DOCSLIB.ORG

Chamber Music Study and Performance for Adult Amateur Musicians

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Chamber Music Study and Performance for Adult Amateur Musicians Chamber music study and performance for adult amateur musicians. ACMP: Associated Chamber Music Players 2018 Board of Directors Tiffany Shi Ivy Turner Stephanie Ann Hicks Membership & Administration Cambridge, MA Australia Associate Henry Q. Conley George C. Valley Patsy Hulse Chair, ACMP Kitty Benton Los Angeles, CA New Zealand New York, NY Newsletter Editor Joan E. Vazakas Michael Knoch Richard S. Weinert North American Bonita Springs, FL Germany Vice Chair, ACMP New York, NY Outreach Council David Yang Ronald Ling Pennsylvania, PA Singapore Christiana Carr Janet White Treasurer, ACMP Chair International Françoise Longrée Ashland, OR San Diego, CA Belgium Ambassadors Council Peter Hildebrandt Edwin Annavedder Tommaso Napoli Chair, ACMP Foundation Carlsbad, CA Henri van den Hombergh Italy Johns Creek, GA Chair Edward J. Bridge Netherlands Akira Okamoto Anthony James Vine Louisville, KY Japan Vice Chair, ACMP Foundation Marcel Arditi New York, NY Christina D. Carrière Switzerland Mihai Perciun Montréal, QC Romania David Pearl Christian Badetz Russia Treasurer, ACMP Foundation Celeste Chau Marjana Rutkowski Washington, DC Kew Gardens, NY Brazil Floryse Bel Bennett Switzerland Harriet S. Wetstone Cynthia L. Howk Maja Popovic Secretary, ACMP; Rochester, NY Montenegro D. Keith Bowen ACMP Foundation United Kingdom Lenox, MA Martha Ann Jaffe Martina Rummel Newton Center, MA Germany Stephan Brandel Celeste Chau China Kew Gardens, NY Phyllis Kaiden Bernhard & Christel Schluender Vashon, WA Portugal Jean Jellinek Carol Candice Chin Janis Krauss Switzerland Seattle, WA Wendy Schottman North Augusta, SC France Aldo De Vero Laura Jean Goldberg Susan Lauscher Italy New York, NY Takaharu Shimura Fort Collins, CO Japan Martin Donner Beatrice Francais Monica Minden Austria New York, NY Bastiaan Van Ouwerkerk Calabasas, CA Netherlands Yoel Epstein Gwendoline Thornblade Auburndale, MA Penelope Pi-Sunyer Israel New York, NY Henri van den Hombergh Stéphane Fauth Netherlands Linda Burian Plaut France Blacksburg, VA Janet White Harald Gabbe San Diego, CA George Struble Germany Salem, OR Staff Eduardo Gutierrez Rivas Spain Peter Tacy Mystic, CT Jennifer Clarke Executive Director About ACMP Associated Chamber Music Players The mission of Associated Chamber Music Players (ACMP) is to stimulate and expand the playing of chamber music worldwide for pleasure among musicians of all ages, backgrounds and skill levels by con- necting people and supporting chamber music activities for individuals, groups and institutions. ACMP supports the lifelong joy of playing chamber music through: • The Chamber Music Network, connecting players of all skill levels through online resources and print publications, an interactive website, online masterclasses and videos, and opportunities to participate in a global community of music-making; • G rant Programs, supporting chamber music education and engagement through home coaching and Just Play micro-grants, Chamber Music Workshop Grants, and Community Music Grants support- ing chamber music programs for young musicians and others. ACMP is a proud sponsor of the ACMP Young Chamber Ensemble at From the Top with Host Christopher O’Riley. ACMP Website Both this Guide and ACMP’s Worldwide Membership Directory are available to members online at www. acmp.net. Members can also access the online forum, enjoy a number of exclusive ACMP member re- sources and discounts, and apply for coaching and Just Play grants for their ensemble. Members can also communicate with one another to find other people to play chamber music with at home or while travel- ing, make new music friends, let players know about a playing event you’re hosting, or alert them to a new community music group, and communicate directly with other members to arrange playing opportunities. ACMP makes every effort to present correct information, current as of publication date (February 2018). We encourage any- one planning to attend a workshop to check with the presenter well in advance to confirm dates, fees, etc. Inclusion in the Workshop Guide does not represent an endorsement by ACMP, whose only interest is in providing information that we believe will be useful to the membership. Join the ACMP Chamber Music Network and be part of an international