Qartuli Ornamenti.Tevzaia Marina

ISBN 99940-0-613-4 am wignis Seqmnis The desire to cre- Èäåÿ ñîçäàíèÿ äàííîé survili gamiCnda erT- ate this book was êíèãè âîçíèêëà íà erTi leqciis dros, born during one of îäíîé èç ëåêöèé, ÿ rodesac vigrZeni, rom my lectures. I had a îñîçíàëà, ÷òî îáúåì ornamentis Temaze Cems feeling that the mate- ïðåäîñòàâëåííûõ ìíîþ mier mowodebuli rial I provided did ìàòåðèàëîâ ïî masala ar akmayofileb- not satisfy the needs îðíàìåíòó ÿâíî íå da studentebis of my students. óäîâëåòâîðÿë moTxovnas. Modern technolo- òðåáîâàíèÿì ñòóäåíòîâ. Tanamedrove gies have made it Ê òîìó æå, âíåäðåíèÿ teqnologiebma axali possible to use new ñîâðåìåííûõ òåõíîëîãèé SesaZleblobebi moi- opportunities. îòêðûâàëè íîâûå tana. amasTanave, Abundance of âîçìîæíîñòè ïî Cvenamde moRweuli Georgian Ornament èñïîëüçîâàíèþ äðåâ- qarTuli ornamentis which has survived íåéøåãî è mravalferovneba throughout centuries ìíîãîãðàííîãî saSualebas gvaZlevs provides ample ãðóçèíñêîãî îðíàìåíòà farTod gamoviyenoT chance to use it in â ïðàêòèêó igi, amitom bunebrivad real life. ñîâðåìåííîãî äèçàéíà. CavTvale gadameyvana It was decided to Åñòåñòâåííî, qarTuli ornamentis give the idea of ïîÿâèëîñü æåëàíèå motivebi axal Georgian Ornament a âîïëîòèòü ìîòèâû teqnologiebSi. am new computerized mizniT Cems mier íàöèîíàëüíîãî qvaze kveTili ornamenti form. I got hold of fasadis ornamentuli moZiebuli iyo sakmao plenty of materials. îðíàìåíòà â íîâûå ðåøåíèÿ. Ñ ýòîé öåëüþ Semkulobis fragmenti moculobis masala, At the same time I safara (X sauk.) áûëà ñîñòàâëåíà amasTanave cifruli took photos of frag- Fragment of ornamental decora- fotokameriT gadaviRe ments of different áîëüøàÿ áàçà äàííûõ. tion, facade, Sapara, 10th century saqarTvelos sxvadasx- ornaments of Íåìàëîå êîëè÷åñòâî Ñàïàðà, X âåê, ôðàãìåíò va istoriuli Zeglis Georgian cultural her- èñòîðè÷åñêèõ îðíàìåíòàëüíîãî óáîðà ôàñàäà ornamentebis frag- itage with a digital ïàìÿòíèêîâ Ãðóçèè áûëî axalcixis raioni mentebi. samuSao metad ñôîòîãðàôèðîâàíî Akhaltsikhe region camera. It was very Àõàëöèõñêèé ðàéîí sainteresod mimdinare- interesting because I ìíîþ ñ ïîìîùüþ 3 qvaze kveTili ornamenti fasadis ornamentuli Semkulobis fragmenti, safara (X sauk.) Fragment of ornamental decoration, facade, Sapara, 10th century Ñàïàðà, X âåê, ôðàãìåíò îðíàìåíòàëüíîãî óáîðà ôàñàäà axalcixis raioni Akhaltsikhe region Àõàëöèõñêèé ðàéîí obda, vinaidan am dros had to travel a lot öèôðîâîé ôîòîêàìåðû. momiwia mogzauroba Cveni around my country. It Ðàáîòà áûëà î÷åíü qveynis sxvadasxva seemed there was no èíòåðåñíîé, ÿ kuTxeSi. samuSaos dasas- end to my work until èñêîëåñèëà ïðàêòè÷åñêè ruli ar uCanda, sanam I decided to publish âñå óãîëêè íàøåé erTxelac ar gadavwyvite a book in series, part Ðîäèíû, íî, â òî æå wigni seriebad, nawil- by part. âðåìÿ, ìàòåðèàë áûë nawil gamomeSva. I entered the íåèñ÷åðïàåì, è òîãäà ÿ masala mTlianad material into the com- ðåøèëàñü âûïóñòèòü kompiuterSi Seviyvane da puter and worked on êíèãó îòäåëüíûìè it in a vector pro- davamuSave veqtorul ÷àñòÿìè. programaSi. samuSao sak- gram. It turned out Äàííûå áûëè maod rTuli da to be time and ener- îáðàáîòàíû â âåêòîðíîé Sromatevadi aRmoCnda, gy consuming. On ïðîãðàììå. Ðàáîòà radgan kompiuteruli the one hand, I tried variantebi, erTis mxriv, hard to keep comput- îêàçàëàñü ñëîæíîé è unda darCeniliyo er version as close to òðóäîåìêîé, òàê êàê, ñ Sesabamisi originalebis the original as possi- îäíîé ñòîðîíû, áûëî ble. On the other zust aslebad, rom maT íåîáõîäèìî ïîëíîñòüþ hand, I did not want ar daekargaT qarTuli ñîõðàíèòü ñõîäñòâî ñ to lose even a single ornamentis xasiaTi, îðèãèíàëîì, äàáû íå feature of Georgian amasTanave SesaZlebeli ïîòåðÿòü õàðàêòåð è Ornaments. At the yofiliyo maTi efeqturi ìîòèâû ãðóçèíñêîãî same time, I wanted gamoyeneba dizainis îðíàìåíòà, à ñ äðóãîé, to make it possible sxvadasxva sferoSi. ýôôåêòèâíî ïðèìåíèòü to use them effective- am procesSi kidev ly in various fields of äàííûé îðíàìåíò â erTxel davinaxe modern design. ðàçëè÷íûõ îáëàñòÿõ äèçàéíà. qarTuli ornamentis In the process mTeli mravalferovneba, once again I saw the Ýòà ðàáîòà åùå ðàç silamaze da simdidre. beauty, variety and ïðîäåìîíñòðèðîâàëà âñå wignSi warmodgenili abundance of ìíîãîîáðàçèå, êðàñîòó 4 Saravandis qvemo nawilebi, vercxli mooqrovis gareSe Lower parts of setting, silver without gilding Íèæíèå ÷àñòè îêëàäà èêîíû, cåðåáðî áåç ïîçîëîòû gelaTi Gelati Ãåëàòè

ornamenti masalisa da Georgian Ornament. è áîãàòñòâî ãðóçèíñêîãî Sesrulebis teqnikis The ornaments in îðíàìåíòà. mixedviT dayofilia 5 the book are divided Ïðåäñòàâëåííûå â êíèãå nawilad: qva, xe, into five categories îðíàìåíòû ïî ìàòåðèàëó è oqromWedloba, xelna- according to material òåõíèêå èñïîëíåíèÿ werebi da kedlis fer- and technologies: ïîäåëåíû íà 5 ðàçäåëîâ: wera. Cems mier mopove- stone, wood, gold êàìåíü, äåðåâî, ÷åêàíêà ïî buli masalebis garda, work, manuscripts ìåòàëëó, ðóêîïèñè è gamoyenebulia and mural-painting. In g. CubinaSvilis, addition to the mate- íàñòåííàÿ æèâîïèñü. r. Smerlingisa da rial I obtained, I Ïîìèìî ñîáðàííûõ ìíîþ a. kravCenkos mier used samples collect- ìàòåðèàëîâ â êíèãå

qvaze kveTili ornamenti fasadis ornamentuli Semkulobis fragmenti, safara (X sauk.) Fragment of ornamental decoration, facade, Sapara, 10th century Ñàïàðà, X âåê, ôðàãìåíò îðíàìåíòàëüíîãî óáîðà ôàñàäà

