Gesellschaft Zur Unterstutzung Von Prediger- U. Schullehrer- Wittwen U
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A Guide to Resources for SINGING and PRAYING the PSALMS
READ PRAY SING A Guide to Resources for SINGING and PRAYING the PSALMS – WELCOME – Voices of the Past on the Psalter We are delighted you have come to this conference, and I pray it has been helpful to you. Part of our aim is that you be encouraged and helped to make use of the Psalms in your own worship, using them as a guide for prayer and Dietrich Bonhoeffer singing. To that end we have prepared this booklet with some suggested “Whenever the Psalter is abandoned, an incomparable treasure vanishes from resources and an explanation of metrical psalms. the Christian church. With its recovery will come unsuspected power.” Special thanks are due to Michael Garrett who put this booklet together. We Charles Spurgeon have incorporated some material previously prepared by James Grant as well. “Time was when the Psalms were not only rehearsed in all the churches from day to day, but they were so universally sung that the common people As God has seen fit to give us a book of prayers and songs, and since he has knew them, even if they did not know the letters in which they were written. so richly blessed its use in the past, surely we do well to make every use of it Time was when bishops would ordain no man to the ministry unless he knew today. May your knowledge of God, your daily experience of him be deeply “David” from end to end, and could repeat each psalm correctly; even Councils enhanced as you use his words to teach you to speak to him. -
AVE – February 2017
FebruaryFebruary 2017 2017 Saint AVE Mary’s AVE Vol. 84 No. 2 A VE “GreetinGs Mary, full of Grace.” The Episcopal Church of Saint Mary - Falmouth, Maine From the Rector: Mary and the True Work of Love February is the traditional month in our culture Inside this edition when we reflect on love. This single word carries an From the Rector 1 entire universe of meaning within itself. We use it in Live like a monk 1 every conceivable scenario, so we can safely say that it The Appreciative Weekend 2 is over-used. Entire libraries could be filled with writ- Vestry Highlights 3 ings about love. And yet, what do we understand about Couples Checkup 3 it? What is the core meaning of love? Milestone visit 3 Here is my attempt. Love is an intention to act for Outreach Book Sale 4 the well-being of another, regardless of our own per- Souper Supper & Cinema 4 sonal needs or desires. The opposite of love is not ha- Mission Morning 5 tred. The opposite of love is apathy. It is the unwilling- Coffee Hour Hosts needed 6 Schola Concert & Update 6 ness to engage, to pay attention; it is the absence of Music School for youths 6 awareness. In this sense, the opposite of love is ego-obsession. It is the inability to let Our Hymnals..who knew? 7 go of oneself in order to be aware of the needs of another. Guiding RAY Feb. 17 8 We are truly blessed to gather together under the patronage of Mary, the mother CB Young Life 9 of our Lord who provides a window into the godly practice of love. -
Maria Marshall Au Affaire De Famille» Un Texte Sur Charles Des Médicis), La Nourriture, Il Nous Livre Dans Les Dynamisme Ambiant
Trimestriel d'actualité d'art contemporai n : avril.mail.juin 2013 • N°61 • 3 € L u c T u y m a n s , © F b B l u u e r x l e g N L a 9 ï e i e u / P è 2 - w B g . d 1 P s e e e 7 . l 0 X g d i é q p u ô e t Sommaire Edito « ... Et si je vieillis seule et sale je n’oublierai jamais dial. Dans ce cadre prestigieux où l’art et le luxe que l’Art est ma seule nourriture ». C’est la dernière sont rois, j’ai eu l’occasion de croiser un galeriste 2 Édito . Dogma, un projet de ville. Focus sur une strophe de l’autoportrait écrit à la main de Manon philosophe. Le galeriste NewYorkais m’a surpris agence d’architecture un peu particulière, 3 Michel Boulanger.Jalons, un texte de Bara qui fait la cover de FluxNews. Un élan sous par la teneur de son discours. Ironisant sur sa posi - par Carlo Menon. Yves Randaxhe. forme de rayon de soleil dans le petit monde de l’art tion de plus en plus marginalisée face à la montée en 21 Suite d’On Kawara par Véronique Per - d’aujourd’hui. La petite entreprise de Manon ne puissance d’une galerie comme Gagosian qui grâce 4 Concentration de galeries dans le haut riol. connaît pas la crise, elle carbure à l’essentiel... L’art à ses nombreuses succursales occupe plus de trois de Bruxelles, texte de Colette Dubois. -
The Poetry Handbook I Read / That John Donne Must Be Taken at Speed : / Which Is All Very Well / Were It Not for the Smell / of His Feet Catechising His Creed.)
