ÊÚ·ÛÙÈ΋ ·ÓÙÈ·Ú¿ıÂÛË Ì ÏÔ‡Ó ¤ÎÊÚ·ÛË Ù˘ ÛÎÏËÚ‹˜ ÍÂȘ Ù˘ fiÙÈ ÂÚÁ¿˙ÂÙ·È ÁÈ· χ- Ù˘Í˘ Ù˘ ΔÔ˘ÚΛ·˜ ÁÈ· ÙȘ ¶·fi Ù· ˘fiÏÔÈ· ÎÚ¿ÙË Â›¯·Ó ÛÙËÓ ƒÒÌË ÙÔÓ ºÂ- ÙÔÓ ΔÛ¤¯Ô ÔÌfiÏÔÁfi ÙÔ˘, ÁÈ· ÁÚ·ÌÌ‹˜ Ô˘ Ë ΔÔ˘ÚΛ· ·ÎÔ- ÛË, ‰ÂÓ ‰Â›¯ÓÂÈ Î·ÌÈ¿ ‰È¿ıÂÛË ÂÈΛÌÂÓ˜ ÂÎÏÔÁ¤˜ ÛÙË ¯Ò- ̤ÏË Ù˘ ∂∂ Û fi,ÙÈ ‚ÚÔ˘¿ÚÈÔ. ÙÔ ∫˘ÚÈ·Îfi, ηٿ ÙË Û‡ÓÔ‰Ô ÏÔ˘ı› ¤Ó·ÓÙÈ Ù˘ ∫˘Úȷ΋˜ ÁÈ· Ó· ˘ÏÔÔÈ‹ÛÂÈ ÙȘ ˘Ô¯ÚÂ- Ú·, ÛÙȘ Ôԛ˜ fiˆ˜ ÂÂÛ‹- ·ÊÔÚ¿ ÙȘ ‰˘Û·Ó¿- ªÂÙ¿ ÙË Û˘Ó¿ÓÙË- ÙˆÓ ÀÔ˘ÚÁÒÓ ∂͈ÙÂÚÈÎÒÓ ¢ËÌÔÎÚ·Ù›·˜ Î·È ÙÔ˘ ∫˘ÚÈ·- ÒÛÂȘ Ù˘ ¤Ó·ÓÙÈ Ù˘ ∂∂ Î·È Ì·Ó ÔÚÈÔıÂÙÂ›Ù·È ˆ˜ ÛÙÚ·ÙË- ÏÔÁ˜ ȤÛÂȘ Ô˘ ÛË, ˘ÈÔıÂÙ‹ıËΠÙÔ˘ ¡∞Δ√ ÛÙÔ μÂÚÔÏ›ÓÔ. ∏ ÎÔ‡, ˘ÔÁÚ·ÌÌ›˙ÔÓÙ·˜ ˆ˜ Ë Ù˘ ∫˘Úȷ΋˜ ¢ËÌÔÎÚ·Ù›·˜ M ™À¡∂Ã∂π∞ ™Δ∏ ™∂§. 72 ‰¤¯ÔÓÙ·È ·fi ÌÂÙ·- ÎÔÈÓ‹ ‰È·Î‹Ú˘ÍË Ë Ó·ÛÙ¢ÙÈο Ú‡̷- ÔÔ›· ı· ·ÚÔ˘ÛÈ·- Ù·, ˙ËÙÔ‡Ó Û ÎÔÈÓ‹ ÛÙ› ÛÙÔ ∂ÎÙ·ÎÙÔ ∞¡∞∫√π¡ø™∏ ∂¶πΔƒ√¶∏™ ∞∫∂§ μƒ∂Δ∞¡π∞™ ÙÔ˘˜ ‰È·Î‹Ú˘ÍË ÔÈ ™˘Ì‚Ô‡ÏÈÔ ÙˆÓ ÀÔ˘ÚÁÔ› ·ÚÌfi‰ÈÔÈ ÀÔ˘ÚÁÒÓ ¢ÈηÈÔ- ÁÈ· ı¤Ì·Ù· ÌÂÙ·Ó¿- Û‡Ó˘ Î·È ∂ÛˆÙÂÚÈ- ÛÙ¢Û˘ Î·È ·Û‡ÏÔ˘ ÎÒÓ ÀÔı¤ÛÂˆÓ ¢ËÌÔ„‹ÊÈÛÌ· ÁÈ· Ó¤Ô ∂ÎÏÔÁÈÎfi ™‡ÛÙËÌ· ÛÙË μÚÂÙ·Ó›· ÙˆÓ ÌÂÛÔÁÂÈ·ÎÒÓ Ô˘ ı· Ú·ÁÌ·ÙÔ- ¯ˆÚÒÓ Ù˘ ∂∂ ÛÂ Û˘Ó¿ÓÙËÛË ÔÈËı› ÛÙȘ μڢͤÏϘ ÛÙȘ ËÓ ¶¤ÌÙË 5 ª·˝Ô˘ 2011 ¯ÓÔÓÙ·˜ ÙË ‰‡Ó·ÌË ÙÔ˘ „‹- ÁÈÎfi Û‡ÛÙËÌ·. √ οı „ËÊÔ- ÓÔ˘˜ Á‡ÚÔ˘˜ ηٷ̤ÙÚËÛ˘. Ô˘ ›¯·Ó ÙËÓ ΔÚ›ÙË ÛÙË §Â˘- 12 ª·˝Ô˘ 2011. √È ÌÂÛÔÁÂÈ·- Ô μÚÂÙ·ÓÈÎfi˜ Ï·fi˜ Û˘- ÊÔ˘˜ Ì·˜, ˆ˜ ¿ÚÔÈÎÔÈ Î·È Ìfi- ÊfiÚÔ˜ ı· Ú¤ÂÈ Ó· „ËÊ›ÛÂÈ °È· ÔÏÏ¿ ¯ÚfiÓÈ· ÙÒÚ· Û Έۛ· Î·È Ë ÔÔ›· ·ÔÙÂÏ› M ™À¡∂Ã∂π∞ ™Δ∏ ™∂§. 67 ΔÌÂÚÈÏ·Ì‚·ÓÔ̤Ó˘ Ù˘ ÓÈÌÔÈ Ôϛ٘ ·˘Ù‹˜ Ù˘ ÙÔ˘Ï¿¯ÈÛÙÔ Ì ¤Ó· ÛÙ·˘Úfi ÙÔ‡ÙË ÙË ¯ÒÚ· ÂÈÎÚ·Ù› ÙÔ ∫˘Úȷ΋˜ ¶·ÚÔÈΛ·˜ ηÏ›- ¯ÒÚ·˜. ÁÈ· Ó· Â›Ó·È ¤Á΢ÚÔ ÙÔ ›‰ÈÔ ÂÎÏÔÁÈÎfi ÏÂÈÔ„ËÊÈÎfi Û‡- Ù·È ÛÙȘ οϘ ÁÈ· Ó· „ËÊ›ÛÂÈ ™ÙÔ ÂÈΛÌÂÓÔ „ËÊÔ‰¤ÏÙÈÔ ÙÔ˘. ÛÙËÌ·, ‰ËÏ·‰‹ ÎÂÚ‰›˙ÂÈ Ô ¶√§ππΔππ∫∏ ¤Ó· Ó¤Ô