axalcixis raioni Akhaltsikhe region Àõàëöèõñêèé ðàéîí 5 Segrovili nimuSebi, ed by G. Chubinashvili, èñïîëüçîâàëèñü îáðàçöû masalebi R. Shmerling and Ã.Í. ×óáèíàøâèëè, saqarTvelos A. Kravchenko, as well Ð.Î. Øìåðëèíãà è muzeumebidan. samo- as the material from À.Â. Êðàâ÷åíêî, à òàêæå mavlod gegmaSi different Georgian muse- èç ðàçëè÷íûõ ìóçååâ aris davumato am ums. I plan to add nawilebs qarTuli Georgian cloth, tapestry Ãðóçèè. Â ïëàíû íà sazedao aso "wm. efTvi- qsovilebi, Teqa da and felt. áóäóùåå âõîäÿò mes Tqmulebebi"-dan ãðóçèíñêèå òêàíè è (XIII-XIV saukunis xel- gobeleni. wignis This book is of naweri) masalebi ganxiluli practical use for young ãîáåëåíû. Ïîñëå òîãî, Initial letter from iyo Tbilisis sax- designers, because, to êàê ìàòåðèàëû áûëè “St. Eptvime’ tales”, 13-14th elmwifo samxatvro my mind, old Georgian ðàññìîòðåíû è centuries akademiis samecniero ornament should be îäîáðåíû Ó÷åíûì sabWoze da widely used in modern Èíèöèàë èç ðóêîïèñè Ñîâåòîì Òáèëèññêîé XIII-XIV â.â. “Ñêàçàíèÿ dadebiTi Sefasebis art. Àêàäåìèè Õóäîæåñòâ, Ñâ. Åôðåìèÿ” Semdeg gadavwyvite The material used in saq. mecnierebaTa akademiis misi dabeWdva. áûëî ïðèíÿòî ðåøåíèå xelnawerTa instituti this book was approved Èí-ò ðóêîïèñåé ÀÍ Ãðóçèè vimedovneb, rom by scientific council of êíèãó ïóñòèòü â ïå÷àòü. am gamocemas Tbilisi State Academy of Íàäåþñü, ÷òî praqtikuli Art. Only after this did ñáîðíèê îðíàìåíòîâ mniSvneloba eqneba I decide to publish the ïîñëóæèò ïðàêòè÷åñêèì book. axalgazrda ðóêîâîäñòâîì äëÿ dizainerebisaTvis. I hope this book ìîëîäûõ äèçàéíåðîâ, à da Tu es asea, Cemi will prove to be useful òàêæå çàèíòåðåñóåò Canafiqri SeiZleba for young designers, CavTvalo asrulebu- and if so, my inten- øèðîêèé êðóã lad. tions will be realised. ÷èòàòåëåé. marina Tevzaia Marina Tevzaia Ìàðèíà Òåâçàÿ 6 qarTuli xelnawerebi GEORGIAN MANUSCRIPTS ÃÐÓÇÈÍÑÊÈÅ ÐÓÊÎÏÈÑÈ Tavsamkauli e.w. mcxeTis fsalmunidan (934 wlis xelnaweri) Page-heading decoration from so-called Mtskheta Psalms, 934 A.D. manuscript Çàñòàâêà èç ò.í. Ìöõåòñêîãî ïñàëòûðÿ (ðóêîïèñü 934 ãîäà) saq. mecnierebaTa akademiis xelnawerTa instituti Èí-ò ðóêîïèñåé ÀÍ Ãðóçèè È S Ñ T i P b È I e Ï R r Î C e S Ê w U a Ó n Ð xelnaweris Semkulobis N

A l Å

nimuSi “wignis mokaz- e M È x

mvis nimuSebi”-dan (ÕIÕ Ê N i Ñ A

sauk. dasawyisis xel- I l Í G u naweri) È R Ç T O Ó r E

Sample of manuscript dec- Ð a oration from “Book deco- q G Ã ration samples”, manuscript of beginning of 19th century Îáðàçåö îôîðìëåíèÿ ðóêîïèñè íà÷àëà ÕIÕ âåêà “Îáðàçöû îôîðìëåíèÿ êíèã” saq. mecnierebaTa akademiis xelnawerTa instituti Èí-ò ðóêîïèñåé ÀÍ Ãðóçèè

9 sazedao aso miqel modrekilis saeklesio sagalobelTa krebuli- dan (Õ sauk. xelnaweri) Initial letter from Michael the Modrekili’s hymns, 10th century manuscript Èíèöèàë èç ñáîðíèêà öåðêîâíûõ ïåñíîïåíèé Ìèêåëÿ Ìîäðåêèëè (ðóêîïèñü Õ âåêà) saq. mecnierebaTa akademiis xelnawerTa instituti Èí-ò ðóêîïèñåé ÀÍ Ãðóçèè È S Ñ T i P b È I e Ï

R sazedao asoebi r Î C e svinaqsaridan (ÕI sauk. S Ê w U a Ó ormociani wlebis xel- n Ð N

A l

Å naweri) e M È x

Ê Initial letters from N i Ñ A Svinaksari, manuscript of I l Í G u È 40-s of 11th century R Ç T O Ó r Èíèöèàëû èç Ñèíàêñàðèÿ E Ð a q G Ã (ðóêîïèñü 40-õ ã. ÕI âåêà) saq. mecnierebaTa akademiis xelnawerTa instituti Èí-ò ðóêîïèñåé ÀÍ Ãðóçèè

10 Tavsamkaulebi svinaqsaridan (ÕI sauk. dasasrulis xelnaweri) Page-heading decorations from Svinaksari, manuscript of end of 11th century Çàñòàâêè èç Ñèíàêñàðèÿ (ðóêîïèñü êîíöà ÕI âåêà) saq. mecnierebaTa akademiis xelnawerTa instituti Èí-ò ðóêîïèñåé ÀÍ Ãðóçèè

Tavsamkauli svinaqsaridan (Õ sauk. 40-iani wlebis xelnaweri) Page-heading decoration from Svinaksari, manuscript of 40-s of 10th century Èíèöèàë èç Ñèíàêñàðèÿ (ðóêîïèñü 40-õ ã. Õ âåêà) È S Ñ T saq. mecnierebaTa akademiis i P b È xelnawerTa instituti I e Ï R

Èí-ò ðóêîïèñåé ÀÍ Ãðóçèè r Î C e S Ê w U a Ó n Ð N

A l Å e M È x

Ê N i Ñ A I l Í G u È R Ç T O Ó r E Ð a ornamentuli zoli q G Ã astronomiuli traq- tatidan (1210 wlis xelnaweri) Ornamental line from Astronomical Tract, 1210 A.D. manuscript Îðíàìåíòàëüíûé áîðò èç Àñòðîíîìè÷åñêîãî Òðàê- òàòà (Ðóêîïèñü 1210 ãîäà) saq. mecnierebaTa akademiis xelnawerTa instituti Èí-ò ðóêîïèñåé ÀÍ Ãðóçèè

11 sazedao asoebi 1031w. xelnaweridan _ "gri- gol RvTismetyvelis Tqmulebani" Initial letters from “The tales of Gregory the Theologian”, 1031 A.D. manuscript Èíèöèàëû èç ðóêîïèñè 1031 ãîäà “Ñêàçàíèÿ Ãðèãîðèÿ Áîãîñëîâà” saq. mecnierebaTa akademiis xelnawerTa instituti Èí-ò ðóêîïèñåé ÀÍ Ãðóçèè È S Ñ T i P b È I e Ï R r Î C e S Ê w U a Ó n Ð N

A l Å

e sazedao asoebi "wm. ef- M È x

N Tvimes Tqmulebebi"-dan i Ñ A

I (XIII-XIV saukunis xel- l Í G u È naweri) R Ç T O Ó r E

Ð Initial letters from a q G Ã “St. Eptvime’s tales”, 13- 14th centuries’ manuscript Èíèöèàëû èç ðóêîïèñè XIII-XIV â.â. “Ñêàçàíèÿ Ñâ. Åôðåìèÿ” saq. mecnierebaTa akademiis xelnawerTa instituti Èí-ò ðóêîïèñåé ÀÍ Ãðóçèè

