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MOROCCO COUNTRY REPORT (In French) ETAT DES LIEUX DE LA CULTURE ET DES ARTS
MOROCCO Country Report MOROCCO COUNTRY REPORT (in French) ETAT DES LIEUX DE LA CULTURE ET DES ARTS Decembre 2018 Par Dounia Benslimane (2018) This report has been produced with assistance of the European Union. The content of this report is the sole responsibility of the Technical Assistance Unit of the Med- Culture Programme. It reflects the opinion of contributing experts and can in no way be taken to reflect the views of the European Commission. 1- INTRODUCTION ET CONTEXTE Le Maroc est un pays d’Afrique du Nord de 33 848 242 millions d’habitants en 20141, dont 60,3% vivent en milieux urbain, avec un taux d’analphabétisme de 32,2% et 34,1% de jeunes (entre 15 et 34 ans), d’une superficie de 710 850 km2, indépendant depuis le 18 novembre 1956. Le Maroc est une monarchie constitutionnelle démocratique, parlementaire et sociale2. Les deux langues officielles du royaume sont l’arabe et le tamazight. L’islam est la religion de l’État (courant sunnite malékite). Sa dernière constitution a été réformée et adoptée par référendum le 1er juillet 2011, suite aux revendications populaires du Mouvement du 20 février 2011. Données économiques3 : PIB (2017) : 110,2 milliards de dollars Taux de croissance (2015) : +4,5% Classement IDH (2016) : 123ème sur 188 pays (+3 places depuis 2015) Le Maroc a le sixième PIB le plus important en Afrique en 20174 après le Nigéria, l’Afrique du Sud, l’Egypte, l’Algérie et le Soudan, selon le top 10 des pays les plus riches du continent établi par la Banque Africaine de Développement. -
Références D'articles Ou De Textes Courts Classées Par Périodiques Ou Recueils
Interrogation de la banque de données Limag le vendredi 11 février 2000 Références d'articles ou de textes courts classées par périodiques ou recueils Copyright Charles Bonn & CICLIM Abréviation: CR = Compte-rendu. N.B.: Les sites internet éventuels sont soit celui du périodique, soit celui de l'article. Celui de l'article permet d'en trouver le texte lui-même en ligne, quoique le plus souvent sans sa mise en pages. Les lois habituelles du copyright s'appliquent, dans ce cas, à la copie et à la diffusion de cet article, et le programme Limag ne saurait être tenu responsable du non-respect de ces lois. ABANCOURT, Joelle. (Dir.). La Société française et l'immigration maghrébine: Questions et perspectives culturelles. Paris, Association des Travailleurs marocains en France, ss. dir. Joelle 1987 DRISS, Ilias. p. 232-238. Une écriture d'exil. ACHOUR, Christiane. (Dir.). Cahiers Jamel Eddine Bencheikh. Savoir et imaginaire. Paris, L'Harmattan/Université Paris 13, ISBN 2-7384-6804-7 1998 DJABALI, Hawa. p. 69-72. Le Zajel maure du désir. Poème. (Ss dir de). Diwan d'inquiétude et d'espoir. La littérature féminine algérienne de langue française. Alger, ENAG, Ed. 88 10 09 01 / 92 1991 ALI-BENALI, Zineb. REZZOUG, Suzanne. Taos Amrouche ou l'exil intérieur. p. 349-354. Monographie. ADAMSON, Ginette. & GOUANVIC, Jean-Marc. (Dir. et pré Francophonie plurielle. Actes du congrès du CIEF, Casablanca, 10-17 juillet 1993. Montréal, Hurtubise HMH, ISBN 2-89428-103-X 1995 CAUCCI, Frank. p. 337-353. Ecriture italo-québecoise francophone et anglophone: perspectives de l'exil. Africultures. http://www.africultures.com/ Paris, L'Harmattan. -
JGI V. 14, N. 2
Journal of Global Initiatives: Policy, Pedagogy, Perspective Volume 14 Number 2 Multicultural Morocco Article 1 11-15-2019 Full Issue - JGI v. 14, n. 2 Follow this and additional works at: https://digitalcommons.kennesaw.edu/jgi Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation (2019) "Full Issue - JGI v. 14, n. 2," Journal of Global Initiatives: Policy, Pedagogy, Perspective: Vol. 14 : No. 2 , Article 1. Available at: https://digitalcommons.kennesaw.edu/jgi/vol14/iss2/1 This Article is brought to you for free and open access by DigitalCommons@Kennesaw State University. It has been accepted for inclusion in Journal of Global Initiatives: Policy, Pedagogy, Perspective by an authorized editor