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LOS ANGELES PHILHARMONIC 2016/17 Commissions and Premieres LAPA COMMISSIONS (21) Thomas ADÈS, Lieux retrouvés Gerald BARRY, Alice’s Adventures Under Ground Daníel BJARNASON, Violin Concerto (for Pekka Kuusisto) Nicholas DEYOE, New Work for WasteLAnd Mario DIAZ DE LEON, New Work for Brass Quintet and Electronics Georg Friedrich HAAS, New Work for Alpine Horns and Orchestra Anders HILLBORG, The MAX Duo Þuríður JÓNSDÓTTIR, New Work for Ensemble and Chamber Choir Veronika KRAUSAS, New Work for Double Bass Quintet (with artist Ana Prvacki) David LANG, New Work for Organ and Chamber Ensemble for Jacaranda Michelle LOU, New Work for gnarwallaby Ingram MARSHALL, New Work for Chamber Orchestra and Piano James MATHESON, New Work for Orchestra Andrew MOSES, New Work for Chamber Orchestra Páll Ragnar PÁLSSON, New Work for Ensemble and Cello Steve REICH, Pulse Christopher ROUNTREE, New Work for Jennifer Koh and wild Up Christopher ROUSE, Organ Concerto Kate SOPER, New Work for Chamber Orchestra and Soprano Rand STEIGER, New Sound Installation (with Yuval Sharon and The Industry) Haukur TÓMASSON, Piano Concerto (for Vikingur Olafsson) WORLD PREMIERES (14) Nicholas DEYOE, New Work for WasteLAnd, October 1, 2016 Mario DIAZ DE LEON, New Work for Brass Quintet and Electronics, October 1, 2016 Veronika KRAUSAS, New Work for Double Bass Quintet (with artist Ana Prvacki), October 1, 2016 David LANG, New Work for Organ and Chamber Ensemble for Jacaranda, October 1, 2016 Michelle LOU, New Work for gnarwallaby, October 1, 2016 Ingram MARSHALL, New Work for Chamber Orchestra and Piano, October 1, 2016 Andrew MOSES, New Work for Chamber Orchestra, October 1, 2016 Christopher ROUNTREE, New Work for Jennifer Koh and wild Up, October 1, 2016 Kate SOPER, New Work for Chamber Orchestra and Soprano, October 1, 2016 Rand STEIGER, New Sound Installation (with Yuval Sharon and The Industry), October 1, 2016 Gerald BARRY, Alice’s Adventures Under Ground, November 22, 2016 James MATHESON, New Work for Orchestra, February 24, 2017 Daníel BJARNASON, Violin Concerto (for Pekka Kuusisto), April 17, 2017 Haukur TÓMASSON, Piano Concerto (for Vikingur Olafsson), April 18, 2017 U.S. PREMIERES (5) Thomas ADÈS, Lieux retrouvés, February 10, 2017 Georg Friedrich HAAS, New Work for Alpine Horns and Orchestra, March 31, 2017 Þuríður JÓNSDÓTTIR, New Work for Ensemble and Chamber Choir, April 11, 2017 Páll Ragnar PÁLSSON, New Work for Ensemble and Cello, April 11, 2017 Anders HILLBORG, The MAX Duo, Date TBD WEST COAST PREMIERES (5) Matthias PINTSCHER, towards Osiris, October 13, 2016 Ravi SHANKAR, Sitar Concerto No. 2, “Raga mala,” January 13, 2017 Steve REICH, Pulse, January 17, 2017 Thomas ADÈS, Totentanz, February 10, 2017 Christopher ROUSE, Organ Concerto, April 20, 2017 .

