DOCSLIB.ORG

Stravinsky Funeral Song Revived

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Stravinsky Funeral Song Revived February 2017 Stravinsky Funeral Song revived Photo: Mariinsky Theatre/Valentin Baranovsky Igor Stravinsky’s rediscovered Funeral Song for orchestra, heard again in St Petersburg in December after 107 years, is travelling the world in 2017 and beyond. Orchestras have swiftly added Stravinsky’s Funeral disappeared after its only performance Song into their current seasons, adjusting their in 1909, returning to light last year in programmes to allow the rediscovered work to be the library of the St Petersburg heard as soon as possible. Following the historic Rimsky-Korsakov State Conservatory performance at the Mariinsky Theatre Concert Hall thanks to the musicological sleuthing of on 2 December, conducted by Valery Gergiev, the Dr Natalia Braginskaya. The rediscovery 12-minute orchestral score will receive over 40 has aroused immense interest around performances in 2017 and beyond, travelling to the musical world, offering a missing link over 20 countries. between Stravinsky’s earliest works and his ballet The Firebird, which was to launch Dates include the UK premiere with the his international career with Serge Diaghilev’s Philharmonia Orchestra conducted by Esa-Pekka Ballets Russes. Salonen (19 February), the US premiere with the Chicago Symphony Orchestra under Charles Stephen Walsh, writing in The Guardian, Dutoit (6 April) and the German premiere with described the “positively electric atmosphere” the Berlin Philharmonic Orchestra and Sir Simon at the St Petersburg performance as “the Russian Rattle (31 May). audience, deprived of their greatest composer for so many Soviet years, were rightly thrilled that a substantial piece of his had turned up on their “A 12-minute orchestral home ground… Stravinsky remembered Funeral movement of extraordinary Song as one of his best early pieces and he was right.” Reviewing the performance – still available Photo of Stravinsky in 1910/Wiki Commons emotional power...” streamed free to view this month on medici.tv Valery Gergiev conducts the historic performance of Stravinsky’s Funeral Song in St Petersburg The Guardian – Ivan Hewett in the Daily Telegraph detected influences of Tchaikovsky and Wagner, as well as From the rediscovered complete set of orchestral & Hawkes and a study score is published on sale The music of Igor Stravinsky’s Funeral Song Rimsky-Korsakov, noting the “lament for solo horn, parts, the St Petersburg Conservatory has this month and available from The Shop at Boosey. (Pogrebal’naya Pesnya) op.5, composed by the introducing a theme which was sorrowfully passed collaborated with Boosey & Hawkes, Stravinsky’s com. For a full list of future performances of Funeral 26-year-old composer as an orchestral memorial from instrument to instrument… St Petersburg principal publisher, in reconstructing the full score. Song around the world visit: tribute to his teacher Nikolai Rimsky-Korsakov, welcomed back its greatest musical son”. Performance materials are on rental from Boosey www.boosey.com/FuneralSongDates. “MacMillan speaks of a ‘painful world of loss, violence, Yun MacMillan and spiritual desolation’, and those are the intense Hilmars joins B&H feelings packed into his score. Both sides of MacMillan 2017 Centenary new Stabat Mater are to be found here, the devotional and the painter of bold, dramatic canvases — the former in the ethereal The centenary of Isang writing for solo and ensemble voices, the latter in the Yun in 2017 offers the lacerating blows and feverish anxieties depicted in the opportunity to hear a string ensemble.” Financial Times range of this pioneering composer’s works Having toured the work to Saffron Walden, which combine the Norwich and Manchester, The Sixteen introduces tradition of Eastern- Scottish audiences to Stabat Mater in March, the Photo: © Maria Kjartans Glasgow performance being part of a major Asian music with Icelandic composer Biggi Hilmars (b.1978) has MacMillan feature in the city with the Scottish Western avant-garde developed his own haunting style, blending classical, Chamber Orchestra collaborating with the BBC techniques. While his electronic, ambient, avant-garde and pop influences. Scottish Symphony Orchestra and Glasgow Life. native Korea and Rapidly becoming one of the most in-demand music adoptive Germany are Scottish premieres include the Viola