Playing with Voices: an Analysis of Tom Stoppard's Radio Plays
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E-ISSN: 2536-4596
e-ISSN: 2536-4596 KARE- Uluslararası Edebiyat, Tarih ve Düşünce Dergisi KARE- International Journal of Literature, History and Philosophy Başlık/ Title: Parody and Mystery in Tom Stoppard’s The Real Inspector Hound and Jumpers Yazar/ Author ORCID ID Kenan KOÇAK 0000-0002-6422-2329 Makale Türü / Type of Article: Araştırma Makalesi / Research Article Yayın Geliş Tarihi / Submission Date: 4 Ekim 2019 Yayına Kabul Tarihi / Acceptance Date: 18 Kasım 2019 Yayın Tarihi / Date Published: 25 Kasım 2019 Web Sitesi: https://karedergi.erciyes.edu.tr/ Makale göndermek için / Submit an Article: http://dergipark.gov.tr/kare Parody and Mystery in Tom Stoppard’s The Real Inspector Hound and Jumpers Yazar: Kenan KOÇAK ∗ Tom Stoppard’ın Gerçek Müfettiş Hound (The Real Inspector Hound) ve Akrobatlar (Jumpers) Oyunlarında Parodi ve Gizem1 Özet: Tom Stoppard, Çekoslavakya doğumlu ve İngilizce’yi sonradan öğrenmiş olması sebebiyle, anadili İngilizce olan yazarlara nazaran dile daha hâkim ve dilin imkanlarını daha iyi kullanabilen, kelimelerle oynamada mahir; komik diyaloglar, yanlış anlaşılmaya mahal vermeler ve beklenmedik cevaplar yaratabilen usta bir oyun yazarıdır. Kendisi öyle olduğunu reddetse de oyunlarında kimliğin ve hafızanın önemi, gerçek ve görünen arasındaki ilişki, hayatın sıkıntıları, kendinden ve kendinden önceki yazarlardan esinlenme ve ödünç alma gibi postmodern ve absürd tiyatronun tipik özelliklerini görmek mümkündür. İlk defa 1968 yılında sergilenen Gerçek Müfettiş Hound (The Real Inspector Hound) oyunu Agatha Christie’nin 1952 yapımı Fare Kapanı (The Mousetrap) oyununun bir parodisiyken Akrobatlar (Jumpers) akademik felsefenin satirik bir eleştirisidir. Stoppard, bu makalede incelenen Gerçek Müfettiş Hound ve Akrobatlar adlı oyunlarında kurgusunu oyunlarının başında yarattığı bir gizem üzerine inşa eder. Bu gizem Gerçek Müfettiş Hound’da sahneye diğer aktörlerce fark edilmeyen bir ceset koyarak gerçekleştirilirken Akrobatlar’ın en başında akrobatlardan birinin öldürülmesi ve kimin öldürdüğünün de oyun boyunca söylenmemesiyle sağlanır. -
Shakes in Love STUDYGUIDE
Study Guide for Educators Based on the screenplay by Marc Norman and Tom Stoppard Adapted for the stage by Lee Hall Lyrics by Carolyn Leigh Music by Paddy Cunneen This production of Shakespeare In Love is generously sponsored by: Emily and Dene Hurlbert Linda Stafford Burrows Ron and Mary Nanning Ron Tindall, RN Shakespeare in Love is presented by special arrangement with Samuel French Inc 1 Welcome to the Pacific Conservatory Theatre A NOTE TO THE TEACHER Thank you for bringing your students to the Pacific Conservatory Theatre at Allan Hancock College. Here are some helpful hints for your visit to the Marian Theatre. The top priority of our staff is to provide an enjoyable day of live theatre for you and your students. We offer you this study guide as a tool to prepare your students prior to the performance. SUGGESTIONS FOR STUDENT ETIQUETTE Note-able behavior is a vital part of theater for youth. Going to the theater is not a casual event. It is a special occasion. If students are prepared properly, it will be a memorable, educational experience they will remember for years. 1. Have students enter the theater in a single file. Chaperones should be one adult for every ten students. Our ushers will assist you with locating your seats. Please wait until the usher has seated your party before any rearranging of seats to avoid injury and confusion. While seated, teachers should space themselves so they are visible, between every groups of ten students. Teachers and adults must remain with their group during the entire performance. -
Is Afternoon at Scottish Rite Former Students Attend College in South
Party Given Senior Students Must File Night Tomorrow NYA Applications IOSERTA Newman Club At With College Deans SDAI SAN JOSE, CALIFORNIA, rOL loax FRIDAY, MARCH 7, 1941 Number 100 41 Duke 01. nen's he. Fund 1Y, Student l'Shake-Down' Party 131 night TOMORROW NOON be of the N.Y.A. DEADLINE Y White as APPLICATION FOR LOANS Tomorrow noon is the dead- MAGIC SHOW, ACTION, ted it" line for men NYA students to make applications for Lynn Gni, IN work next ACCEPTED DEAN'S quarter, ord, tree. announces Mrs. Louise REFRESHMENTS PROMISED s. gaud. Ralph, secretary in the dean of men's office. for eleven OFFICE THIS QUARTER ill he heit Wednesday is the last day that SENIORS TOMORROW women may apply for Knights as renewal Students who desire to make application for a loan from the Cali- slips for NYA work, according to e fraterroq Free