DOCSLIB.ORG

Durham E-Theses

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Durham E-Theses Durham E-Theses A Critical Study of Modern Orthodox Scholarly Criticism of Western Art GOGUADZE, TAMAR How to cite: GOGUADZE, TAMAR (2016) A Critical Study of Modern Orthodox Scholarly Criticism of Western Art, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/11557/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 A Critical Study of Modern Orthodox Christian Theological Criticism of Western Art Tamar Goguadze The present work seeks to explore the modern Orthodox Christian view of western art with a particular reference to western painting since the times of the Italian Renaissance to the present day. The fact that the phenomenon of western art is relatively new appears as a main challenge while attempting to examine the validity of modern views expressed in the name of the Orthodox tradition by references from patristic sources. Therefore the method of this thesis is to divide the concept of western art into its constituent components and find the patristic responses to each of them in the light of the Fathers’ appreciation of their contemporary art, literature and philosophy outside the church. As an interdisciplinary exploration of artistic creativity this work has its goal throughout to trace the positive aspects presented by the masterpieces of western art that can aid the Christian process of theosis as well as enhance the Orthodox theological contribution to the ecumenical dialogue between the East and West on the grounds of common aspects manifested in the phenomenon of human creativity. Drawing on categories of western aesthetics as well as Orthodox theology, this work is particularly interested in the nature of Orthodox arguments for and against artistic creativity per se and their relationship to the ‘Patristic mind’ of the Church rather than seeking the direct quotations of the Fathers over the subject in vain. The historical background of the modern disagreement over the issue will be taken into special consideration. Focusing on western art from an Orthodox perspective is fundamentally at odds with many conservative expectations of human creativity that are usually associated with iconography and liturgical art in Orthodox theology. Yet, the number and quality of works dedicated to explorations of iconography provides a sufficient material for enlightening both Orthodox and western readers on the mystical power of spiritual illumination generating from Orthodox icons as well as its artistic and historical analyses. The topic of this work – art outside the liturgical boundaries of the church – has been deliberately chosen. The central argument of this work is that human creativity in general has a divine origin since it has been inherited from the creative energy of God. The power of artistic influence cannot be doubted especially in a modern society that subconsciously seeks a liberation from the custody of the machinery of technical civilization. Therefore, the search for true and authentic goodness in sincere artistic manifestations of beauty and truth can find an important place in the Orthodox Christian consciousness without a need for its inclusion in worship. If taken seriously great masterpieces of western art offer an immense contribution to the theological study of spiritual senses and their relationship to the process of theosis. A Critical Study of Modern Orthodox Christian Theological Criticism of Western Art Volume One of Two Tamar Goguadze Submitted for the Degree of Doctor of Philosophy Department of Theology and Religion Durham University 2016 TABLE OF CONTENTS Volume 1 Introduction ....................................................................................................................... 1 Chapter 1 A History of Critical Study of Western Art in the 20th Century Orthodox Theological Scholarship Introduction ....................................................................................................................... 3 1.1. The crisis of national identity and the Slavophile movement in the 19th century Russia ................................................................................................................................ 7 1.2. Alexey Khomiakov: Russian identity and the Sobornost of the Church ................... 9 1.3. Orthodox spirituality versus creativity - case study: Nikolai Gogol ...................... 11 1.4. Western concept of aesthetics and a Russian literary response – Fyodor Dostoyevsky .................................................................................................................... 13 1.5. Vladimir Soloviev .................................................................................................... 15 1.6. The state of Russian art at the end of the 19th century: the four apologists of rediscovering the authentic style in Russia and in Greece .............................................. 17 1.6.1. Prince Eugene Trubetskoi ..................................................................................... 18 1.6.2. Father Pavel Florensky.......................................................................................... 20 1.6.3. Leonide Ouspensky ............................................................................................... 