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28Apr2004p2.Pdf
144 NAXOS CATALOGUE 2004 | ALPHORN – BAROQUE ○○○○ ■ COLLECTIONS INVITATION TO THE DANCE Adam: Giselle (Acts I & II) • Delibes: Lakmé (Airs de ✦ ✦ danse) • Gounod: Faust • Ponchielli: La Gioconda ALPHORN (Dance of the Hours) • Weber: Invitation to the Dance ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Slovak RSO / Ondrej Lenárd . 8.550081 ■ ALPHORN CONCERTOS Daetwyler: Concerto for Alphorn and Orchestra • ■ RUSSIAN BALLET FAVOURITES Dialogue avec la nature for Alphorn, Piccolo and Glazunov: Raymonda (Grande valse–Pizzicato–Reprise Orchestra • Farkas: Concertino Rustico • L. Mozart: de la valse / Prélude et La Romanesca / Scène mimique / Sinfonia Pastorella Grand adagio / Grand pas espagnol) • Glière: The Red Jozsef Molnar, Alphorn / Capella Istropolitana / Slovak PO / Poppy (Coolies’ Dance / Phoenix–Adagio / Dance of the Urs Schneider . 8.555978 Chinese Women / Russian Sailors’ Dance) Khachaturian: Gayne (Sabre Dance) • Masquerade ✦ AMERICAN CLASSICS ✦ (Waltz) • Spartacus (Adagio of Spartacus and Phrygia) Prokofiev: Romeo and Juliet (Morning Dance / Masks / # DREAMER Dance of the Knights / Gavotte / Balcony Scene / A Portrait of Langston Hughes Romeo’s Variation / Love Dance / Act II Finale) Berger: Four Songs of Langston Hughes: Carolina Cabin Shostakovich: Age of Gold (Polka) •␣ Bonds: The Negro Speaks of Rivers • Three Dream Various artists . 8.554063 Portraits: Minstrel Man •␣ Burleigh: Lovely, Dark and Lonely One •␣ Davison: Fields of Wonder: In Time of ✦ ✦ Silver Rain •␣ Gordon: Genius Child: My People • BAROQUE Hughes: Evil • Madam and the Census Taker • My ■ BAROQUE FAVOURITES People • Negro • Sunday Morning Prophecy • Still Here J.S. Bach: ‘In dulci jubilo’, BWV 729 • ‘Nun komm, der •␣ Sylvester's Dying Bed • The Weary Blues •␣ Musto: Heiden Heiland’, BWV 659 • ‘O Haupt voll Blut und Shadow of the Blues: Island & Litany •␣ Owens: Heart on Wunden’ • Pastorale, BWV 590 • ‘Wachet auf’ (Cantata, the Wall: Heart •␣ Price: Song to the Dark Virgin BWV 140, No.
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THE GUIDE 98.7Wfmt the Member Magazine Wfmt.Com for WTTW and WFMT
wttw11 wttw Prime wttw Create wttw World wttw PBS Kids wttw.com THE GUIDE 98.7wfmt The Member Magazine wfmt.com for WTTW and WFMT A CULTURAL AND CULINARY JOURNEY ACROSS AMERICA TUNE IN OR STREAM FRI DEC 20 9 PM December 2019 ALSO INSIDE WFMT will present a new special, Whole Notes: Music of Healing and Peace, in response to America’s gun violence epidemic and related to WTTW’s FIRSTHAND: Gun Violence initiative. From the President & CEO The Guide Dear Member, The Member Magazine for WTTW and WFMT Renowned chef, restaurateur, and author Marcus Samuelsson is passionate about Renée Crown Public Media Center the cuisine of America’s diverse immigrant cultures. This month, he returns with 5400 North Saint Louis Avenue Chicago, Illinois 60625 a new season of No Passport Required, where home cooks and professional chefs around the country share how important food can be in bringing us together around the table. Join us at 9:00 pm on December 20 for Marcus’s first stop, as he explores Main Switchboard (773) 583-5000 Seattle’s Filipino culinary traditions. And, in December, WTTW will be hosting a related Member and Viewer Services food tour event and creating digital content for you to feast on. The tour event and (773) 509-1111 x 6 stories will focus on a remarkably diverse half-mile stretch of a single Chicago street (Lawrence Avenue between Western and California) with a selection of restaurants Websites owned and run by immigrants, representing a variety of cuisines: Filipino, Vietnamese, wttw.com wfmt.com Bosnian and Serbian, Venezuelan, Korean, and Greek.
