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Wallace Berman Aleph
“Art is Love is God”: Wallace Berman and the Transmission of Aleph, 1956-66 by Chelsea Ryanne Behle B.A. Art History, Emphasis in Public Art and Architecture University of San Diego, 2006 SUBMITTED TO THE DEPARTMENT OF ARCHITECTURE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN ARCHITECTURE STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2012 ©2012 Chelsea Ryanne Behle. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: __________________________________________________ Department of Architecture May 24, 2012 Certified by: __________________________________________________________ Caroline Jones, PhD Professor of the History of Art Thesis Supervisor Accepted by:__________________________________________________________ Takehiko Nagakura Associate Professor of Design and Computation Chair of the Department Committee on Graduate Students Thesis Supervisor: Caroline Jones, PhD Title: Professor of the History of Art Thesis Reader 1: Kristel Smentek, PhD Title: Class of 1958 Career Development Assistant Professor of the History of Art Thesis Reader 2: Rebecca Sheehan, PhD Title: College Fellow in Visual and Environmental Studies, Harvard University 2 “Art is Love is God”: Wallace Berman and the Transmission of Aleph, 1956-66 by Chelsea Ryanne Behle Submitted to the Department of Architecture on May 24, 2012 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies ABSTRACT In 1956 in Los Angeles, California, Wallace Berman, a Beat assemblage artist, poet and founder of Semina magazine, began to make a film. -
Planetary Report Report
The PLANETARYPLANETARY REPORT REPORT Volume XXV Number 5 September/October 2005 ATACAMA DESERT MarsMars AnalogsAnalogs VALLES MARINERIS Volume XXV Table of Number 5 Contents September/October 2005 A PUBLICATION OF Features From The Dry Earth, Wet Mars 6 Sometimes the best place to learn about Mars exploration is right here on Editor Earth. In Chile’s Atacama Desert, scientists have discovered an area so dry that organic material, and therefore evidence of life, is virtually undetectable. Study of he damage that Earth inflicts on her this parched Mars-like region on Earth may lead us to a better understanding of Tinhabitants—horribly demonstrated how to search for water and the elements of life in Martian soil. This year, The by Hurricane Katrina and the December Planetary Society cosponsored a field expedition to the Atacama Desert, sending tsunami—reminds us what fragile creatures graduate student Troy Hudson on a 1-week adventure with a team of scientists led we are, lucky to survive at all on this dynamic, by Society Board member Chris McKay. Here, Troy describes his experience. dispassionate ball of rock hurtling through space. 12 The Pioneer Anomaly: A Deep Space Mystery Our exploration of other worlds has As Pioneer 10 and 11 head toward the farthest reaches of our solar system, taught us that the potential for planetary something strange is happening—they are mysteriously slowing down. Scientists catastrophe is always with us. On Mars, do not yet know why the spacecraft aren’t acting as expected; however, The we’ve seen planet-rending gouges cut by Planetary Society has stepped in to help fund the effort to analyze roughly 25 years catastrophic floods. -
Eighteenth-Century English and French Landscape Painting