network of chamber music players. Visit our web- site: www.acmp.net. Associated Chamber Music Players +1-212-645-7424 [email protected] www.acmp.net ACMP – The Chamber Music Network @ACMPMusic Worldwide Chamber Music WORKSHOP GUIDE 2018 Introduction phrases at the beginning of each entry indicate the types of workshop programs offered and the par- Welcome to the 2018 edition of the Worldwide ticipants for whom a workshop is intended. Please Chamber Music Workshop Guide. The Guide is a contact the presenter for specific details, admission comprehensive listing of chamber music work- criteria, and any other questions you might have shops available to adult amateur players throughout regarding the workshop’s suitability for your needs the coming year. and expectations. The abbreviation “TBA” (to be announced) means that specific dates or fees were Many programs last for a week or more, especially not available at the time of publication. during the summer months; others take place on a specific day or over a weekend. Some are intensive, catering to more advanced players; many provide Keywords a more relaxed atmosphere where less experienced Keywords have the following intended meanings: players join their peers in comfortable settings. Whatever your level, attending a workshop offers Beginners welcome: Some playing or music-reading an opportunity to improve your playing and meet ability may be desirable. When in doubt, please new chamber music enthusiasts. check with the workshop presenter. Printed lists of this kind are often incomplete, as Chamber music: Classical music for self-conducted new workshops are added daily to the Workshop small ensembles, usually 10 or fewer players, one Guide online. We encourage readers to consult the person per part. Chamber music workshop pro- online version at www.acmp.net/workshops for the grams are generally open to woodwinds, horns, most up-to-date listings, as well as for direct links strings, and piano unless otherwise stated. to individual workshops. Despite every effort to produce the most comprehensive Guide possible, Kids welcome: Participants under 18 are admitted. there are a few obstacles to achieving this end: 1) Some programs require an accompanying adult. Some workshops spring up after publication; 2) We rely on organizers to keep us informed of new Pre-formed groups welcome: Ensembles attend- workshops; and 3) The printed Guide focuses on ing as a group are accepted and given playing time chamber music workshops for adult amateur play- together. Meeting and playing with others is, of ers, which means other types of programs, such course, encouraged and is an important aspect of as single-instrument master classes and summer any workshop. camps, do not appear here. Student pre-pro: Programs for conservatory-level Using This Guide students and young professionals, usually by audi- Listings are arranged by country and, for the United tion only. Qualified amateurs may be accepted. States and Canada, by state. An alphabetical list is Note: This Guide has been published for informational purposes only. included at the back of the guide. The keywords or ACMP does not endorse any program listed. NORWAY CANADA UNITED KINGDOM IRELAND GERMANY NETHERLANDS AUSTRIA UNITED STATES FRANCE CZECH REPUBLIC SWITZERLAND HUNGARY ALASKA MARYLAND OREGON ITALY ARIZONA MASSACHUSETTS PENNSYLVANIA MONTENEGRO JAPAN CALIFORNIA MICHIGAN RHODE ISLAND GREECE COLORADO MISSOURI SOUTH CAROLINA CONNECTICUT NEBRASKA TENNESSEE DISTRICT OF COLUMBIA NEW JERSEY TEXAS FLORIDA NEW MEXICO UTAH GEORGIA NEW YORK VERMONT ILLINOIS NORTH CAROLINA VIRGINIA INDIANA NORTH DAKOTA WASHINGTON IOWA OHIO WISCONSIN MAINE AUSTRALIA Table of Contents Australia 5 Switzerland 18 Missouri 39 Austria 5 United Kingdom 19 Nebraska 40 New Jersey 41 Canada 6 United States 24 New Mexico 42 Czech Republic 7 Alaska 24 New York 43 Arizona 25 North Carolina 45 France 9 California 25 North Dakota 47 Germany 12 Colorado 30 Ohio 47 Greece 13 Connecticut 30 Oregon 48 District Of Columbia 31 Pennsylvania 49 Hungary 14 Florida 31 Rhode Island 50 Ireland 14 Georgia 32 South Carolina 50 Illinois 33 Tennessee 50 Italy 14 Indiana 33 Texas 51 Japan 17 Iowa 34 Utah 51 Montenegro 18 Maine 34 Vermont 51 Maryland 35 Virginia 53 Netherlands 18 Massachusetts 36 Washington 53 Norway 18 Michigan 39 Wisconsin 55 2018 ACMP Workshop Directory 5 AUSTRALIA For more information, please contact: Orpheus Music Chamber Music Summer School — PO Box 4689, Armidale, NSW 