refreshments, dancing, bowling, billiards and ping pong will of Parents and Teachers loan fund should see Dean of Women Helen Dirnmick. eel, at 1:15. Iola Congress Mrs. provide seniors with plenty of action at their "Bail Out-Shake Down" Any applications made after this be se Ralph in room 16 before the end of this quarter, it was en- party tomorrow night placed u date will be placed only if there in the Newman club, from 8:30 to 12 o'clock. A and sedum nead yesterday. are vacancies. specialty magician act by Ormond McGill, action pictures of the y part of ke are made for the purpose of allowing students Loans, which to Fresno football game, and "enlightening hints" about contents of the jobs Old .ramm 'rue their college education, are not to exceed $150. -
The Visual Staging of Audio Plays
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2016 The Visual Staging of Audio Plays Alex P. Burkart Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Acting Commons, and the Other Theatre and Performance Studies Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/4106 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. The Visual Staging of Audio Plays A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Theatre at Virginia Commonwealth University by Alex Paul Burkart BFA, Webster University, 2008 MFA, Virginia Commonwealth University David Emerson Toney Assistant Professor/Artistic Director, Department of Theatre Virginia Commonwealth University School of the Arts Virginia Commonwealth University Richmond, VA April 18, 2016 Acknowledgment Special thanks to my incredible mentors at TheatreVCU: David Emerson Toney, Dr. Noreen Barnes, David Leong, Ron Keller, and Thomas Cunningham Susan Schuld for giving me the opportunity to stage my first radio play. My family: Emily A. Fisher, Paul and Susan Burkart, Nathan, Tyler, Meg, and Jess My past mentors, who ignited my love for theatrical performance: Doug Finlayson, Kat Singleton, Byron Grant, Steven Woolf, Josh Burton, and Edie Baran Ken Regez for sharing your voice and blazing passion for nostalgia My fellow graduate students, for being the sturdiest of sounding boards. -
Talking Book Topics November-December 2017
Talking Book Topics November–December 2017 Volume 83, Number 6 Need help? Your local cooperating library is always the place to start. For general information and to order books, call 1-888-NLS-READ (1-888-657-7323) to be connected to your local cooperating library. To find your library, visit www.loc.gov/nls and select “Find Your Library.” To change your Talking Book Topics subscription, contact your local cooperating library. Get books fast from BARD Most books and magazines listed in Talking Book Topics are available to eligible readers for download on the NLS Braille and Audio Reading Download (BARD) site. To use BARD, contact your local cooperating library or visit nlsbard.loc.gov for more information. The free BARD Mobile app is available from the App Store, Google Play, and Amazon’s Appstore. About Talking Book Topics Talking Book Topics, published in audio, large print, and online, is distributed free to people unable to read regular print and is available in an abridged form in braille. Talking Book Topics lists titles recently added to the NLS collection. The entire collection, with hundreds of thousands of titles, is available at www.loc.gov/nls. Select “Catalog Search” to view the collection. Talking Book Topics is also online at www.loc.gov/nls/tbt and in downloadable audio files from BARD. Overseas Service American citizens living abroad may enroll and request delivery to foreign addresses by contacting the NLS Overseas Librarian by phone at (202) 707-9261 or by email at [email protected]. Page 1 of 128 Music scores and instructional materials NLS music patrons can receive braille and large-print music scores and instructional recordings through the NLS Music Section. -
Media Announcement
MEDIA ANNOUNCEMENT FOR IMMEDIATE RELEASE BAY AREA RADIO HALL OF FAME ANNOUNCES FIRST CLASS OF HONOREES San Francisco (October 4, 2006) — The Bay Area Radio Museum is proud to announce the first group of inductees into the Bay Area Radio Hall of Fame. The selections were made following a year of study during which input from broadcast professionals, fans and historians was weighed to establish criteria and nominees for enshrinement. Among the first inductees are pioneers from the earliest period of local radio development nearly a century ago, as well as popular personalities from the modern era. Many of the names, such as Don Sherwood and Tom Donahue, may be instantly recognizable. Others, such as Colin B. Kennedy and Harrison Holliway, may be less so. In either case, it