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2018 Common ground, diverging paths: eighteenth-century English and French landscape painting. Jessica Robins Schumacher University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Other History of Art, Architecture, and Archaeology Commons Recommended Citation Schumacher, Jessica Robins, "Common ground, diverging paths: eighteenth-century English and French landscape painting." (2018). Electronic Theses and Dissertations. Paper 3111. https://doi.org/10.18297/etd/3111 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. COMMON GROUND, DIVERGING PATHS: EIGHTEENTH-CENTURY ENGLISH AND FRENCH LANDSCAPE PAINTING By Jessica Robins Schumacher B.A. cum laude, Vanderbilt University, 1977 J.D magna cum laude, Brandeis School of Law, University of Louisville, 1986 A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Art (C) and Art History Hite Art Department University of Louisville Louisville, Kentucky December 2018 Copyright 2018 by Jessica Robins Schumacher All rights reserved COMMON GROUND, DIVERGENT PATHS: EIGHTEENTH-CENTURY ENGLISH AND FRENCH LANDSCAPE PAINTING By Jessica Robins Schumacher B.A. -
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia 2008 Karen Peta Hall Bachelor of Arts (Honours) Discipline of English and Cultural Studies School of Social and Cultural Studies ii Abstract Genres are constituted, implicitly and explicitly, through their construction of the past. Genres continually reconstitute themselves, as authors, producers and, most importantly, readers situate texts in relation to one another; each text implies a reader who will locate the text on a spectrum of previously developed generic characteristics. Though science fiction appears to be a genre concerned with the future, I argue that the persistent presence of lost race stories – where the contemporary world and groups of people thought to exist only in the past intersect – in science fiction demonstrates that the past is crucial in the operation of the genre. By tracing the origins and evolution of the lost race story from late nineteenth-century novels through the early twentieth-century American pulp science fiction magazines to novel-length narratives, and narrative series, at the end of the twentieth century, this thesis shows how the consistent presence, and varied uses, of lost race stories in science fiction complicates previous critical narratives of the history and definitions of science fiction. In examining the implicit and explicit aspects of temporality and genre, this thesis works through close readings of exemplar texts as well as historicist, structural and theoretically informed readings. It focuses particularly on women writers, thus extending previous accounts of women’s participation in science fiction and demonstrating that gender inflects constructions of authority, genre and temporality. -
Craters of the Pluto-Charon System
Icarus 287 (2017) 187–206 Contents lists available at ScienceDirect Icarus journal homepage: www.elsevier.com/locate/icarus Craters of the Pluto-Charon system ∗ Stuart J. Robbins a, , Kelsi N. Singer a, Veronica J. Bray b, Paul Schenk c, Tod R. Lauer d, Harold A. Weaver e, Kirby Runyon e, William B. McKinnon f, Ross A. Beyer g,h, Simon Porter a, Oliver L. White h, Jason D. Hofgartner i, Amanda M. Zangari a, Jeffrey M. Moore h, Leslie A. Young a, John R. Spencer a, Richard P. Binzel j, Marc W. Buie a, Bonnie J. Buratti i, Andrew F. Cheng e, William M. Grundy k, Ivan R. Linscott l, Harold J. Reitsema m, Dennis C. Reuter n, Mark R. Showalter g,h, G. Len Tyler l, Catherine B. Olkin a, Kimberly S. Ennico h, S. Alan Stern a, the New Horizons LORRI, MVIC Instrument Teams a Southwest Research Institute, 1050 Walnut St., Suite 300, Boulder, CO 80302, United States b Lunar and Planetary Laboratory, University of Arizona, Tucson, AZ, United States c Lunar and Planetary Institute, Houston, TX, United States d National Optical Astronomy Observatory, Tucson, AZ 85726, United States e The Johns Hopkins University, Baltimore, MD, United