24 1.6.4. Photios Kontoglou................................................................................................. 26 1.7. More recent developments of Orthodox thought about the subject of western art .. 31 1.8. Vision of art in a broader context: continuing the line of patristic thought ............. 42 Summary ......................................................................................................................... 46 Chapter 2 A Christian Evaluation of the General Phenomenon of the Artist Introduction ..................................................................................................................... 48 2.1. The Orthodox Christian understanding of the concept of the iconographer ............ 48 2.2. The modern Orthodox responses to the western concept of the artist-creator ......... 55 2.3. The Byzantine sources on the appreciation of artistic talent.................................... 61 2.4. The social status of the artist in the ancient world ................................................... 64 2.5. The social status of the Renaissance artist ............................................................... 68 2.6. Artist in the modern world ....................................................................................... 74 2.7. Intention and unpredictability in the creative process.............................................. 81 iii 2.8. A general introduction to the artistic use of human imagination ............................. 85 2.9. Ancient Greek views on imagination ....................................................................... 86 2.10. The ascetic Christian approach to Phantasia .......................................................... 87 2.11. A positive Patristic outlook on imagination ........................................................... 89 2.12. Theology of artistic inspiration .............................................................................. 93 2.13. Discussions about the personal expression of the artist: The problem of subjectivity versus collective consciousness..................................................................100 2.14. Understanding the distinction between the two Selves of the artist: personal and creative ...........................................................................................................................103 2.15. Evaluation of Berdyaev’s theory of ‘Genius and Holy Man’ ...............................112 Summary ........................................................................................................................117 Chapter 3 A Theological Analysis of the Rationale of Artistic Presentation Introduction Orthodox Christian Objections to Western Artistic Interest in Naturalism ...................119 3.1. Theological context of mimesis in prehistoric painting ..........................................121 3.2. The significance of Greek thought in the development of later Christian understanding of art and aesthetics ................................................................................127 3.3. Three ancient philosophers on mimesis ..................................................................137 3.4. The role and appreciations of life-likeness in early Christian art ...........................141 3.5. A puritanical approach to artistic presence in the early Church .............................145 3.6. The positive outcomes of Byzantine Iconoclasm in the formation of the Church’s understanding of mimetic presentation ..........................................................................147
Load more

Recommended publications
  • Spring 2019 Volume 45 Issue 2
    Spring 2019 Volume 45 Issue 2 155 Ian Dagg Natural Religion in Montesquieu’s Persian Letters and The Spirit of the Laws 179 David N. Levy Aristotle’s “Reply” to Machiavelli on Morality 199 Ashleen Menchaca-Bagnulo “Deceived by the Glory of Caesar”: Humility and Machiavelli’s Founder Reviews Essays: 223 Marco Andreacchio Mastery of Nature, edited by Svetozar Y. Minkov and Bernhardt L. Trout 249 Alex Priou The Eccentric Core, edited by Ronna Burger and Patrick Goodin 269 David Lewis Schaefer The Banality of Heidegger by Jean-Luc Nancy Book Reviews: 291 Victor Bruno The Techne of Giving by Timothy C. Campbell 297 Jonathan Culp Orwell Your Orwell by David Ramsay Steele 303 Fred Erdman Becoming Socrates by Alex Priou 307 David Fott Roman Political Thought by Jed W. Atkins 313 Steven H. Frankel The Idol of Our Age by Daniel J. Mahoney 323 Michael Harding Leo Strauss on Nietzsche’s Thrasymachean-Dionysian Socrates by Angel Jaramillo Torres 335 Marjorie Jeffrey Aristocratic Souls in Democratic Times, edited by Richard Avramenko and Ethan Alexander-Davey 341 Peter Minowitz The Bleak Political Implications of Socratic Religion by Shadia B. Drury 347 Charles T. Rubin Mary Shelley and the Rights of the Child by Eileen Hunt Botting 353 Thomas Schneider From Oligarchy to Republicanism by Forrest A. Nabors 357 Stephen Sims The Legitimacy of the Human by Rémi Brague ©2019 Interpretation, Inc. All rights reserved. No part of the contents may be reproduced in any form without written permission of the publisher. ISSN 0020-9635 Editor-in-Chief Timothy W. Burns, Baylor University General Editors Charles E.