12 Tavsamkauli e.w. Sio- mRvimis saxarebidan (1304 wlis xelnaweri) Page-heading decoration from so-called Shiomgvime Gospel, 1304 A.D. manuscript Çàñòàâêà èç Øèîìãâèì- ñêîãî åâàíãåëèÿ (ðóêîïèñü 1304 ãîäà) saq. mecnierebaTa akademiis xelnawerTa instituti Èí-ò ðóêîïèñåé ÀÍ Ãðóçèè

Tavsamkauli ÕI sauk. xelnaweridan Page-heading decoration 11th ñentury manuscript Çàñòàâêà èç ðóêîïèñè ÕI âåêà saq. mecnierebaTa akademiis xelnawerTa instituti Èí-ò ðóêîïèñåé ÀÍ Ãðóçèè È S Ñ T i P b È I e Ï R r Î C e S Ê w U a Ó n Ð N

A l Å e M È x

Ê N i Ñ A I l Í G u È R Ç T O Ó r E Ð a q G Ã

Tavsamkauli 1743 wlis xelnaweridan Page-heading decoration 1743 A.D. manuscript Çàñòàâêà èç ðóêîïèñè 1743 ãîäà saq. mecnierebaTa akademiis xelnawerTa instituti Èí-ò ðóêîïèñåé ÀÍ Ãðóçèè

13 Tavsamkauli da sazedao aso oTxTavidan (ÕV sauk. xelnaweri) Page-heading decoration and initial letter from Gospel, 15th century manuscript Çàñòàâêà è èíèöèàë èç ÷åòâåðîåâàíãåëèÿ (Ðóêîïèñü ÕV âåêà) saq. mecnierebaTa akademiis xelnawerTa instituti Èí-ò ðóêîïèñåé ÀÍ Ãðóçèè

sazedao aso ÕI-XII sazedao aso e.w. moqvis sauk. xelnaweridan saxarebidan (1300 wlis È S Initial letter from 11-12th xelnaweridan) Ñ T i P b È

I centuries’ manuscript Initial letter from so-called e Ï R r Mokvi Gospel, 1300 A.D. Î C

e Èíèöèàë èç ðóêîïèñè S Ê w manuscript U a ÕI-XII â.â. Ó n Ð N

saq. mecnierebaTa akademiis Èíèöèàë èç ò.í. Ìîêâñêîãî A l Å

e xelnawerTa instituti M

È åâàíãåëèÿ (ðóêîïèñü 1300 x

Èí-ò ðóêîïèñåé ÀÍ Ãðóçèè Ê N

i ãîäà) Ñ A I l Í saq. mecnierebaTa akademiis G u È

R xelnawerTa instituti Ç T O

Ó Èí-ò ðóêîïèñåé ÀÍ Ãðóçèè r E Ð a q G Ã

14 xelnaweris Semkulobis nimuSebi “wignis mokazmvis nimuSebi”-dan (ÕIÕ sauk. dasawyisis xelnaweri) Samples of manuscript decoration from “Book decoration samples”, manuscript of beginning of 19th century Èíèöèàëû èç ðóêîïèñè íà÷àëà ÕIÕ âåêà “Îáðàçöû îôîðìëåíèÿ êíèã” saq. mecnierebaTa akademiis xelnawerTa instituti Èí-ò ðóêîïèñåé ÀÍ Ãðóçèè È S Ñ T i P b È I e Ï R r Î C e S Ê w U a Ó n Ð N

A l Å e M È x

Ê N i Ñ A I l Í G u È R Ç T O Ó r E Ð a q G Ã

Tavsamkauli XV sauk. xelnaweridan Page-heading decoration from 15th century manuscript Çàñòàâêà èç ðóêîïèñè XV âåêà saq. mecnierebaTa akademiis xelnawerTa instituti Èí-ò ðóêîïèñåé ÀÍ Ãðóçèè

15 sazedao asoebi e.w. moqvis saxarebidan (1300 wlis xelnaweri) Initial letters from so-called Mokvi Gospel, 1300 A.D. manuscript Èíèöèàëû èç ò.í. Ìîêâñêîãî åâàíãåëèÿ (ðóêîïèñü 1300 ãîäà) saq. mecnierebaTa akademiis xelnawerTa instituti Èí-ò ðóêîïèñåé ÀÍ Ãðóçèè

sazedao asoebi e.w. È S Ñ T i moqvis saxarebidan (1300 P b È I e wlis xelnaweri) Ï R r Î C e Initial letters from so-called S Ê w U a Ó Mokvi Gospel, 1300 A.D. n Ð N

A l manuscript Å e M È x

Ê Èíèöèàëû èç ò.í. N i Ñ A Ìîêâñêîãî åâàíãåëèÿ I l Í G u

È (ðóêîïèñü 1300 ãîäà) R Ç T O Ó r saq. mecnierebaTa akademiis E Ð a

q G Ã xelnawerTa instituti Èí-ò ðóêîïèñåé ÀÍ Ãðóçèè

16 vineti ÕIÕ sauk. da- xelnaweris Semkulobis sawyisis xelnaweridan nimuSebi “wignis mokazmvis Vignette, manuscript of nimuSebi”-dan (ÕIÕ sauk. beginning of 19th century dasawyisis xelnaweri) Âèíüåòêà èç ðóêîïèñè Samples of manuscript decora- íà÷àëà ÕIÕ âåêà tion from “Book decoration saq. mecnierebaTa akademiis samples”, manuscript of begin- xelnawerTa instituti ning of 19th century Èí-ò ðóêîïèñåé ÀÍ Ãðóçèè Èíèöèàë èç ðóêîïèñè íà÷àëà ÕIÕ âåêà “Îáðàçöû îôîðìëåíèÿ êíèã” saq. mecnierebaTa akademiis xelnawerTa instituti Èí-ò ðóêîïèñåé ÀÍ Ãðóçèè

xelnaweris Semkulobis È S Ñ T nimuSebi “wignis i P b È I mokazmvis nimuSebi”-dan e Ï R r Î C

(ÕIÕ sauk. dasawyisis e S Ê w U a xelnaweri) Ó n Ð N

A l

Samples of manuscript Å e M È x decoration from “Book

Ê N i Ñ

decoration samples”, manu- A I l Í G script of beginning of 19th u È R Ç century T O Ó r E Ð a

Îáðàçöû îôîðìëåíèÿ q G Ã ðóêîïèñè íà÷àëà ÕIÕ âåêà “Îáðàçöû îôîðìëåíèÿ êíèã” saq. mecnierebaTa akademiis xelnawerTa instituti Èí-ò ðóêîïèñåé ÀÍ Ãðóçèè

17 qvaze kveTili ornamenti STONE ENGRAVING ÊÀÌÅÍÍÛÉ ÎÐÍÀÌÅÍÒ fasadis ornamentuli Semkulobis fragmenti, samTavros taZari (ÕI sauk.) Fragment of ornamental decoration, facade, Samtavro Church, 11th century Ôðàãìåíò îðíàìåíòàëü- íîãî óáîðà ôàñàäà õðàìà Ñàìòàâðî (ïàìÿòíèê ÕI âåêà) mcxeTa Mtskheta Ìöõåòà i t n e interieris ornamen- Ò m Í a

tuli Semkulobis n Å r Ì

fragmenti, nikor- G o À N

I wmindis taZari Í i Ð V A l (1014-1027ww.) Î

i R É T Fragment of ornamental G e Û N v Í decoration, interior, E k

Nikortsminda Church, e Å N z Ì

1014-1027 A.D. O a À T v q S Ôðàãìåíò îðíàìåíòàëü- Ê íîãî óáîðà èíòåðüåðà õðàìà Íèêîðöìèíäà (1014-1027 ã.ã.) ambrolauris raioni Ambrolauri region Àìáðîëàóðñêèé ðàéîí