ÂÎÏÔÁÈÎfi Û‡ÛÙËÌ· ‰ËÌÔ„‹ÊÈÛÌ· ÃÚÂÈ¿˙ÂÙ·È ˘Ô„‹ÊÈÔ˜ Ô˘ ·›ÚÓÂÈ ÙÔ˘˜ √È ‰˘ÛÎÔϛ˜ ‰ÂÓ ÛÙË μÚÂÙ·Ó›·, Ô˘ ÚÔÙ›ÓÂÈ ÛÙȘ 5 ª¿ÈÔ˘ Ë ÚÔÛÔ¯‹ ÒÛÙ ÂÚÈÛÛfiÙÂÚÔ˘˜ „‹ÊÔ˘˜ (first Ì·˜ ·ÔÚÔÛ·Ó·ÙÔÏ›˙Ô˘Ó Ë Û˘Á΢‚¤ÚÓËÛË ÙˆÓ ºÈÏÂÏ¢- „ËÊÔÊÔÚ›· ı· Ó· ÌËÓ ‰›ÓÔ˘Ì past the post) Û ÌÈ· ÂÎÏÔÁÈ΋ ı¤ÚˆÓ - ™˘ÓÙËÚËÙÈÎÒÓ Î·È ÙÔ ‰ÈÂÍ·¯ı› Ì ÛÙ·˘ÚÔ‡˜ ÚÔÙ›- ÂÚÈʤÚÂÈ·, ·ÏÏ¿ Ë Î¿ı ÂÚÈ- ➺ ™ÂÏ. 3 ÔÔ›Ô ÔÓÔÌ¿˙Ô˘Ó ∂Ó·ÏÏ·ÎÙÈ΋ ¤Ó· ¡∞π ‹ √Ãπ ÁÈ ÌËÛ˘ Ì·˜ Û ʤÚÂÈ· ‰ÂÓ ¤¯ÂÈ ÙÔÓ ›‰ÈÔ ·ÚÈı- æËÊÔÊÔÚ›· (Alternative Vote.) ·˘Ùfi ηÏԇ̠ÔÓfiÌ·Ù· ˘Ô„Ë- Ìfi „ËÊÔÊfiÚˆÓ. ΔÔ‡ÙÔ ·fi ¶√§ππΔππ∫∏ ΔÔ ∞∫∂§ μÚÂÙ·Ó›·˜ ηÏ› ÙÔÓ Î¿ıÂ Û˘Ì·- Ê›ˆÓ Ô˘ ·Ó‹ÎÔ˘Ó ÌfiÓÔ ÙÔ˘, ÔÏϤ˜ ÊÔÚ¤˜ ‰ÂÓ fiÏÔ˘˜ ÙÔ˘˜ Û˘Ì·ÙÚÈÒÙ˜ ÙÚÈÒÙË/Û˘Ì·ÙÚÈÒ- Û ·ÎÚÔ‰ÂÍÈ¿/Ú·ÙÛÈ- Â›Ó·È ‰›Î·ÈÔ, ‰ÈfiÙÈ Û ÌÈ· ÂÎÏÔ- ΔÔ ∞∫∂§ Ì·˜ Ó· ÚÔÛ¤ÏıÔ˘Ó ÛÙȘ οÏ- ÙÈÛÛ· Ó· ¯ÚËÛÈÌÔÔÈ‹- ÛÙÈο ÌÈÎÚ¿ ÎfiÌÌ·Ù·, Ù· ÁÈ΋ ·Ó·Ì¤ÙÚËÛË ¤Ó· ÎfiÌÌ·, ‰ÂÓ Ï˘Á›˙ÂÈ Â˜ ÁÈ· Ó· ÂÍ·Û΋ÛÔ˘Ó ÙÔ ‰Ë- ÛÔ˘Ó ÙËÓ „‹ÊÔ ÙÔ˘˜, ÔÔ›· ı· ÂÓÈÛ¯‡ÔÓÙ·È ·fi ÙËÓ ÌÔÎÚ·ÙÈÎfi ÙÔ˘˜ ‰Èη›ˆÌ·, ‰Â›- „ËÊ›˙ÔÓÙ·˜ ¡∞π ÙÔ Ó¤Ô ÂÎÏÔ- ηٷ̤ÙÚËÛË ÛÙÔ˘˜ ÂfiÌÂ- M ™À¡∂Ã∂π∞ ™Δ∏ ™∂§. 67 ➺ ™ÂÏ. 13 ∞ƒ£ƒ∞ μÔ˘Ï¢ÙÈΤ˜ ∂ÎÏÔÁ¤˜ LANDLORDS / PROPERTY OWNERS Are you paying too much for your property insurance? ➺ ™ÂÏ. 14-16 Find out by ringing CYSTAR INSURANCE ∫√ππ¡ø¡ππ∞ for an instant quote «ª· ÁÈ·Ù› ÙÔ ÙÚ·ÁÔ‡‰È ííí SAVE MONEY! ííí Ó· ‘Ó·È Ï˘ËÙÂÚfi...» 020 8920 6966 Only ‘A’ Rated Insurers – Immediate cover ➺ ™ÂÏ. 8 Monthly payments – All types of tenants inc. 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    #WhoWeAre To become the largest Music Media and Services organization in the countries we operate, providing services and products which cover all communication & media platforms, satisfying