Concerto with Photo: Boosey & Hawkes composers of his generation for film, movie trailers, soloist Lawrence Power, Symphony No.4 and the at the centre of commercials and television, his distinctive voice can Concertino for Horn and Strings. The recording of activities, performances around the world move from delicate solos to full orchestra with Stabat Mater is released next month on The celebrate his humanitarian mission to cross mesmerising piano, string and guitar textures. frontiers thanks to the power of music. Sixteen’s Coro label (COR16150). Commissions have included the film soundtrack to The Tongyeong International Music Festival in The remote Scottish island of St Kilda provided Beeba Boys by award-winning director Deepa South Korea presents a Yun retrospective between the surprise hit recording of 2016, in the form of Mehta, the official movie trailers for Thomas 31 March and 9 April with visiting performers Decca’s Lost Songs of St Kilda conducted by Vinterberg’s Far From the Madding Crowd and SKY’s including the Arditti Quartet, Basel Chamber MacMillan and including his orchestration of one mini-series Olive Kitteridge, music for the BBC Orchestra, Seoul Philharmonic and conductors James MacMillan’s powerful Stabat Mater was of the songs from the depopulated community. feature documentary film My Brother the Ark Raider Dennis Russell Davies, Stefan Soltesz and Stefan acclaimed by audience and press alike at its Selling over 15,000 copies, the disc topped the by Jonathan Carr and movie trailers for Ridley Scott Asbury. Highlights include the Cello Concerto, Barbican premiere in October, performed by Classical Artists chart and was Classic FM’s Album and Kevin MacDonald’s How I Live Now and Clarinet Concerto and his hour-long opera The The Sixteen and Britten Sinfonia conducted by of the Year. For the full historic background visit Christmas in a Day. Dream of Liu-Tung. Harry Christophers. Matching his Seven Last lostsongsofstkilda.com. Words from the Cross, the new work is for choir He has composed music for commercials for Allianz, Centenary premieres include Pièce Concertante and string orchestra and lasts close to an hour, IBM and Mercedes-Benz, and most recently created for chamber ensemble and the Nelly Sachs setting In addition to Stabat Mater, MacMillan’s recent and is launched from the closing harmonies of the a specially commissioned score for the new ‘Teile dich Nacht’, both receiving their first UK large-scale choral works include A European earlier score. Commissioned by the Genesis Thomson Holidays TV advert A Day in the Sun, performances at a Music of Today concert in Requiem premiered at the Oregon Bach Festival Foundation, Stabat Mater sets the 13th century recorded by the London Chamber Orchestra at London on 2 March, while the Cello Concerto last year, Gloria which received its US premiere Latin hymn which meditates on the suffering of Abbey Road Studios. Biggi Hilmars shares his receives its Austrian premiere on 12 June with in Pittsburgh last month and travels to Liverpool Christ’s mother Mary at the foot of the Cross, working life between Reykjavik, London, Paris, Matt Haimovitz and the Bruckner Orchester in with Ian Bostridge as soloist in June, and Little reflecting a classic MacMillan blend of sorrow, New York and Los Angeles. Linz. His vivid dance fantasy Muak is performed by Mass for children’s choir and orchestra receiving anger and contemplation. both the German Youth Orchestra in April and its first North American performance in Toronto Visit www.boosey.com/hilmars and KBS Symphony Orchestra in November. next season. www.biggihilmars.com. Yun studied cello and composition in Korea and “An overwhelming world Japan, and actively opposed the Japanese The Times occupation, leading to his imprisonment until the premiere...” end of World War II. Following the Korean War Inside this issue… armistice in 1953 he won a scholarship to study in “It’s not often that the composer of a new work gets Europe, first in Paris and then in Berlin, where he a standing ovation, but then every new work isn’t like settled in 1964. Due to a visit to North Korea he James MacMillan’s Stabat Mater for chorus and string was abducted from Berlin by South Korea’s Park orchestra… The chorus’s plangent cries, carved with a regime in 1967 and imprisoned in Seoul for two scalpel, might have been expected — but what about years, finally released in response to a campaign the string