States f Washington University in St. Louis, St. Louis, MO, United States g SETI Institute, 189 Bernardo Avenue, Suite 100, Mountain View CA 94043, United States h NASA Ames Research Center, Moffett Field, CA 84043, United States i NASA Jet Propulsion Laboratory, California Institute of Technology, Pasadena, CA, United States j Massachusetts Institute of Technology, Cambridge, MA, United States k Lowell Observatory, Flagstaff, AZ, United States l Stanford University, Stanford, CA, United States m Ball Aerospace, Boulder, CO, United States n NASA Goddard Space Flight Center, Greenbelt, MD, United States a r t i c l e i n f o a b s t r a c t Article history: NASA’s New Horizons flyby mission of the Pluto-Charon binary system and its four moons provided hu- Received 3 March 2016 manity with its first spacecraft-based look at a large Kuiper Belt Object beyond Triton. -
Sunnyvale Heritage Resources
CARIBBEAN DR 3RD AV G ST C ST BORDEAUX DR H ST 3RD AV Heritage Trees CARIBBEAN DR CASPIAN CT GENEVA DR ENTERPRISE WY 4TH AV Local Landmarks E ST CASPIAN DR BALTIC WY Heritage Resources 5TH AV JAVA DR 5TH AV MOFFETT PARK DR CROSSMAN AV 300-ft Buffer CHESAPEAKE TR GIBRALTAR CT GIBRALTAR DR ORLEANS DR MOFFETT PARK DR 7TH AV MACON RD ANVILWOOD City Boundary ENTERPRISEWY CT G ST C ST MOFFETT PARK CT 8TH AV HUMBOLDT CT PERSIAN DR FORGEWOODAV SR-237 ANVILWOODAV INNSBRUCK DR ELKO DR 9TH AV E ST FAIR OAKS WY BORREGAS AV D ST P O R P O I S ALDERWOODAV 11TH AV MOFFETT PARK DR E BA Y TR PARIA BIRCHWOODDR MATHILDA AV GLIESSEN JAEGALS RD GLIN SR-237 PLAZA DR PLENTYGLIN LA ROCHELLE TR TASMAN DR ENTERPRISE WY ENTERPRISE MONTEGO VIENNA DR KASSEL INNOVATION WAY BRADFORD DR MOLUCCA MONTEREY LEYTE MORSE AV KIHOLO LEMANS ROSS DR MUNICH LUND TASMAN CT KARLSTAD DR ESSEX AV COLTON AV FULTON AV DUNCAN AV HAMLIN CT SAGINAW FAIR OAKS AV TOYAMA DR SACO LAWRENCEEXPRESSWAY GARNER DR LYON US-101 SALERNO SAN JORGEKOSTANZ TIMOR KIEL CT SIRTE SOLOMON SUEZ LAKEBIRD DR CT DRIFTWOOD DRIFTWOOD CT CHARMWOOD CHARMWOOD CT SKYLAKE VALELAKE CT CT CLYDE AV BREEZEWOOD CT LAKECHIME DR JENNA PECOS WY AHWANEE AV LAKEDALE WY WEDDELL LOTUSLAKE CT GREENLAKE DR HIDDENLAKE DR WEDDELL DR MEADOWLAKE DR ALMANOR AV FAIRWOODAV STONYLAKE SR-237 LAKEFAIR DR CT CT LYRELAKE LYRELAKE HEM BLAZINGWOOD DR REDROCK CT LO CT CK ALTURAS AV SILVERLAKEDR AV CT CANDLEWOOD LAKEHAVEN DR BURNTWOOD CT C B LAKEHAVEN A TR U JADELAKE SAN ALESO AV R N MADRONE AV LAKEKNOLL DR N D T L PALOMAR AV SANTA CHRISTINA W CT -
100M Dash (5A Girls) All Times Are FAT, Except
100m Dash (5A Girls) All times are FAT, except 2 0 2 1 R A N K I N G S A L L - T I M E T O P - 1 0 P E R F O R M A N C E S 1 12 Nerissa Thompson 12.35 North Salem 1 Margaret Johnson-Bailes 11.30a Churchill 1968 2 12 Emily Stefan 12.37 West Albany 2 Kellie Schueler 11.74a Summit 2009 3 9 Kensey Gault 12.45 Ridgeview 3 Jestena Mattson 11.86a Hood River Valley 2015 4 12 Cyan Kelso-Reynolds 12.45 Springfield 4 LeReina Woods 11.90a Corvallis 1989 5 10 Madelynn Fuentes 12.78 Crook County 5 Nyema Sims 11.95a Jefferson 2006 6 10 Jordan Koskondy 12.82 North Salem 6 Freda Walker 12.04c Jefferson 1978 7 11 Sydney Soskis 12.85 Corvallis 7 Maya Hopwood 12.05a Bend 2018 8 12 Savannah Moore 12.89 St Helens 8 Lanette Byrd 12.14c Jefferson 1984 9 11 Makenna Maldonado 13.03 Eagle Point Julie Hardin 12.14c Churchill 1983 10 10 Breanna Raven 13.04 Thurston Denise Carter 12.14c Corvallis 1979 11 9 Alice Davidson 13.05 Scappoose Nancy Sim 12.14c Corvallis 1979 12 12 Jada Foster 13.05 Crescent Valley Lorin Barnes 12.14c Marshall 1978 13 11 Tori Houg 13.06 Willamette Wind-Aided 14 9 Jasmine McIntosh 13.08 La Salle Prep Kellie Schueler 11.68aw Summit 2009 15 12 Emily Adams 13.09 The Dalles Maya Hopwood 12.03aw Bend 2016 16 9 Alyse Fountain 13.12 Lebanon 17 11 Monica Kloess 13.14 West Albany C L A S S R E C O R D S 18 12 Molly Jenne 13.14 La Salle Prep 9th Kellie Schueler 12.12a Summit 2007 19 9 Ava Marshall 13.16 South Albany 10th Kellie Schueler 12.01a Summit 2008 20 11 Mariana Lomonaco 13.19 Crescent Valley 11th Margaret Johnson-Bailes 11.30a Churchill 1968 -