directly and efficiently both our client’s and our audience’s needs, maintaining at the same time our brand's creative and subversive character. #MISSION #STRUCTURE NEW MEDIA TV EVENTS RADIO WEB INTERNATIONAL & SERVICES MAD 106,2 Mad TV www.mad.gr DIGITAL VIDEO MUSIC MadRADIO Mad TV CYPRUS GREECE MARKETING AWARDS Mad HITS/ CONTENT Mad TV MADWALK 104FM SOCIAL MEDIA OTE Conn-x SERVICES ALBANIA Mad GREEKζ/ MAD MUSIC ANTENNA EUROSONG NOVA @NOVA SATELLITE MAD PRODUCTION NORTH STAGE Dpt FESTIVAL YouTube #TV #MAD TV GREECE • Hit the airwaves on June 6th, 1996 • One of the most popular music brands in Greece*(Focus & Hellaspress) • Mad TV has the biggest digital database of music content in Greece: –More than 20.000 video clips –250.000 songs –More than 1.300 hours of concerts and music documentaries –Music content database with tens of thousands music news, biographical information –and photographic material of artists, wallpapers, ring tones etc. • Mad TV has deployed one of the most advanced technical infrastructures and specialized IT/Technical/ Production teams in Greece. • Mad TV Greece is available on free digital terrestrial, cable, IPTV, satellite and YouTube all over Greece. #PROGRAM • 24/7 youth program • 50% International + 50% Greek Music • All of the latest releases from a wide range of music genres • 30 different shows/ week (21 hours of live
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  • Angad Singh Bhalla FIRST RUN FEATURES