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JAMES D. BABCOCK, MBA, CFA, CPA 191 South Salem Road  Ridgefield, Connecticut 06877 (203) 994-7244  [email protected]
JAMES D. BABCOCK, MBA, CFA, CPA 191 South Salem Road Ridgefield, Connecticut 06877 (203) 994-7244 [email protected] List of Addendums First Addendum – Middle Ages Second Addendum – Modern and Modern Sub-Categories A. 20th Century B. 21st Century C. Modern and High Modern D. Postmodern and Contemporary E. Descrtiption of Categories (alphabetic) and Important Composers Third Addendum – Composers Fourth Addendum – Musical Terms and Concepts 1 First Addendum – Middle Ages A. The Early Medieval Music (500-1150). i. Early chant traditions Chant (or plainsong) is a monophonic sacred form which represents the earliest known music of the Christian Church. The simplest, syllabic chants, in which each syllable is set to one note, were probably intended to be sung by the choir or congregation, while the more florid, melismatic examples (which have many notes to each syllable) were probably performed by soloists. Plainchant melodies (which are sometimes referred to as a “drown,” are characterized by the following: A monophonic texture; For ease of singing, relatively conjunct melodic contour (meaning no large intervals between one note and the next) and a restricted range (no notes too high or too low); and Rhythms based strictly on the articulation of the word being sung (meaning no steady dancelike beats). Chant developed separately in several European centers, the most important being Rome, Hispania, Gaul, Milan and Ireland. Chant was developed to support the regional liturgies used when celebrating Mass. Each area developed its own chant and rules for celebration. In Spain and Portugal, Mozarabic chant was used, showing the influence of North Afgican music. The Mozarabic liturgy survived through Muslim rule, though this was an isolated strand and was later suppressed in an attempt to enforce conformity on the entire liturgy.
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Composers for the Pipe Organ from the Renaissance to the 20Th Century
Principal Composers for the Pipe Organ from the Renaissance to the 20th Century Including brief biographical and technical information, with selected references and musical examples Compiled for POPs for KIDs, the Children‘s Pipe Organ Project of the Wichita Chapter of the American Guild of Organists, by Carrol Hassman, FAGO, ChM, Internal Links to Information In this Document Arnolt Schlick César Franck Andrea & Giovanni Gabrieli Johannes Brahms Girolamo Frescobaldi Josef Rheinberger Jean Titelouze Alexandre Guilmant Jan Pieterszoon Sweelinck Charles-Marie Widor Dieterich Buxtehude Louis Vierne Johann Pachelbel Max Reger François Couperin Wilhelm Middelschulte Nicolas de Grigny Marcel Dupré George Fredrick Händel Paul Hindemith Johann Sebastian Bach Jean Langlais Louis-Nicolas Clérambault Jehan Alain John Stanley Olivier Messiaen Haydn, Mozart, & Beethoven Links to information on other 20th century composers for the organ Felix Mendelssohn Young performer links Fanny Mendelssohn Hensel Pipe Organ reference sites Camille Saint-Saëns Credits for Facts and Performances Cited Almost all details in the articles below were gleaned from Wikipedia (and some of their own listed sources). All but a very few of the musical and video examples are drawn from postings on YouTube. The section of J.S. Bach also owes credit to Corliss Arnold’s Organ Literature: a Comprehensive Survey, 3rd ed.1 However, the Italicized interpolations, and many of the texts, are my own. Feedback will be appreciated. — Carrol Hassman, FAGO, ChM, Wichita Chapter AGO Earliest History of the Organ as an Instrument See the Wikipedia article on the Pipe Organ in Antiquity: http://en.wikipedia.org/wiki/Pipe_Organ#Antiquity Earliest Notated Keyboard Music, Late Medieval Period Like early music for the lute, the earliest organ music is notated in Tablature, not in the musical staff notation we know today.