is hoped that the creation of the Hall of Fame will help to honor the men and women who have made Bay Area radio so popular over the years, and will make their names and accomplishments known for generations to come. For the near future, the Bay Area Radio Hall of Fame will exist primarily on the Internet at www.barhof.com, although a permanent exhibit is planned at the old KRE radio studios in Berkeley, which are being refurbished by the California Historical Radio Society (CHRS). The Bay Area Radio Hall of Fame is spearheaded by the Bay Area Radio Museum, which is an affiliate of the Broadcast & Newspaper Museum of Northern California consortium, which also includes CHRS and the Broadcast Legends. The radio museum was founded in 2005, and currently presents archival broadcast recordings, photographs, documents and historical essays on its website at www.bayarearadio.org. -
The Rise of Talk Radio and Its Impact on Politics and Public Policy
Mount Rushmore: The Rise of Talk Radio and Its Impact on Politics and Public Policy Brian Asher Rosenwald Wynnewood, PA Master of Arts, University of Virginia, 2009 Bachelor of Arts, University of Pennsylvania, 2006 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of History University of Virginia August, 2015 !1 © Copyright 2015 by Brian Asher Rosenwald All Rights Reserved August 2015 !2 Acknowledgements I am deeply indebted to the many people without whom this project would not have been possible. First, a huge thank you to the more than two hundred and twenty five people from the radio and political worlds who graciously took time from their busy schedules to answer my questions. Some of them put up with repeated follow ups and nagging emails as I tried to develop an understanding of the business and its political implications. They allowed me to keep most things on the record, and provided me with an understanding that simply would not have been possible without their participation. When I began this project, I never imagined that I would interview anywhere near this many people, but now, almost five years later, I cannot imagine the project without the information gleaned from these invaluable interviews. I have been fortunate enough to receive fellowships from the Fox Leadership Program at the University of Pennsylvania and the Corcoran Department of History at the University of Virginia, which made it far easier to complete this dissertation. I am grateful to be a part of the Fox family, both because of the great work that the program does, but also because of the terrific people who work at Fox. -
SQUARING the CIRCLE Also Available from Faber & Faber
SQUARING THE CIRCLE Also available from Faber & Faber by Tom Stoppard UNDISCOVERED COUNTRY (a version of Arthur Schnitzler's Das weite Land) ON THE RAZZLE (adapted from Johann Nestroy's Einen Jux will er sich machen) THE REAL THING THE DOG IT WAS THAT DIED and other plays FOUR PLAYS FOR RADIO Artist Descending a Staircase Where Are They Now? If You're Glad I'll be Frank Albert's Bridge SQUARING THE CIRCLE BY TOM STOPPARD t1 faber andfaber BOSTON • LONDON First published in the UK in 1984 First published in the USA in 1985 by Faber & Faber, Inc. 39 Thompson Street Winchester, MA 01890 © Tom Stoppard, 1984 All rights whatsoever in this play are strictly reserved, and all enquiries should be directed to Fraser and Dunlop (Scripts), Ltd., 91 Regent Street, London, WlR 8RU, England All rights reserved. No part of this work may be reproduced, or transmitted in any form by any means, electronic or mechanical, including photocopying and recording or by any information storage or retrieval system, without the written permission of the publisher, except for brief passages quoted by a reviewer Printed in the United States of America Library of Congress Cataloging in Publication Data Stoppard, Tom. Squaring the circle. I. Title. PR6069.T6S6 1985 822'.914 84-28732 ISBN 0-571-12538-7 (pbk.) IN TRODUC TION At the beginning of 1982, about a month after the imposition of martial law in Poland, a film producer named Fred Brogger suggested that I should write a television film about Solidarity. Thus began a saga, only moderately exceptional by these standards, which may be worth recounting as an example of the perils which sometimes attend the offspring of an Anglo-American marriage. -
British Radio Drama and the Avant-Garde in the 1950S