of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. Multicultural Morocco JOURNAL of GLOBAL INITIATIVES POLICY, PEDAGOGY, PERSPECTIVE 2019 VOLUME 14 NUMBER 2 Journal of global Initiatives Vol. 14, No. 2, 2019, pp.1-28. The Year of Morocco: An Introduction Dan Paracka Marking the 35th anniversary of Kennesaw State University’s award-winning Annual Country Study Program, the 2018-19 academic year focused on Morocco and consisted of 22 distinct educational events, with over 1,700 people in attendance. It also featured an interdisciplinary team-taught Year of Morocco (YoM) course that included a study abroad experience to Morocco (March 28-April 7, 2019), an academic conference on “Gender, Identity, and Youth Empowerment in Morocco” (March 15-16, 2019), and this dedicated special issue of the Journal of Global Initiatives. Most events were organized through six different College Spotlights titled: The Taste of Morocco; Experiencing Moroccan Visual Arts; Multiple Literacies in Morocco; Conflict Management, Peacebuilding, and Development Challenges in Morocco, Moroccan Cultural Festival; and Moroccan Solar Tree. -
CASABLANCA, Morocco Hmed Reda Benchemsi, the 33-Year-Old
Posted July 3, 2007 CASABLANCA, Morocco A hmed Reda Benchemsi, the 33-year-old publisher of the independent Moroccan weekly TelQuel, sensed someone was trying to send him a message. In a matter of months, two judges had ordered him to pay extraordinarily high damages in a pair of otherwise unremarkable defamation lawsuits. It started in August 2005, when a court convicted Benchemsi of defaming pro- government member of parliament Hlima Assali, who complained about a short article that made light of her alleged experience as a chiekha, or popular dancer. At trial, Benchemsi and his lawyer never put up a defense—because they weren’t in court. The judge had reconvened the trial 15 minutes before scheduled and, with no one representing the defense, promptly issued a verdict: two-month suspended jail terms for Benchemsi and another colleague and damages of 1 million dirhams (US$120,000). Two months later, another court convicted Benchemsi of defamation, this time after the head of a children’s assistance organization sued TelQuel and three other Moroccan newspapers for erroneously reporting that she was under investigation for suspected embezzlement. TelQuel, which had already issued a correction and apology, was ordered to pay 900,000 dirhams (US$108,000)—several times the amounts ordered against the other three publications. At the time, the damages were among the highest ever awarded in a defamation case in Morocco—and more than nine times what Moroccan lawyers and journalists say is the national norm in such cases. A puzzled Benchemsi said he learned from a palace source several months later what had triggered the judicial onslaught. -
Colonial and Orientalist Veils
Colonial and Orientalist Veils: Associations of Islamic Female Dress in the French and Moroccan Press and Politics Loubna Bijdiguen Goldmiths College – University of London Thesis Submitted for a PhD in Media and Communications Abstract The veiled Muslimah or Muslim woman has figured as a threat in media during the past few years, especially with the increasing visibility of religious practices in both Muslim-majority and Muslim-minority contexts. Islamic dress has further become a means and technique of constructing ideas about the ‘other’. My study explores how the veil comes to embody this otherness in the contemporary print media and politics. It is an attempt to question constructions of the veil by showing how they repeat older colonial and Orientalist histories. I compare and contrast representations of the dress in Morocco and France. This research is about how Muslimat, and more particularly their Islamic attire, is portrayed in the contemporary print media and politics. My research aims to explore constructions of the dress in the contemporary Moroccan and French press and politics, and how the veil comes to acquire meanings, or veil associations, over time. I consider the veil in Orientalist, postcolonial, Muslim and Islamic feminist contexts, and constructions of the veil in Orientalist and Arab Nahda texts. I also examine Islamic dress in contemporary Moroccan and French print media and politics. While I focus on similarities and continuities, I also highlight differences in constructions of the veil. My study establishes the importance of merging and comparing histories, social contexts and geographies, and offers an opportunity to read the veil from a multivocal, multilingual, cross-historical perspective, in order to reconsider discourses of Islamic dress past and present in comparative perspective. -