    [Show full text]
  • Ivan Vladislavovich Zholtovskii and His Influence on the Soviet Avant-Gavde
    87T" ACSA ANNUAL MEETING 125 Ivan Vladislavovich Zholtovskii and His Influence on the Soviet Avant-Gavde ELIZABETH C. ENGLISH University of Pennsylvania THE CONTEXT OF THE DEBATES BETWEEN Gogol and Nikolai Nadezhdin looked for ways for architecture to THE WESTERNIZERS AND THE SLAVOPHILES achieve unity out of diverse elements, such that it expressed the character of the nation and the spirit of its people (nnrodnost'). In the teaching of Modernism in architecture schools in the West, the Theories of art became inseparably linked to the hotly-debated historical canon has tended to ignore the influence ofprerevolutionary socio-political issues of nationalism, ethnicity and class in Russia. Russian culture on Soviet avant-garde architecture in favor of a "The history of any nation's architecture is tied in the closest manner heroic-reductionist perspective which attributes Russian theories to to the history of their own philosophy," wrote Mikhail Bykovskii, the reworking of western European precedents. In their written and Nikolai Dmitriev propounded Russia's equivalent of Laugier's manifestos, didn't the avantgarde artists and architects acknowledge primitive hut theory based on the izba, the Russian peasant's log hut. the influence of Italian Futurism and French Cubism? Imbued with Such writers as Apollinari Krasovskii, Pave1 Salmanovich and "revolutionary" fervor, hadn't they publicly rejected both the bour- Nikolai Sultanov called for "the transformation. of the useful into geois values of their predecessors and their own bourgeois pasts? the beautiful" in ways which could serve as a vehicle for social Until recently, such writings have beenacceptedlargelyat face value progress as well as satisfy a society's "spiritual requirements".' by Western architectural historians and theorists.
    [Show full text]
  • From Periphery to Centre.The Image of Europe at the Eastern Border of Europe
    Munich Personal RePEc Archive From Periphery to Centre.The Image of Europe at the Eastern Border of Europe Şipoş, Sorin and Moisa, Gabriel and Cepraga, Dan Octavian and Brie, Mircea and Mateoc, Teodor University of Oradea, Romania, University of Padova, Italy 2014 Online at https://mpra.ub.uni-muenchen.de/59276/ MPRA Paper No. 59276, posted 15 Oct 2014 12:04 UTC Edited by: Sorin Şipoş, Gabriel Moisa, Dan Octavian Cepraga, Mircea Brie, Teodor Mateoc From Periphery to Centre. The Image of Europe at the Eastern Border of Europe Editorial committee: Delia-Maria Radu Roxana Ivaşca Alexandra Bere Ionuţ Ciorba CONTENTS Sorin ŞIPOŞ, Dan Octavian CEPRAGA, From Periphery to Centre. The Image of Europe at the Eastern Border of Europe ………..………..… 5 I. PERIPHERY VIEWED FROM THE CENTRE …………………..… 13 Lorenzo RENZI, «Terra Romena» ……………………………………..… 15 Ion Alexandru MIZGAN, The Crusades – Cause of Tension between Eastern and Western Europe ………………………………………...…..…21 Florin DOBREI, Transylvanian “Schismatics”, “Heretics” and “Infidels” in the Vision of 13th-16th Century Catholic Europe ……………………..… 47 Ioan-Aurel POP, 16th Century Venetian Bailiffs‟ Reports on Realities in the Ottoman Empire …………………………………………………..… 61 Ion EREMIA, A False Theory Still Persists at the Eastern Border of Latinity .. 76 Delia-Maria RADU, From Centre to the Periphery and the Other Way Round ………………………………………………………..……..… 88 Teodor MATEOC, Identity and Race. The Problem of Otherness in Contemporary Cultural Studies …………………………………...……..…96 II. SELF-IMAGES AT EUROPE’S EASTERN BORDERS