2350 Mount Buller Australia Phone: 61-2-6772-2205 Pre-formed groups accepted Email: [email protected] EVENT WEBSITE: www.cmss.org.au EVENT LOCATION: Mount Buller, Victoria, Australia AUSTRIA DATE OF WORKSHOP: Sunday, January 20, 2019 to Sunday, January 27, 2019 AlpenKammerMusik—Vocal and Chamber APPLICATION DEADLINE: November 1, 2018 Music in the Alps Chamber mixed winds & strings, Individual study, Musical The Chamber Music Summer School is for adult string players who come as a pre-formed quartet, quintet, sextet or trio. People may be aged holiday, Pre-formed groups accepted from 18 to 80+, but all can enjoy the summer school. If single players EVENT WEBSITE: www.alpenkammermusik.com apply, we may be able to help them join a compatible group, but generally we will give preference to pre-formed ensembles.
Load more

Recommended publications
  • Ambassador Auditorium Collection ARS.0043
    http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity.
    [Show full text]
  • Abbe R. Krieger, Flute and Hélène Jeanney, Piano with Special Guests Pentawinds
    NICHOLAS ROERICH MUSEUM 319 West 107th Street, New York NY 10025-2715 • tel: 212 864 7752 • email: [email protected] Sunday, October 29, 2017, at 5 p.m. Abbe R. Krieger, flute and Hélène Jeanney, piano with Special Guests PentaWinds Sonata in F Major, KV 13 Wolfgang Amadeus Mozart (1756-1791) Allegro Andante Menuetto Sonata in G Minor, BWV 1020 Johann Sebastian Bach (1685-1750) Allegro Andante Allegro “A Havdalah Meditation” for solo flute Robert Strassburg (1915-2003) World Premiere Intermission Sonatine Walter Gieseking (1895-1956) Moderato Allegretto Vivace Sextet in B flat Major, Op. 6 Ludwig Thuille (1861-1907) Allegro Moderato (with PentaWinds Quintet) Program Notes I selected the works on this program to give you a taste of flute repertoire from several different musical eras and to give myself (and Hélène) a chance to explore the Baroque, Classical, Roman- tic, Neo-Romantic and Contemporary genres—a process that I am learning could take lifetimes. Given that Hallowe’en is almost here, I would like to say that this recital is a musical “trick or treat,” if you will, in which, instead of candy, your senses get to experience Baroque, Classical, Contemporary, Romantic and Neo-Romantic styles. The appetizing Mozart Sonata was written when he was 8 years old! Queen Charlotte of Eng- land commissioned him to write this for her in 1764. Fortunately, he had the help of his childhood mentor, Johann Christian Bach, otherwise known as the “Bach” of London…He was the youngest son of Johann Sebastian Bach. Differing from the traditional organization of movements into an allegro-andante-allegro pattern, this sonata ends with a minuet.
    [Show full text]
  • Hilbert Circle Theatre
    HILBERTCIRCLETHEATRE KRZYSZTOFURBAŃSKI MUSIC DIRECTOR | JACKEVERLY PRINCIPAL POPS CONDUCTOR La La Land: In Concert The Golden Age of Broadway: Rodgers & Hammerstein Gershwin & Tchaikovsky Joshua Bell American Masters: Bernstein & Copland Frankie Moreno: Under the Inuence Augustin Hadelich Returns SEPTEMBER & OCTOBER | VOLUME 1 Jump in, IT’SJump PERFECT in, From diving into our heated pool to joining neighbors for a day trip From divingIT’S into our heated PERFECTpool to joining neighbors for a day trip to taking a dance class, life feels amazingly good here. Add not-for- Fromto taking diving IT’Sa dance into our class, heated life feels PERFECTpool amazingly to joining goodneighbors here. for Add a day not-for- trip prot ownership, a local board of directors, and CCAC accreditation, proFromto t takingownership, diving a danceinto a our local class, heated board life feels pool of directors,amazingly to joining andgood neighbors CCAC here. forAddaccreditation, a daynot-for- trip and Marquee truly is the place to be. protto taking ownership, a dance a local class, board lifeand feels ofMarque directors,amazingly e and trulygood CCAC ishere. the accreditation, Add place not-for- to be. prot ownership, a local boardand Marqueeof directors, trulyand CCAC is the accreditation,place to be. To learn more, call, visit our websiteand Marquee or stop truly by isour the community. place to be. To learn more, call, visit our website or stop by our community. To learn more, call, visit our website or stop by our community. 8140 Township Line Rd. | Indianapolis, IN 46260 To learn more, 8140call, Township visit our Line website Rd. | Indianapolis, or stop IN by 46260 our community.
