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Edgar Lawrence Doctorow
Chancellor’s Distinguished Fellows Program 2006-2007 Selective Bibliography UC Irvine Libraries Edgar Lawrence Doctorow March 8, 2007 Prepared by: John Novak Research Librarian for Comparative Literature and English [email protected] Table of Contents Books by E. L. Doctorow ………………………………...…………..…………. 1 Selected Journal and Newspaper Articles……………………………………… 2 Interviews and Information About Doctorow ………………………………… 4 Books by E. L. Doctorow Doctorow, E. L. Creationists: Selected Essays, 1993-2006. New York: Random House, 2006. Langson Lobby Collection: PS3554.O3 C74 2006 ---. The March: A Novel. New York: Random House, 2005. Langson Lobby Collection: PS3554.O3 M37 2005 ---. Sweet Land Stories. New York: Random House, 2004. Langson Library: PS3554.O3 F58 2004 ---. Reporting the Universe. Cambridge: Harvard UP, 2003. Langson Library: PS3554.O3 Z475 2003 Doctorow, E. L., and Paul Levine. Three Screenplays. Baltimore: Johns Hopkins UP, 2003. Langson Library: PS3554.O3 A6 2003 Doctorow, E. L. City of God: A Novel. New York: Random House, 2000. Langson Library: PS3554.O3 C57 2000 1 Doctorow, E. L. The Waterworks. New York: Random House, 1994. Langson Library: PS3554.O3 W3 1994 ---. Jack London, Hemingway, and the Constitution: Selected Essays, 1977-1992. New York: Random House, 1993. Langson Library: PS3554.O3 J33 1993 Fischl, Eric, E. L. Doctorow, and Hood Museum of Art. Scenes and Sequences: Recent Monotypes by Eric Fischl. Hanover, NH: Hood Museum of Art Dartmouth College, 1990. Langson Library: NE2246.F5 A4 1990 Doctorow, E. L. Billy Bathgate. New York: Random House, 1989. ---. World's Fair. New York: Random House, 1985. Langson Library: PS3554.O3 W6 1985 ---. Lives of the Poets: Six Stories and a Novella. -
American Conversation E. L. Doctorow
American Conversation E. L. Doctorow September 25, 2008 Archivist of the United States Allen Weinstein welcomed award-winning novelist E. L. Doctorow for an “American Conversation.” Doctorow’s work depicts various eras and personalities in American history and has been published in 30 languages. His novels include The March, City of God, Welcome to Hard Times, The Book of Daniel, Ragtime, Loon Lake, World’s Fair, Billy Bathgate, and The Waterworks. He currently holds the Lewis and Loretta Glucksman Chair of English and American Letters at New York University. The program took place in the William G. McGowan Theater of the National Archives Building. ALLEN WEINSTEIN: We're very fortunate, very privileged tonight to have as, uh, our guest one of the country's, one of the world's finest novelists, and I think most of you know at least some of E.L. Doctorow's dozen books, dozen novels: "City of God," "Welcome to Hard Times," "Book of Daniel," "Ragtime," "Loon Lake," "Lives of the Poets," "World's Fair," "Billy Bathgate," "The Waterworks," and of course the extraordinary book "The March," which is his most recently published book. We, uh... we're going to let our guest have a few introductory words on some of the issues that I'd think we'd like to talk to him about, but let me to say to begin with that this is a banner day for the American Conversations discussions that we've been having, and I thank you, sir, for joining them. Edgar Lawrence Doctorow had the good sense to be born in New York City and to live in the Bronx. -
Tertúlies Literàries Reunió
tertúlies literàries reunió Homer i Langley E.L. Doctorow dimarts, 22 de març de 2012 a les 12:00 hores biblioteca central tecla sala biografia Doctorow nació en el Bronx, (Nueva York, 6 de enero de 1931) . Sus padres eran descendientes de una generación emigrante de judíos rusos. En la Preparatoria de Ciencias del Bronx se destacó en la creación artística, mientras leía libros de todo tipo; posteriormente continuó su educación en el Colegio Kenyon, donde estudió con John Crowe Ransom. Después de graduarse con honores en 1952, trabajó en la Universidad de Columbia, antes de ser enrolado en el ejército estadounidense y ser enviado a Alemania. Comenzó su carrera como lector en Columbia Pictures y posteriormente fue editor de la New American Library a principios de la década de 1960; durante la misma década fue también el editor principal de Dial Press, de 1964 a 1969. Aunque había escrito varios libros con anterioridad a1971, fue con la publicación de El libro de Daniel cuando comenzó a ser reconocido y aclamado. Cuatro años después salió su siguiente libro, Ragtime, que representó un éxito comercial y fue aclamado por la crítica especializada. Miloš Forman la llevó al cine en 1981. Desde 2006, Doctorow ocupa la plaza Glucksman Chair de Letras Estadounidenses en la Universidad de Nueva York. Su archivo personal está bajo la custodia de la Biblioteca Fales de la misma universidad. Extret de: http://es.wikipedia.org/wiki/E._L._Doctorow 2 obres • (1960) Welcome to Hard Times (El hombre malo de Bodie, Grijalbo, 1981) • (1966) Big As Life • (1968) The Songs of Billy Bathgate • (1971) The Book of Daniel (El libro de Daniel, El Aleph, 2007) • (1975) Ragtime (Ragtime, Puzzle, 2006) • (1979) Drinks Before Dinner (teatro) • (1980) Loon Lake (El lago, Argos-Vergara, 1981) • (1982) American Anthem (A photographic essay) • (1984) Lives of the Poets: Six Stories and a Novella (Vida de los poetas, Anagrama, 1998) • (1985) World's Fair (La feria del mundo, Planeta, 1991) • (1989) Billy Bathgate (Billy Bathgate, Puzzle, 2006). -