Aufaitmaroc.Com Edito Finances Publiques Encore De Contribution Et Gestion Des La Marge De Affaires Des MRE > P/06 Manœuvre
MARDI 14 février 2012 Proche-Orient. Palestiniens et Croissance économique. Casablanca 5 16 Arabes pour une conférence de Nizar Baraka table sur 5% pour 2011>p/07 Rabat 3 15 paix internationale>p/08 Journal Quotidien d’Information Générale • Edition du mardi 14 février 2012 • n°1126 • Prix: 0 Dh Can 2012 : Le bel hommage des Chipolopolos > p/15 www.aufaitmaroc.com Edito Finances publiques Encore de Contribution et gestion des la marge de affaires des MRE > p/06 manœuvre Nos indicateurs économiques ne sont pas très bons aujourd’hui mais ils ne sont pas mauvais au point de revoir notre politique monétaire. C’est un peu en Synergie dans substance la réaction de Nizar Baraka suite aux rumeurs sur une dévaluation probable. Les derniers chiffres confirment cette position. La dette publique est constituée principalement d’une dette intérieure à hauteur de 314 milliards de dirhams et la stratégie n’atteint pas encore les som- mets franchis par les pays euro- péens en difficulté. La baisse du taux de change du dirham n’ap- portera aucun allègement. De même, cette baisse éventuelle selon Nizar Baraka, ne pourra entraîner aucune baisse de nos ministérielle importations ou de nos exporta- tions. Les restrictions et les mesures économiques importantes que doivent effectuer aujourd’hui des pays comme la Grèce, l’Es- pagne et le Portugal sous la pression de l’Union européenne, le Maroc les a déjà connues dans les années 90 sous la pression de la banque mondiale. On n'avait pas pu baisser les salaires parce qu’ils étaient déjà très bas, mais beaucoup de sociétés publiques avaient été vendues, les inves- tissements avaient été ralentis et la dette intérieure a remplacé progressivement notre endette- ment international. -
Contemporary Dārija Writings in Morocco: Ideology and Practices Catherine Miller
Contemporary dārija writings in Morocco: ideology and practices Catherine Miller To cite this version: Catherine Miller. Contemporary dārija writings in Morocco: ideology and practices. Jacob Høigilt and Gunvor Mejdell The Politics of written language in the Arab world Written Changes, Brill, 2017, Studies in Semitic Languages and Linguistics, 9789004346161. halshs-01544593 HAL Id: halshs-01544593 https://halshs.archives-ouvertes.fr/halshs-01544593 Submitted on 21 Jun 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Contemporary dārija writings in Morocco: ideology and practices Catherine Miller Final draft 27 01 2017 To appear in Jacob Høigilt and Gunvor Mejdell (ed) The Politics of written languages in the Arab world, Written Changes, Leiden, Brill Introduction Starting from the mid 1990s a new political, social and economical context has favored the coming out of a public discourse praising cultural and linguistic plurality as intangible parts of Moroccan identity and Moroccan heritage. The first signs of change occurred at the end of King Hassan II’s reign, setting the first steps towards political and economic liberalization. But the arrival of King Mohamed VI in 1999 definitely accelerated the trend toward economic liberalism, development of private media, emergence of a strong civil society, call for democratization and modernization, and the emergence of new urban artistic movements. -
Scientific Paper