    [Show full text]
  • 2004-2005 Trio Con Anima
    LYNN UNIVERSITY CONSERVATORY OF MUSIC The Lynn University Conservatory of Music attracts some of the world's most talented TRIO CON ANIMA • ':.-#' • young musicians. Here, tliese student- artists, who hail from more than a dozen countries, pursue their degrees in ·instru­ Tuesday, June 21 2005, at 7:30 p.m. mental performance, preparing to join the , Amarnick-Goldstein Concert Hall world's leading symphony orchestras and most prestigious grad.,.ate music programs. Lynn University, ~oca Raton To build upon our excellence, we need your help. You may support the Conservatory of Shunsuke Sato, violin Music by contributing to scholarships, the CICJudio Jaffe, cello development of new programs or other Tao Lin, piano student needs. You may assist the conser­ vatory the fC)IIowing ways: PROGRAM THE ANNUAL FUND A gift to the Annual Fund can be designated for scholarships, various studios, special con" · Trio Op.70 No.1 in D major, Ludwig van Beethoven certs or to the General Conservatory Fund . "Ghost" Allegro vivace con brio ESTATE GIFT Largo assai ed espressivo An estate gift will provide for the conservatory in perpetuity. Your estate gift may be made as a Presto gift of appreciate~ stock, real estate or cash . Trio in E major, K. 542 Wolfgang A. Mozart FRIENDS OF THE CONSERVATORY Allegro ''As a member of the Friends of the Conservatory, Andante grazioso you will be involved in an organization that Allegro seeks to address the needs of the students and the conservatory as a whole. This organization has just completed its first year and now includes more than 100 members providing INTERMISSION major scholarship assistance to the students.
    [Show full text]
  • Download Finding
    National Federation of Music Clubs Records This finding aid was produced using the Archivists' Toolkit April 05, 2018 Describing Archives: A Content Standard National Federation of Music Clubs Indianapolis, Indiana National Federation of Music Clubs Records Table of Contents Summary Information ................................................................................................................................. 3 Collection Inventory...................................................................................................................................... 5 History and Governance.......................................................................................................................... 5 Proceedings, Minutes, Reports, Programs.............................................................................................17 Financial/Legal/Administrative..............................................................................................................34 NFMC Publications............................................................................................................................... 59 Presidential papers................................................................................................................................. 78 Activities/Projects/Programs..................................................................................................................82 Scrapbooks..........................................................................................................................................
    [Show full text]
  • Presents Won-Jin Jo, Clarinet with Noreen
    Presents Won-Jin Jo, clarinet with Noreen Cassidy-Polera, piano, and Patrick Jee, Cello 7:30PM, Saturday, 27 September, 2003 at the Terrace Theater, John F. Kennedy Center for the Performing Arts, Washington, DC Program George Gershwin Three Preludes Allegro ben ritmato e deciso Andante con moto e poco rubato Allegro ben ritmato e deciso Francis Poulenc Sonata for Clarinet and Piano Allegro tristamente Romanza Allegro con fuoco Paul Jean-Jean Carnival of Venice (Theme and Variations) Intermission Jeeyoung Kim Wanderlust for solo clarinet (2003) World Premiere Johannes Brahms Trio for Clarinet, Cello and Piano, Op. 114 Allegro Adagio Andantino grazioso Allegro Before the start of the recital, as part of the Centennial Celebration of Korean Immigration to the United States, Ambassador Sung Joo Han will present the KCS Distinguished Service Award to Professor Hyo Kang of the Juilliard School of Music for his long and outstanding contribution to classical music in the United States. Profiles of Performers Won-Jin Jo, born in Flushing, New York, was 16 when he was named a winner of the 2001 New York Philharmonic Young Artists’ Competition. He subsequently made his New York Philharmonic debut at a Young People’s Concert in 2001 under Kurt Masur. He was re-engaged for a five-concert tour with the New York Philharmonic in 2003 under Roberto Minczuk. In May, 2003, Mr. Jo was named a Presidential Scholar in the Arts, and in June, 2003, he performed at the “Salute to the 2003 Presidential Scholars” at the Kennedy Center Concert Hall. He was awarded the coveted Presidential Medallion at a White House ceremony in addition to being honored by the Korean Embassy.
