Edinburgh Geologist No. 26. Autumn 1991
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c,cV PUBLICATIONS OF THE SCOTTISH HISTORY SOCIETY THIRD SERIES VOLUME XXV WARRENDER LETTERS 1935 from, ike, jxicUtre, in, ike, City. Chcomkers. Sdinburyk, WARRENDER LETTERS CORRESPONDENCE OF SIR GEORGE WARRENDER BT. LORD PROVOST OF EDINBURGH, AND MEMBER OF PARLIAMENT FOR THE CITY, WITH RELATIVE PAPERS 1715 Transcribed by MARGUERITE WOOD PH.D., KEEPER OF THE BURGH RECORDS OF EDINBURGH Edited with an Introduction and Notes by WILLIAM KIRK DICKSON LL.D., ADVOCATE EDINBURGH Printed at the University Press by T. and A. Constable Ltd. for the Scottish History Society 1935 Printed in Great Britain PREFACE The Letters printed in this volume are preserved in the archives of the City of Edinburgh. Most of them are either written by or addressed to Sir George Warrender, who was Lord Provost of Edinburgh from 1713 to 1715, and who in 1715 became Member of Parliament for the City. They are all either originals or contemporary copies. They were tied up in a bundle marked ‘ Letters relating to the Rebellion of 1715,’ and they all fall within that year. The most important subject with which they deal is the Jacobite Rising, but they also give us many side- lights on Edinburgh affairs, national politics, and the personages of the time. The Letters have been transcribed by Miss Marguerite Wood, Keeper of the Burgh Records, who recognised their exceptional interest. Miss Wood has placed her transcript at the disposal of the Scottish History Society. The Letters are now printed by permission of the Magistrates and Council, who have also granted permission to reproduce as a frontispiece to the volume the portrait of Sir George Warrender which in 1930 was presented to the City by his descendant, Sir Victor Warrender, Bt., M.P. -
Edinburgh International Festival Society Papers
Inventory Acc.11779 Edinburgh International Festival Society Papers National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © Trustees of the National Library of Scotland BOX 1 1984 1. Venue letting contracts. 2. Australian Youth Orchestra. 3. BBC Orchestra. 4. Beckett Clurman. 5. Black Theatre 6. Boston Symphony 7. Brussels Opera 8. Childrens Music Theatre 9. Coleridges Ancient Mariner 10. Hoffung Festival BOX 2 1984 11. Komische Opera 12. Cleo Laine 13. LSO 14. Malone Dies 15. Negro Ensemble 16. Philharmonia 17. Scottish National 18. Scottish Opera 19. Royal Philharmonic 20. Royal Thai Ballet 21. Teatro Di San Carlo 22. Theatre de L’oeuvre 23. Twice Around the World 24. Washington Opera 25. Welsh National Opera 26. Broadcasting 27. Radio Forth/Capital 28. STV BOX 2 1985 AFAA 29. Applications 30. Amsterdam Baroque Orchestra/Netherlands Chamber Orchestra 31. Balloon Festival. 32. BBC TV/Radio. 33. Le Misanthrope – Belgian National Theatre 34. John Carroll 35. Michael Clark. BOX 3 36. Cleveland Quartet 37. Jean Phillippe Collard 38. Compass 39. Connecticut Grand Opera 40. Curley 41. El Tricicle 42. EuroBaroque Orchestra 43. Fitzwilliam 44. Rikki Fulton 45. Goehr Commission 46. The Great Tuna 47. Haken Hagegard and Geoffery Parons 48. Japanese Macbeth 49. .Miss Julie 50. Karamazous 51. Kodo 52. Ernst Kovacic 53. Professor Krigbaum 54. Les Arts Florissants. 55. Louis de France BOX 4 56. London Philharmonic 57. Lo Jai 58. Love Amongst the Butterflies 59. Lyon Opera 60. L’Opera de Nice 61. Montreal Symphony Orchestra 62. -
Concerts & Castles
Concerts & Castles A Magical Journey to Scotland with WBJC! August 2-12, 2018 Tour begins August 3rd in Scotland. Jonathan Palevsky has been with WBJC since 1986 and has been the station’s Program Director since 1990. He is originally from Montreal and came to Baltimore in 1982 to study classical guitar at the Peabody Institute of the Johns Hopkins University. Edinburgh seen from Calton Hill On WBJC he is the host of the WBJC Opera Preview, the music review program Face the Music, Music in Maryland, and is Join the indefatigable Jonathan Palevsky co-host of Word on Wine. His current off-air obsessions include for another magical musical journey, this skiing, playing guitar and being the host of Cinema Sundays. Simon Rattle time to bonnie Scotland. The highlight is attendance at the 71st annual Edinburgh International Festival, arguably the world’s best arts festival, in one of Europe’s most beautiful capitals. A mark of this great event, you will enjoy a wide variety of performances including two H H H H by the London Symphony led by its new music director Sir Simon Rattle, Tour Highlights back home after his long tenure with the Berlin Philharmonic; a production • Prime tickets to five of Rossini’s sparkling The Barber of Seville from Paris; recitals by the performances at the superb pianists Piotr Anderszewski and Marc-André Hamelin, the latter Edinburgh Festival, including an opera, two with the Takacs Quartet; and the spectacular Royal Military Tattoo, beneath orchestral concerts, and two recitals Edinburgh Castle. You will also have the option of attending a concert • Prime tickets to the Royal Military Tattoo at Edinburgh Castle performance of Wagner’s Siegfried with a first-rate cast, or the National • Optional concert of Wagner’s Siegfried, or a play by Theatre of Scotland’s amazing chamber musical, Midsummer, the National Theatre of Scotland set in Edinburgh. -