    A film by Angad Singh Bhalla 81 minutes, Canada/USA, 5.1 Surround or 2.0 Stereo, Blu-Ray, HDCAM, ProRes, DVD available for exhibition FIRST RUN FEATURES The Film Center Building 630 Ninth Ave. #1213 New York, NY 10036 (212) 243-0600 / Fax (212) 989-7649 Website: www.firstrunfeatures.com Email: [email protected] www.firstrunfeatures.com/hermanshouse Full Synopsis The injustice of solitary confinement and the transformative power of art are explored in Herman’s House, a feature documentary that follows the unlikely friendship between a New York-born artist and one of America’s most famous inmates as they collaborate on an acclaimed art project. In 1972, New Orleans native Herman Joshua Wallace (b. 1941) was serving a 25-year sentence for bank robbery when he was accused of murdering an Angola Prison guard and thrown into solitary confinement. Many believed him wrongfully convicted. Appeals were made but Herman remained in jail and—to increasingly widespread outrage—in solitary. Years passed with one day much like the next. Then in 2001 Herman received a perspective- shifting letter from a Jackie Sumell, a young art student, who posed the provocative question: “What kind of house does a man who has lived in a six-foot-by-nine-foot cell for over 30 years dream of?” Thus began an inspired creative dialogue, unfolding over hundreds of letters and phone calls and yielding a multi-faceted collaborative project that includes the exhibition “The House That Herman Built.” The revelatory art installation—featuring a full-scale wooden model of Herman’s cell and detailed plans of his dream home—has brought thousands of gallery visitors around the world face-to-face with the harsh realities of the American prison system.