    [Show full text]
  • Workshop Guide
    2019 ACMP Worldwide Chamber Music WORKSHOP GUIDE Chamber music study and performance for adult amateur musicians. ACMP: Associated Chamber Music Players 2019 Board of Directors Staff Peter Tacy Stephanie Ann Hicks Mystic, CT Australia Henry Q. Conley Jennifer Clarke Chair, ACMP Executive Director Ivy A. Turner Patsy Hulse New York, NY Cambridge, MA New Zealand Joseph Brock Richard Weinert Membership & Administration George C. Valley Talia Ilan Vice Chair, ACMP Associate Los Angeles, CA Israel New York, NY Kitty Benton Joan E. Vazakas Ileana Ionesti Christiana Carr Newsletter Editor Bonita Springs, FL Romania Treasurer, ACMP North American David Yang Michael Knoch Ashland, OR Outreach Council Philadelphia, PA Germany Peter Hildebrandt Janet White Chair, ACMP Foundation Ronald Ling Chair International Singapore Johns Creek, GA San Diego, CA Ambassadors Council Françoise Longrée Anthony James Vine Edwin K. Annavedder Henri van den Hombergh Belgium Vicer Chair, ACMP Foundation Carlsbad, CA Chair New York, NY The Netherlands Tommaso Napoli Edward J. Bridge Italy David Pearl Louisville, KY Marcel Arditi Treasurer, ACMP Foundation Switzerland Akira Okamoto Christina D. Carrière Washington, DC Japan Montréal, QC Christian Badetz Harriet S. Wetstone France and Russia Bastiaan Van Ouwerkerk Celeste Chau Secretary, ACMP; ACMP The Netherlands Foundation Kew Gardens, New York Andy Baruch Lenox, MA England Maja Popovic Cynthia L. Howk Montenegro Celeste Chau Rochester, NY D. Keith Bowen Kew Gardens, NY England Marjana Rutkowski Martha Ann Jaffe Brazil Candice Chin Newton Center, MA Stephan Brandel Seattle, WA China Bernhard & Christel Phyllis Kaiden Schluender Jean Jellinek Carol Beatrice Francais Vashon, WA Portugal New York, NY Switzerland Carol Kirsh Wendy Schottman Phoebe Csenki Laura Jean Goldberg Toronto, ON France New York, NY Scotland Janis Krauss Takaharu Shimura Aldo De Vero Henri van den Hombergh North Augusta, SC Japan Nijmegen, The Netherlands Italy Susan D.