'A Chief Standard Work': the Rise and Fall of David Hume's' History of England'. 1754-C. 1900
’A CHIEF STANDARD WORK’: THE RISE AND FALL OF DAVID HUME’S HISTORY OF ENGLAND. 1754-C.1900. UNIVERSITY OF LONDON PhD THESIS JAMES ANDREW GEORGE BAVERSTOCK UNIVERSITY COLLEGE [LONOIK. ProQuest Number: 10018558 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10018558 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract. This thesis examines the influence of David Hume’s History of England during the century of its greatest popularity. It explores how far the long-term fortunes of Hume’s text matched his original aims for the work. Hume’s success in creating a classic popular narrative is demonstrated, but is contrasted with the History's failure to promote the polite ’coalition of parties’ he wished for. Whilst showing that Hume’s popularity contributed to tempering some of the teleological excesses of the ’whig version’ of English history, it is stressed that his work signally failed in dampening ’Whig’/ ’Tory’ conflict. Rather than provide a new frame of reference for British politics, as Hume had intended, the History was absorbed into national political culture as a ’Tory’ text - with important consequences for Hume’s general reputation as a thinker. -
The Daniel Wilson Scrapbook
The Daniel Wilson Scrapbook Illustrations of Edinburgh and other material collected by Sir Daniel Wilson, some of which he used in his Memorials of Edinburgh in the olden time (Edin., 1847). The following list gives possible sources for the items; some prints were published individually as well as appearing as part of larger works. References are also given to their use in Memorials. Quick-links within this list: Box I Box II Box III Abbreviations and notes Arnot: Hugo Arnot, The History of Edinburgh (1788). Bann. Club: Bannatyne Club. Beattie, Caledonia illustrated: W. Beattie, Caledonia illustrated in a series of views [ca. 1840]. Beauties of Scotland: R. Forsyth, The Beauties of Scotland (1805-8). Billings: R.W. Billings, The Baronial and ecclesiastical Antiquities of Scotland (1845-52). Black (1843): Black’s Picturesque tourist of Scotland (1843). Black (1859): Black’s Picturesque tourist of Scotland (1859). Edinburgh and Mid-Lothian (1838). Drawings by W.B. Scott, engraved by R. Scott. Some of the engravings are dated 1839. Edinburgh delineated (1832). Engravings by W.H. Lizars, mostly after drawings by J. Ewbank. They are in two series, each containing 25 numbered prints. See also Picturesque Views. Geikie, Etchings: Walter Geikie, Etchings illustrative of Scottish character and scenery, new edn [1842?]. Gibson, Select Views: Patrick Gibson, Select Views in Edinburgh (1818). Grose, Antiquities: Francis Grose, The Antiquities of Scotland (1797). Hearne, Antiquities: T. Hearne, Antiquities of Great Britain illustrated in views of monasteries, castles and churches now existing (1807). Heriot’s Hospital: Historical and descriptive account of George Heriot’s Hospital. With engravings by J. -
INVESTIGATING Ice
Holyrood Park in the heart of Edinburgh is a unique landscape forged by volcanoes and carved by INVESTIGATING ice. This resource encourages learners to explore this landscape, discover its HOLYROOD PARK variety of plants and wildlife and examine its influence through the ages on people and biodiversity. Information for teachers LEARNING INVESTIGATING HISTORIC SITES: SITES 2 holyrood park Using this resource Contents Holyrood Park is a unique historic This resource contains: landscape in the heart of the Edinburgh. • the story of Holyrood Park P2 Its dramatic crags and hills give the city Using this resource • suggestions for preparatory and its distinctive skyline. The park’s famous follow-up activities P3 landscape was forged by volcanoes and Organising your visit carved by ice. • descriptions of four themed teacher- led tours of the park, each of which P7 The park contains a remarkable variety focuses on different aspects: Supporting learning of plants and animals, has been home and teaching to humans over thousands of years, and Tour 1: Landscape and beginnings P10 has been witness to key events in the Tour 2: Human traces Integrating a visit with history of Edinburgh and Scotland. Tour 3: Rare plants and animals classroom studies This resource is designed for teachers Tour 4: Managing for a sustainable P12–13 who are planning an independent visit future Timeline: the story of to Holyrood Park with their classes. It is Holyrood Park • glossary of terms used in the resource most suitable for secondary teachers, (words explained in the glossary are P14 although primary teachers will also find italicised in the text) The story of Holyrood much of interest. -
City of Edinburgh Council Charitable Trust Annual Audit Report 2017/18