March 21–25, 2016
FORTY-SEVENTH LUNAR AND PLANETARY SCIENCE CONFERENCE PROGRAM OF TECHNICAL SESSIONS MARCH 21–25, 2016 The Woodlands Waterway Marriott Hotel and Convention Center The Woodlands, Texas INSTITUTIONAL SUPPORT Universities Space Research Association Lunar and Planetary Institute National Aeronautics and Space Administration CONFERENCE CO-CHAIRS Stephen Mackwell, Lunar and Planetary Institute Eileen Stansbery, NASA Johnson Space Center PROGRAM COMMITTEE CHAIRS David Draper, NASA Johnson Space Center Walter Kiefer, Lunar and Planetary Institute PROGRAM COMMITTEE P. Doug Archer, NASA Johnson Space Center Nicolas LeCorvec, Lunar and Planetary Institute Katherine Bermingham, University of Maryland Yo Matsubara, Smithsonian Institute Janice Bishop, SETI and NASA Ames Research Center Francis McCubbin, NASA Johnson Space Center Jeremy Boyce, University of California, Los Angeles Andrew Needham, Carnegie Institution of Washington Lisa Danielson, NASA Johnson Space Center Lan-Anh Nguyen, NASA Johnson Space Center Deepak Dhingra, University of Idaho Paul Niles, NASA Johnson Space Center Stephen Elardo, Carnegie Institution of Washington Dorothy Oehler, NASA Johnson Space Center Marc Fries, NASA Johnson Space Center D. Alex Patthoff, Jet Propulsion Laboratory Cyrena Goodrich, Lunar and Planetary Institute Elizabeth Rampe, Aerodyne Industries, Jacobs JETS at John Gruener, NASA Johnson Space Center NASA Johnson Space Center Justin Hagerty, U.S. Geological Survey Carol Raymond, Jet Propulsion Laboratory Lindsay Hays, Jet Propulsion Laboratory Paul Schenk, -
Ertising in Science in School · Choose Between Advertising in the Quarterly Print Journal Or on Our Website
How many schools Spring 2011 Issue 18 and teachers do you reach – worldwide? In this issue: Biomimetics: clingy as an octopus or slick as a lotus leaf? Also: News from the EIROs: Mars, snakes, robots and DNA Advertising in Science in School · Choose between advertising in the quarterly print journal or on our website. · Website: reach over 30 000 science educators worldwide – every month. · In print: target up to 15 000 European science educators every quarter, including 3000 named subscribers. · Distribute your flyers, brochures, CD-ROMs or other materials either to 3000 named subscribers or to all recipients of the print copies. For more details, see www.scienceinschool.org/advertising Published by EIROforum: I S S N : 1 Initially supported by 8 1 Subscribe (free in Europe): www.scienceinschool.org 8 the European Union: - Highlighting the best in science teaching and research 0 3 5 3 sis_18_RZ_.qxq:Layout 1 15.03.2011 18:08 Uhr Seite B About Science in School Science in School promotes inspiring science teaching by encouraging communication between Editorial teachers, scientists and everyone else involved in European science education. The journal addresses science teaching both across Europe and across disciplines: highlighting the best in teaching and cutting-edge research. It covers not only biology, physics and chemistry, but also earth sciences, engineering and medicine, Happy birthday, focusing on interdisciplinary work. The contents include teaching materials; cutting-edge science; interviews with young scientists and inspiring Science in School! teachers; reviews of books and other resources; and European events for teachers and schools. Science in School is published quarterly, both online his issue of Science in School is rather special: it’s now and in print. -