21 fasadis ornamentuli Semkulobis fragmenti, Sepiakis taZari (Õ sauk.) Fragment of ornamental decoration, facade, Shepiaki Church, 10th century Ôðàãìåíò îðíàìåíòàëü- íîãî óáîðà ôàñàäà õðàìà Øåïÿê (Õ âåê) walkis raioni Tsalka Region Öàëêèíñêèé ðàéîí i t n e Ò m Í a n Å fasadis ornamentuli r Ì G o À Semkulobis fragmenti, N

I Í i Ð

V samwevrisis saZvle A l Î

i (ÕVI sauk.) R É T G e Û

N Fragment of ornamental v Í E k decoration, facade, Í

E e Å

N Samtsverisi vault, z Ì O a À T v 16th century q S Ê Ôðàãìåíò îðíàìåíòàëü- íîãî óáîðà ôàñàäà óñûïàëüíèöû Ñàìöåâðèñè (ÕVI âåê) qarelis raioni s. samwevrisi Village Samtsevrisi, Kareli Region Êàðåëüñêèé ðàéîí, ñ. Ñàìöåâðèñè

22 fasadis ornamentuli Semkulobis fragmenti, samTavros taZari (ÕI sauk.) Fragment of ornamental decoration, facade, Samtavro Church, 11th century Ôðàãìåíò îðíàìåíòàëü- íîãî óáîðà ôàñàäà õðàìà Ñàìòàâðî (ÕI âåê) mcxeTa Mtskheta Ìöõåòà i t n e Ò m Í a n fasadis ornamentuli Å r Ì G o

Semkulobis fragmenti, À N

I Í safaris monasteri, i Ð V A l Î wm. sabas taZari i R É T (ÕIII-XIV sauk.) G e Û N v Í E k Fragment of ornamental Í

E e Å

decoration, facade, Sapara N z Ì O a

Monastery, St. Saba church, À T v q S 13-14th centuries Ê Ôðàãìåíò îðíàìåíòàëü- íîãî óáîðà ôàñàäà õðàìà Ñâÿòîãî Ñàáû ìîíàñòûðÿ Ñàïàðà (ÕIII-XIV âåêà) q. axalcixe Akhaltsikhe ã. Àõàëöèõå

23 fasadis ornamentuli Semkulobis fragmenti, vales RvTismSoblis eklesia (Õ sauk.) Fragment of ornamental decoration, facade, Vale the Virgin Church, 10th century Ôðàãìåíò îðíàìåíòàëü- íîãî óáîðà ôàñàäà õðàìà Áîãîìàòåðè â ñ. Âàëå (Õ âåê) axalcixis raioni, s. vale Village Vale, Akhaltsikhe region Àõàëöèõñêèé ðàéîí, ñ. Âàëå

fasadis ornamentuli Semkulobis fragmenti, lurji monasteri (ÕII sauk. dasasruli) Fragment of ornamental decoration, facade, Blue Monastery, end of 12th i century t n e Ôðàãìåíò îðíàìåíòàëü- Ò m Í a íîãî óáîðà ôàñàäà õðàìà n Å r

Ì Ëóðäæè-Ìîíàñòåðè (êîíåö G o À N

ÕII âåêà) I Í i Ð V Tbilisi A l Î

Tbilisi i R É

T Òáèëèñè G e Û N v Í E k

E e Å N z Ì O a fasadis ornamentuli À T v q S Ê Semkulobis fragmenti, mRvimevis monastris RvTaebis eklesia (ÕIII sauk.) Fragment of ornamental decoration, facade, Mgvimevi Monastery, Gvtaeba Church, 13th century Ôðàãìåíò îðíàìåíòàëüíî- ãî óáîðà ôàñàäà õðàìà Ãâòàåáà ìîíàñòûðÿ Ìãâèìåâè (ÕIII âåê) WiaTuris raioni Chiatura Region ×èàòóðñêèé ðàéîí

24 fasadis ornamentuli Semkulobis fragmenti, lurji monasteri (ÕII sauk. dasasruli) Fragment of ornamental decoration, facade, Blue Monastery, end of 12th century Ôðàãìåíò îðíàìåíòàëü- íîãî óáîðà ôàñàäà õðàìà Ëóðäæè-Ìîíàñòåðè (êîíåö ÕII âåêà) Tbilisi Tbilisi Òáèëèñè

fasadis ornamentuli Semkulobis fragmenti, kacxis taZari (ÕI sauk.) Fragment of ornamental decoration, facade, Katskhi Church, 11th century Ôðàãìåíò îðíàìåíòàëü- íîãî óáîðà ôàñàäà õðàìà Êàöõè (ÕI âåê) WiaTuris raioni, s. kacxi i t

Village Katskhi, Chiatura region n e Ò

×èàòóðñêèé ðàéîí, ñ. Êàöõè m Í a n Å r Ì G o À N

I Í i Ð V A l Î

i R É T G e Û N v Í E k

E e Å N z Ì O a À T v q S Ê fasadis ornamentuli Semkulobis fragmenti, samTavisis taZari (1030 w.) Fragment of ornamental decoration, facade, Samtavisi Church, (1030 A.D.) Ôðàãìåíò îðíàìåíòàëü- íîãî óáîðà ôàñàäà õðàìà Ñàìòàâèñè (1030 ãîä) kaspis raioni, s. samTavisi Village Samtavisi, Kaspi Region Êàñïñêèé ðàéîí, ñ. Ñàìòàâèñè

25 fasadis ornamentuli Semkulobis fragmenti, kumurdos taZari (964w.) Fragment of ornamental decoration, facade, Kumurdo church, 964 A.D. Ôðàãìåíò îðíàìåíòàëü- íîãî óáîðà ôàñàäà õðàìà â ñ. Êóìóðäî (964 ãîä) axalqalaqis raioni, s. kumurdo Village Kumurdo, Akhalkalaki region Àõàëêàëàêñêèé ðàéîí, ñ. Êóìóðäî i t n e Ò m Í a n Å r Ì G o À N

I Í i Ð V A l Î fasadis ornamentuli i R

É Semkulobis fragmenti, T G e Û N v savane, sabas monastris Í E k

E wm. giorgis eklesia e Å N z

Ì (1046w) O a À T v q S Ê Fragment of ornamental decoration, facade, Savane, Saba Monastery, St. George Church, 1046 A.D. Ôðàãìåíò îðíàìåíòàëü- íîãî óáîðà ôàñàäà õðàìà ñâ. Ãåîðãèÿ ìîíàñòûðÿ Ñàáà, Ñàâàíå (1046 ãîä) saCxeris raioni, s. savane Village Savane, Sachkhere Region Ñà÷õåðñêèé ðàéîí, ñ. Ñàâàíå

26 fasadis ornamentuli Semkulobis fragmenti, samTavros taZari (ÕI sauk.) Fragment of ornamental decoration, facade, Samtavro Church, 11th ñentury Ôðàãìåíò îðíàìåíòàëü- íîãî óáîðà ôàñàäà õðàìà Ñàìòàâðî (ÕI âåê) mcxeTa Mtskheta Ìöõåòà

fasadis ornamentuli i

Semkulobis fragmenti, t n e Ò bediis taZari m Í a n (Õ-ÕI sauk.) Å r Ì G o Fragment of ornamental À N

I Í i

decoration, facade, Bedia Ð V A l Î

Church, 10-11th centuries i R É T G e Ôðàãìåíò îðíàìåíòàëü- Û N v Í E k íîãî óáîðà ôàñàäà õðàìà Í

E e Å

Áåäèÿ (Õ-ÕI â.â.) N z Ì O afxazeTi, s. agubedia a À T v q S Village Agubedia, Abkhazia Ê Àáõàçèÿ, ñ. Àãóáåäèÿ

27 galavnis ornamentuli Semkulobis fragmenti, sveticxovlis taZris galavani (18 sauk.) Fragment of wall ornamental decoration, Svetitskhoveli Church wall, 18th century Ôðàãìåíò îðíàìåíòàëü- íîãî óáîðà îãðàäû ñîáîðà Ñâåòèöõîâåëè (XVIII âåê) mcxeTa Mtskheta Ìöõåòà i t n e Ò m Í a n Å r Ì G fasadis ornamentuli o À N