commentary of stabbing chords, high-speed by leading musicians. He took West German buzzings, sickening crescendos, growls and whispers?... Birtwistle Adams Chin Reich citizenship and taught in Hannover and Berlin, the intensity of this performance did not wobble… from Interview on new Upbeat to 70th Featured composer 80th birthday assuming a life in exile while never neglecting his noble lament through fury and shriek to contemplative orchestral work in Berlin, London at Eight Bridges premieres of Pulse Korean roots. devotion.” The Times Deep Time and Paris in Cologne and Runner . Birtwistle Deep Time in Berlin Harrison Birtwistle introduces his new orchestral work, Deep Time, Time is a processional in which nothing changes tubas and double low woodwind, plus two harps, – the slow passing
Load more

Recommended publications
  • UNIVERSITY of CALIFORNIA RIVERSIDE Los Angeles and the 1984 Olympic Games
    UNIVERSITY OF CALIFORNIA RIVERSIDE Los Angeles and the 1984 Olympic Games: Cultural Commodification, Corporate Sponsorship, and the Cold War A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History by Josh R. Lieser December 2014 Dissertation Committee: Dr. Catherine Gudis, Chairperson Dr. Molly McGarry Dr. Kiril Tomoff Copyright by Josh R. Lieser 2014 The Dissertation of Josh R. Lieser is approved: Committee Chairperson University of California, Riverside ABSTRACT OF THE DISSERTATION Los Angeles and the 1984 Olympic Games: Cultural Commodification, Corporate Sponsorship, and the Cold War by Josh R. Lieser Doctor of Philosophy, Graduate Program in History University of California, Riverside, December 2014 Dr. Catherine Gudis, Chairperson The 1984 Olympics offer an unprecedented opportunity to consider the way that sports were used as cultural and ideological warfare or soft power in the late stages of the Cold War era. Despite the Soviet Union’s decision to boycott the Olympics in Los Angeles in 1984, the 1984 Los Angeles Olympics were a claimed “victory” by President Ronald Reagan in the Cultural Cold War between the United States and the Soviet Union. Los Angeles won the right to host the games, and was a politically prudent choice for the United States within the context of the Cultural Cold War. The complicated history of Los Angeles and its constructed post-WWII identity are important elements to the choice of Los Angeles as host city. The Soviet boycott of the 1984 Olympic Games by the Soviet Union is central to the buildup to 1984, but due to the financial success of the Games the Soviet absence was not the crisis that many predicted.
    [Show full text]
  • Composer Keith Burstein Pays Homage to Beethoven with a New Work to Mark the 250Th Anniversary of His Birth
    COMPOSER KEITH BURSTEIN PAYS HOMAGE TO BEETHOVEN WITH A NEW WORK TO MARK THE 250TH ANNIVERSARY OF HIS BIRTH Keith Burstein rehearsing his Symphony No 1 Elixir with the Kaunas City Symphony Orchestra in Kaunas Lithuania in 2012. Performance Date: 25 March 2020 Venue: Cadogan Hall, London A new work written by composer Keith Burstein to mark the 250th anniversary of the birth of Ludwig van Beethoven will be performed by the London Chamber Orchestra (LCO) at the Cadogan Hall in Chelsea, London, on 25 March 2020. Memories of Bonn, Symphonic Poem No 1 will be conducted by LCO’s Music Director and Principal Conductor, Christopher Warren-Green, and was inspired by the composer’s visit to Bonn, Beethoven’s birthplace. Vladimir Ashkenazy, the great pianist and conductor – and mentor to Burstein – suggested he wrote the Symphonic Poem. Albany Arts | A22 Laystall Street | London | EC1R 4PA | t: + 44 (0) 20 78 79 88 95 | www.albanyartscommunications.com The piece seeks to reflect the complex confluence of history and culture that Burstein experienced in Bonn when he attended a premiere of his music there in 2016. Inevitably the music evokes Beethoven, who is considered by the composer to be ‘the exemplar of a radical composer who wrote memorable melodies.’ Burstein is renowned for his fervent championing of tonal music, as opposed to the atonal style which has dominated classical music teaching and composition for over a century, and Memories of Bonn looks set to ignite the ongoing controversy surrounding the pre-eminence of atonal music over tonal. ‘I am delighted Christopher Warren-Green and the London Chamber Orchestra are premiering this new work, which was strongly advocated by Mark Redman, Chairman of the LCO Trust.
