July 08, 1967 Memorandum of Conversation Between Comrade Enver Hoxha and a Delegation of Chinese Red Guards
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Three Prominences1
THE THREE PROMINENCES1 Yizhong Gu The political-aesthetic principle of the “three prominences” (san tuchu 三突出) was the formula foremost in governing proletarian literature and art during the Cultural Revolution (1966–76) (hereafter CR). In May 1968, Yu Huiyong 于会泳 initially proposed and defined the principle in this way: Among all characters, give prominence to the positive characters; among the positive characters, give prominence to the main heroic characters; among the main characters, give prominence to the most important character, namely, the central character.2 As the main composer of the Revolutionary Model Plays, Yu Hui- yong had gone through a number of ups and downs in the official hierarchy before finally receiving favor from Jiang Qing 江青, wife of Mao Zedong. Yu collected plenty of Jiang Qing’s concrete but scat- tered directions on the Model Plays and tried to summarize them in an abstract and formulaic pronouncement. The principle of three prominances was supposed to be applicable to all the Model Plays and thus give guidance for the creation of future proletarian artworks. Summarizing the gist of Jiang’s instruction, Yu observed, “Comrade Jiang Qing lays strong emphasis on the characterization of heroic fig- ures,” and therefore, “according to Comrade Jiang Qing’s directions, we generalize the ‘three prominences’ as an important principle upon which to build and characterize figures.”3 1 This essay owes much to invaluable encouragement and instruction from Profes- sors Ban Wang of Stanford University, Tani Barlow of Rice University, and Yomi Braester of the University of Washington. 2 Yu Huiyong, “Rang wenyi wutai yongyuan chengwei xuanchuan maozedong sixiang de zhendi” (Let the stage of art be the everlasting front to propagate the thought of Mao Zedong), Wenhui Bao (Wenhui daily) (May 23, 1968). -
Wang Guangmei and Peach Garden Experience Elizabeth J
Wang Guangmei and Peach Garden Experience Elizabeth J. Perry Introduction In the spring of 1967 China’s former First Lady Wang Guangmei was paraded onto a stage before a jeering crowd of half a million people to suffer public humiliation for her “bourgeois” crimes. Despite her repeated protestations, Wang was forced for the occasion to don a form- fitting dress festooned with a garland of ping-pong balls to mock the elegant silk qipao and pearl necklace ensemble that she had worn only a few years earlier while accompanying her husband, now disgraced President Liu Shaoqi, on a state visit to Indonesia. William Hinton (1972, pp. 103-105) describes the dramatic scene at Tsinghua University in Beijing, where the struggle session took place: A sound truck had crisscrossed the city announcing the confrontation, posters had been distributed far and wide, and over three hundred organizations, including schools and factories, had been invited. Some had sent delegations, others had simply declared a holiday, closed their doors, and sent everyone out to the campus. Buses blocked the roads for miles and the sea of people overflowed the University grounds so that loudspeakers had to be set up beyond the campus gates . At the meeting Wang [G]uangmei was asked to stand on a platform made of four chairs. She stood high enough so that tens of thousands could see her. On her head she wore a ridiculous, wide-brimmed straw hat of the kind worn by English aristocrats at garden parties. Around her neck hung a string of ping- pong balls . A tight-fitting formal gown clung to her plump body and sharp- pointed high-heeled shoes adorned her feet. -
Perspectives of Red Guards During the Cultural Revolution: a Historiographic Survey Matthew E
The Histories Volume 4 | Issue 2 Article 2 2019 Perspectives of Red Guards during the Cultural Revolution: A Historiographic Survey Matthew E. Kowalski La Salle University Follow this and additional works at: https://digitalcommons.lasalle.edu/the_histories Part of the History Commons Recommended Citation Kowalski, Matthew E. (2019) "Perspectives of Red Guards during the Cultural Revolution: A Historiographic Survey," The Histories: Vol. 4 : Iss. 2 , Article 2. Available at: https://digitalcommons.lasalle.edu/the_histories/vol4/iss2/2 This Paper is brought to you for free and open access by the Scholarship at La Salle University Digital Commons. It has been accepted for inclusion in The iH stories by an authorized editor of La Salle University Digital Commons. For more information, please contact [email protected]. The Histories, Volume 4, Number 2 2 Articles I Perspectives o f the Red Guards during the Cultural Revolution: A Historiographic Survey By Matthew E. Kowalski Between the years 1966-69, Communist China experienced one of the greatest periods of social and political upheaval in its history. In assessing the meaning of Mao’s Great Proletarian Cultural Revolution, historians and political scientists have argued from several different viewpoints. One facet of the Cultural Revolution that has proved particularly controversial is the role of the Red Guard movement in the shaping of political events. During the late sixties and early seventies, many ‘China Watchers’ and academics saw the Red Guard movement as a shining example of ‘people power’ and student agency. These scholars tended to regard the events in China as being linked to the global student protest movement of the Vietnam-war era. -
