Queens on the Throne of Egypt
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Cleopatra II and III: the Queens of Ptolemy VI and VIII As Guarantors of Kingship and Rivals for Power
Originalveröffentlichung in: Andrea Jördens, Joachim Friedrich Quack (Hg.), Ägypten zwischen innerem Zwist und äußerem Druck. Die Zeit Ptolemaios’ VI. bis VIII. Internationales Symposion Heidelberg 16.-19.9.2007 (Philippika 45), Wiesbaden 2011, S. 58–76 Cleopatra II and III: The queens of Ptolemy VI and VIII as guarantors of kingship and rivals for power Martina Minas-Nerpel Introduction The second half of the Ptolemaic period was marked by power struggles not only among the male rulers of the dynasty, but also among its female members. Starting with Arsinoe II, the Ptolemaic queens had always been powerful and strong-willed and had been a decisive factor in domestic policy. From the death of Ptolemy V Epiphanes onwards, the queens controlled the political developments in Egypt to a still greater extent. Cleopatra II and especially Cleopatra III became all-dominant, in politics and in the ruler-cult, and they were often depicted in Egyptian temple- reliefs—more often than any of her dynastic predecessors and successors. Mother and/or daughter reigned with Ptolemy VI Philometor to Ptolemy X Alexander I, from 175 to 101 BC, that is, for a quarter of the entire Ptolemaic period. Egyptian queenship was complementary to kingship, both in dynastic and Ptolemaic Egypt: No queen could exist without a king, but at the same time the queen was a necessary component of kingship. According to Lana Troy, the pattern of Egyptian queenship “reflects the interaction of male and female as dualistic elements of the creative dynamics ”.1 The king and the queen functioned as the basic duality through which regeneration of the creative power of the kingship was accomplished. -
Macedonian Kings, Egyptian Pharaohs the Ptolemaic Family In
Department of World Cultures University of Helsinki Helsinki Macedonian Kings, Egyptian Pharaohs The Ptolemaic Family in the Encomiastic Poems of Callimachus Iiro Laukola ACADEMIC DISSERTATION To be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XV, University Main Building, on the 23rd of September, 2016 at 12 o’clock. Helsinki 2016 © Iiro Laukola 2016 ISBN 978-951-51-2383-1 (paperback.) ISBN 978-951-51-2384-8 (PDF) Unigrafia Helsinki 2016 Abstract The interaction between Greek and Egyptian cultural concepts has been an intense yet controversial topic in studies about Ptolemaic Egypt. The present study partakes in this discussion with an analysis of the encomiastic poems of Callimachus of Cyrene (c. 305 – c. 240 BC). The success of the Ptolemaic Dynasty is crystallized in the juxtaposing of the different roles of a Greek ǴdzȅǻǽǷȏȄ and of an Egyptian Pharaoh, and this study gives a glimpse of this political and ideological endeavour through the poetry of Callimachus. The contribution of the present work is to situate Callimachus in the core of the Ptolemaic court. Callimachus was a proponent of the Ptolemaic rule. By reappraising the traditional Greek beliefs, he examined the bicultural rule of the Ptolemies in his encomiastic poems. This work critically examines six Callimachean hymns, namely to Zeus, to Apollo, to Artemis, to Delos, to Athena and to Demeter together with the Victory of Berenice, the Lock of Berenice and the Ektheosis of Arsinoe. Characterized by ambiguous imagery, the hymns inspect the ruptures in Greek thought during the Hellenistic age. -
The History of Ancient Egypt “Passionate, Erudite, Living Legend Lecturers
“Pure intellectual stimulation that can be popped into Topic Subtopic the [audio or video player] anytime.” History Ancient History —Harvard Magazine The History of Ancient Egypt “Passionate, erudite, living legend lecturers. Academia’s best lecturers are being captured on tape.” —The Los Angeles Times The History “A serious force in American education.” —The Wall Street Journal of Ancient Egypt Course Guidebook Professor Bob Brier Long Island University Professor Bob Brier is an Egyptologist and Professor of Philosophy at the C. W. Post Campus of Long Island University. He is renowned for his insights into ancient Egypt. He hosts The Learning Channel’s popular Great Egyptians series, and his research was the subject of the National Geographic television special Mr. Mummy. A dynamic instructor, Professor Brier has received Long Island University’s David Newton Award for Teaching Excellence. THE GREAT COURSES® Corporate Headquarters 4840 Westfields Boulevard, Suite 500 Chantilly, VA 20151-2299 Guidebook USA Phone: 1-800-832-2412 www.thegreatcourses.com Cover Image: © Hemera/Thinkstock. Course No. 350 © 1999 The Teaching Company. PB350A PUBLISHED BY: THE GREAT COURSES Corporate Headquarters 4840 Westfi elds Boulevard, Suite 500 Chantilly, Virginia 20151-2299 Phone: 1-800-TEACH-12 Fax: 703-378-3819 www.thegreatcourses.com Copyright © The Teaching Company, 1999 Printed in the United States of America This book is in copyright. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of The Teaching Company. -
Tomasz Grabowski Jagiellonian University, Kraków*
