The Reverend Robert Walker Skating on Duddingston Loch
Art Appreciation Lecture Series 2015 Meet the Masters: Highlights from the Scottish National Gallery The Reverend Robert Walker skating on Duddingston Loch Angus Trumble 15/16 July 2015 Lecture summary: The Reverend Robert Walker skating on Duddingston Loch, c. 1798-1800, has not only become synonymous with the art of Sir Henry Raeburn, but has also assumed the character of an icon of the Scottish enlightenment, and of Scottish painting itself. Ten years ago, in a long article in the Burlington Magazine, Stephen Lloyd cast serious doubt upon the attribution to Raeburn on various grounds, and proposed instead that this action portrait was instead painted by the Frenchman Henri-Pierre Danloux. The ensuing controversy, and rebuttal, has shed much new light on the picture, and indeed the artist, but raises far broader questions as to the relationship between “technical” art history and connoisseurship. What are the limitations of each, and both in sometimes fraught dialogue? If, as is generally accepted, while iconic, The Reverend Robert Walker is a very unusual product of Raeburn’s studio, just how unusual can a picture be, at least in what used to be called an artist’s oeuvre, to raise and justify doubts as to its authorship? What factors, including a relatively secure provenance and close, not to say intense “looking,” may legitimately be marshalled in defence of the longstanding attribution to Raeburn? What is the role of scholarly consensus or, indeed, dissent in these debates? Slide list: 1. Henry Raeburn, The Reverend Robert Walker skating on Duddingston Loch, c. 1798-1800, oil on canvas, National Gallery of Scotland, Edinburgh (I shall return again and again to this image) 2.
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