I Í i Semkulobis fragmenti, Ð V A l Î

ananuris taZari i R É T G (ÕII sauk.) e Û N v Í E k

Fragment of ornamental Í

E e Å decoration, facade, Ananuri N z Ì O a Church, 12th century À T v q S Ê Ôðàãìåíò îðíàìåíòàëü- íîãî óáîðà ôàñàäà õðàìà Àíàíóðè (ÕII âåê) s. ananuri Village Ananuri ñ. Àíàíóðè

28 fasadis ornamentuli Semkulobis fragmenti, exvevis RvTismSoblis eklesia (ÕI sauk.) Fragment of ornamental decoration, facade, Ekhvevi the Virgin Church, 11th century Äåòàëü îðíàìåíòàëüíîãî óáîðà ôàñàäà õðàìà Áîãîìàòåðè â ñ. Ýõâåâè (ÕI â.) s. exvevi, saCxeris raioni Village Ekhvevi, Sachkhere region Ñà÷õåðñêèé ðàéîí, ñ. Ýõâåâè i t n e Ò m Í a n Å r Ì fasadis ornamentuli G o À N

I Í

Semkulobis detali, i Ð V A l Î

samTavros taZari i R É T (ÕI sauk.) G e Û N v Í E k

Detail of ornamental deco- Í

E e ration, facade, Samtavro Å N z Ì O Church, 11th century a À T v q S Ôðàãìåíò îðíàìåíòàëü- Ê íîãî óáîðà ôàñàäà õðàìà Ñàìòàâðî (ÕI âåê) mcxeTa Mtskheta Ìöõåòà

29 fasadis ornamentuli Semkulobis detali, qvaTaxevis taZari (ÕII-ÕIII sauk.) Detail of ornamental decoration, facade, Kvatakhevi Church, 12-13 centuries Äåòàëü îðíàìåíòàëüíîãî óáîðà ôàñàäà õðàìà Êâàòàõåâè (ÕII-ÕIII â.â.) kaspis raioni, s. winarexi Village Tsinarekhi, Kaspi region Êàñïñêèé ðàéîí, ñ. Öèíàðåõè i t n e Ò m Í a n Å qvaze kveTili ornamenti r Ì G o À N

Stone engraving ornament I Í i Ð V Îðíàìåíò âûñå÷åííûé íà A l Î i R

É êàìíå T G e Û N v Í E k

E e Å N z Ì O a À T v q S Ê

30 fasadis ornamentuli Semkulobis fragmenti, samTavisis taZari (1030w.) Fragment of ornamental decoration, facade, Samtavisi Church (1030 A.D.) Ôðàãìåíò îðíàìåíòàëü- íîãî óáîðà ôàñàäà õðàìà Ñàìòàâèñè (1030 ãîä) kaspis raioni, s. samTavisi Village Samtavisi, Kaspi region Êàñïñêèé ðàéîí, ñ. Ñàìòàâèñè i fasadis ornamentuli t n e Ò

Semkulobis fragmenti, m Í a n mRvimevis monastris Å r Ì RvTaebis eklesia G o À N

I Í

(ÕIII sauk.) i Ð V A l Î

Fragment of ornamental i R É T decoration, facade, Mgvimevi G e Û N v Í E

Monastery, Gvtaeba Church k

E e 13th century Å N z Ì O a À

Ôðàãìåíò îðíàìåíòàëü- T v q S íîãî óáîðà ôàñàäà õðàìà Ê Ãâòàåáà ìîíàñòûðÿ Ìãâèìåâè (ÕIII âåê) WiaTura Chiatura ×èàòóðà

31 interieris ornamentuli Semkulobis fragmenti, gelaTis monastris RvTismSob- lis taZari (ÕII sauk.) Fragment of ornamental decoration, interior, Gelati Monastery, the Virgin Church, 12th century Ôðàãìåíò îðíàìåíòàëü- íîãî óáîðà èíòåðüåðà õðàìà Áîãîìàòåðè Ãåëàò- ñêîãî ìîíàñòûðÿ (ÕII âåê) s. gelaTi Village Gelati Ñ. Ãåëàòè i t n e Ò m Í a n Å r Ì G o À N

I Í i Ð V A l Î i R É T G e Û N v Í E k

E e Å N z Ì O a À T v q S Ê

32 fasadis ornamentuli Semkulobis fragmenti, axtalis taZari (ÕIII sauk.) Fragment of ornamental decoration, facade, Akhtala Church, 13th century Äåòàëü îðíàìåíòàëüíîãî óáîðà ôàñàäà õðàìà Àõòàëà (ÕIII âåê) WiaTura Chiatura ×èàòóðà i t n e Ò m Í a n Å r Ì G o À N

I Í i Ð V A l Î

i R É T G e fasadis ornamentuli Û N v Í E k Semkulobis fragmenti, Í

E e Å safara (Õ sauk.) N z Ì O a À T Fragment of ornamental v q S decoration, facade, Sapara, Ê 10th century Äåòàëü îðíàìåíòàëüíîãî óáîðà ôàñàäà Ñàôàðà (Õ âåê) axalcixis raioni Akhaltsikhe region Ðàéîí Àõàëöèõå

33 fasadis ornamentuli Semkulobis fragmenti, kacxis taZari (ÕI sauk.) Fragment of ornamental decoration, facade, Katskhi Church, 11th century Ôðàãìåíò îðíàìåíòàëü- íîãî óáîðà ôàñàäà õðàìà Êàöõè (ÕI âåê) WiaTuris raioni, s. kacxi Village Katskhi, Chiatura region ×èàòóðñêèé ðàéîí, ñ. Êàöõè i t n e Ò m Í a n Å r Ì G o À N

I Í i Ð V fasadis ornamentuli A l Î i R

É Semkulobis fragmenti, T G e Û N safara (Õ sauk.) v Í E k

E Fragment of ornamental e Å N z Ì decoration, facade, Sapara, O a À T v q S Ê 10th century Äåòàëü îðíàìåíòàëüíîãî óáîðà ôàñàäà Ñàôàðà (Õ âåê) axalcixis raioni Akhaltsikhe region Ðàéîí Àõàëöèõå

34 fasadis ornamentuli Semkulobis fragmenti, axtalis monasteri (ÕIII sauk.) Fragment of ornamental decoration, facade, Akhtala Monastery, 13th century Ôðàãìåíò îðíàìåíòàëü- íîãî óáîðà ôàñàäà õðàìà Àõòàëà (ÕIII âåê) somxeTis teritoria Armenian territory Òåððèòîðèÿ Àðìåíèè i t n e Ò m Í a n Å r Ì G o À N

I Í i Ð fasadis ornamentuli V A l Î

i Semkulobis fragmenti, R É T G e Û safara (Õ sauk.) N v Í E k

Fragment of ornamental E e Å N z decoration, facade, Sapara, Ì O a À T 10th century v q S Ê Äåòàëü îðíàìåíòàëüíîãî óáîðà ôàñàäà Ñàôàðà (Õ âåê) axalcixis raioni Akhaltsikhe region Ðàéîí Àõàëöèõå

35 fasadis ornamentuli Semkulobis fragmenti, mRvimevis monastris RvTaebis eklesia (ÕIII sauk.) Fragment of ornamental decoration, facade, Mgvimevi Monastery, Gvtaeba Church, 13th century Ôðàãìåíò îðíàìåíòàëü- íîãî óáîðà ôàñàäà õðàìà Ãâòàåáà ìîíàñòûðÿ Ìãâèìåâè (ÕIII âåê) WiaTura Chiatura ×èàòóðà

fasadis ornamentuli Semkulobis fragmenti, erTawmindis wm. stefa- nes eklesia (ÕI-ÕIII i sauk.) t n e

Ò Fragment of ornamental m Í a decoration, facade, n Å r Ì St. Stephen Church of G o À N