ELECTRUM * Vol. 21 (2014): 21–41 doi: 10.4467/20800909EL.14.001.2778 www.ejournals.eu/electrum THE CULT OF THE PTOLEMIES IN THE AEGEAN IN THE 3RD CENTURY BC Tomasz Grabowski Jagiellonian University, Kraków* Abstract: The cult of the Ptolemies spread in various ways. Apart from the Lagids, the initiative came from poleis themselves; private cult was also very important. The ruler cult, both that organ- ised directly by the Ptolemaic authorities and that established by poleis, was tangibly benefi cial for the Ptolemaic foreign policy. The dynastic cult became one of the basic instruments of political activity in the region, alongside acts of euergetism. It seems that Ptolemy II played the biggest role in introducing the ruler cult as a foreign policy measure. He was probably responsible for bringing his father’s nickname Soter to prominence. He also played the decisive role in popularising the cult of Arsinoe II, emphasising her role as protector of sailors and guarantor of the monarchy’s prosperity and linking her to cults accentuating the warrior nature of female deities. Ptolemy II also used dynastic festivals as vehicles of dynastic propaganda and ideology and a means to popu- larise the cult. The ruler cult became one of the means of communication between the subordinate cities and the Ptolemies. It also turned out to be an important platform in contacts with the poleis which were loosely or not at all subjugated by the Lagids. The establishment of divine honours for the Ptolemies by a polis facilitated closer relations and created a friendly atmosphere and a certain emotional bond. -
Il Romanzo Di Nino Tra Due Culture: Analisi Del Testo, Ricostruzione Del Contesto, Definizione Del Genere
Alma Mater Studiorum – Università di Bologna DOTTORATO DI RICERCA IN STUDI LETTERARI E CULTURALI Ciclo 30° Settore Concorsuale: 10/D2 Settore Scientifico Disciplinare: L-FIL-LET/02 TITOLO TESI IL ROMANZO DI NINO TRA DUE CULTURE: ANALISI DEL TESTO, RICOSTRUZIONE DEL CONTESTO, DEFINIZIONE DEL GENERE Presentata da: ELENA SUBRANI Coordinatore Dottorato Supervisore PROF.SSA SILVIA ALBERTAZZI PROF. LIVIO SBARDELLA Esame finale anno 2019 ABSTRACT Dalla lettura e analisi dei frammenti restanti del Romanzo di Nino si evince che le dinamiche dei personaggi, seppur a grandi linee afferenti alla struttura del romanzo greco d’età imperiale, non corrispondono ad una matrice di cultura greca, perciò l’origine del testo va ricercata altrove, più precisamente nell’ambiente che immediatamente emerge dai frammenti, cioè quello mesopotamico. Molteplici elementi della trama di questo ‘romanzo’, che contengono in loro germi e modi che saranno ripresi in epoca imperiale, risultano fortemente influenzati, infatti, da schemi e plot del Vicino oriente antico. Tutto ciò appare congruo ad una cultura sincretica come quella ellenistica, età in cui nacque l’opera. La ricerca si è svolta, dunque, in direzione di un’analisi di elementi, strutture e dettagli del mondo della narrativa mitologica vicino-orientale che potessero essere stati influenti per il plot del Romanzo di Nino. L’attenzione, in particolare, si è rivolta verso storie e miti della cultura sumera e assiro-babilonese e le possibilità di comparazione si sono rivelate notevoli. I miti in cui sono state ritrovate delle quasi precise corrispondenze sono quelli sumerici di Enlil e Ninlil ed Enlil e Sud, databili alla fine del III-inizio II millennio a.C. -
The Ptolemies: an Unloved and Unknown Dynasty. Contributions to a Different Perspective and Approach
THE PTOLEMIES: AN UNLOVED AND UNKNOWN DYNASTY. CONTRIBUTIONS TO A DIFFERENT PERSPECTIVE AND APPROACH JOSÉ DAS CANDEIAS SALES Universidade Aberta. Centro de História (University of Lisbon). Abstract: The fifteen Ptolemies that sat on the throne of Egypt between 305 B.C. (the date of assumption of basileia by Ptolemy I) and 30 B.C. (death of Cleopatra VII) are in most cases little known and, even in its most recognised bibliography, their work has been somewhat overlooked, unappreciated. Although boisterous and sometimes unloved, with the tumultuous and dissolute lives, their unbridled and unrepressed ambitions, the intrigues, the betrayals, the fratricides and the crimes that the members of this dynasty encouraged and practiced, the Ptolemies changed the Egyptian life in some aspects and were responsible for the last Pharaonic monuments which were left us, some of them still considered true masterpieces of Egyptian greatness. The Ptolemaic Period was indeed a paradoxical moment in the History of ancient Egypt, as it was with a genetically foreign dynasty (traditions, language, religion and culture) that the country, with its capital in Alexandria, met a considerable economic prosperity, a significant political and military power and an intense intellectual activity, and finally became part of the world and Mediterranean culture. The fifteen Ptolemies that succeeded to the throne of Egypt between 305 B.C. (date of assumption of basileia by Ptolemy I) and 30 B.C. (death of Cleopatra VII), after Alexander’s death and the division of his empire, are, in most cases, very poorly understood by the public and even in the literature on the topic. -
Ancient Cyprus: Island of Conflict?