    [Show full text]
  • The Moral Mappings of South and North ANNUAL of EUROPEAN and GLOBAL STUDIES ANNUAL of EUROPEAN and GLOBAL STUDIES
    The Moral Mappings of South and North ANNUAL OF EUROPEAN AND GLOBAL STUDIES ANNUAL OF EUROPEAN AND GLOBAL STUDIES Editors: Ireneusz Paweł Karolewski, Johann P. Arnason and Peter Wagner An annual collection of the best research on European and global themes, the Annual of European and Global Studies publishes issues with a specific focus, each addressing critical developments and controversies in the field. xxxxxx Peter Wagner xxxxxx The Moral Mappings of South and North Edited by Peter Wagner Edited by Peter Wagner Edited by Peter Cover image: xxxxx Cover design: www.paulsmithdesign.com ISBN: 978-1-4744-2324-3 edinburghuniversitypress.com 1 The Moral Mappings of South and North Annual of European and Global Studies An annual collection of the best research on European and global themes, the Annual of European and Global Studies publishes issues with a specific focus, each addressing critical developments and controversies in the field. Published volumes: Religion and Politics: European and Global Perspectives Edited by Johann P. Arnason and Ireneusz Paweł Karolewski African, American and European Trajectories of Modernity: Past Oppression, Future Justice? Edited by Peter Wagner Social Transformations and Revolutions: Reflections and Analyses Edited by Johann P. Arnason & Marek Hrubec www.edinburghuniversitypress.com/series/aegs Annual of European and Global Studies The Moral Mappings of South and North Edited by Peter Wagner Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance.
    [Show full text]
  • 15 De Agosto De 1999 ASUNCIÓN DE LA VIRGEN
    AÑO 16 - Nº 45 15 de Agosto de 1999 ASUNCIÓN DE LA VIRGEN DIRECTOR: Rafael Luis Breide Obeid CONSEJO CONSULTOR: Roberto Brie, Antonio Caponnetto, Mario Caponnetto, Alberto Caturelli, Enrique Díaz Araujo, Jorge N. Ferro, P. Miguel A. Fuentes, Héctor H. Hernández, P. Pedro D. Martínez, Federico Mihura Seeber, Bernardino Montejano, Ennio Innocenti, Patricio H. Randle, Víctor E. Ordóñez, Carmelo Palumbo, Héctor Piccinali, Thomas Molnar, P. Alfredo Sáenz FUNDACIÓN GLADIUS: R. Breide Obeid, H. Piccinali, J. Ferro, D. Ibarra, P. Rodríguez Barnes, E. Zancaner, E. Rodríguez Barnes La compra de las obras del fondo editorial y las suscripciones de la revista se pueden efectuar mediante cheques y/o giros contra plaza Buenos Aires, a la orden de “Fundación Gladius” C. C. 376 (1000) Correo Central, Cap. Fed. Asimismo, puede escribir a la Fundación Gladius, para simple correspondencia o envío de artículos y/o recensiones, a la siguiente dirección de e-mail: [email protected] GLADIUS incluye los sumarios de sus ediciones en la base de datos Latbook (libros y revistas) Disponible en INTERNET en la siguiente dirección: http:/www.latbook.com Correspondencia a: FUNDACIÓN GLADIUS, C.C. 376 (1000) Correo Central, Bs. As., Rep. Argentina. Los artículos que llevan firmas no comprometen necesariamente el pensamiento de la revista y son de responsabilidad de quien firma. No se devuelven los originales no publicados. REGISTRO DE LA PROPIEDAD INTELECTUAL Nº 322.769 Índice RAFAEL L. BREIDE OBEID Las tres fases de la política 3 MONS. HÉCTOR AGUER Parresía de la fe, audacia de la razón 21 CARLOS ARMINJON Santa Teresa de Jesús.