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World Premieres Composer Work Date Conductor Loder Concert Overture, Marmion 17-Jan 1846 Loder Bristow Concert Overture, Op
World Premieres Composer Work Date Conductor Loder Concert Overture, Marmion 17-Jan 1846 Loder Bristow Concert Overture, Op. 3 9-Jan 1847 Timm Bristow Symphony No. 4, Arcadian 14-Feb 1874 Bergmann Liszt Symphonic Poem No. 2, Tasso: 24-Mar 1877 L.Damrosch lamento e trionfo Tchaikovsky Piano Concerto No. 2 12-Nov 1881 Thomas R. Strauss Symphony in F minor, Op. 12 13-Dec 1884 Thomas *Lalo Arlequin 28-Nov 1892 W. Damrosch Beach Scena and Aria from Mary Stuart 2-Dec 1892 W.Damrosch Dvořák Symphony No. 9, From the New 16-Dec 1893 Seidl World (formerly No. 5) Herbert Cello Concerto No. 2 9-Mar 1894 Seidl Hadley Symphony No. 2, The Four Seasons 21-Dec 1901 Paur Burmeister Dramatic Tone Poem, The Sisters 10-Jan 1902 Paur Rezniček Donna Dianna 23-Nov 1907 W. Damrosch Lyapunov Concerto for Piano and Orchestra 7-Dec 1907 W. Damrosch Hofmann Concerto for Pianoforte No. 3 28-Feb 1908 Safonoff *Rachmaninoff Piano Concerto No. 3 28-Nov 1909 W.Damrosch *W. Damrosch Excerpt from Canterbury Pilgrims 20-Feb 1910 W.Damrosch *Wallace Symphonic Poem, François Villon 6-Nov 1910 W.Damrosch Busoni Berceuse élégiaque 21-Feb 1911 Mahler *Kolar Symphonic Poem, Hiawatha 12-Mar 1911 Damrosch Laucella Symphonic Poem, Consalvo 26-Nov 1911 Stransky Van der Pals Two Symphonic Pieces 17-Dec 1911 Stransky *W. Damrosch Ballad, The Looking Glass 31-Dec 1911 W.Damrosch *W. Damrosch Juanita's Song from Dove of Peace 31-Dec 1911 W.Damrosch *Wolf "Fairy Song" from A Midsummer 2-Feb 1912 Harris Night's Dream Stahlberg Two Symphonic Sketches from Im 4-Feb 1912 W.Damrosch Hochland *Wolf-Ferrari Two Intermezzi from Jewels of 11-Feb 1912 W.Damrosch Madonna *Handel/Reger Concerto Grosso No.
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Classical Folk & Blues Jazz Stage & Screen World Music
Fall, 2020 All Prices Good through 11/30/20 Music Classical see pages 3 - 24 Not Our First Goat Rodeo Yo-Yo Ma & Friends A classical-crossover selection SNYC 19439738552 $16.98 Folk & Blues see pages 42 - 49 Sierra Hull: 25 Trips Sierra jumps from her bluegrass roots to entirely new terrain 1CD# RDR 1166100579 $16.98 Jazz see pages 38 - 41 Diana Krall This Dream of You A wonderful collection of gems from the American Songbook 1CD# IMPU B003251902 $19.98 Stage & Screen see pages 25 - 29 Ennio Morricone Partnered with: Once Upon A Time Arrangements for Guitar 1CD# BLC 95855 $12.98 World Music see pages 34 - 37 Afwoyo – Afro Jazz Milégé derive inspiration from the diverse musical traditions of Uganda VT / KY / TN CD# NXS 76108 $16.98 see page 2 HBDirect Mixed-Genre Catalog HBDirect is pleased to present our newest Mixed-Genre catalog – bringing you the widest selection of classical, jazz, world music, folk, blues, band music, oldies and so much more! Call your Fall 2020 order in to our toll-free 800 line, mail it to us, or you can search for your selections on our website where you’ll also find thousands more recordings to choose from. Not Our First Goat Rodeo: Yo-Yo Ma & Friends Classical highlights in this issue include a tribute to Orfeo Records in honor of the label’s 40th Nine years ago, classical legends Yo Yo Ma, Stuart Duncan, Chris Thile, and anniversary, music of African American composers on page 8, plus new releases, videos, boxed sets Edgar Meyer released Goat Rodeo, and now they return with their masterful, and opera.