Ancient Cyprus: Island of Conflict? Maria Natasha Ioannou Thesis submitted for the degree of Master of Philosophy Discipline of Classics School of Humanities The University of Adelaide December 2012 Table of Contents Abstract ................................................................................................................ III Declaration........................................................................................................... IV Acknowledgements ............................................................................................. V Introduction ........................................................................................................... 1 1. Overview .......................................................................................................... 1 2. Background and Context ................................................................................. 1 3. Thesis Aims ..................................................................................................... 3 4. Thesis Summary .............................................................................................. 4 5. Literature Review ............................................................................................. 6 Chapter 1: Cyprus Considered .......................................................................... 14 1.1 Cyprus’ Internal Dynamics ........................................................................... 15 1.2 Cyprus, Phoenicia and Egypt ..................................................................... -
Cira Domínguez Tazón Director: José Ramón Aja Sánchez
Facultad de Filosofía y Letras Grado en Historia La mujer en el poder político del Egipto Antiguo: ¿Reinas o corregentes? The Woman in Political Power in Ancient Egypt: Queens or Regents? Autora: Cira Domínguez Tazón Director: José Ramón Aja Sánchez Curso 2014 / 2015 Resumen (Abstract) Palabras clave (Keywords) ÍNDICE 1. Introducción………………………………………………………….……….…..….3 1.1. La corregencia femenina en el Egipto Dinástico………………….….….……4 1.2. El mito y la teogonía en el trasfondo del tema………….…………..…...….....5 1.3. Naturaleza del trabajo, objetivos y fuentes antiguas sobre el tema.…….…..9 2. Catálogo………………………………………………………………….….…........11 2.1. La reina Merneith (Dinastía I)………………………………………….…….13 2.2. La reina Jentkaus I (Dinastía V)…………………………………...….….…..18 2.3. La reina Nitocris (Dinastía VI)………………………………………….…....24 2.4. La reina Sobekneferu: (Dinastía XII)………………………………………..28 2.5. La reina Hatshepsut: (Dinastía XVIII)………………………………….…..32 2.6. La reina Tausert: (Dinastía XIX)……………………………………….…...38 2.7. La reina Cleopatra (Dinastía Ptolemaica)……………………………..….....43 3. Conclusiones………………………………………………………………..……....48 4. Índices……………………………………………………………………….….…..51 5. Bibliografía…………………………………………………………………….…..52 1 Título: La mujer en el poder político del Egipto Antiguo: ¿Reinas o corregentes? Title: The Woman in Political Power in Ancient Egypt: Queens or Regents? Autora: Cira Domínguez Tazón (Universidad de Cantabria) Resumen: El trono y poder político de Egipto, como también la administración y las instituciones del Estado, estaban reservados sólo a los varones. Ésta fue la situación general habida en el Mundo Antiguo, de la que Egipto no fue excepción. No obstante, este trabajo se centra en un pequeño grupo de mujeres que gobernaron el país, bien como reinas de hecho (temporalmente), o bien como auténticos monarcas (indefinidamente y ostentando incluso los títulos y los atributos de los faraones). -
Cleopatra: Egypt’S Last Pharaoh
1. WEBSITE DEFINITION: Name: Leah Morrison Website: Cleopatra: Egypt’s last Pharaoh Purpose: A biography of Cleopatra’s life and discuss her role as the last pharaoh of Egypt and her legacy. Intended audience: 1. Teachers and students studying ancient Egypt 2. Student researching ancient civilizations 3. Students researching famous female rulers 4. Students and young adults who are interested in Egyptian history and Cleopatra 5. Students and young adults who are interested in curses and dramatic history 6. Students researching ancient Rome and Ceasar Objectives: 1. To discuss Cleopatra’s life and reign 2. To increase the amount of interest in Cleopatra’s life and reign 3. To increase viewer traffic on the National Geographic and History websites’ Cleopatra pages 4. To increase a younger audience base interested in Egyptian history 5. To increase social media shares/reblogs on Egyptian history or Cleopatra 2. CONTENT OUTLINE: Home page: Title: Home Header: Cleopatra: Egypt’s