    [Show full text]
  • Composition Catalog
    1 LEONARD BERNSTEIN AT 100 New York Content & Review Boosey & Hawkes, Inc. Marie Carter Table of Contents 229 West 28th St, 11th Floor Trudy Chan New York, NY 10001 Patrick Gullo 2 A Welcoming USA Steven Lankenau +1 (212) 358-5300 4 Introduction (English) [email protected] Introduction 8 Introduction (Español) www.boosey.com Carol J. Oja 11 Introduction (Deutsch) The Leonard Bernstein Office, Inc. Translations 14 A Leonard Bernstein Timeline 121 West 27th St, Suite 1104 Straker Translations New York, NY 10001 Jens Luckwaldt 16 Orchestras Conducted by Bernstein USA Dr. Kerstin Schüssler-Bach 18 Abbreviations +1 (212) 315-0640 Sebastián Zubieta [email protected] 21 Works www.leonardbernstein.com Art Direction & Design 22 Stage Kristin Spix Design 36 Ballet London Iris A. Brown Design Boosey & Hawkes Music Publishers Limited 36 Full Orchestra Aldwych House Printing & Packaging 38 Solo Instrument(s) & Orchestra 71-91 Aldwych UNIMAC Graphics London, WC2B 4HN 40 Voice(s) & Orchestra UK Cover Photograph 42 Ensemble & Chamber without Voice(s) +44 (20) 7054 7200 Alfred Eisenstaedt [email protected] 43 Ensemble & Chamber with Voice(s) www.boosey.com Special thanks to The Leonard Bernstein 45 Chorus & Orchestra Office, The Craig Urquhart Office, and the Berlin Library of Congress 46 Piano(s) Boosey & Hawkes • Bote & Bock GmbH 46 Band Lützowufer 26 The “g-clef in letter B” logo is a trademark of 47 Songs in a Theatrical Style 10787 Berlin Amberson Holdings LLC. Deutschland 47 Songs Written for Shows +49 (30) 2500 13-0 2015 & © Boosey & Hawkes, Inc. 48 Vocal [email protected] www.boosey.de 48 Choral 49 Instrumental 50 Chronological List of Compositions 52 CD Track Listing LEONARD BERNSTEIN AT 100 2 3 LEONARD BERNSTEIN AT 100 A Welcoming Leonard Bernstein’s essential approach to music was one of celebration; it was about making the most of all that was beautiful in sound.