    [Show full text]
  • Peter Weiss. Andrei Platonov. Ragnvald Blix. Georg Henrik Von Wright. Adam Michnik
    A quarterly scholarly journal and news magazine. March 2011. Vol IV:1 From the Centre for Baltic and East European Studies (CBEES) Södertörn University, Stockholm FEATURE. Steklov – Russian BALTIC temple of pure thought W O Rbalticworlds.com L D S COPING WITH TRANSITIONS PETER WEISS. ANDREI PLATONOV. RAGNVALD BLIX. GEORG HENRIK VON WRIGHT. ADAM MICHNIK. SLAVENKA DRAKULIĆ. Sixty pages BETRAYED GDR REVOLUTION? / EVERYDAY BELARUS / WAVE OF RELIGION IN ALBANIA / RUSSIAN FINANCIAL MARKETS 2short takes Memory and manipulation. Transliteration. Is anyone’s suffering more important than anyone else’s? Art and science – and then some “IF YOU WANT TO START a war, call me. Transliteration is both art and science CH I know all about how it's done”, says – and, in many cases, politics. Whether MÄ author Slavenka Drakulić with a touch царь should be written as tsar, tzar, ANNA of gallows humor during “Memory and czar, or csar may not be a particu- : H Manipulation: Religion as Politics in the larly sensitive political matter today, HOTO Balkans”, a symposium held in Lund, but the question of the transliteration P Sweden, on December 2, 2010. of the name of the current president This issue of the journal includes a of Belarus is exceedingly delicate. contribution from Drakulić (pp. 55–57) First, and perhaps most important: in which she claims that top-down gov- which name? Both the Belarusian ernance, which started the war, is also Аляксандр Лукашэнка, and the Rus- the path to reconciliation in the region. sian Александр Лукашенко are in use. Balkan experts attending the sympo- (And, while we’re at it, should that be sium agree that the war was directed Belarusian, or Belarussian, or Belaru- from the top, and that “top-down” is san, or Byelorussian, or Belorussian?) the key to understanding how the war BW does not want to take a stand on began in the region.
    [Show full text]
  • Making Sense of Russia's Illiberalism Marlene Laruelle
    Making Sense of Russia's Illiberalism Marlene Laruelle Journal of Democracy, Volume 31, Number 3, July 2020, pp. 115-129 (Article) Published by Johns Hopkins University Press For additional information about this article https://muse.jhu.edu/article/760091 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] MAKING SENSE OF RUSSIA�S ILLIBERALISM Marlene Laruelle Marlene Laruelle is research professor of international affairs and director of the Institute for European, Russian, and Eurasian Studies (IERES) at George Washington University’s Elliott School of Interna- tional Affairs. Political movements declaring the rejection of liberalism are on the rise, almost everywhere. Until the covid-19 pandemic dramatically re- shaped the international scene, the illiberal ascent was the most striking trend in world politics, stretching from the United States and Europe to Russia, from Turkey and Israel to Brazil, India, and the Philippines.1 This paradigm shift has been described in a variety of terms: far-right, populist, nationalist, national-populist. Yet it is the concept of illiberal- ism that most fully captures the nature of the movements that are chal- lenging liberal-democratic systems around the globe. These movements explicitly identify liberalism as their enemy. They denounce, in varying proportions, the political, economic, and cultural liberalism embodied in supranational institutions, globalization, mul- ticulturalism, and minority-rights protections. They do not necessarily make up a coherent ideology; rather, they represent an interconnected set of values that come together in country-specific patterns. Illiberals in different settings stress different issues, with some emphasizing Chris- tian roots, others chiefly fomenting xenophobia against migrants, still others trumpeting their defense of the traditional family, and so forth.