Information to Users
INFORMATION TO USERS This manuscript Pas been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissenation copies are in typewriter face, while others may be from anytype of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely. event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material bad to beremoved, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with smalloverlaps. Each original is also photographed in one exposure and is included in reduced form at the back ofthe book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell &Howell Information Company 300North Zeeb Road. Ann Arbor. MI48106-1346 USA 313!761-47oo 800:521·0600 THE LIN BIAO INCIDENT: A STUDY OF EXTRA-INSTITUTIONAL FACTORS IN THE CULTURAL REVOLUTION A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAII IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY AUGUST 1995 By Qiu Jin Dissertation Committee: Stephen Uhalley, Jr., Chairperson Harry Lamley Sharon Minichiello John Stephan Roger Ames UMI Number: 9604163 OMI Microform 9604163 Copyright 1995, by OMI Company. -
Asia Pacific Visual Cultures
Massachusetts College of Art and Design 2021 Student Research Symposium on ASIA PACIFIC VISUAL CULTURES Monday, April 26, 2021, 5:00 to 6:15 PM Virtual Event via Zoom https://massart.zoom.us/j/87217651809 Welcome! The Team: Organizers: Shouchih Isaac Yen, PhD [email protected] Duncan Givans, PhD [email protected] Timothy Correll, PhD [email protected] Event Manager: Candis Hilton [email protected] Technology Adviser: Antony Flackett [email protected] Poster and Program Designer: Amenda Wong [email protected] Program Printing Advisers: Clint Baclawski and Jamison Wright Venue and Schedule Adviser: Kyle Brock Media Adviser: Nicky Enriquez Student Managers: Alexandru Zaharia, Tatyana Andreeva, and Zhiyao Zhang Poster and Program Designer: Amenda Wong [email protected] Olivia Fair Dante Canario The Animated Nezha and the From Olympic Harmony Héxié to Confucian Doctrine of Filial Piety River Crabs Héxiè Olivia Fair The Animated Nezha 哪吒 and the Confucian Doctrine of Filial Piety Nǎzhā 哪吒 Nezha fights the dragons, Baoguang Wang, Smash the Gang of Four. 1978. Nezha Conquers the Dragon King (1979). Poster, 53 x 77 cm. The Gang of Four Consisted of Jiang Qing (wife of Mao Zedong), Wang Hongwen, Zhang Chunqiao, and Yao Wenyuan They were charged with treason. Poster for Nezha/Nezha: Birth of the Demon Child. Directed by Yu Yang, Beijing Enlight Pictures, 2019. 110 minutes. Dante Canario From Olympic Harmony Héxié 和諧 to River Crabs Héxiè 河蟹 Memorial to the Murdered Jews of Europe Peter Eisenman 2005, Berlin Germany Grey Boxes Representing Printing Blocks 2008 Bird's Nest Stadium, Beijing China Ai Weiwei River Crab Feast 2010, Shanghai China Héxié 和諧 Héxiè 河蟹 Harmony River Crabs Panel Discussion: Questions and Answers Olivia Fair Dante Canario Panel Discussion: Questions and Answers THANK YOU SO MUCH!. -
Reimagining Revolutionary Labor in the People's Commune
Reimagining Revolutionary Labor in the People’s Commune: Amateurism and Social Reproduction in the Maoist Countryside by Angie Baecker A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Asian Languages and Cultures) in the University of Michigan 2020 Doctoral Committee: Professor Xiaobing Tang, Co-Chair, Chinese University of Hong Kong Associate Professor Emily Wilcox, Co-Chair Professor Geoff Eley Professor Rebecca Karl, New York University Associate Professor Youngju Ryu Angie Baecker [email protected] ORCID iD: 0000-0003-0182-0257 © Angie Baecker 2020 Dedication This dissertation is dedicated to my grandmother, Chang-chang Feng 馮張章 (1921– 2016). In her life, she chose for herself the penname Zhang Yuhuan 張宇寰. She remains my guiding star. ii Acknowledgements Nobody writes a dissertation alone, and many people’s labor has facilitated my own. My scholarship has been borne by a great many networks of support, both formal and informal, and indeed it would go against the principles of my work to believe that I have been able to come this far all on my own. Many of the people and systems that have enabled me to complete my dissertation remain invisible to me, and I will only ever be able to make a partial account of all of the support I have received, which is as follows: Thanks go first to the members of my committee. To Xiaobing Tang, I am grateful above all for believing in me. Texts that we have read together in numerous courses and conversations remain cornerstones of my thinking. He has always greeted my most ambitious arguments with enthusiasm, and has pushed me to reach for higher levels of achievement. -