The City of Edinburgh Council Charitable Trusts Audit management report for the year ended 31 March 2018 September 2018 Contents Introduction ............................................................................................................... 1 Financial statements ................................................................................................ 3 Appendix 1: Respective responsibilities of the trustees and the Auditor ......... 12 Appendix 2: Audit differences ............................................................................... 13 Appendix 3: List of entities’ key financials .......................................................... 14 Appendix 4: Accounting systems and internal control ....................................... 18 Appendix 5: Management representation letter ................................................... 22 1 Introduction 3 Introduction 1. International Standards on Auditing (UK) 260, 5. The report has been discussed and agreed with “Communication with those charged with City of Edinburgh Council management. governance” and 265 “Communicating 6. We would like to thank council management deficiencies in internal control to those charged and staff for their kind co-operation and with governance” require Scott-Moncrieff to assistance during our audit. report the significant findings from our audit to those charged with governance. 2. This report aims to provide the trustees with constructive observations arising from the audit process. We set out in this report details of: ••• any -
The City of Edinburgh Council Charitable Trusts Audited Trustee's
The City of Edinburgh Council Charitable Trusts Audited Trustee's Annual Report and Accounts for the year ended 31 March 2017 Legal and Administrative Information Trustee The City of Edinburgh Council acts as sole trustee for the charities in this report. The delegated responsibility for charitable trusts was transferred from the Pensions and Trusts Committee to the Finance and Budget Committee as part of the review of governance arrangements under the Committee Terms of Reference and Delegated Functions approved by Council on 20 September 2012 (Section 6.6). The Finance and Budget Committee has since been renamed the Finance and Resources Committee and now has delegated responsibility from Council to act in the role of trustee of its charities. The individual members of the Committee are listed on page 6 of the Trustee Report. In addition to the above a separate Committee exists to manage the Jean F. Watson Bequest Art Collection. The Committee on the Jean F. Watson Bequest has the following delegated authority: “With monies from the Jean F. Watson Bequest, to purchase and commission for the City’s collection, works of artists and craftspeople born, practising in, or otherwise associated with Scotland, and in particular Edinburgh; all decisions to be guided by the Collection and Disposal Policy for the City Museums and Galleries.” Registered Office The City of Edinburgh Council City Chambers High Street Edinburgh EH1 1YJ Auditor Scott-Moncrieff Exchange Place 3 Semple Street Edinburgh EH3 8BL Bankers Royal Bank of Scotland 36 St Andrew Square Edinburgh EH2 2AD Investment Managers CCLA Investment Management Ltd Senator House 85 Queen Victoria Street London EC4V 4ET M&G Charities PO Box 9038 Chelmsford CM99 2XF 1 Trustee’s Audited Annual Report 2016/17 The trustee presents the Audited Annual Report and Accounts of the City of Edinburgh Council Charitable Trusts for the year ending 31 March 2017. -
No. 15 Public Transport Links to 15 Rutland Square Are Excellent
Getting to No. 15 Public transport links to 15 Rutland Square are excellent. On street parking is limited but there is a large public car park at Haymarket, within comfortable walking distance. Train or bus is the preferred option for most visitors. Rail Connections 15 Rutland Square is around ten minutes stroll from Edinburgh Haymarket Station which connects to Glasgow, Fife and the North. Waverley Station, a ten minute bus ride away, connects with all these destinations and also southwards on the East Coast line. Hotels 15 Rutland Square is conveniently located for all the No. 15 Edinburgh city centre hotels and guesthouses. The nearest large hotels are the Caledonian at the corner of Rutland rutland Street and Lothian Road and the Sheraton at Festival square Square. Smaller local facilities are available at the Rutland Hotel, Hudson’s Hotel and the Roxburghe. The West End is rich in high quality speciality retail outlets and a broad range of bars, restaurants and cultural attractions. Endpiece A SUPERB VENUE FOR MEETINGS AND EVENTS The Usher Hall, Royal Lyceum Theatre, Traverse Theatre The Council Room and the basement Garden Room 15 Rutland Square, in the heart of Edinburgh’s West End, and Filmhouse Cinema are all less than five minutes walk (seating up to 16) are available for highly competitive rates. is a unique and elegant setting for meetings or events. from 15 Rutland Square. High quality catering for all types of meeting is negotiable. Home to the Royal Incorporation of Architects in Scotland for nearly a century, this building has served Scotland’s If you are interested in 15 Rutland Square, please contact: architects and played host to royalty, ambassadors, Louise McLeod on 0131 229 7545 politicians and leading figures from the arts and public or at [email protected] life. -