On the Craft of Fiction—E.L. Doctorow at 80
INTERVIEWCONVERSATION FOCUS Michael Wutz On the Craft of Fiction—E.L. Doctorow at 80 F A L L 2 0 1 2 2 5 CONVERSATION PRELUDE E. L. Doctorow is among a small cadre of with Welcome to Hard Times (1960), American novelists admired by a wide in- a parody of the classic Western, and has ternational readership and scholars. Thor- continued this narrative investigation by oughly anchored in a post-World War II focusing on critical cultural moments: American context, and often investigating The Book of Daniel (1971) deals with the the popular myths and self-constructions of Rosenberg trial, mapping the prevailing America, Doctorow’s literary sensibilities national sensibilities in the wake of Mc- address current global political and cultur- Carthyism; Ragtime (1975), Doctorow’s al concerns: the intersection of official and first international bestseller, looks at unofficial history, the relays between print turn-of-the-century politics, racism, and culture and postprint media, literature and immigration in the manner of a pastiche; the discourses of science and technology, The Waterworks (1994) shows the dark as well as the idea of narrative as, what he underbelly of post-bellum prosperity and has called, “a system of knowledge.” While the perpetual balancing act of an ethical Doctorow understands the novelist as an science in the genre of the mystery novel; archeologist of unacknowledged knowledge, and Loon Lake (1980) and Billy Bathgate the novelist him-or herself transmutes (1989) interrogate the myth of the self- such leftovers into forms of telling knowl- made man in the (under)world of crime. -
465 Edgar Lawrence Doctorow; a Political Novelist?
ISSN 2039‐2117 Mediterranean Journal of Social Sciences Vol. 3 (2) May 2012 Edgar Lawrence Doctorow; a Political Novelist? Dr. Seyyed Mohammad Marandi University of Tehran, Iran Email: [email protected] Dr. Zohreh Ramin University of Tehran, Iran Email: [email protected] Doi:10.5901/mjss.2012.v3n2.465 Abstract: Edgar Lawrence Doctorow is generally regarded as a postmodern historical novelist who mingles the marvelous with the real. His novels are mainly set in the American past. The novels are greatly indebted to historical events and personages but engagement with documentary history is not Doctorow's prime obsession. Critics are at odds in deciding upon the paradox in Doctorow's novels; whether he is a politically minded novelist or an aesthetically obsessed one. Acknowledging the strong political tendencies in Doctorow's novels, many critics claim his enthusiasm and passion for the act of writing finally outweighs the political inclination of the novels. Identifying Historigraphic metafiction as Doctorow's favorite and repeated technique in virtually all his novels, the present reading wishes to observe the novellas from a contrasting perspective. Key words: historical novel; American past; political; aesthetics; historigraphic metafiction. 1. Introduction Long celebrated for his vivid evocations of nineteenth and twentieth-century American life, Edgar Lawrence Doctorow's fiction spans across his country's history during the twentieth century. Doctorow is widely acclaimed for his talent of evoking the past in a way that makes it at once mysterious and familiar. Although much of his fiction focuses on historical fact, Doctorow has stated his preference to fuse the marvelous with the real. -
EL Doctorow's Fictional Autobiography: World's Fair
Page 1 of 9 Original Research E.L. Doctorow’s fictional autobiography:World’s Fair (1985) as a carnivalesque Bildungsroman Authors: In World’s Fair (1985) E.L. (Edgar Lawrence) Doctorow (1931–) artistically transforms 1 Philip van der Merwe autobiographical and historical facts and memories of the actual world of his childhood Ian Bekker1 into a Bildungsroman. Doctorow was in his fifties when he wrote this novel, which is widely Affiliation: regarded as more autobiographic than his other Bildungsromane, namely The Book of Daniel 1 School of Languages, Subject (1971), Loon Lake (1980) and Billy Bathgate (1989). This fictionalisation takes place through the Group: German and Subject use of a retrospective narrator who depicts the memories of his formative experiences as a Group: English, North-West University, Potchefstroom nine-year-old boy. The novel is marked by a striking structural feature, namely that positive Campus, South Africa and sombre or serious events alternate. The question therefore arises: Why does Doctorow construct his childhood memoir in this manner? In brief, the answer is that the narrator’s Correspondence to: Bildung depends on a carnivalesque dialectic of dangerous and/or threatening events and Philip van der Merwe the relief and/or repair of these same events. This article therefore attempts to make sense of Email: World’s Fair in terms of selected aspects of M.M. Bakhtin’s notion of ‘carnival’. It shows a clear philip.vandermerwe@nwu. link between, on the one hand, this novel’s status as a Bildungsroman along with the personal ac.za growth of the narrator and central character and, on the other hand, a carnivalesque dialectic Postal address: of seriousness and amelioration.