Introduction his book is for anyone who wants to read poetry with a better understanding of its craft and technique ; it is also a textbook T and crib for school and undergraduate students facing exams in practical criticism. Teaching the practical criticism of poetry at several universities, and talking to students about their previous teaching, has made me sharply aware of how little consensus there is about the subject. Some teachers do not distinguish practical critic- ism from critical theory, or regard it as a critical theory, to be taught alongside psychoanalytical, feminist, Marxist, and structuralist theor- ies ; others seem to do very little except invite discussion of ‘how it feels’ to read poem x. And as practical criticism (though not always called that) remains compulsory in most English Literature course- work and exams, at school and university, this is an unwelcome state of affairs. For students there are many consequences. Teachers at school and university may contradict one another, and too rarely put the problem of differing viewpoints and frameworks for analysis in perspective ; important aspects of the subject are omitted in the confusion, leaving otherwise more than competent students with little or no idea of what they are being asked to do. How can this be remedied without losing the richness and diversity of thought which, at its best, practical criticism can foster ? What are the basics ? How may they best be taught ? My own answer is that the basics are an understanding of and ability to judge the elements of a poet’s craft. Profoundly different as they are, Chaucer, Shakespeare, Pope, Dickinson, Eliot, Walcott, and Plath could readily converse about the techniques of which they are common masters ; few undergraduates I have encountered know much about metre beyond the terms ‘blank verse’ and ‘iambic pentameter’, much about form beyond ‘couplet’ and ‘sonnet’, or anything about rhyme more complicated than an assertion that two words do or don’t. -
NP 2013.Docx
LISTE INTERNATIONALE DES NOMS PROTÉGÉS (également disponible sur notre Site Internet : www.IFHAonline.org) INTERNATIONAL LIST OF PROTECTED NAMES (also available on our Web site : www.IFHAonline.org) Fédération Internationale des Autorités Hippiques de Courses au Galop International Federation of Horseracing Authorities 15/04/13 46 place Abel Gance, 92100 Boulogne, France Tel : + 33 1 49 10 20 15 ; Fax : + 33 1 47 61 93 32 E-mail : [email protected] Internet : www.IFHAonline.org La liste des Noms Protégés comprend les noms : The list of Protected Names includes the names of : F Avant 1996, des chevaux qui ont une renommée F Prior 1996, the horses who are internationally internationale, soit comme principaux renowned, either as main stallions and reproducteurs ou comme champions en courses broodmares or as champions in racing (flat or (en plat et en obstacles), jump) F de 1996 à 2004, des gagnants des neuf grandes F from 1996 to 2004, the winners of the nine épreuves internationales suivantes : following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (Amérique du Sud/South America) Japan Cup, Melbourne Cup (Asie/Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Queen Elizabeth II Stakes (Europe/Europa) Breeders’ Cup Classic, Breeders’ Cup Turf (Amérique du Nord/North America) F à partir de 2005, des gagnants des onze grandes F since 2005, the winners of the eleven famous épreuves internationales suivantes : following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (Amérique du Sud/South America) Cox Plate (2005), Melbourne Cup (à partir de 2006 / from 2006 onwards), Dubai World Cup, Hong Kong Cup, Japan Cup (Asie/Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Irish Champion (Europe/Europa) Breeders’ Cup Classic, Breeders’ Cup Turf (Amérique du Nord/North America) F des principaux reproducteurs, inscrits à la F the main stallions and broodmares, registered demande du Comité International des Stud on request of the International Stud Book Books. -