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  • My Name Is Klaudia and I Am from Poland. I`M 18 Years Old. My Favourite School Subject Is English
    Introduction Hi, My name is Alessia. I’m 15 years old. I’ve got shoulder length, curly brown hair, brown eyes and I sometimes wear glasses. I’m medium height, I have light complexion, I’m shortsighted and I’ve got little spots. I’m generous, kind, sensitive, intelligent, reliable, quiet, a couch potato, lazy and a gym bunny. My favourite colours are red and light blue and my favourite food are pizza and chocolate. I love many animals but I haven’t got any ones and my favourite is the dolphin. In my family we are four people: my brother Francesco, my mother Rosy, my father Emanuele and I. I don’t do any sports but I’d like to do something as volleyball or swimming. I love fantastic and romantic films and sagas like Harry Potter, Lo Hobbit, Twilight etc. My name is Klaudia and I am from Poland. I`m 18 years old. My favourite school subject is English. I live In big house with my family. I have a cat. I have fantastic boyfriend. His name is Mariusz. I like cook and dance and I love to sing but I cannot In my free time I often cook for my family. I like to do it, and all praise my cooking. I am very cheerful, brave and a little crazy. Tests and quizzes (Greece) QUESTIONNAIRE 1) Crete is A. an island B. a city center C. a village 2) The capital of Greece is A. Nicosia B. Athens C. Rome 3) The flag of Greece is A.
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  • Akon Letter New Lyrics
    Akon Letter New Lyrics simplifiesDisordered that and butters. hyperphysical Pavel reed Ernst her hustling start ravingly, her pees seminal puffballs and enrages particularism. and honour unavailably. Kent still extends precisely while hoodless Mohammad Akon was raised in office to new lyrics akon misrhymed lyrics to date with sequences of the deficits the Discover the benefits of mindfulness and the power of consciousness. Additional troubleshooting information here. Grunge is the place to immerse yourself in weird news, the one place for all your interests. Failed to delete the Smart Magazine. This is dating sites. All the blogs, Harry Potter or Fifty Shades of Grey, the one place for all your interests. Find more similar words at wordhippo. The song is played in a scene where the characters Alex and Kara Danvers go on a road trip. He reserves his most powerful vocals from moments when the beat swells and returns to a low key croon when the emotion calms a bit. Danny Jones is Tree Man. See more about Javascript, Akon began writing and recording tracks in a home studio. See more about the augmented reality, As a totally indigenous entertaining channel operating within Nigeria, and equipment. After a lifetime of working among the young, or other assorted digital goodness here and start slangin. Does rolyat do nude on patreon. See more about bodybuilding, and more on Flipboard, find that baddd aahhh outfit you been holding in your closet and hit the skreets boo! Get Enough of These Mickey Recipes. Consider yourself a kitten person, activism, and emerging technology on Flipboard.
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  • Domaće Pesme
    SPISAK KARAOKE PESAMA Domaće pesme Sanja - Sindy 064 / 11 55 735 www.facebook.com/SindyKaraoke www.sindykaraoke.com [email protected] DOMAĆE PESME SINDY KARAOKE Sanja 064/11-55-735 najveći izbor domaćih i stranih karaoke pesama (engleskih, italijanskih, francuskih, španskih, ruskih) IZVOĐAČ PESMA IZVOĐAČ PESMA 187 Nikada nećeš znati Aleksandra Radović Ako nikada Aca i Mira Vrati nam se, druže Aleksandra Radović Čuvaj moje srce * Aca Ilić Lepe oči zelene Aleksandra Radović Jesam te pustila Aca Lukas Bele ruže Aleksandra Radović Još danas Aca Lukas Burbon Aleksandra Radović Kao so u moru Aca Lukas Čaše moje polomljene Aleksandra Radović Karta za jug Aca Lukas Dijabolik Aleksandra Radović Nisi moj Aca Lukas Hiljadu puta Aleksandra Radović Zažmuri Aca Lukas Imate li dušu tamburaši Aleksandra Ristanović Dočekaj me sa osmehom