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2020 Holiday Songbook.Pdf
Holiday Song b oo k 2 2 Holiday Songbook 2020 Each December, the hosts of WXXI Classical present our listeners with the gift of seasonal music, a gift that is very much needed this year. You can find many of the selections in our Holiday Songbook, a list of major works curated and complied by Music director Julia Figueras. But there’s always so much more. In addition, as part of Beethoven’s 250th birthday celebration, WXXI Classical will present listeners with our top Beethoven favorites during the 12 Days of Ludwig (Dec 7-18), culminating with Beethoven’s beloved 9th Symphony, Choral beginning at 2:00pm on the 18th. Whether you celebrate the winter solstice, Christmas, Chanukah, Kwanzaa or simply getting through 2020, we wish you all a happy, safe and healthy holiday season and a Happy New Year. SUNDAY, NOVEMBER 29 - 1ST SUNDAY OF ADVENT 6:00am J.S. Bach: Cantata No. 36, Schwingt freudig euch… 2:00pm Charpentier: Grand “O” Antiphons for Advent MONDAY, NOVEMBER 30 8:00am Whitbourn: Magnificat 12:00pm Rosenmüller: Magnificat 3:00pm Mendelssohn: Magnificat TUESDAY, DECEMBER 1 9:00am Rutter: Magnificat 1:00pm Gombert: Magnificat 4:00pm Vivaldi: Magnificat WEDNESDAY, DECEMBER 2 8:00am Praetorius: Magnificat quarti toni 12:00pm Live from Hochstein: A Cup of Good Cheer 2:00pm J.S. Bach: Magnificat 5:00pm Mozart: Dixit et Magnificat THURSDAY, DECEMBER 3 7:00am Festa: Magnificat septimi toni a 4 1:00pm Pärt: Seven Magnificat Antiphons 6:00pm Charpentier: Magnificat FRIDAY, DECEMBER 4 6:00am Samuel-Rousseau: Variations Pastorales… 8:00am Couperin:
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Press Kit About the Nashville Symphony
Nashville Symphony 2019/2020 Press Kit About the Nashville Symphony ed by music director Giancarlo Guerrero, the Nashville Symphony has been professional orchestra careers. Currently, 20 participating students receive individual Lan integral part of the Music City sound since 1946. The 83-member ensemble instrument instruction, performance opportunities, and guidance on applying to performs more than 150 concerts annually, with a focus on contemporary American colleges and conservatories, all offered free of charge. orchestral music through collaborations with composers including Jennifer Higdon, Terry Riley, Joan Tower and Aaron Jay Kernis. The orchestra is equally renowned for Schermerhorn Symphony Center, the orchestra’s home since 2006, is considered one of its commissioning and recording projects with Nashville-based artists including bassist the world’s finest acoustical venues. Named in honor of former music director Kenneth Edgar Meyer, banjoist Béla Fleck, singer-songwriter Ben Folds and electric bassist Victor Schermerhorn and located in the heart of downtown Nashville, the building boasts Wooten. distinctive neo-Classical architecture incorporating motifs and design elements that pay homage to the history, culture and people of Middle Tennessee. Within its intimate An established leader in Nashville’s arts and cultural community, the Symphony has design, the 1,800-seat Laura Turner Hall contains several unique features, including facilitated several community collaborations and initiatives, most notably Violins soundproof windows, the 3,500-pipe Martin Foundation Concert Organ, and an of Hope Nashville, which spotlighted a historic collection of instruments played by innovative mechanical system that transforms the hall from theater-style seating to a Jewish musicians during the Holocaust.