    [Show full text]
  • Polish Journal of Political Science Volume 2 Issue 2
    (this page is intentionally left blank) Polish Journal of Political Science Volume 2 Issue 2 Editorial Board Clifford Angell Bates Jr., University of Warsaw Stephen Brooks, University of Michigan Michael Freeden, University of Nottingham, University of Oxford Shpresa Kureta, Her Excellency Ambassador of Albania to Poland Paolo Pombeni, University of Bologna Bohdan Szlachta, Jagiellonian University in Krakow Tomasz Żyro, University of Warsaw Editor: Jarosław Szczepański Associate Editors Przemysław Biskup Aneta Marcinkowska (Statistics) Stanisław Matsumoto Iwona Miedzińska Krystian Pałyska Maciej Sadowski Łukasz Smalec Marta de Zuniga eISSN 2391-3991 Original version: e-book Visit our site: www.pjps.pl Submit your paper: [email protected] (this page is intentionally left blank) Polish Journal of Political Science Table of Contents Articles Susana Calderón Vizcarra de Kevans The Critique of Democracy in the Writings of Nicolás Gómez Dávila (1913 – 1994) p. 6 Dolly Bhardwaj Factors which influence Foreign Policy of Bhutan p. 25 Iurii Opoka International Approaches to the Crisis in Ukraine p. 73 Paula Olearnik Szydłowska Regime change and the future of popular sovereignty p. 103 Vol. 2, Issue 2, 2016 5 Polish Journal of Political Science Susana Calderón Vizcarra de Kevans Faculty of Journalism and Political Science, University of Warsaw The Critique of Democracy in the Writings of Nicolás Gómez Dávila (1913 – 1994) Abstract The Western world is experiencing the "death of God" and is living in a self-proclaimed "postmodern era”, which boasts of "liberating" the human being, thanks to the cult of reason and the rejection of religious dogmas. In the twentieth century, in Latin America; in the heart of Colombia, Nicolás Gómez Dávila lived and thought.
    [Show full text]
  • Alexander-Davey on Pipes, 'Russian Conservatism and Its Critics: a Study in Political Culture'
    H-Russia Alexander-Davey on Pipes, 'Russian Conservatism and Its Critics: A Study in Political Culture' Review published on Saturday, December 1, 2007 Richard Pipes. Russian Conservatism and Its Critics: A Study in Political Culture. New Haven: Yale University Press, 2005. xv + 216 pp. $30.00 (cloth), ISBN 978-0-300-11288-7. Reviewed by Ethan Alexander-Davey (Department of Slavonic Studies, University of Cambridge) Published on H-Russia (December, 2007) Russian Autocracy and Its Critic There is no disputing the contemporary relevance of the topic that Richard Pipes has chosen for his latest book, Russian Conservatism and Its Critics. Since the collapse of the USSR, Russian academics, journalists, and politicians have shown great interest in the theory and practice of conservatism in general and Russian conservatism in particular. In 2004, the philosophy faculty of St. Petersburg State University founded the Center for the Study of Conservatism, which holds an annual conference and has assisted in the publication of books and articles on the theory and history of Russian conservatism and its significance for post-Soviet Russia. Academics and journal writers in Moscow and Voronezh have been producing monographs and publishing new editions of classic works of Russian conservatism for several years now. Most significantly, members of President Vladimir Putin's administration now appear to be seeking inspiration, or at the very least ideological justification, for their policies in classic works of Russian conservatism, especially those of
    [Show full text]
  • Université De Montréal the Political and Artistic Program of Prince Petru
    Université de Montréal The Political and Artistic Program of Prince Petru Rares of Moldavia (1527-1538 and 1541-1546) and the Fresco Series Depicting the “Life of the Mother of God” in the Church of Humor Monastery par Adriana Balaban Bara Faculté de théologie et de sciences des religions Thèse présentée à la Faculté des études supérieures en vue de l’obtention du grade de Philosophiae Doctor (Ph. D.) en theologie Mars, 2012 © Adriana Balaban Bara, 2012 Université de Montréal Faculté des études supérieures Cette thèse intitulée: The Political and Artistic Program of Prince Petru Rares of Moldavia (1527-1538 and 1541-1546) and the Fresco Series Depicting the “Life of the Mother of God” in the Church of Humor Monastery présentée par: Adriana Balaban Bara a été évaluée par un jury composé des personnes suivantes: Professeur Alain GIGNAC, président-rapporteur Professeur Pierre LÉTOURNEAU, directeur de recherche Professeur Lucian Turcescu, codirecteur .. Professeur Jean-François ROUSSEL, membre du jury Professeur Peter GALADZA, examinateur externe iii Abstract In 1993, the church of Humor Monastery and six other churches from northern Moldavia (Romania) were classified as UNESCO Patrimony, due to their unique iconographical and architectural features. Built in the sixteenth-century, Humor Monastery became a rich and vital cultural religious center under the patronage of Prince Petru Rares of Moldavia. This center encouraged ecclesial architectural innovations, as well as an extraordinarily prolific program of frescoes, both internally and externally, expressing creativity beyond the canon of painting of the time. This dissertation focuses on understanding these architectural and iconographical innovations, in the light of the historical context that gave rise to this unique moment in Moldavian history, in the century following the Fall of Constantinople (1453).