I Ertatsminda, 11-13th ñen- Í i Ð V turies A l Î i R É T G Ôðàãìåíò îðíàìåíòàëü- e Û N v íîãî óáîðà ôàñàäà õðàìà Í E k

E ñâ. Ñòåôàíà ñ. Ýðòàöìèíäà e Å N z

Ì (ÕI-ÕIII â.â.) O a À T v kaspis raioni q S Ê Kaspi region Êàñïñêèé ðàéîí

36 fasadis ornamentuli Semkulobis fragmenti, lurji monasteri (ÕII sauk. dasasruli) Fragment of ornamental decoration, facade, Blue Monastery, end of 12th century Äåòàëü îðíàìåíòàëüíîãî óáîðà ôàñàäà õðàìà Ëóðäæè-Ìîíàñòåðè (êîíåö ÕII âåêà) Tbilisi Tbilisi Òáèëèñè

fasadis ornamentuli i

Semkulobis fragmenti, t n kumurdos taZari (964w.) e Ò m Í a n Fragment of ornamental Å r Ì decoration, facade, G o À N

I Kumurdo Church, 964 A.D. Í i Ð V A l Î

Ôðàãìåíò îðíàìåíòàëü- i R É T íîãî óáîðà ôàñàäà õðàìà G e Û N v Í â ñ. Êóìóðäî (964 ãîä) E k

E e axalqalaqis raioni, s. kumurdo Å N z

Village Kumurdo, Akhalkalaki region Ì O a À T Àõàëêàëàêñêèé ðàéîí, ñ. Êóìóðäî v q S Ê

37 fasadis ornamentuli Semkulobis fragmenti, kacxis taZari (ÕI sauk.) Fragment of ornamental decoration, facade, Katskhi Church, 11th century Ôðàãìåíò îðíàìåíòàëü- íîãî óáîðà ôàñàäà õðàìà Êàöõè (ÕI âåê) s. WiaTuris raioni, s. kacxi Village Katskhi, Chiatura region ×èàòóðñêèé ðàéîí, ñ. Êàöõè i t n e Ò m Í a n Å r Ì G o À N

I Í i Ð V A l Î i R É T G e Û N v Í E k

E e Å N z Ì O a À T v q S Ê

38 fasadis ornamentuli Semkulobis fragmenti, lurji monasteri (ÕII sauk. dasasruli) Fragment of ornamental decoration, facade, Blue Monastery, end of 12th century Äåòàëü îðíàìåíòàëüíîãî óáîðà ôàñàäà õðàìà Ëóðäæè-Ìîíàñòåðè (êîíåö ÕII âåêà) q. Tbilisi Tbilisi ã. Òáèëèñè i t n e Ò m Í a n Å r Ì G o À N

I Í i Ð V A l Î

i R É T G e Û N v Í E k

E e Å N z Ì O a À T v q S Ê

39 kedlis ornamentuli ferwera ORNAMENTAL WALL-PAINTING ÎÐÍÀÌÅÍÒ ÑÒÅÍÍÎÉ ÆÈÂÎÏÈÑÈ kedlis mxatvrobis fragmenti, zemokrixi, mTavarangelozis eklesia, ÕI sauk. mxatvroba Fragment of wall-painting, Zemokrikhi, Archangel Church, 11th century painting Ôðàãìåíò ñòåííîé æèâî- ïèñè öåðêâè Àðõàíãåëà ñåëà Çåìîêðèõè, ðîñïèñü ÕI âåêà ambrolauris raioni, s. krixi Village Krikhi, Ambrolauri region Àìáðîëàóðñêèé ðàéîí, ñ. Êðèõè

kedlis mxatvrobis fragmenti, atenis sioni, Õ sauk. mxatvroba Fragment of wall-painting, Ateni Sioni, 10th century painting Ôðàãìåíò ñòåííîé æèâî-

ïèñè õðàìà Àòåíñêèé a r È e

Ñèîíè, ðîñïèñü Õ âåêà Ñ w È r G

goris raioni, s. ateni Ï e N Î Village Ateni, Gori region I f Â T Ãîðèéñêèé ðàéîí, ñ. Àòåíè i È N I Æ A l

P u - É L t Î L n Í e A Í m W Å a Ò n L Ñ

kedlis mxatvrobis A

r T Ò o

fragmenti, zemokrixi, N Í

E s Å

mTavarangelozis ekle- i M Ì A À sia, ÕI sauk. mxatvroba l N Í d R Ð Fragment of wall-painting, e Î k O Zemokrikhi, Archangel Church, 11th century painting Ôðàãìåíò ñòåííîé æèâî- ïèñè öåðêâè Àðõàíãåëà ñåëà Çåìîêðèõè, ðîñïèñü ÕI âåêà ambrolauris raioni, s. zemokrixi Village Zemokrikhi, Ambrolauri region Àìáðîëàóðñêèé ðàéîí, ñ. Çåìîêðèõè

43 kedlis mxatvrobis fragmenti, axtalis didi taZari, ÕIII sauk. mxatvroba Fragment of wall-painting, Big Church of Akhtala, 13th century painting Ôðàãìåíò ñòåííîé æèâî- ïèñè Áîëüøîãî õðàìà Àõòàëà, ðîñïèñü ÕIII âåêà somxeTis teritoria Armenian territory Àðìÿíñêàÿ òåððèòîðèÿ a r È e Ñ w È r G Ï e N Î I f Â T i È N I Æ A l

P kedlis mxatvrobis u - É L t Î fragmenti, axtalis L n Í e A

Í didi taZari, ÕIII sauk. m W Å a Ò n L mxatvroba Ñ A r T Ò

o Fragment of wall-painting, N Í

E s Å Big Church of Akhtala, i M Ì

A 13th century painting À l N Í d R Ð e Ôðàãìåíò ñòåííîé æèâî- Î k O ïèñè Áîëüøîãî õðàìà Àõòàëà, ðîñïèñü ÕIII âåêà somxeTis teritoria Armenian territory Àðìÿíñêàÿ òåððèòîðèÿ

44 kedlis mxatvrobis fragmenti, ikvis taZa- ri, ÕIII sauk. mxatvroba Fragments of wall-painting, Ikvi Church, 13th century painting Ôðàãìåíò ñòåííîé æèâî- ïèñè õðàìà Èêâè, ðîñïèñü ÕIII âåêà kaspis raioni, s. rkoni Village Rkoni, Kaspi region Êàñïñêèé ðàéîí, ñ. Ðêîíè kedlis mxatvrobis fragmenti, gelaTis monasteri, wm. giorgis eklesia (ÕVI sauk.) Gelati Monastery, St. George Church, 16th century painting Ôðàãìåíò ñòåííîé æèâî- ïèñè öåðêâè ñâ. Ãåîðãèÿ Ãåëàòñêîãî ìîíàñòûðÿ, ðîñïèñü ÕVI âåêà s. gelaTi Village Gelati a r È

Ñ. Ãåëàòè e Ñ w È r G Ï e N Î I f Â T

i È N kedlis mxatvrobis I Æ A l

P fragmenti, axtalis u - É L t Î

didi taZari, ÕIII sauk. L n Í e A Í mxatvroba m W Å a Ò n L

Fragment of wall-painting, Ñ A

r T Ò

Big Church of Akhtala, o N Í

E s 13th century painting Å i M Ì A À Ôðàãìåíò ñòåííîé æèâî- l N Í d R Ð ïèñè Áîëüøîãî õðàìà e Î Àõòàëà, ðîñïèñü ÕIII âåêà k O somxeTis teritoria Armenian territory Àðìÿíñêàÿ òåððèòîðèÿ

45 kedlis mxatvrobis fragmenti, gelaTis monasteri, wm. giorgis eklesia (ÕVI sauk.) Fragment of wall-painting, Gelati Monastery, St. George Church, 16th century Ôðàãìåíò ñòåííîé æèâî- ïèñè öåðêâè ñâ. Ãåîðãèÿ Ãåëàòñêîãî ìîíàñòûðÿ, ðîñïèñü ÕVI âåêà s. gelaTi Village Gelati Ñ. Ãåëàòè a r È e Ñ w È r G Ï e N Î I f Â T i È N I Æ A l