    [Show full text]
  • Monday Playlist
    December 23, 2019: (Full-page version) Close Window “I pay no attention whatever to anybody's praise or blame. I simply follow my own feelings.” — WA Mozart Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online The Christmas Tree, and A Pine Forest in Sleepers, Awake! 00:01 Buy Now! Tchaikovsky Dresden State Orchestra/Poschner Sony Classic 88875031652 888750316523 Winter ~ The Nutcracker, Op. 71 Lute Suite in A minor (originally C minor), 00:10 Buy Now! Bach Julian Bream RCA 5841 07863558412 BWV 997 00:31 Buy Now! Mozart Violin Concerto No. 5 in A, K. 219 "Turkish" Frang/Arcangelo/Cohen Warner Classics 0825646276776 825646276776 01:01 Buy Now! Mendelssohn Piano Trio No. 2 in C minor, Op. 66 Perlman/Ma/Ax Sony Classical 52192 886975219223 St. Olaf Choir/Nidaros Cathedral Girls' 01:32 Buy Now! Traditional O come, all ye faithful St. Olaf Records 3501 610295350126 Choir/Armstrong/Brevik 01:38 Buy Now! Mercadante Flute Concerto in E minor Galway/I Solisti Veneti/Scimone RCA 7703 07863577032 02:01 Buy Now! Lauridsen O magnum mysterium Los Angeles Master Chorale/Salamunovich RCM 19605 707651960522 02:07 Buy Now! Leontovych Carol of the Bells Los Angeles Master Chorale/Salamunovich RCM 19605 707651960522 02:09 Buy Now! Schubert Symphony No. 1 in D, D. 82 Hanover Band/Goodman Nimbus 5198 083603519827 02:38 Buy Now! Brahms Cello Sonata No. 1 in E minor, Op. 38 Nelsova/Johannesen CBC 2018 059582201824 Christmas at the Opera House, with Bob 03:00 Buy Now! Chapman Symphony No. 1 in G minor, Op.
    [Show full text]
  • 28Apr2004p2.Pdf
    144 NAXOS CATALOGUE 2004 | ALPHORN – BAROQUE ○○○○ ■ COLLECTIONS INVITATION TO THE DANCE Adam: Giselle (Acts I & II) • Delibes: Lakmé (Airs de ✦ ✦ danse) • Gounod: Faust • Ponchielli: La Gioconda ALPHORN (Dance of the Hours) • Weber: Invitation to the Dance ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Slovak RSO / Ondrej Lenárd . 8.550081 ■ ALPHORN CONCERTOS Daetwyler: Concerto for Alphorn and Orchestra • ■ RUSSIAN BALLET FAVOURITES Dialogue avec la nature for Alphorn, Piccolo and Glazunov: Raymonda (Grande valse–Pizzicato–Reprise Orchestra • Farkas: Concertino Rustico • L. Mozart: de la valse / Prélude et La Romanesca / Scène mimique / Sinfonia Pastorella Grand adagio / Grand pas espagnol) • Glière: The Red Jozsef Molnar, Alphorn / Capella Istropolitana / Slovak PO / Poppy (Coolies’ Dance / Phoenix–Adagio / Dance of the Urs Schneider . 8.555978 Chinese Women / Russian Sailors’ Dance) Khachaturian: Gayne (Sabre Dance) • Masquerade ✦ AMERICAN CLASSICS ✦ (Waltz) • Spartacus (Adagio of Spartacus and Phrygia) Prokofiev: Romeo and Juliet (Morning Dance / Masks / # DREAMER Dance of the Knights / Gavotte / Balcony Scene / A Portrait of Langston Hughes Romeo’s Variation / Love Dance / Act II Finale) Berger: Four Songs of Langston Hughes: Carolina Cabin Shostakovich: Age of Gold (Polka) •␣ Bonds: The Negro Speaks of Rivers • Three Dream Various artists . 8.554063 Portraits: Minstrel Man •␣ Burleigh: Lovely, Dark and Lonely One •␣ Davison: Fields of Wonder: In Time of ✦ ✦ Silver Rain •␣ Gordon: Genius Child: My People • BAROQUE Hughes: Evil • Madam and the Census Taker • My ■ BAROQUE FAVOURITES People • Negro • Sunday Morning Prophecy • Still Here J.S. Bach: ‘In dulci jubilo’, BWV 729 • ‘Nun komm, der •␣ Sylvester's Dying Bed • The Weary Blues •␣ Musto: Heiden Heiland’, BWV 659 • ‘O Haupt voll Blut und Shadow of the Blues: Island & Litany •␣ Owens: Heart on Wunden’ • Pastorale, BWV 590 • ‘Wachet auf’ (Cantata, the Wall: Heart •␣ Price: Song to the Dark Virgin BWV 140, No.