The Findings at a Glance
Act 2 Findings At A Glance 62K 232 Audience responses Organisations Booking Only 17% Half NOW for of those booking are for events of respondents are from NOVEMBER events booking for events Returning 67% 70% would consider attending would not consider booking for to events events if venues re-opened events for at least 3 months with social distancing Covid-safe ‘kite mark’ Masks for audiences Households seated together Safety & Unallocated seating Limited numbers Restricted facilities ü Seat spacing û Comfort Digital 83% >½ Culture interested in culture online would pay for it Outdoor 94% >¾ Culture Are interested in culture outdoors would pay for it Audiences expect to Economic 81% Concern for survival of spend 4% more on Viability cultural organisations culture Act 2 Wave 1 Report June 2020 © Indigo-Ltd 3 Appendix 2: Participating Organisations England Ipswich Regent Theatre Strode Theatre YMCA Theatre Scarborough a space arts Jacksons Lane Sunderland Culture Arts Centre York Concerts ADC Theatre Jersey Arts Centre Washington Alnwick Playhouse Jumped Up Theatre Take Art Scotland AMATA, Falmouth University Junction Goole Tetbury Music Festival Aberdeen Performing Arts Arts In Rural Gloucestershire Kenton Theatre Tete a Tete Productions Ayr Gaiety Partnership Artsadmin Kings Theatre Portsmouth The Albany Byre Theatre artsdepot Kirkgate Arts The Albany Theatre Cranleigh Arts Artsreach Kneehigh The Apex Edinburgh Festival Fringe Assembly Hall Lakeside Arts, Uni of Nott. The Atkinson Edinburgh International Attenborough Centre for the Leeds -
History & Humanities
J R Coll Physicians Edinb 2018; 48: 155–64 | doi: 10.4997/JRCPE.2018.211 PAPER Collectors of natural knowledge: the Edinburgh Medical Society and the associational culture of Scotland and the North Atlantic world in the 18th Century HistoryC Jones1 & Humanities This paper reappraises the role of medical clubs and societies in the Correspondence to: production and consumption of knowledge in 18th-century Scotland and C Jones Abstract the wider North Atlantic world. It focuses on the Edinburgh Medical Society, School of Language, founded in 1731 by Alexander Monro primus; and on the student Medical Literature, Music and Visual Society, founded in 1734 and constituted in 1737 as the Medical Society Culture of Edinburgh, ultimately becoming the Royal Medical Society of Edinburgh University of Aberdeen in 1778. The paper examines how Monro, as editor of the transactions of the Edinburgh King’s College Medical Society, sought to adapt medical learning to a world of polite sociability; and how Aberdeen AB24 3UB that world came under pressure in the student Medical Society, where prevailing orthodoxies, UK such as the system of Herman Boerhaave and, later, William Cullen, were challenged. In the febrile atmosphere of the 1790s, William Thomson accused the Royal Medical Society of Email: Edinburgh of promoting visionary theories and abandoning the proper experimental method [email protected] in medical science. Yet with its overarching commitment to the sceptical and empirical principles laid down by the Royal Society of London (founded in 1660), the Royal Medical Society of Edinburgh provided a model for the establishment of similar clubs and societies on both sides of the Atlantic. -
4. the Water of Leith As Stated in the Introduction, This Will Be a Briefer
4. The Water of Leith As stated in the Introduction, this will be a briefer account than those for the other rivers, following the same template in the upper reaches, but focussing on tributaries past and present once within the city boundary of Edinburgh, until the last stretch through Leith. The sources of the Water of Leith are springs at near 400m height on the northern slopes of West Cairn Hill and Colzium Hill, in the Pentland Range. These feed three streams, rather unimaginatively named, ‘West Burn’, ‘Mid Burn’, and ‘East Burn’, which join together near the hamlet of Colzium, to form the Water of Leith, at Grid Reference NT 086 589. From here, the small river winds north-east for c2.5km until it enters Harperrig Reservoir. This large artificial body of water has a surface area of 94 hectares, and is shaped something like an open-mouthed flounder, with its tail to the south-west, where the Water of Leith enters, and with its jaws to the east. The reservoir was opened in 1860, and its function was to store water which could be used, especially during dry spells, to compensate for water abstracted from the springs referred to above, their effusions having been piped into the Edinburgh water supply. Reservoir water was released as needed to maintain the river flow which drove many mills in the 19th century. Somewhat perversely, its function has turned full-circle, as with the mills defunct, it now holds back water which would otherwise increase the risk of flooding in Edinburgh after heavy rain.