British radio drama and the avant-garde in the 1950s Hugh Chignell 1 Bournemouth University, UK Correspondence: Professor Hugh Chignell, Faculty of Media and Communication, Bournemouth University, Poole, Dorset, BH12 5BB, UK. +44 (0)1202 961393 Email: [email protected] 1 British radio drama and the avant-garde in the 1950s Abstract The BBC in the 1950s was a conservative and cautious institution. British theatre was at the same time largely commercial and offered a glamorous distraction from wider social and political realities. During the decade, however, new avant-garde approaches to drama emerged, both on the stage and on radio. The avant-garde was particularly vibrant in Paris where Samuel Beckett was beginning to challenge theatrical orthodoxies. Initially, managers and producers in BBC radio rejected a radio version of Beckett’s, Waiting for Godot and other experimental work was viewed with distaste but eventually Beckett was accepted and commissioned to write All That Fall (1957), a masterpiece of radio drama. Other Beckett broadcasts followed, including more writing for radio, extracts from his novels and radio versions of his stage plays as well as plays by the experimental radio dramatist, Giles Cooper. This article examines the different change agents which enabled an initially reluctant BBC to convert enthusiastically to the avant-garde. A networked group of younger producers, men and women, played a vital role in the acceptance of Beckett as did the striking pragmatism of senior radio managers. A willingness to accept the transnational cultural flow from Paris to London was also an important factor. The attempt to reinvent radio drama using ‘radiophonic’ sound effects (pioneered in Paris) was another factor for change and this was encouraged by growing competition from television drama on the BBC and ITV. -
9781412929998.Pdf
Duck-3494-Prelims.qxd 1/16/2007 10:39 AM Page i Human Relationships Duck-3494-Prelims.qxd 1/16/2007 10:39 AM Page ii Duck-3494-Prelims.qxd 1/16/2007 10:39 AM Page iii Human Relationships 4th Edition Steve Duck Duck-3494-Prelims.qxd 1/16/2007 10:39 AM Page iv © Steve Duck 2007 First published 2007 Apart from any fair dealing for the purposes of research or private study, or criticism or review, as permitted under the Copyright, Designs and Patents Act, 1988, this publication may be reproduced, stored or transmitted in any form, or by any means, only with the prior permission in writing of the publishers, or in the case of reprographic reproduction, in accordance with the terms of licences issued by the Copyright Licensing Agency. Enquiries concerning reproduction outside those terms should be sent to the publishers. SAGE Publications Ltd 1 Oliver’s Yard 55 City Road London EC1Y 1SP SAGE Publications Inc. 2455 Teller Road Thousand Oaks, California 91320 SAGE Publications India Pvt Ltd B 1/I 1 Mohan Cooperative Industrial Area Mathura Road, New Delhi 110 044 India SAGE Publications Asia-Pacific Pte Ltd 33 Pekin Street #02-01 Far East Square Singapore 048763 British Library Cataloguing in Publication data A catalogue record for this book is available from the British Library ISBN 978-1-4129-2998-1 ISBN 978-1-4129-2999-8 (pbk) Library of Congress Control Number: 2006929060 Typeset by C&M Digitals (P) Ltd, Chennai, India Printed in Great Britain by The Alden Press, Witney Printed on paper from sustainable resources Duck-3494-Prelims.qxd 1/16/2007 -
Open Research Online Oro.Open.Ac.Uk
Open Research Online The Open University’s repository of research publications and other research outputs Moral Luck in Medical Ethics and Practical Politics Thesis How to cite: Dickenson, Donna (1989). Moral Luck in Medical Ethics and Practical Politics. PhD thesis. The Open University. For guidance on citations see FAQs. c 1989 The Author Version: Version of Record Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk Luri Î umvtKbff y DX88774 11NRESTR\CTEB Moral Luck in Medical Ethics and Practical Politics Donna Dickenson, B.A., M.Sc. (Econ.) Submitted for the Degree of Doctor of Philosophy Department of Philosophy Faculty of Arts June 1989 No part of this material has previously been submitted for a degree or other qualification at the Open University or any other institution. l^at(L oj SLibmis^ioA *. 2A bh J iin€/ I1S4 J^aké. û|. a w a ri ; L(-bH Ockûbe.P ProQ uest Number: 27758699 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. in the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 27758699 Published by ProQuest LLC (2019). Copyright of the Dissertation is held by the Author. -
This Electronic Thesis Or Dissertation Has Been Downloaded from Explore Bristol Research
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Park-Finch, Heebon Title: Hypertextuality and polyphony in Tom Stoppard's stage plays General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Hypertextuality and Polyphony in Tom Stoppard's Stage Plays Heebon Park-Finch A dissertation submitted to the University of Bristol in