P u - É kedlis mxatvrobis L t Î L n fragmenti, gelaTis Í e A Í m monasteri, wm. giorgis W Å a Ò n L eklesia (ÕVI sauk.) Ñ A r T Ò o

N Fragment of wall-painting, Í

E s Å Gelati Monastery, i M Ì A À l St. George Church, 16th N Í d R Ð e century Î k O Ôðàãìåíò ñòåííîé æèâî- ïèñè öåðêâè ñâ. Ãåîðãèÿ Ãåëàòñêîãî ìîíàñòûðÿ, ðîñïèñü ÕVI âåêà s. gelaTi Village Gelati Ñ. Ãåëàòè

46 kedlis mxatvrobis fragmenti, atenis sioni (Õ sauk. mxatvroba) Fragment of wall-painting, Ateni Sioni, 10th century painting Ôðàãìåíò ñòåííîé æèâî- ïèñè õðàìà Àòåíñêèé Ñèîíè, ðîñïèñü Õ âåêà goris raioni, s. ateni Village Ateni, Gori region Ãîðèéñêèé ðàéîí, ñ. Àòåíè a r È e Ñ w È r G Ï e N Î I f Â T

i È N I Æ A l

P u - É

kedlis mxatvrobis L t Î L n Í e

fragmenti, gelaTis A Í m W Å monasteri, wm. giorgis a Ò n L Ñ A eklesia (ÕVI sauk.) r T Ò o N Í Fragment of wall-painting, E s Å i M Gelati Monastery, Ì A À l N

St. George Church, 16th Í d R Ð e Î century paintings k O Ôðàãìåíò ñòåííîé æèâîïèñè õðàìà ñâ. Ãåîðãèÿ Ãåëàòñêîãî ìîíàñòûðÿ, ðîñïèñü ÕVI âåêà s. gelaTi Village Gelati Ñ. Ãåëàòè

47 kedlis mxatvrobis fragmenti... Fragment of wall-painting... Ôðàãìåíò ñòåííîé æèâîïèñè... a r È e kedlis mxatvrobis Ñ w È r

G fragmenti, ikvis taZa- Ï e N Î I

f ri, XIII sauk. mxatvroba Â T i È N

I Fragment of wall-painting, Æ A l

P u Ikvi Church, 13th century - É L t Î

L painting n Í e A Í m W Å Ôðàãìåíò ñòåííîé æèâî- a Ò n L

Ñ ïèñè õðàìà Èêâè, ðîñïèñü A r T Ò o XIII âåêà N Í

E s Å kaspis raioni i M Ì Kaspi region A À l

N Êàñïñêèé ðàéîí Í d R Ð e Î k O

48 kedlis mxatvrobis fragmenti, gelaTis monasteri, wm. giorgis eklesia (XVI sauk.) Fragment of wall-painting, Gelati Monastery, St. George Church, 16th century painting Ôðàãìåíò ñòåííîé æèâîïèñè öåðêâè ñâ. Ãåîðãèÿ Ãåëàòñêîãî ìîíàñòûðÿ, ðîñïèñü ÕVI âåêà s. gelaTi Village Gelati Ñ. Ãåëàòè a r È e Ñ w È r G Ï e N Î I f Â T

i È N I Æ A l

P u - É L t Î L n Í e A Í m W Å a Ò n L Ñ A

r T Ò o N Í

E s Å i M kedlis mxatvrobis Ì A À l N Í fragmenti, gelaTis d R Ð e Î monasteri, RvTismSob- k O lis taZari (XIV sauk. mxatvroba) Fragment of wall-painting, Gelati Monastery, the Virgin Church, 14th century painting Ôðàãìåíò ñòåííîé æèâî- ïèñè ñîáîðà Áîãîìàòåðè Ãåëàòñêîãî ìîíàñòûðÿ, ðîñïèñü ÕIV âåêà s. gelaTi Village Gelati Ñ. Ãåëàòè

49 È S Ñ T i P b È I e Ï R r Î C e S Ê w U a Ó n Ð N

A l Å e M È x

Ê N i Ñ A I l Í G u È R Ç T O Ó r E Ð a q G Ã

50 xeze kveTili ornamenti WOOD CARVING ÐÅÇÜÁÀ ÏÎ ÄÅÐÅÂÓ buxris morTulobis fragmenti (TrialeTi- dan), xeze kveTiloba, ÕIÕ sauk. Fragment of fire-place (from Ttialeti) decoration, wood carving, 19th century Ôðàãìåíò óêðàøåíèÿ êàìèíà èç Òðèàëåòè, ðåçüáà ïî äåðåâó (ÕIÕ âåê). saqarTvelos sax. muzeumi State Museum of Georgia Ãîñ. ìóçåé Ãðóçèè i t n e m a n r Ó o Â

Å i G Ð N Å l I Ä i V

R T Î e A Ï v

k À

D Á e Ü O Ç z O e Å Ð xeze kveTili xalxuri x W ornamenti, XIX saukune Wood carving national ornament, 19th century Íàðîäíûé îðíàìåíò, ðåçüáà ïî äåðåâó, XIX âåê dasavleT saqarTvelo West Geogia Çàïàäíàÿ Ãðóçèÿ

53 jaxunderis eklesiis moxaratebuli karis fragmenti (svaneTi, ÕI sauk. I meoTxedi) Fragment of Jakhundera Church carved door, Svaneti, I quarter of 11th century Ôðàãìåíò ðåçíîé äâåðè õðàìà ñ. Äæàõóíäåðà (Ñâàíåòèÿ, I ÷åòâåðòü ÕI âåêà) saqarTvelos xelovnebis muzeumi Georgian State Museum of Fine Arts Ìóçåé èñêóññòâ Ãðóçèè i t n e m a n r Ó o Â

Å i G Ð N Å l I Ä i V

R T Î e A Ï v

C k À

D Á e Ü O Ç z O e Å Ð x W

54 jaxunderis eklesiis moxaratebuli karis fragmenti (svaneTi, ÕI sauk. I meoTxedi) Fragment of Jakhundera Church carved door, Svaneti, I quarter of 11th century Ôðàãìåíò ðåçíîé äâåðè õðàìà ñ. Äæàõóíäåðà (Ñâàíåòèÿ, I ÷åòâåðòü ÕI âåêà) saqarTvelos xelovnebis muzeumi Georgian State Museum of Fine Arts Ìóçåé èñêóññòâ Ãðóçèè i t n e m a n r Ó o Â

Å i G Ð N Å l I Ä i V

R T Î e A Ï v

k À

D Á e Ü O Ç z O e Å Ð x W

qarTuli oqromWedloba GOLDSMITH CRAFT ÃÐÓÇÈÍÑÊÎÅ ÞÂÅËÈÐÍÎÅ ÈÑÊÓÑÑÒÂÎ firfitis CarCo, XI sauk., vercxli mooqruli Plate frame, 11th century, gold plated silver Ïëàñòèíî÷íàÿ ðàìà, XI âåê, ïîçîëî÷åííîå ñåðåáðî Semoqmedi Shemokmedi Øåìîêìåäè

firfitis CarCo, XI sauk., vercxli mooqruli Plate frame, 11th century,

gold plated silver Î Â

Ïëàñòèíî÷íàÿ ðàìà, XI Ò Ñ

âåê, ïîçîëî÷åííîå Ñ Ó

ñåðåáðî Ê a Ñ b

saRolaSeni È

Sagolasheni Å l Ñàãîëàøåíè Î d Í e Ð W È

Ë T m Å F o Â A r R Þ q

Å o

H Î i T Ê I Ñ l M Í u S È D T Ç L r Ó O Ð a Ã q G

59 firfitis CarCo, XI sauk., vercxli mooqruli Plate frame, 11th century, gold plated silver Ïëàñòèíî÷íàÿ ðàìà, XI âåê, ïîçîëî÷åííîå ñåðåáðî kacxi X-XI saukuneebi Katskhi, X-XI centuries Êàöõè, X-XI âåêà

xatis CarCo, vercxli mooqruli, XI sauk. Framework, goldplated silver, 11th century Î