Talk About a Revolution: Red Guards, Government Cadres, and the Language of Political Discourse
Talk About a Revolution: Red Guards, Government Cadres, and the Language of Political Discourse Schoenhals, Michael 1993 Link to publication Citation for published version (APA): Schoenhals, M. (1993). Talk About a Revolution: Red Guards, Government Cadres, and the Language of Political Discourse. (Indiana East Asian Working Paper Series on Language and Politics in Modern China). http://www.indiana.edu/~easc/resources/working_paper/noframe_schoenhals_pc.htm Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Talk About a Revolution: Red Guards, Government Cadres, -
The Enduring Legacy of Blood Lineage Theory
THE ENDURING LEGACY 2004 . 4, OF BLOOD LINEAGE THEORY NO RIGHTS FORUM BY YONGYI SONG CHINA One of the most destructive debates of the Blood lineage theory and the class line couplet 13 Cultural Revolution period was over whether Blood lineage theory was actually a radicalized version of the Party’s “class line” (jieji luxian) that came into being at the found- China should be run by those who had ing of the People’s Republic of China in 1949, and that had sub- demonstrated their abilities, or by those who sequently gained wide acceptance in Chinese society.The had the appropriate revolutionary pedigree. emergence of blood lineage theory coincided with the rise of the Red Guard movement and its attendant violence during the This debate, which originated among China’s summer of 1966, and can be traced back to two primary docu- TE AND CHOICE A students, transformed a generation, and its ments. One was the “class line couplet” that first appeared as a F big-character poster produced by the Red Guards of the Attached influence can still be seen in the structure of High School of Beijing Aeronautic College on July 29, 1966: “If China’s power elite today. the father is a hero, the son is a good fellow; if the father is a reactionary,the son is a good-for-nothing—it is basically like During the Cultural Revolution, a critical and long-lasting debate this” (laozi yinxiong er houhan,laozi fandong er hundan,jiben yuci).5 arose between the blood lineage theory (xuetong lun), promoted The second was the essay “The Born-Reds Have Stood Up!” by a number of children of high-ranking officials, and the egali- (zilai hongmen zanqilai!), which circulated widely on the campuses tarian principles espoused in Yu Luoke’s essay,“On Family Back- of Beijing middle schools in early July 1966 as the organiza- ground” (chushen lun), and supported by ordinary students. -
Qinghua University and Chinese Politics During the Cultural
Framing the Event: Qinghua University and Chinese Politics during the Cultural Revolution On 5 August 1968 Mao Zedong regifted mangoes, given him by the Pakistan foreign minister, to the Workers’ Propaganda Teams who were then bringing two warring factions of Red Guards, the Jinggangshan Corps (tuanpai) and the Fours (sipai), under control at Qinghua University. Mao’s gesture signaled an important change of direction in the mass campaigns of the Great Proletarian Cultural Revolution. The student Red Guards, who had been the main force in the first stage of the Cultural Revolution and taken out the “capitalist roaders”, had run amok. Henceforth the working class would take charge of forwarding the Cultural Revolution. From 27 July to 26 August was an anxious and confusing time for Red Guards in China. On the morning of 27 July, huge crowds of workers and a scattering of PLA men appeared before the campus gates at Qinghua University, demanding an end to all violent confrontations. At dawn on 28 July Mao Zedong summoned the five Red Guard leaders in Beijing to the Great Hall of the People for a meeting, which lasted from 3:30 A.M. to 8:30 A.M. Mao lambasted the Red Guard leaders for disobeying his order to “struggle, criticize and transform” Chinese campuses and instead forming viciously opposing factions which degenerated from diatribes even to armed combats. He revealed that he was the “black hand” behind the order sending in work 1 teams to quell the violence and told his “little generals” [Red Guards] that “they have now made mistakes (xianzai shi xiaojiang fan cuowu de shihou le).1 On 5 August Mao instructed his bodyguard Wang Dongxing to distribute the case of mangoes given him by the Pakistani foreign minister to the workers who were occupying Qinghua University campus. -
China Perspectives