    [Show full text]
  • Andrey Tchekmazov, Cello David Oei, Piano
    NICHOLAS ROERICH MUSEUM 319 West 107th Street, New York NY 10025-2715 • tel: 212 864 7752 • email: [email protected] Sunday, November 25, 2018, at 5 p.m. Andrey Tchekmazov, cello David Oei, piano Suite for Cello solo in D major, bwv 1012 Johann Sebastian Bach (1685-1750) Prelude Sarabande Gigue Five Pieces in Folk Style, op.102 Robert Schumann (1810-1856) Mit Humor Langsam Nicht schnell, mit viel Ton zu spielen Nicht zu rasch Stark und markirt Intermission Sonata “Arpeggione”, D. 821 Franz Schubert (1797-1828) Allegro moderato Adagio Allegretto Hailed by critics as an “extraordinary musician” (Washington Post), cellist Andrey Tchekmazov is known for his versatility as a soloist, recitalist and chamber musician. Mr. Tchekmazov was the Grand Prize winner of the Vittorio Gui International Chamber Music Compe- tition and the Premio Trio di Trieste and has performed extensively throughout North and South America, Europe, Russia and Asia, appearing at the Great Hall of the Moscow Conservatory, Osaka Symphony Hall in Japan, New York’s Alice Tully Hall, Brazil’s Sala Cecilia Mereles, Sala Sao Paulo and Teatro Alfa with or- chestras such as the São Paolo Symphony, the Moscow Chamber Orchestra, the Brazil National Symphony, the Kiev Philharmonic and the Teatro Alfa Symphony. He has also been a top prizewinner at the Koussev- itzky Cello Competition in New York, the Schadt Competition, Artists International, Premio della Critica in Trieste and the Russian Kobalevsky Competition. Ever since his critically acclaimed debut at Carnegie’s Weill Recital Hall, Mr. Tchekmazov has enjoyed an active career as recitalist and chamber musician, performing at such renowned venues as Zankel Hall, the Caramoor Music Center, Barge Music, the Rhode Island Chamber Music Series, Bar Harbor Festival, Merkin Concert Hall in New York City and Hampden Sydney, where he was invited to perform by the members of The Emerson String Quartet.
    [Show full text]
  • Queen Elisabeth Competition 1937-2019 Violin Piano Cello Voice Composition
    QUEEN ELISABETH COMPETITION 1937-2019 VIOLIN PIANO CELLO VOICE COMPOSITION VIOLIN 1937 [EUGENE YSAŸE COMPETITION] Laureates Jury 1. David OISTRAKH [Former USSR] Victor BUFFIN DE CHOSAL [president] 2. Ricardo ODNOPOSOFF [Austria] Mathieu CRICKBOOM 3. Elisabeth GUILELS [Former USSR] Marcel DARRIEUX 4. Boris GOLDSTEIN [Former USSR] André DE RIBEAUPIERRE 5. Marina KOZOLUPOVA [Former USSR] Désiré DEFAUW 6. Mikhail FICHTENGOLZ [Former USSR] Oscar ESPLA 7. Lola BOBESCO [Romania] Indrich FELD 8. Paul MAKHANOVITZKI [Sweden] Carl FLESCH 9. Robert VIROVAY [Hungary] André GERTLER 10. Angel REYES [Cuba] Jeno HUBAY 11. Ricardo BRENGOLA [Italy] Abraham JAMPOLSKY 12. Jean CHAMPEIL [France] Wachtald KOCHANSKY George KULENKAMPFF Arthur LEMBA Franz MAIRECKER Arrigo SERATO Joseph SZIGETI Jacques THIBAUD Gabry YSAŸE ZIMMERMANN Prelude concert for the finals [21.03.1937] Grand Orchestre Symphonique de l’I.N.R., cond. Franz ANDRÉ Alfred DUBOIS Orchestra for the finals [30-31.03-01.04.1937] Grand Orchestre Symphonique de l’I.N.R., cond. Franz ANDRE PIANO 1938 [EUGENE YSAŸE COMPETITION] Laureates Jury 1. Emil GUILELS [Former USSR] Victor BUFFIN DE CHOSAL [president] 2. Mary JOHNSTONE [United Kingdom] Vytautas BACEVICIUS 3. Jakob FLIER [Former USSR] Arthur BLISS 4. Lance DOSSOR [United Kingdom] Robert CASADESUS 5. Nivea MARINO-BELLINI [Uruguay] Marcel CIAMPI 6. Robert RIEFLING [Norway] Jean DOYEN 7. Arturo BENEDETTI-MICHELANGELI [Italy] Samuel FEINBERG 8. André DUMORTIER [Belgium] Paul FRENKEL 9. Rose SCHMIDT [Germany] Emile FREY 10. Monique YVER DE LA BRUCHOLLERIE
    [Show full text]
  • International Violin Competition of Indianapolis
    INTERNATIONAL VIOLIN COMPETITION OF INDIANAPOLIS International Violin Competition of Indianapolis 2013-2014 LAUREATE SERIES Indianapolis Power & Light Company Title Sponsor PLEASE NOTE: In consideration of our artists, no children under the age of six are admitted. No unauthorized photographic or recording equipment is allowed at the performances. Please turn off all sound devices including watches, cell phones and pagers. THANK YOU! International Violin Competition of Indianapolis 32 E. Washington Street, Suite 1320 Indianapolis, IN 46204 TEL: 317.637.4574 FAX: 317.637.1302 E-MAIL: [email protected] www.violin.org ARTS Indiana Arts Commission COUNCIL C&yxxifrtQ People to «*} Aiht OflNMAfWOUS ABOUT THE COMPETITION Remarkable performances, extraordinary prizes and a festival atmosphere characterize the International Violin Competition of Indianapolis [IVCI] as "the ultimate violin