    [Show full text]
  • The 'Clash of Civilizations' 25 Years On
    EDITED BY DAVIDE ORSI The ‘Clash of Civilizations’ 25 Years On A Multidisciplinary Appraisal This e-book is provided without charge via free download by E-International Relations (www.E-IR.info). It is not permitted to be sold in electronic format under any circumstances. If you enjoy our free e-books, please consider leaving a small donation to allow us to continue investing in open access publications: http://www.e-ir.info/about/donate/ i The ‘Clash of Civilizations’ 25 Years On A Multidisciplinary Appraisal EDITED BY DAVIDE ORSI ii E-International Relations www.E-IR.info Bristol, England 2018 ISBN 978-1-910814-43-7 (paperback) ISBN 978-1-910814-44-4 (e-book) This book is published under a Creative Commons CC BY-NC 4.0 license. You are free to: • Share – copy and redistribute the material in any medium or format • Adapt – remix, transform, and build upon the material Under the following terms: • Attribution – You must give appropriate credit, provide a link to the license and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. • Non-Commercial – You may not use the material for commercial purposes. Any of the above conditions can be waived if you get permission. Please contact [email protected] for any such enquiries, including for licensing and translation requests. Other than the terms noted above, there are no restrictions placed on the use and dissemination of this book for student learning materials/ scholarly use.
    [Show full text]
  • A “Russian Nietzsche” in the Ottoman Empire: Konstantin N
    A RUSSIAN INTELLECTUAL IN THE OTTOMAN EMPIRE: KONSTANTIN N. LEONTIEV (1831-1891) ON THE EASTERN QUESTION A Master’s Thesis by PINAR ÜRE DEPARTMENT OF INTERNATIONAL RELATIONS BILKENT UNIVERSITY ANKARA August 2008 To my family A RUSSIAN INTELLECTUAL IN THE OTTOMAN EMPIRE: KONSTANTIN N. LEONTIEV (1831-1891) ON THE EASTERN QUESTION The Institute of Economics and Social Sciences of Bilkent University by PINAR ÜRE In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in THE DEPARTMENT OF INTERNATIONAL RELATIONS BILKENT UNIVERSITY ANKARA August 2008 I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Arts in International Relations. Associate Prof. Hakan Kırımlı Supervisor I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Arts in International Relations. Dr. Hasan Ali Karasar Examining Committee Member I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Arts in International Relations. Assistant Prof. Laurent Mignon Examining Committee Member Approval of the Institute of Economics and Social Sciences Prof. Dr. Erdal Erel Director ABSTRACT A RUSSIAN INTELLECTUAL IN THE OTTOMAN EMPIRE: KONSTANTIN N. LEONTIEV (1831-1891) ON THE EASTERN QUESTION Üre, Pınar M.A. Department of International Relations Supervisor: Associate Prof. Hakan Kırımlı August 2008 This thesis intends to analyze the ideas of a nearly forgotten Russian intellectual, Konstantin Nikolaevich Leontiev on the Eastern Question in the light of his opinions on democracy, liberalism, nationalism, and the East-West dichotomy.
    [Show full text]