“The life span of alternative media in a hybrid configuration” Fadma Aït Mous & Driss Ksikes Scientific Paper The life span of alternative media in a hybrid configuration. The cases of Lakome and Mamfakinch in Morocco Fadma Aït Mous Université Hassan II, Associate Researcher (EGE) Driss Ksikes Director of Cesem, HEM research centree 1 “The life span of alternative media in a hybrid configuration” Fadma Aït Mous & Driss Ksikes Introduction When the SAHWA Survey was launched in 2015, major transformations had already occurred in “alternative media” in Morocco. This didn’t prevent young people from developing alternative uses of social media and different political strategies than the dominant ones. But a melancholic attitude emerges from our research, showing that the youth were very sceptical about the media’s capacity to mirror their aspirations, and when connected (10.5%), they were more likely to surf on foreign websites.1 But if youth defiance towards political representations and mainstream media is obvious, the weak capacity of the alternative media to survive, while supposed to partly fulfil these youth expectations in terms of freedom of expression and access to information, needs to be fully understood. There is a need for a theoretical framework to encompass this paradox. Political hybridity looks like a convenient one.2 Actually, the fact that political regimes such as the Moroccan one shift arbitrarily from liberalism to repression depending on the rulers’ mood or the political and economic forces at stake has raised a lot of questions in political science literature about the advent of full-fledged public spheres.3 Press freedom and practice is at the heart of this dilemma. -
Tunisia: Musicians Confronted with Censorship and Repression | Norient.Com 25 Sep 2021 11:43:29
Tunisia: Musicians Confronted with Censorship and Repression | norient.com 25 Sep 2021 11:43:29 Tunisia: Musicians Confronted with Censorship and Repression by Daniel Brown Of Tunisia’s entire artistic community, the musicians – and in particular urban rappers – have borne the brunt of the state’s censorship and repression. A wide legal arsenal has been used to drag musicians into court and throw them unceremoniously into gaol. In Tunisia, there are two kinds of rappers. First, there are ones like El General and Mos Anif who captured broad international interest at the outset of the 2010-2011 overthrow of General Zinedine Ben Ali. At the time, their popularity resided in texts denouncing both corruption and social injustice. Yet they were couched in a profound respect for Tunisia’s traditional moral and religious values and were noted for their absence of verbal violence, swear words or insults. El General was briefly thrown in prison on 24 December 2010 and became something of a symbol of Ben Ali’s repressive policies on culture. Then there are the underground rappers who go by the names of Weld El 15, Madou MC, Phénix, Klay BBJ, Bendir Man, Hamzaoui Med Amine and Spoiled Boy. Their rap is an abrasive yet festive description of their experiences of https://norient.com/stories/tunisia-musicians-confronted-with-censorship-and-repression Page 1 of 8 Tunisia: Musicians Confronted with Censorship and Repression | norient.com 25 Sep 2021 11:43:29 ongoing police violence, urban poverty and political corruption. These urban poets claim the ills of the Ben Ali era have stretched on unabated into the five years since Tunisia’s revolution. -
Tunisia Clash ! De Hind Medebb, Tunisie, 2015, 1H05
Cycle des Ecrans - avril-juin 2019 « Filmer les arts vivants » Tunisia Clash ! De Hind Medebb, Tunisie, 2015, 1h05 1 - PRESENTATION DU CYCLE A Marseille, au fil du printemps et en collaboration avec la Baleine, nous entamons une danse autour du 7e art. Le cinéma, art populaire par excellence, nous permet de voir, entendre et découvrir les « arts vivants ». Il devient en retour un espace d’expression plus fort, porteur de messages et d’expériences uniques. Aussi, chaque fois que la société traverse une période de trouble politique, les arts vivants se réinventent et prennent une place nouvelle, ce qui change aussi la situation de l’artiste et du public. Dans ce cycle où le cinéma entre en symbiose avec les arts vivants, la caméra devient plurielle. Un regard discret pour capturer les arts de la scène, une