    [Show full text]
  • Leonard Bernstein
    chamber music with a modernist edge. His Piano Sonata (1938) reflected his Leonard Bernstein ties to Copland, with links also to the music of Hindemith and Stravinsky, and his Sonata for Clarinet and Piano (1942) was similarly grounded in a neoclassical aesthetic. The composer Paul Bowles praised the clarinet sonata as having a "tender, sharp, singing quality," as being "alive, tough, integrated." It was a prescient assessment, which ultimately applied to Bernstein’s music in all genres. Bernstein’s professional breakthrough came with exceptional force and visibility, establishing him as a stunning new talent. In 1943, at age twenty-five, he made his debut with the New York Philharmonic, replacing Bruno Walter at the last minute and inspiring a front-page story in the New York Times. In rapid succession, Bernstein Leonard Bernstein photo © Susech Batah, Berlin (DG) produced a major series of compositions, some drawing on his own Jewish heritage, as in his Symphony No. 1, "Jeremiah," which had its first Leonard Bernstein—celebrated as one of the most influential musicians of the performance with the composer conducting the Pittsburgh Symphony in 20th century—ushered in an era of major cultural and technological transition. January 1944. "Lamentation," its final movement, features a mezzo-soprano He led the way in advocating an open attitude about what constituted "good" delivering Hebrew texts from the Book of Lamentations. In April of that year, music, actively bridging the gap between classical music, Broadway musicals, Bernstein’s Fancy Free was unveiled by Ballet Theatre, with choreography by jazz, and rock, and he seized new media for its potential to reach diverse the young Jerome Robbins.
    [Show full text]
  • A Centenary Celebration 100 Years of the London Chamber Orchestra
    Available to stream online from 7:30pm, 7 May 2021 until midnight, 16 May 2021 A Centenary Celebration 100 years of the London Chamber Orchestra Programme With Christopher Warren-Green, conductor Handel Arrival of the Queen of Sheba Jess Gillam, presenter Mozart Divertimento in D Major, K205, I. Largo – Allegro Debussy Danses Sacrée et Profane Maconchy Concertino for Clarinet and Orchestra, III. Allegro Soloists Mozart Eine Kleine Nachtmusik, I. Allegro Anne Denholm, harp Britten Courtly Dance No. 5 Mark van de Wiel, clarinet Maxwell Davies Farewell to Stromness Various A Century of Music (premiere) Soloists, A Century of Music Elgar Introduction and Allegro Mary Bevan, soprano Pekka Kuusisto, violin London Chamber Orchestra Alison Balsom, trumpet Ksenija Sidorova, accordion Violin 1 Viola Flute & Piccolo Benjamin Beilman, violin Clio Gould Rosemary Warren-Green Harry Winstanley Jess Gillam, saxophone Manon Derome Kate Musker Gina McCormack Becky Low Oboe Sophie Lockett Jenny Coombes Gordon Hunt Imogen East Alison Alty Composers, A Century of Music Eunsley Park Cello Rob Yeomans Robert Max Clarinet & Bass Clarinet John Rutter Edward Bale Joely Koos Mark van de Wiel Freya Waley-Cohen Julia Graham Violin 2 Rachael Lander Bassoon Paul Max Edlin Charles Sewart Meyrick Alexander George Morton Anna Harpham Bass Alexandra Caldon Andy Marshall Horn Tim Jackson Guy Button Ben Daniel-Greep Richard Watkins Jo Godden Michael Thompson Gabriel Prokofiev Harriet Murray Percussion Cheryl Frances-Hoad Julian Poole Trumpet Ross Brown If you’re joining us in the virtual concert hall, we’d love to know about it! Tag us on your social media using the hashtag #LCOTogether George Frideric Handel Wolfgang Amadeus Mozart Arrival of the Queen of Sheba Divertimento in D Major, K205 I.