contest..." writes the Chicago Tribune. Laureates of "The Indianapolis" have emerged as outstanding artists in concert halls across the globe. For 17 days every four years, 40 of the world's brightest talents come here to perform some of the most beautiful music ever written before enthusiastic audiences in venues throughout the city including the Eugene and Marilyn Glick Indiana History Center, Christel DeHaan Fine Arts Center and Hilbert Circle Theatre, where finalists collaborate with the Indianapolis Symphony Orchestra. Of the prizes awarded, perhaps the most astonishing is the loan of the 1683 ex-Gingold Stradivari violin, which is made available to one of the Laureates for the four years following the Competition. Under the guidance of Thomas J. Beczkiewicz, Founding Director, and the late Josef Gingold, who had served on the juries of every major violin competition in the world, the IVCI became known by the musical and media communities as one of the world's most compelling competitions.
    [Show full text]
  • String Competition
    s a n f r a n c i s c o s t a t e u n i v e r s i t y the 27th annual Irving M. Klein International String Competition june 9-10, 2012 • knuth hall college of liberal & creative arts san francisco state university creativearts . s f s u . e d u welcome from the dean welcome from the artistic director from the dean Welcome to the 27th annual Irving M. Klein International I am proud of the partnership between the College of Liberal & String Competition, presented by California Music Center and Creative Arts and the California Music Center, and proud to welcome San Francisco State University. During these two days you will you to SF State for our collaborative presentation of the 27th annual encounter young musicians who will shape the future of classical Irving M. Klein International String Competition. music. How do we know this? The collective accomplishments of more than 25 years of Klein winners are substantial, and this year’s This competition embodies principles that thrive at our university: body of talent is more evident here in the Bay Area than an appreciation of artistic excellence and creative exploration, ever before. disciplined craft and global reach. This year we are even more The San Francisco Symphony’s American Orchestra Series brought connected. Our own music professor, internationally renowned Klein laureates to the stage of Davies Hall as members—including composer Richard Festinger, created a new composition suite, giving each participant the six who hold principal chairs—of every one of our country’s most iconic musical institutions.
    [Show full text]
  • 2018 Guide to Top Competitions
    FEATURE ARTICLE Competition Insights from the Horse’s Mouth COMPETITIA Musical America Guide to Top CompetitionsONS February 2018 Editor’s Note Competitions: Necessary evil? Heart-breaking? Star-making? Life changing? Political football? Yes. And, controversial though they may be, competitions are increasing not only in number, but in scope. Among the many issues discussed in our interview with Benjamin Woodroffe, secretary general of the World Federation of International Music Competitions (WFIMC), some of the bigger competitions are not only choosing the best and the brightest, but also booking them, training them, and managing them. Woodroffe describes, for instance, the International Franz Liszt Competition in Utrecht, Netherlands, which offers its winners professional mentorship over a three-year period, covering everything from agent representation to media training to stagecraft to website production to contractual business training. A Musical America Guide to Top WFIMC, which is based in Switzerland, boasts a membership, mostly European, of 125 music competitions in 40 countries. Piano competitions prevail, at 33 percent of the total; up next are the multiple or alternating discipline events, followed by violin competitions. The fastest growing category is conducting. The primary requirement for COMPETITIONS membership in WFIMC is that your competition be international in scope—that applicants from all over the world are eligible to apply. The 2018 Guide to Music Competitions is our biggest to date, with 80 entries culled from the hundreds listed in our data base. (That’s up from the 53 with which we started this Guide, in 2015.) For each one, we listed everything from their Twitter handles to the names of the jury members, entry fees, prizes (including management, performances, and recordings, where applicable), deadlines, frequency, disciplines, semi-final and final dates, and eligibility.
    [Show full text]