Â Îêëàä èêîíû, ïîçîëî- Ò

Ñ ÷åííîå ñåðåáðî, XI âåê Ñ

Ó xobi Ê a Khobi Ñ b

È Õîáè o Å l Î d Í e Ð W È

Ë T m Å F o Â A r R Þ q

Å o

H Î i T Ê I Ñ l M Í u S È D T Ç L r Ó O Ð a Ã q G

Saravandis qvemo nawilebi, vercxli mooqrovis gareSe Lower parts of setting, silver without gilding Íèæíèå ÷àñòè îêëàäà èêîíû, ñåðåáðî áåç ïîçîëîòû gelaTi Gelati Ãåëàòè

60 samwerobeli, vercxli mooqruli, XI sauk. Goldplated silver, 11th century Ïîçîëî÷åííîå ñåðåáðî, XI âåê zarzma Zarzma Çàðçìà Î Â Ò Ñ Ñ Ó Ê a Ñ b È

o Å l Î d Í e Ð W È

Ë T m Å F o Â A r R Þ q

Å o

H Î i T Ê I Ñ l M Í u S È D T Ç L r Ó O Ð a Ã q G

61 mxedari wm. giorgi, CarCos nawilebi, vercxli mooqruli XI-XII sauk. Horseman St. George, frame parts, gold-plated silver, 11-12th centuries Âñàäíèê Ñâ. Ãåîðãèé, ÷àñòè ðàìû, ïîçîëî÷åííîå ñåðåáðî XI-XII â.â. Rebi Gebi Ãåáè Î Â Ò Ñ Ñ Ó Ê a Ñ b È o Å l Î d Í e Ð W È

Ë T m Å F o Â A r R Þ q CarCos qvemo nawilebi, C

Å o

H Î vercxli mooqrovis i T Ê I

Ñ gareSe l M Í u S È

D Lower parts of setting, sil- T Ç L r Ó ver without gilding O Ð a Ã q G Íèæíèå ÷àñòè îêëàäà (ðàìû), ñåðåáðî áåç ïîçîëîòû nakifari Nakipari Íàêèïàðè

62 CarCos gverdiTi nawilebi, vercxli mooqrovis gareSe Side parts of setting, silver without gilding Áîêîâûå ÷àñòè ðàìû, cåðåáðî áåç ïîçîëîòû CaJaSi Chazghashi ×àæàøè

CarCos Sida nawilebi, mooqruli vercxli

Internal fragments of set- Î Â ting, gold-plated silver Ò Ñ

Âíóòðåííèå ÷àñòè ðàìû, Ñ Ó Ê

ïîçîëî÷åííîå ñåðåáðî a Ñ b È

mRvimevi o

Mgvimevi Å l Î

Ìãâèìåâè d Í e Ð W È

Ë T m Å F o Â A r R Þ q

Å o

H Î i T Ê I Ñ l M Í u S È D T Ç L r Ó O Ð a Ã berTis XII sauk. q G oTxTavis moWediloba, mooqruli vercxli Fragment of Berti 12th century Gospel, gold-plated silver Ôðàãìåíò åâàíãåëèÿ Áåðòè, ïîçîëî÷åííîå ñåðåáðî, XII âåê beSqen opizaris xeloba, gelaTi Beshken Opizari’s work, Gelati Ðàáîòà Áåøêåíà Îïèçàðè, Ãåëàòè

63 RvTismSoblis medalionis CarCos fragmenti, vercxli mooqruli, XII-XIII sauk. Fragment of the Virgin medallion setting, gold plated silver, 12-13th centuries Ôðàãìåíò îêëàäà (ðàìû) ìåäàëüîíà Áîãîìàòåðè, ïîçîëî÷åííîå ñåðåáðî, XII-XIII â.â. lagurka Lagurka Ëàãóðêà

RvTismSoblis xatis CarCos fragmenti, vercxli Fragment of the Virgin icon setting, silver

Î Ôðàãìåíò îêëàäà èêîíû Â

Ò Áîãîìàòåðè, cåðåáðî Ñ

Ñ qaixosro laliaSvilis naxe- Ó

Ê lavi, vani a Ñ b Kaikhosro Laliashvili’s work,Vani È o Ðàáîòà Êàèõîñðî Ëàëèàøâèëè, Å l

Î Âàíè d Í e Ð W È

Ë T m Å F o Â A r R Þ q

Å o

H Î i T Ê I Ñ l M Í u S È D T Ç L r Ó O Ð a Ã q G

iloris wm. giorgis CarCo, mqrTalad mooqruli vercxli, XVII sauk. Ilori St.George setting, gently gold plated silver, 17th century Îêëàä èêîíû Èëîðñêîãî Ñâ. Ãåîðãèÿ, ñëåãêà ïîçîëî÷åííîå ñåðåáðî, XVII âåê xaragauli Kharagauli Õàðàãàóëè

64 ioane naTlismcemlis xatis dekori CarCos qveda nawilebi, vercxli mooqruli Lower parts of John the Baptist’s icon decor setting, gold plated silver Íèæíèå ÷àñòè îêëàäà èêîíû Èîàííà Êðåñòèòå- ëÿ, ïîçîëî÷åííîå ñåðåáðî breTi Breti Áðåòè Î Â Ò Ñ Ñ Ó Ê a Ñ b È

o Å l Î d Í e Ð W È

Ë T m Å F o Â A r R Þ q

Å o

H Î i T Ê I Ñ l M Í u S È D T Ç L r Ó O Ð a Ã q G

“vedreba”, CarCos fragmenti, mqrTalad mooqruli vercxli, XVI sauk. “Entreaty”, setting fragment, gently gold plated silver, 16th century “Ìîëüáà”, ôðàãìåíò îêëàäà (ðàìû), ñëåãêà ïîçîëî÷åííîå ñåðåáðî, XVI âåê tyviri Tkviri Òêâèðè 65 sawinamZRvro jvari, odnav mooqruli vercxli, gelaTi Cross, gently gold plated silver Êðåñò, ñëåãêà ïîçî- ëî÷åííîå ñåðåáðî

xaragauli Gelati Ãåëàòè Î Â Ò Ñ Ñ Ó Ê a Ñ b È o Å l Î d Í e Ð W È

Ë T m Å F o Â A r R Þ q

Å o

H Î i T Ê I Ñ l M Í u S È D T Ç L r Ó O Ð a Ã q G

66 RvTismSoblis xatis CarCos fragmenti, vercxli mooqruli, Tbilisi, XV sauk. Fragment of the Virgin icon setting, gold plated silver, 15th century Ôðàãìåíò îêëàäà èêîíû Áîãîìàòåðè, ïîçîëî÷åííîå ñåðåáðî, XV âåê

Tbilisi Tbilisi Òáèëèñè Î Â Ò Ñ Ñ Ó Ê a Ñ b È

o Å l Î d Í e Ð W È

Ë T m Å F o Â A r R Þ q

Å o

H Î i T Ê I Ñ l M Í u S È D T Ç L r Ó O Ð a Ã q G

67 macxovris xatis CarCos nawili, beqa opizari, oqro Fragment of the Saviour icon setting, Beka Opizari, gold Ôðàãìåíò îêëàäà èêîíû Ñïàñèòåëÿ, Áåêà Îïèçàðè, çîëîòî anCisxati, Tbilisi Anchiskhati, Tbilisi Àí÷èñõàòè, Òáèëèñè Î Â Ò Ñ Ñ Ó Ê a Ñ b È o Å l Î d Í e Ð W È

Ë T m Å F o Â A r R Þ q

Å o

H Î i T Ê I Ñ l M Í u S È D T Ç L r Ó O Ð a Ã q G

68 È S Ñ T i P b È I e Ï R r Î C e S Ê w U a Ó n Ð N

A l Å e M È x

Ê N i Ñ A I l Í G u È R Ç T O Ó r E Ð a q G Ã