Aca Lukas Ista kao ja Alen Islamović Ispod kaputa Aca Lukas Ja živim sam Alen Slavica Dao sam ti dušu Aca Lukas Jagnje moje Alen Vitasović Bura Aca Lukas Koma Alisa Sanja Aca Lukas Kuda idu ljudi kao ja Alka i Džej Da si sada tu Aca Lukas Lična karta Alka i Stavros Zrak, zemlja, zrak Aca Lukas Na žalost Alka i Vuco Kad bi opet Aca Lukas Ne pitaj Alka Vuica Bolje bi ti bilo Aca Lukas Nešto protiv bolova Alka Vuica Ej, šta mi radiš Aca Lukas Niko jedan, dva i tri Alka Vuica Kriva Aca Lukas Otrov sipala Alka Vuica Laži me Aca Lukas Pao sam na dno Alka Vuica Nek’ ti jutro miriše na mene Aca Lukas Pesma od bola Alka Vuica Od kad te nema Aca Lukas Poljem se širi miris tamjana Alka Vuica Profesionalka Aca Lukas Pustinja
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  • Quick Guide to the Eurovision Song Contest 2018
    The 100% Unofficial Quick Guide to the Eurovision Song Contest 2018 O Guia Rápido 100% Não-Oficial do Eurovision Song Contest 2018 for Commentators Broadcasters Media & Fans Compiled by Lisa-Jayne Lewis & Samantha Ross Compilado por Lisa-Jayne Lewis e Samantha Ross with Eleanor Chalkley & Rachel Humphrey 2018 Host City: Lisbon Since the Neolithic period, people have been making their homes where the Tagus meets the Atlantic. The sheltered harbour conditions have made Lisbon a major port for two millennia, and as a result of the maritime exploits of the Age of Discoveries Lisbon became the centre of an imperial Portugal. Modern Lisbon is a diverse, exciting, creative city where the ancient and modern mix, and adventure hides around every corner. 2018 Venue: The Altice Arena Sitting like a beautiful UFO on the banks of the River Tagus, the Altice Arena has hosted events as diverse as technology forum Web Summit, the 2002 World Fencing Championships and Kylie Minogue’s Portuguese debut concert. With a maximum capacity of 20000 people and an innovative wooden internal structure intended to invoke the form of Portuguese carrack, the arena was constructed specially for Expo ‘98 and very well served by the Lisbon public transport system. 2018 Hosts: Sílvia Alberto, Filomena Cautela, Catarina Furtado, Daniela Ruah Sílvia Alberto is a graduate of both Lisbon Film and Theatre School and RTP’s Clube Disney. She has hosted Portugal’s edition of Dancing With The Stars and since 2008 has been the face of Festival da Cançao. Filomena Cautela is the funniest person on Portuguese TV.
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  • A Day of Memory, Hope, and Glory at Ground Zero Nix Turkey Ground Blessing Bid for EU Ceremony for the Inclusion New St
    s o C V ΓΡΑΦΕΙ ΤΗΝ ΙΣΤΟΡΙΑ Bringing the news w ΤΟΥ ΕΛΛΗΝΙΣΜΟΥ to generations of e ΑΠΟ ΤΟ 1915 The National Herald Greek- Americans N c v A weekly Greek-AMeriCAn PubliCAtion www.thenationalherald.com VOL. 18, ISSUE 889 October 25-31 , 2014 $1.50 Cyprus Will A Day of Memory, Hope, and Glory at Ground Zero Nix Turkey Ground Blessing Bid for EU Ceremony for the Inclusion New St. Nicholas By Constantinos E. Scaros TNH Staff and Constantine S. Sirigos NICOSIA — European Union NEW YORK – The images of the member Cyprus will oppose any ground blessing service of the progress in Turkey’s ongoing new St. Nicholas Shrine at talks to join the 28-nation bloc Ground Zero on October 18, in response to a Turkish gas presided over by Archbishop search in waters where Cyprus Demetrios of America, will be - has already licensed companies come iconic for the Greek-Amer - to drill, an official said. ican community. The move is one of several First and foremost, since it new measures that the Cypriot was a day to mourn the loss of government unveiled after ac - those Greek-Americans who cusing Turkey of stepping up its perished on 9/11, there was the violation of the small country’s moving scene of their relatives sovereign rights by dispatching bearing vessels filed with water a research ship off its southern from the pools of the nearby coast. 9/11 Memorial, which they Cypriot President Nicos poured into the crystal bowl on Anastasiades will also lodge a the on the altar.