archive sonore pour nous transmettre les mélodies et textes déclamés sur le vif, une lumière pour éclairer les rencontres artistiques. Nous commençons avec Tunisia Clash de Hind Meddeb, en compagnie de rappeurs, poètes modernes et urbains pris dans une bataille pour la liberté de s’exprimer. Au mois de mai, le film de Jumana Manna « A magical substance flows into me » nous montre la diversité des chants et instruments de Palestine, la magie des liens musicaux tissés dans l’histoire. Et, comme chaque saison, un groupe de programmateurs choisit le film du mois de juin, dans un atelier construit cette fois- ci avec les habitants de la Busserine. Leur regard se portera sur le théâtre, la danse et l’opéra, avec le croisement de portraits documentaires réalisés en France, Turquie, au Maghreb et au Moyen-Orient. -
N°131 December 2014 / January 2015
N°131 December 2014 / January 2015 The 18th PriMed closed it doors on December 13th. We had lived through a week as intense and moving as it was full of wonderful surprises. The prize-giving ceremony was a particularly strong moment, with Yasmina Khadra, one of Algeria's best known contemporary authors, opening the gala evening. Many people watched the event from Marseille's three cultural hot-spots: the Villa Méditerranée, MuCEM and the Alcazar library. Some 50 directors were present. A unique occasion for them to get to know each other. In this latest issue of Méditerranée Audiovisuelle, we share with you the key moments of the event. You will find photos, videos and texts telling you all about PriMed 2014 The CMCA team wishes you an excellent New Year. The editors Méditerranée Audiovisuelle-La Lettre. Dépôt Légal 29 janvier 2014 . ISSN : 1634-4081. Tous droits réservés Directeur de publication : Valérie Gerbault Rédaction : Valérie Gerbault, Séverine Miot CMCA - 96 La Canebière 13001 Marseille Tel : + 33 491 42 03 02 Fax : +33 491 42 01 83 http://www.cmca-med.org - [email protected] Le CMCA est soutenu par les cotisations de ses membres, la Ville de Marseille, le Département des Bouches du Rhône et la Région Provence Alpes Côte d'Azur. 1 CONTENTS 18th PriMed Special The winners of PriMed 2014 4 The juries of the 18 th PriMed 5 “ Mediterranean Issues”, France Télévisions Documentary Grand Prix 8 “ Mediterranean Memory” Award 9 “ Mediterranean Art, Heritage and Cultures” Award 10 Reportage Award 11 First Documentar y Award 12 Mediterranean -
Youth Activism and the Politics of ‘Mediapreneurship’: the Effects of Political Efficacy and Empowerment on Mediated Norm Conveyance in Tunisia and Morocco
10 youth Activism and the Politics of ‘mediapreneurship’: The effects of Political efficacy and empowerment on mediated norm Conveyance in Tunisia and morocco Roxane Farmanfarmaian Since 2011, the role of social media in the politics of the southern bank of the Mediterranean has changed substantially. Until then, uprisings and sustained social movements – the Cypress Revolution in Lebanon, the Green Revolu- tion in Iran, the ‘We are all Khaled Said’ in Egypt – had utilised mobile phones, shared webpages and digital information exchange as means of political activ- ism, and new media use was undoubtedly gathering steam in popular abilities to mediate organisation, demonstration and change.1 But it was when Tunisia trig- gered the 2011 Arab uprisings, which then found expression in demonstrations from Morocco to Yemen, that protestors, particularly younger people who were already skilled in digital and mobile messaging, took to using social media as a tool of local mobility and international strategic communication, broadcasting in real time their demands for work, government transparency and political change.2 1 Suzi Mirgani, ‘The State of the Arab Media in the Wake of the Arab Uprisings’, Bullets and Bulletins: Media and Politics in the Wake of the Arab Uprisings, ed. Mohamed Zayani and Suzi Mirgani, London 2106, p. 5. 2 Jean-Pierre Filiu, The Arab Revolution: Ten Lessons from the Democratic Uprisings, London 2011. Unfinished Arab Spring.indd 216 05/02/2020 14:51 YOUTH ACTIVISM AND THE POLITICS OF ‘MEDIAPRENEURSHIP’ 217 These movements,