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Farrenc's Symphony No. 2 Digital Program
SEASON 2020-2021 Farrenc’s Symphony No. 2 April 29, 2021 Jessica GriffinJessica SEASON 2020-2021 The Philadelphia Orchestra Thursday, April 29, at 8:00 On the Digital Stage Yannick Nézet-Séguin Conductor Paul Jacobs Organ Foumai Concerto grosso, for chamber orchestra First Philadelphia Orchestra performance Poulenc Concerto in G minor for Organ, Strings, and Timpani Andante—Allegro giocoso—Subito andante moderato— Tempo allegro—Molto adagio—Très calme—Lent— Tempo de l’allegro initial—Tempo introduction—Largo Farrenc Symphony No. 2 in D major, Op. 35 I. Andante—Allegro II. Andante III. Scherzo: Vivace IV. Andante—Allegro This program runs approximately 1 hour, 10 minutes, and will be performed without an intermission. This concert is part of the Fred J. Cooper Memorial Organ Experience, supported through a generous grant from the Wyncote Foundation. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. Our World Lead support for the Digital Stage is provided by: Claudia and Richard Balderston Elaine W. Camarda and A. Morris Williams, Jr. The CHG Charitable Trust Innisfree Foundation Gretchen and M. Roy Jackson Neal W. Krouse John H. McFadden and Lisa D. Kabnick The Andrew W. Mellon Foundation Leslie A. Miller and Richard B. Worley Ralph W. Muller and Beth B. Johnston Neubauer Family Foundation William Penn Foundation Peter and Mari Shaw Dr. and Mrs. Joseph B. Townsend Waterman Trust Constance and Sankey Williams Wyncote Foundation SEASON 2020-2021 The Philadelphia Orchestra Yannick Nézet-Séguin Music Director Walter and Leonore Annenberg Chair Nathalie Stutzmann Principal Guest Conductor Designate Gabriela Lena Frank Composer-in-Residence Erina Yashima Assistant Conductor Lina Gonzalez-Granados Conducting Fellow Frederick R.
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Beethoven's Fifth
SPECIAL EVENT BEETHOVEN’S FIFTH WITH THE NASHVILLE SYMPHONY CLASSICAL SERIES THURS., OCTOBER 5, AT 7 PM | FRI. & SAT., OCTOBER 6 & 7, AT 8 PM | SUN., OCTOBER 8, AT 3 PM NASHVILLE SYMPHONY GIANCARLO GUERRERO, conductor THANK YOU TO JAMES EHNES, violin OUR PARTNER CHRISTOPHER ROUSE Symphony No. 5 Nashville Symphony co-commission BENJAMIN BRITTEN Concerto No. 1 for Violin and Orchestra, Op. 15 SERIES PRESENTING PARTNER I. Moderato con moto II. Vivace III. Passacaglia: Andante lento (un poco meno mosso) James Ehnes, violin INTERMISSION LUDWIG VAN BEETHOVEN Symphony No. 5 in C minor, Op. 67 Allegro con Brio Andante con moto Allegro Allegro Christopher Rouse’s Symphony No. 5 is being recorded live for commercial release. to conduct a partnership with the To ensure the highest-quality recording, please keep noise to a minimum. Nashville Symphony to make our community a better place to live and work. INCONCERT 15 TONIGHT’S CONCERT CHRISTOPHER Composed: 2014-15 First performance: February 9, 2017, with Jaap ROUSE van Zweden conducting the Dallas Symphony AT A GLANCE Orchestra First Nashville Symphony performance: Born on February 15, 1949 CHRISTOPHER ROUSE in Baltimore, Maryland, These concerts mark the first performances by Symphony No. 5 where he currently the Nashville Symphony resides Estimated length: 25 minutes CLASSICAL • Christopher Rouse is one of America’s leading composers, with numerous works and a Pulitzer Prize to his credit. The New York Philharmonic’s recording of his Symphonies No. 3 and 4 was named one of NPR’s Best 50 Albums of 2016. Symphony No. 5 • Co-commissioned by the Nashville Symphony, American composer Christopher Rouse’s Symphony No.