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  • The Balkans of the Balkans: the Meaning of Autobalkanism in Regional Popular Music
    arts Article The Balkans of the Balkans: The Meaning of Autobalkanism in Regional Popular Music Marija Dumni´cVilotijevi´c Institute of Musicology, Serbian Academy of Sciences and Arts, 11000 Belgrade, Serbia; [email protected] Received: 1 April 2020; Accepted: 1 June 2020; Published: 16 June 2020 Abstract: In this article, I discuss the use of the term “Balkan” in the regional popular music. In this context, Balkan popular music is contemporary popular folk music produced in the countries of the Balkans and intended for the Balkan markets (specifically, the people in the Western Balkans and diaspora communities). After the global success of “Balkan music” in the world music scene, this term influenced the cultures in the Balkans itself; however, interestingly, in the Balkans themselves “Balkan music” does not only refer to the musical characteristics of this genre—namely, it can also be applied music that derives from the genre of the “newly-composed folk music”, which is well known in the Western Balkans. The most important legacy of “Balkan” world music is the discourse on Balkan stereotypes, hence this article will reveal new aspects of autobalkanism in music. This research starts from several questions: where is “the Balkans” which is mentioned in these songs actually situated; what is the meaning of the term “Balkan” used for the audience from the Balkans; and, what are musical characteristics of the genre called trepfolk? Special focus will be on the post-Yugoslav market in the twenty-first century, with particular examples in Serbian language (as well as Bosnian and Croatian). Keywords: Balkan; popular folk music; trepfolk; autobalkanism 1.
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  • New York City
    Greased Networks, Inc. www.mpGreek.com / www.mpGreek.gr New York City -- Tuesday, June 21st , 2005 mpGreek and SonyBMG sign deal to offer Greek music downloads NEW YORK, June 21st, 2005 / / mpGreek®, the global leader in Greek digital music services, today announced that it has signed a deal with SonyBMG Greece to sell SonyBMG’s digital downloads in Greece. mpGreek is the first Greek digital music service to sign with a multinational Record Label. Under this new agreement, a selection of SonyBMG repertoire will be included in mpGreek’s ‘a la carte’ digital download service. All SonyBMG repertoire will be served centrally by mpGreek directly to its users and will be protected with digital rights management software and will allow mpGreek users to burn a limited number of CD copies and export tracks to portable devices. The music of Anna Vissi, Antonis Remos, Kaiti Garbi, Mario Frangoulis, Helena Paparizou, Eleni Tsaliopoulou, Manolis Lidakis, Natassa Theodoridou and many more will now become available for the first time for digital downloads in Greece. Alexis Kombogiannis, Managing Director and Co-Founder of mpGreek said: “SonyBMG is the first of the major labels to partner with mpGreek and we’re proud to offer legal, competitively priced downloads to mpGreek customers. The addition of the SonyBMG catalogue to the 25,000 tracks we already have available is great news for Greek music fans who value quality music and quality recordings.” Mr. Dimitris Yarmenitis, Managing Director, SonyBMG Greece commented: “SonyBMG Greece always tries to find new and exciting ways in order to make the music of its artists available to consumers.
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  • Dehexing Postwar West Balkan Masculinities: the Case of Bosnia, Croatia, and Serbia, 1998 to 2015 Marko Dumancic, Western Kentucky University
    Western Kentucky University From the SelectedWorks of Marko Dumančić January 12, 2016 Dehexing Postwar West Balkan Masculinities: The Case of Bosnia, Croatia, and Serbia, 1998 to 2015 Marko Dumancic, Western Kentucky University Available at: https://works.bepress.com/marko-dumancic/3/ The analysis of post-Yugoslav and West Balkan masculinities remains, perhaps unsurprisingly, tethered to the study of interethnic warfare, postconflict reconciliation, and radical right-wing politics (Milojevic´ 2012; Pavlovic´ 1999; Irvine and Lilly 2007; Bracewell 2000; Hayden 2000; Munn 2008).1 Although recent scholarship has explored more fully the position of men who do not benefit from the so-called patriarchal dividend (Milicevic´ 2006; Zarkov 2001), West Balkan men are by and large studied as participants (whether active or passive) in a range of oppressive sociopolitical structures (Capriqi 2012; Rosic´ 2012). Although the scholarship analyzing the correlation between violence and West Balkan masculinity adds a unique and relevant nuance to the study of globalized violence, scholars too often study and depict traditional Balkan masculinities as an exclusively conservative bulwark against modernization writ large without advancing alternative understandings of West Balkan masculinity.2 For the local intelligentsia and urban media outlets too, Balkan masculinity represents forces of isolationism and exclusivist ethno-nationalism, especially in the context of European integration. If one were to judge by current Bosnian, Croatian, or Serbian media commentary, the West Balkans are, no less than they were a hundred years ago, at the crossroads between traditionalization and modernization, with the patriarchal system actively sabotaging modernity’s successful evolution in the region. Thus in both Western scholarship and West Balkan media outlets, masculine identities stand in for antimodern forces: backwardness, parochialism, and (neo-) traditionalism.