China Perspectives 2016/1 | 2016 Photo Essay: Deng Xiaoping’s Failed Reform in 1975-1976 A Photo Essay of a Failed Reform Beida, Tiananmen Square and the Defeat of Deng Xiaoping in 1975-76 David Zweig Electronic version URL: http://journals.openedition.org/chinaperspectives/6893 DOI: 10.4000/chinaperspectives.6893 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 1 March 2016 Number of pages: 5-28 ISSN: 2070-3449 Electronic reference David Zweig, « A Photo Essay of a Failed Reform », China Perspectives [Online], 2016/1 | 2016, Online since 01 March 2016, connection on 28 October 2019. URL : http://journals.openedition.org/ chinaperspectives/6893 ; DOI : 10.4000/chinaperspectives.6893 © All rights reserved Photo Essay China perspectives A Photo Essay of a Failed Reform Beida, Tiananmen Square and the Defeat of Deng Xiaoping in 1975-76 DAVID ZWEIG ABSTRACT: In mid-1975, Deng Xiaoping, with Mao’s blessing, initiated reforms that targeted the negative consequences of the Cultural Revolution. To bolster Deng’s effort, Mao endowed him with penultimate authority over the Party, government, and military. However, in late October, Mao turned on Deng, and within five months, Mao and the radicals toppled Deng from power. As a foreign student at Peking University, David Zweig observed and photographed four key points in this historic struggle: (1) the initial establishment of a “big character poster” compound at Peking University; (2) emotional mourning for Zhou Enlai in Tiananmen Square following his death: (3) the intensified assault on Deng in February 1976 in the posters at Peking University; and (4) the massive demonstration of support in Tiananmen Square on 3-4 April for the end of Maoist politics. -
Chinese Cultural Revolution
Chinese Cultural Revolution Background Guide Written by: Sruthi Venkatachalam and Patrick Lee, Case Western Reserve University The Rise of Modern China The reign of the Chinese dynasties ended in 1911 leading to China’s emergence into the modern world. China’s weakness in the 20th century, as seen in the devastating loss in the Sino-Japanese War of 1894-95, stirred unrest and murmurs of uprising among the population. In 1911, armed rebellions broke out in response to the nationalization of railways in the Sichuan province, word of which spread across China. This snowballed and lead warlords to rebel against the weak imperial regime. Such rebellion in Wuchuan led to the overthrow of the provincial government and revolutionary leader Sun Yixian took advantage of the regime’s weakness. He later returned from exile, elected provisional president He saw that the emperor be abdicated, and resign power allowing Yuan Shikai, imperial minster entrusted with full power via the courts, to become the nation’s first president.1 In early 1912, the reign of Imperial China, Yuan Shikai’s attempt to become military dictator was thwarted and the Nationalist party, the Guomindang, also known as the Kuomintang (GMD) took control of the country in 1923. Sun Yixian, now president, reorganized the party that made it a centralized, democratic party. The GMD worked with the nearly formed Chinese Communist Party, with Soviet assistance, to reunite China and end the control of warlords running rampant in the 1 Wang, Yi Chu. “Sun Yat-sen : Chinese Leader.” n.d. Britannica. Accessed November 9. 2018. https://www.britannica.com/biography/Sun-Yat-sen country. -
Introduction
Introduction “Mao was great because he made China unified/independent. Deng Xiaoping opened China. And Jiang Zemin, he let the Chinese people have a normal life. Before, when I was young, my folks told me not to make political mistakes. Now I can tell my kids to learn in school well and they can be million- aires. The environment is now free, more relaxing. People now like to go see Titanic [the movie], and one lady saw it nine times and cried every time. Enjoy everyday life, this is our new idea. Before we had to talk about contributing to the masses. But we came to the world to enjoy our short lives. A normal life is very important for Chinese. In the Cultural Revolution I was a Red Guard, and my daughter was surprised and said I had been a bandit. In my house, growing up, before every meal, before a picture on the wall of Mao [Zedong], we recited quotations from Mao. Now it seems funny to have done such stupid things.” —Secretary-general of a special event, July 2003, Beijing Based on 558 interviews with Chinese leaders, on case studies, and on innumerable documents, this book humanizes China’s extraordinary course of development since Deng Xiaoping’s 1977 return to power, examining domestic politics, foreign relations, natural and manmade disasters, civil-military relations, and the Chinese style of negotiating. This volume reveals the human frustrations China’s leaders feel, the nightmares disturbing their sleep, and the sheer scale of the challenges they face. Challenges run the gamut from meeting rising political expec- tations and keeping the economic juggernaut going, to providing citi- zens breathable air and potable water and reassuring an apprehensive world that Beijing’s growing power is not a threat.