    [Show full text]
  • Deutsche Nationalbibliografie
    Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2010 T 05 Stand: 19. Mai 2010 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main, Berlin) 2010 ISSN 1613-8945 urn:nbn:de:101-ReiheT05_2010-1 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie Katalogisierung, Regeln für Musikalien und Musikton-trä- auf der Sachgruppenübersicht angegeben, entsprechend ger (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD
    [Show full text]
  • THE GUIDE 98.7Wfmt the Member Magazine Wfmt.Com for WTTW and WFMT
    wttw11 wttw Prime wttw Create wttw World wttw PBS Kids wttw.com THE GUIDE 98.7wfmt The Member Magazine wfmt.com for WTTW and WFMT A CULTURAL AND CULINARY JOURNEY ACROSS AMERICA TUNE IN OR STREAM FRI DEC 20 9 PM December 2019 ALSO INSIDE WFMT will present a new special, Whole Notes: Music of Healing and Peace, in response to America’s gun violence epidemic and related to WTTW’s FIRSTHAND: Gun Violence initiative. From the President & CEO The Guide Dear Member, The Member Magazine for WTTW and WFMT Renowned chef, restaurateur, and author Marcus Samuelsson is passionate about Renée Crown Public Media Center the cuisine of America’s diverse immigrant cultures. This month, he returns with 5400 North Saint Louis Avenue Chicago, Illinois 60625 a new season of No Passport Required, where home cooks and professional chefs around the country share how important food can be in bringing us together around the table. Join us at 9:00 pm on December 20 for Marcus’s first stop, as he explores Main Switchboard (773) 583-5000 Seattle’s Filipino culinary traditions. And, in December, WTTW will be hosting a related Member and Viewer Services food tour event and creating digital content for you to feast on. The tour event and (773) 509-1111 x 6 stories will focus on a remarkably diverse half-mile stretch of a single Chicago street (Lawrence Avenue between Western and California) with a selection of restaurants Websites owned and run by immigrants, representing a variety of cuisines: Filipino, Vietnamese, wttw.com wfmt.com Bosnian and Serbian, Venezuelan, Korean, and Greek.
    [Show full text]
  • JAMES D. BABCOCK, MBA, CFA, CPA 191 South Salem Road  Ridgefield, Connecticut 06877 (203) 994-7244  [email protected]
    JAMES D. BABCOCK, MBA, CFA, CPA 191 South Salem Road Ridgefield, Connecticut 06877 (203) 994-7244 [email protected] List of Addendums First Addendum – Middle Ages Second Addendum – Modern and Modern Sub-Categories A. 20th Century B. 21st Century C. Modern and High Modern D. Postmodern and Contemporary E. Descrtiption of Categories (alphabetic) and Important Composers Third Addendum – Composers Fourth Addendum – Musical Terms and Concepts 1 First Addendum – Middle Ages A. The Early Medieval Music (500-1150). i. Early chant traditions Chant (or plainsong) is a monophonic sacred form which represents the earliest known music of the Christian Church. The simplest, syllabic chants, in which each syllable is set to one note, were probably intended to be sung by the choir or congregation, while the more florid, melismatic examples (which have many notes to each syllable) were probably performed by soloists. Plainchant melodies (which are sometimes referred to as a “drown,” are characterized by the following: A monophonic texture; For ease of singing, relatively conjunct melodic contour (meaning no large intervals between one note and the next) and a restricted range (no notes too high or too low); and Rhythms based strictly on the articulation of the word being sung (meaning no steady dancelike beats). Chant developed separately in several European centers, the most important being Rome, Hispania, Gaul, Milan and Ireland. Chant was developed to support the regional liturgies used when celebrating Mass. Each area developed its own chant and rules for celebration. In Spain and Portugal, Mozarabic chant was used, showing the influence of North Afgican music. The Mozarabic liturgy survived through Muslim rule, though this was an isolated strand and was later suppressed in an attempt to enforce conformity on the entire liturgy.