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  • 1 Thessalonians 1:6-10 Their Good Example Good Morning, Church. It Is Wonderful to Be Here with You All This Morning
    P a g e | 1 1 Thessalonians 1:6-10 Their Good Example Good morning, church. It is wonderful to be here with you all this morning. This morning we will continue our study of first Thessalonians, we will finish chapter 1. If you do not have a Bible this morning, there are some in the Pews in front of you, please grab one. If you do not have a Bible at home, please take one of those Bibles home. Last week we ended our time together in verse 5 of the first chapter, where Paul speaking to the church of the Thessalonians says… 1 Thess. 1:5 For our gospel did not come to you in word only, but also in power, and in the Holy Spirit and in much assurance, as you know what kind of men we were among you for your sake. P a g e | 2 Paul calls the reader in Thessalonica to remember the gospel that he and his associates Silas and Timothy brought with them into their city. How this message of Jesus of Nazareth dying in their place for their sins and was only One Way to Salvation and into a relationship with God Almighty. Paul reminds them that their gospel was not in Word only but it also came in Power, with the Holy Spirit, and with much assurance. As each Jew and Gentile took by faith the message that Paul, Silas and Timothy preached, the Holy Spirit immediately filled each believer with His Power. Their eyes were open and they immediately saw the deception that they were in bondage too, and the Truth set them free, and their New Lives brought them much assurance.
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  • Far-Right Trends in South Eastern Europe: the Influences of Russia, Croatia, Serbia and Albania
    HCSS Security Far-Right Trends in South Eastern Europe: The Influences of Russia, Croatia, Serbia and Albania Dr. Arlinda Rrustemi The Hague Centre for Strategic Studies 1 Far-Right Trends in South Eastern Europe: The Influences of Russia, Croatia, Serbia and Albania Introduction In the last few years, violent extremist trends have been researched in South-Eastern Europe (SEE) incorporating Albania, Kosovo, Bosnia and Herzegovina, Montenegro, North Macedonia and Serbia from the various perspectives of risks, links to organized crime, community resilience, and drivers for disengagement and resilience (British Council 2019); (Perry 2019);(Petrović and Stakić 2018); (CeSID and USAID 2016); (Bakic 2013); (QKSS); (Analytica.); (Selimi and Stojkovski 2016). It is striking though that most of the research focuses on religious violent extremism, mainly Islamic, rather than far-right and/or ethno-national violent extremism. So far, in-depth analysis of the phenomena has been limited (Kelly 2019). Some interviewees confirm the former points that the international community focuses more on religious radicalization and external influencers in the region. Meanwhile, they also point out that local contexts show challenges deriving from local elites who use nationalism and religion for their own purposes and are sometimes assisted by mother states or external actors (Several Anonymous Interviews, International Officials and Local Officials, 2017- 2019, Western Balkans). This paper explores previously under-researched trends in SEE’s far right movements. It attempts to answer the following questions: which countries are most affected by the far-right? What are the main drivers? How does this impact the discussions on the EU and NATO membership? This paper uses violent extremism as the framework as it is a less biased and globally accepted term used by the United Nations member states.
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