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Easter Break 2010
tel 0115 982 7500 fax 0115 982 7020 APRIL 2010 LIST See inside for valid dates Dear Customer April brings a distinct Spring feel to our northern hemisphere weather and a list bursting with delights. The heavyweight new releases include an evergreen Placido Domingo, whose voice seems to defy the ageing process, with a brand new DG recording of Leoncavallo arias & songs. This intriguing disc includes the relatively unknown work La Nuit de Mai, a romantic symphonic poem for tenor, followed by a selection of short songs accompanied by Lang Lang. Also from DG we are privileged to hear for the first time on CD a Chopin recital by Martha Argerich taken from previously unreleased 1959/67 radio recordings. The Universal line up also features Juan Diego Florez in Gluck’s Orphee et Eurydice, and an unmissable 10 CD box set of all Radu Lupu’s recordings for Decca, including his celebrated interpretations of Beethoven, Brahms & Schubert. Other highlights this month include a further Mozart Symphonies release from Renee Jacobs on Harmonia Mundi, The Tchaikovsky Piano Concertos with Stephen Hough on Hyperion, and a new recording of the Brahms Alto Rhapsody with the superb Alice Coote on the Tudor label. Our regular bumper offering of reduced prices continues with the Hyperion Romantic Piano Series, Ondine, Alia Vox, Gimell, Oehms, Berlin Classics mid-price, Supraphon box sets, Guild Historical & Light Music, along with various Universal Classics back catalogue reductions. Enjoy! Thank you for your much appreciated continued custom. The Europadisc Team EASTER BREAK 2010 Our offices will be closed from 5pm, Thursday 1st April until 9am, Tuesday 6 April.
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Kent Tritle, the Newly Appointed Director of Cathedral Music and Organist at the Cathedral of Saint John the Divine, Continues H
Contact: Jennifer Wada 718-855-7101 [email protected] KENT TRITLE, THE NEWLY APPOINTED DIRECTOR OF CATHEDRAL MUSIC AND ORGANIST AT THE CATHEDRAL OF SAINT JOHN THE DIVINE, CONTINUES HIS DIVERSE CHORAL ACTIVITIES THROUGHOUT NEW YORK CITY IN THE 2011-2012 SEASON Events at St. John the Divine, and with Sacred Music in a Sacred Space at the Church of St. Ignatius Loyola, Oratorio Society of New York, and Musica Sacra, and at the Manhattan School of Music Include: INAUGURAL SEASON CONCERTS AT THE CATHEDRAL OF ST. JOHN THE DIVINE, AND A WQXR BROADCAST WITH THE CHOIR, A 9/11 ANNIVERSARY COMMEMORATIVE CONCERT WORLD AND U.S. PREMIERE PERFORMANCES OF TWO WORKS BY CZECH COMPOSER JURAJ FILAS: REQUIEM (2002) IN A 9/11 TENTH ANNIVERSARY COMMEMORATION AT ST. IGNATIUS LOYOLA, AND SONG OF SOLOMON WITH ORATORIO SOCIETY OF NEW YORK PARTICIPATION IN THE CARNEGIE HALL 120TH ANNIVERSARY SEASON WITH THE ORATORIO SOCIETY OF NEW YORK AND MUSICA SACRA WORLD PREMIERE OF STEPHEN PAULUS’S ONE-ACT OPERA THE SHOEMAKER WITH THE MANHATTAN SCHOOL OF MUSIC CHAMBER CHOIR MOZART’S ARRANGEMENT OF HANDEL’S MESSIAH WITH THE ORATORIO SOCIETY OF NEW YORK NEW RECORDINGS WITH CHOIR OF ST. IGNATIUS LOYOLA & MUSICA SACRA Kent Tritle, who has been hailed as “New York’s reigning choral conductor” by The New York Times and “Manhattan’s choral man of the moment” by The New Yorker, begins the 2011-2012 season as the newly-appointed Director of Cathedral Music and Organist of the Cathedral of St. John the Divine. He assumes that role on September 1, at which time he will begin developing the Cathedral choirs and expanding the Cathedral’s concert series; his inaugural season there will feature three diverse programs.
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