Gender and Authority in British Women Hymn-Writers' Use of Metre, 1760-1900 3
LI'ICIO 617 Operator: Wu Hui:zhen Dfipa(ch: 15.12.08 PE: Andrew Davidson l~ JournalName Manuscript No. Pn:Iofreader: Uu HongRong fJ) No. of Pages: 9 Copy.editor: Christine Tsai L<teraMe Comp.:ISS 6 (2009), 10.11111j.174j-4113.2008.00617.x 1 2 3 4 Gender and Authority in British Women 5 6 Hymn-Writers' Use of Metre, 1760-1900 7 8 N~fl9l>lilNon Cho" 9 N,ofrfjbam ifent University 10 11 12 Abstract 13 This article is part of a cluster that draws material from the recent conference 14 Metre Matters: New Approaches le Prosody, 1780-1914. It comprises an introduction 15 .. by jason David Hall and six articles presented at the conference, whose aim was 16· to address renewed scholarly interest in versification and form across the long 17 nineteenth century, as well as some of the methodologies underpinning it. The 18 papers included in the cluster look both to the minutiae of Romantic and 19 Victorian metres and to their cultural intertexts. The conference, hosted by the 20 University ofExeter's Centre for Victorian Studies, was held·':3-5 July 2008. The cluster is made up of the following articles: 21 Jason David Hall, 'Metre, History, Context: Introduction to the Metre Matters 22 Cluster'. 23 Emma Mason and Rhian Williams, 'Reciprocal Scansion in Wordsworth's "There 24 Was a Boy'''. 25 Ross Wi!son, 'Roben Browning's Compounds'. 26 Margaret A. Loose, 'The Internationalism ofErnest jones's Dialectical Prosody'. 27 Nancy Jiwon Cho, 'Gender and Authority in British Women Hymn-Writers' 28 Use of Metre, 1760-1900'. -
Waterloo in Myth and Memory: the Battles of Waterloo 1815-1915 Timothy Fitzpatrick
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Waterloo in Myth and Memory: The Battles of Waterloo 1815-1915 Timothy Fitzpatrick Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES WATERLOO IN MYTH AND MEMORY: THE BATTLES OF WATERLOO 1815-1915 By TIMOTHY FITZPATRICK A Dissertation submitted to the Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2013 Timothy Fitzpatrick defended this dissertation on November 6, 2013. The members of the supervisory committee were: Rafe Blaufarb Professor Directing Dissertation Amiée Boutin University Representative James P. Jones Committee Member Michael Creswell Committee Member Jonathan Grant Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii For my Family iii ACKNOWLEDGMENTS I would like to thank Drs. Rafe Blaufarb, Aimée Boutin, Michael Creswell, Jonathan Grant and James P. Jones for being on my committee. They have been wonderful mentors during my time at Florida State University. I would also like to thank Dr. Donald Howard for bringing me to FSU. Without Dr. Blaufarb’s and Dr. Horward’s help this project would not have been possible. Dr. Ben Wieder supported my research through various scholarships and grants. I would like to thank The Institute on Napoleon and French Revolution professors, students and alumni for our discussions, interaction and support of this project. -
RIZ up LEROIDESANIMAUX to LANWADES STUD Having Already Conquered the Top Level When Taking Leroidesanimaux (Brz) (Candy Stripes--Dissemble the G1 Moyglare Stud S
FRIDAY, SEPTEMBER 27, 2013 732-747-8060 $ TDN Home Page Click Here RIZ UP LEROIDESANIMAUX TO LANWADES STUD Having already conquered the top level when taking Leroidesanimaux (Brz) (Candy Stripes--Dissemble the G1 Moyglare Stud S. at The Curragh, Rizeena (Ire) {GB}, by Ahonoora {GB}), champion turf horse and sire (Iffraaj {GB}) is back on home turf to add to her laurels of GI Kentucky Derby and G1 Dubai World Cup winner in today=s G1 Shadwell Fillies= Mile at Newmarket. Also Animal Kingdom, will relocate to Kirsten Rausing=s successful in the G2 Queen Mary S. at Royal Ascot Lanwades Stud in