    [Show full text]
  • 28-May-Concert-Programme.Pdf
    Available to stream online from 7:30pm, 28 May 2021 until midnight, 6 June 2021 At The Ballet Presented by Errollyn Wallen Programme Errollyn Wallen Horseplay Stravinsky Pulcinella (full ballet with narration) London Chamber Orchestra Violin 1 Cello Clarinet Trombone Clio Gould Robert Max Mark van de Wiel Andrew Connington Manon Derome Julia Graham Charles Sewart Rachael Lander Bass Clarinet Percussion Sophie Lockett Becky Knight Jonathan Parkin Julian Poole Anna Harpham Joby Burgess Bass Soprano Saxophone Violin 2 Stacey Watton Simon Haram Kathy Shave Andy Marshall Ciaran McCabe Tim Amherst Bassoon With Alexandra Caldon Martin Ludenbach Meyrick Alexander Christopher Warren-Green, Guy Button Bartosz Kwasecki conductor Harriet Murray Flute Karen Jones Horn and special guests Viola Chris Hankin Alex Wide Errollyn Wallen, presenter & Kate Musker David McQueen narrator Becky Low Oboe Jenny Coombes Gordon Hunt Trumpet Lucy Crowe, soprano Mariam Ruetschi Alison Alty Ross Brown Toby Spence, tenor If you’re joining us in the virtual concert hall, we’d love to know about it! Tag us on your social media using James Platt, bass the hashtag #LCOTogether on to study at London and Cambridge universities. Tom Sapsford for the Royal Ballet, who gave the Errollyn Wallen Her Concerto for Percussion and Orchestra was the premiere that year at the Theatre Royal, Sheffield. Horseplay first work by a black woman to be performed at the Proms. Indeed, she is the UK’s first internationally Sapsford writes: ‘Horseplay is a ballet for four male I. dark and mysterious celebrated black female composer, and has become dancers. The composer’s idea of the horse as archetype II.
    [Show full text]
  • The Snow Queen
    P a g e | 1 P a g e | 2 The Snow Queen CAST Greta, Principal Girl Kai, Greta’s brother Batty Bridget, Dame and landlady The Snow Queen, Elin Easter Bunny, Tyson Jingle & Jangle, comedy duo Glitter Dewberry, the Tooth Fairy Sandman Jack Frost, Principal Boy, the Snow Queen’s henchman Bobgoblin The Three Wise Witches, See No, Hear No, and Speak No Chorus & Yeti Scene – the Snow Queen’s palace, the Witches’ cave Time – long ago MUSICAL NUMBERS Song 1 Wake Up Smiling (Go! Go! Go!) – Greta, Kai and Chorus Song 2 Move Along (The All-American Rejects) – Greta, Bridget and Chorus Song 3 Cold As Ice (Foreigner) – Jack, Bobgoblin and Chorus Song 4 Mr Sandman (The Chordettes) – Sandman and Chorus Song 5 I Want To Know What Love Is (Foreigner) – Jack Song 6 Everything Is Awesome (Lego Movie) – Tyson, Greta, Glitter, Bridget, Sandman, Jingle, Jangle and Chorus Song 7 It May Be Winter Outside (Love Unlimited) – Tyson, Greta, Glitter, Bridget, Sandman, Jingle, Jangle and Chorus Song 8 I’ll Stand By You (The Pretenders) – Greta Song 9 I Put A Spell On You (Screamin Jay Hawkins/Hocus Pocus Movie) – Three Wise Witches Song 10 I See The Light (Tangled Movie) – Greta and Jack Song 11 Finest Hour (Sara Niemietz and Blake Ewing)– All except Snow Queen Song 12 Let It Go (Frozen movie) (just a section of it) – Snow Queen Song 13 The Sun Has Got Its Hat On – Audience participation Song 14 Walkdown – Wake Up Smiling Song 15 Let It Go – All P a g e | 3 ACT 1 Scene 1 Front of tabs The Voiceover is quite long, so could be either accompanied by a projection or acted out Voiceover Once upon a time in a land far, far north, there lived a young girl named Elin.
    [Show full text]