The Cassini Ultraviolet Imaging Spectrograph Investigation
THE CASSINI ULTRAVIOLET IMAGING SPECTROGRAPH INVESTIGATION 1, 1 1 LARRY W. ESPOSITO ∗, CHARLES A. BARTH , JOSHUA E. COLWELL , GEORGE M. LAWRENCE1, WILLIAM E. McCLINTOCK1,A. IAN F. STEWART1, H. UWE KELLER2, AXEL KORTH2, HANS LAUCHE2, MICHEL C. FESTOU3,ARTHUR L. LANE4, CANDICE J. HANSEN4, JUSTIN N. MAKI4,ROBERT A. WEST4, HERBERT JAHN5, RALF REULKE5, KERSTIN WARLICH5, DONALD E. SHEMANSKY6 and YUK L. YUNG7 1University of Colorado, Laboratory for Atmospheric and Space Physics, 1234 Innovation Drive, Boulder, CO 80303, U.S.A. 2Max-Planck-Institut fur¨ Aeronomie, Max-Planck-Strasse 2, 37191 Katlenburg-Lindau, Germany 3Observatoire Midi-Pyren´ ees,´ 14 avenue E. Belin, F31400 Toulouse, France 4JetPropulsion Laboratory, 4800 Oak Grove Drive, Pasadena, CA 91109, U.S.A. 5Deutsches Zentrum fur¨ Luft und Raumfahrt, Institut fur¨ Weltraumsensorik und Planetenerkundung, Rutherford Strasse 2, 12489 Berlin, Germany 6University of Southern California, Department of Aerospace Engineering, 854 W. 36th Place, Los Angeles, CA 90089, U.S.A. 7California Institute of Technology, Division of Geological and Planetary Sciences, MS 150-21, Pasadena, CA 91125, U.S.A. (∗Author for correspondence: E-mail: [email protected]) (Received 8 July 1999; Accepted in final form 18 October 2000) Abstract. The Cassini Ultraviolet Imaging Spectrograph (UVIS) is part of the remote sensing payload of the Cassini orbiter spacecraft. UVIS has two spectrographic channels that provide images and spectra covering the ranges from 56 to 118 nm and 110 to 190 nm. A third optical path with a solar blind CsI photocathode is used for high signal-to-noise-ratio stellar occultations by rings and atmospheres. A separate Hydrogen Deuterium Absorption Cell measures the relative abundance of deuterium and hydrogen from their Lyman-α emission. -
She Smiles Sadly*.•
Number 5 Volume XXVIII. SEATTLE, WASHINGTON, FEBRUARY 4, 1933 SHE SMILES SADLY*.• • Kwan - Yin, Chinese Goddess of Mercy, some times called the Goddess of Peace, has reason these days for that sardonic expression, although the mocking smile is by no means a new one; she has worn it since the Wei Dynasty, Fifth Century A. D. The Goddess is the property of the Bos ton Museum of Art.— Courtesy The Art Digest. Featured This Week: Stuffed Zoos, by Dr. Herbert H. Gowen "Two Can Play"—, by Mack Mathews Editorials: (Up Hill and Down, Amateur Orchestra In Dissent, by George Pampel Starts, C's and R's, France Buys American) A Woman's Span (A Lyrical Sequence), by Helen Maring two THE TOWN CRIER FEBRUARY 4, 1933 By John Locke Worcester. Illus Stage trated with lantern slides. Puget "In Abraham's Bosom'' (Repertory Sound Academy of Science. Gug Playhouse)—Paul Green's Pulit AROUND THE TOWN genheim Hall. Wednesday, Febru zer prize drama produced by Rep ary 22, 8:15 p. m. ertory Company, with cast of Se attle negro actors. Direction Flor By MARGARET CALLAHAN Radio Highlights . , ence Bean James. A negro chorus sings spirituals. Wednesdays and Young People's Symphony Concert Fridays for limited run. 8:30 p.m. "Camille" (Repertory Playhouse) — Spanish ballroom, The Olympic. —New York Philharmonic, under direction of Bruno Walter. 8:30- "Funny Man" (Repertory Play All-University drama. February February 7, 8:30 p. m. 16 and 18, 8:30 p. m. Violin, piano trio—Jean Margaret 9:15 a. m. Saturday. KOL. house)—Comedy of old time Blue Danube—Viennese music un vaudeville life by Felix von Bres- Crow and Nora Crow Winkler, violinists, and Helen Louise Oles, der direction Dr. -
Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A.