Newmarket, England. June 19 and third in the G1 Prix Morny, Sheikh Rashid Leroidesanimaux has also sired Argentinian Group 1 Dalmook Al Maktoum=s bay was able to hold her form winner Una Cabeza (Arg). He is represented by three admirably by upstaging the highly-talented duo of additional Grade 2 winners, and the earners of more Kiyoshi (GB) (Dubawi {Ire}) and than $16 million to date. "We are delighted and very Tapestry (Ire) (Galileo {Ire}) in proud to welcome >Leroi= to Lanwades,@ said Rausing. the Irish feature for juvenile fillies AHe represents the reintroduction of the Blushing Groom at the start of September. sire line to the UK and with his pedigree, toughness and Trainer Clive Brittain is hoping durability, marvelous racing form on both turf and dirt she can continue to justify his over distances up to 1 1/2 miles, as well as his proven lofty opinion of her. AWe felt that ability to sire world-class performers, he will be an Clive Brittain & Rizeena if the ground was good, good-to- immensely important addition to the European breeding Racing Post soft, we would go for the industry. -
TRINITY NEWS GOWNS, HOODS, CASSOCKS, BLAZERS from 3 CHURCH LANE COLLEGE GREEN DIXON a Dublin University Weekly HEMPENSTALL BRYSON 111 IIRAFTON ST
Tailoring Under the supervimon of our London-trained cutter TRINITY NEWS GOWNS, HOODS, CASSOCKS, BLAZERS from 3 CHURCH LANE COLLEGE GREEN DIXON A Dublin University Weekly HEMPENSTALL BRYSON 111 IIRAFTON ST. THURSDAY, JUNE 7th, 1962 LTD. w- PRICE THREEPENCE Geology Expedition Fashion Winners to lake part June 6th was the sunniest Trinity Wednesday in years, and whilst the hats were affected a little by a fresh in World Research wind, the afternoon was sartorially spectacular. HE three Trinity students who are going to Kharg Chris Lea (see this week’s Island, in the Persian Gulf, leave Dublin July 9th. profile), as Secretary of Trinity T Week, welcomed the President, Chris Kendall, the leader; Jalik Kaulback and Patrick Mr. de Valera, and other distin- Skipwith, have been arranging the expedition for three guished guests in the exclusive years, and its findings will be Trinity’s contribution to an Pavilion. international research programme planned by, amongst Hats this year were generally others, Imperial COllege, London. larger, and bad bl’ims, as opposed to last year, when hats tended, so The principal object of the is as fantastic as its history. It is to speak, to the conical. expedition is to ascertain the scheduled to become a vital deep Ushering in Trinity Week---an impression of that climax of the The winners of the competition sea harbour for extensive oil age of the island. There has Summer Term, Trinity Wednesday. were:-- tanker traffic from Persia and Iran Photo by D. Harman also been a significant drop of to the rest of the world. -
A Million Reasons to Purr Butler Banned for Five
THURSDAY, DECEMBER 5, 2013 732-747-8060 $ TDN Home Page Click Here A MILLION REASONS TO PURR DESPITE OBJECTIONS, NYRA BOARD By Emma Berry and Kelsey Riley APPROVES INCREASED ADMISSION COSTS The first two days of the Tattersalls December Mares= By Bill Finley Sale had already produced four millionaire mares, and a The New York Racing Association handles more than fifth topped the third day of trade when Group 3 $2 billion a year and is coming off a year in which it winner Purr Along (GB) (Mount Nelson {GB}) was lost $10.5 million on its racing product, but the bought in partnership by numbers that turned yesterday=s meeting of the Qatar Racing and Newsells Reorganization Board of Directors into a spirited debate Park Stud for 1-million were $2 and $3. Those are the amounts NYRA guineas (US$1,720,319). management is proposing to increase admission costs Another 8,863,500gns by at Belmont and Saratoga, a move that some Board was added to the members saw as necessary in order to help stem the burgeoning gross at the organization=s annual losses while others saw it as a 2013 December Sale, a counterproductive move that will alienate fans and third-day aggregate which ultimately decrease revenues. When the revenue from the slots at Aqueduct is was up by 20% on last Sheikh Fahad & David Redvers factored in, NYRA is making a profit. But its newly year=s turnover. With a Racing Post hired CEO and President Chris Kay has made it his seven-figure transaction mission to make the racetracks profitable, exclusive of always likely to bring the average up, the strength in the slots money. -
From Acorn Stud Storm Bird Northern Dancer South Ocean Mujadil
From Acorn Stud 901 901 Northern Dancer Storm Bird South Ocean Mujadil (USA) Secretariat BAY FILLY (IRE) Vallee Secrete March 8th, 2004 Midou Lyphard Alzao Va Toujours Lady Rebecca (1987) Prince Regent French Princess Queen Dido E.B.F. Nominated. 1st dam VA TOUJOURS: 3 wins at 2 and 3 and £28,007 inc. Reference Point Strensall S., L., placed viz. 3rd Bottisham Heath Stud Rockfel S., Gr.3; dam of 4 previous foals; 3 runners; 3 winners: Polish Pilot (IRE) (95 g. by Polish Patriot (USA)): 4 wins, £30,203 viz. placed at 2; also 2 wins over hurdles and 2 wins over fences and placed 32 times. Dauphin (IRE) (93 g. by Astronef): 3 wins at 3 and 4 inc. Bollinger Champagne Challenge Series H., Ascot and placed 7 times. White Mountain (IRE) (02 c. by Monashee Mountain (USA)): 2 wins at 3, 2005. Thatjours (IRE) (96 f. by Thatching): unraced; dam of a winner: Somaly Mam (IRE): 2 wins at 2, 2004 in Italy and placed 3 times. 2nd dam FRENCH PRINCESS: 4 wins at 3 and 4 and placed; dam of 5 winners inc.: VA TOUJOURS (f. by Alzao (USA)): see above. French Flutter: 3 wins inc. winner at 3 and placed 5 times. Lady of Surana: unraced; dam of 9 winners inc.: Alriffa (IND): 13 wins in India placed 2nd Nanoli Stud Juvenile Million, L. and 3rd Kingfisher Mysore 2000 Guineas, L. 3rd dam QUEEN DIDO (by Acropolis): winner at 2 and placed; dam of 3 winners inc.: ALIA: 5 wins at 3 inc. Princess Royal S., Gr.3, placed; dam of 6 winners. -
Trochees and Iambs2
CHAPTER III. Some Remarks on the Nature of Trochees and Iambs and their Relationship to Other Metres ‘The iambic is the characteristic rhythm of people as they talk […]. The trochaic rhythm, again, is too much akin to the comic dance, as may be seen in tetrameter verse, for the rhythm of tetrameters is light and tripping. (Aristotle, 1932: 3.8, 1408b). The present study assumes that poetic rhythm in the tonic-syllabic system current in English poetry can be best accounted for by three sets of patterns: First, an abstract matrix of expectations consisting of regularly alternating strong and weak positions. Secondly, the stress-pattern of spoken language. Some aspects of this stress pattern confirm the abstract schema (one could even say that it is from these that the reader abstracts the metric pattern); some aspects deviate from it, and produce tension. These deviations, far from being signs of imperfection, of “unmetricality”, are major prosodic and expressive assets. When the reader encounters some deviation from the abstract metric pattern, he makes adjustments in its performance, so as to preserve both his metrical set, that is, his feeling of regularly alternating strong and weak positions and, at the same time, the stress pattern of his spoken language. The adjustment frequently consists in overarticu- lation, overstressing, and additional grouping of stresses. This constitutes the third pattern, the pattern of performance. The greater the deviation, the greater the adjustment required and the tighter the additional grouping, One of the basic assumptions of the present study is, then, that the rhythm of a poem is accessible only through some kind of performance; an adequate account of a poem’s rhythm can be given only by considering the interplay of three patterns: those of metre, stresses and performance.