Last Pharaoh 5 Primary links: Home, Family, Reign, Marriage, Death, and Legacy, Contact Us 6 Secondary links: Ascension to the Throne, Caesar, Mark Antony, Curses, Photo Gallery Copy/text: (2 – 3 short paragraphs of 3-5 sentences each explaining purpose of site): Excerpts from the featured pages and slider titles 3-6 Primary slider visuals: (Include a thumbnail and title for each image) The Drama of Cleopatra’s Love Affairs, Cleopatra’s Curse, The Queen’s Claim of Divinity 3-6 Secondary thumbnail visuals: (Include a thumbnail and title for each image) Primary pages Primary pages #1 Title: Family Subtitle: Cleopatra’s Family and Power Struggle Subtitles for each subtopic on the page: Cleopatra’s Lineage and Upbringing, Sibling Rivalry Links in addition to the sites primary and secondary links: Copy/text for each topic covered on the page (1- 3 short paragraphs max for each subtopic) Though much research has been done about Cleopatra’s life, she is still a mystery to us. -
Extraction and Use of Greywacke in Ancient Egypt Ahmed Ibrahim Othman
JFTH, Vol. 14, Issue 1 (2017) ISSN: 2314-7024 Extraction and Use of Greywacke in Ancient Egypt Ahmed Ibrahim Othman 1 Lecturer – Tourism Guidance Department Hotel Management and Restoration Institute, Abu Qir. [ Introduction The Quseir – Qift road was the only practical route in the Central Easter Desert as it was the shortest and easiest road from the Nile Valley to the Red Sea, in addition to the richness of the Bekhen stone quarries and the gold mines. Therefore, it was the preferred road by the merchants, quarrymen and miners. The Bekhen stone quarries of Wadi Hammamat forms an archaeological cluster of inscriptions, unfinished manufactures, settlements, workshops and remaining tools. It seems clear that the state was responsible for the Bekhen stone exploitation, given the vast amount of resources that had to be invested in the organization of a quarrying expedition. Unlike the other marginal areas, the officials leading the missions to Wadi Hammamat show different affiliations in terms of administrative branches. This is probably because Bekhen stone procurement was not the responsibility of the treasury, but these expeditions were entrusted to separate competent officials, graded in a specific hierarchy, forming well – organized missions with different workers for different duties and established wages and functionaries in charge of the administrative tasks. The greywacke quarries were not constantly or intensively exploited. The fact that the stone was used in private or royal statuary and not as a building stone could have caused its demand to be less than that of other materials such as granite, limestone or sandstone. Inscriptions indicated the time lapse between expeditions suggesting that this stone was only quarried when it was needed, which was not on a regular basis. -
Who's Who in Ancient Egypt
Who’s Who IN ANCIENT EGYPT Available from Routledge worldwide: Who’s Who in Ancient Egypt Michael Rice Who’s Who in the Ancient Near East Gwendolyn Leick Who’s Who in Classical Mythology Michael Grant and John Hazel Who’s Who in World Politics Alan Palmer Who’s Who in Dickens Donald Hawes Who’s Who in Jewish History Joan Comay, new edition revised by Lavinia Cohn-Sherbok Who’s Who in Military History John Keegan and Andrew Wheatcroft Who’s Who in Nazi Germany Robert S.Wistrich Who’s Who in the New Testament Ronald Brownrigg Who’s Who in Non-Classical Mythology Egerton Sykes, new edition revised by Alan Kendall Who’s Who in the Old Testament Joan Comay Who’s Who in Russia since 1900 Martin McCauley Who’s Who in Shakespeare Peter Quennell and Hamish Johnson Who’s Who in World War Two Edited by John Keegan Who’s Who IN ANCIENT EGYPT Michael Rice 0 London and New York First published 1999 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2004. © 1999 Michael Rice The right of Michael Rice to be identified as the Author of this Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
ANCIENT TERRACOTTAS from SOUTH ITALY and SICILY in the J
ANCIENT TERRACOTTAS FROM SOUTH ITALY AND SICILY in the j. paul getty museum The free, online edition of this catalogue, available at http://www.getty.edu/publications/terracottas, includes zoomable high-resolution photography and a select number of 360° rotations; the ability to filter the catalogue by location, typology, and date; and an interactive map drawn from the Ancient World Mapping Center and linked to the Getty’s Thesaurus of Geographic Names and Pleiades. Also available are free PDF, EPUB, and MOBI downloads of the book; CSV and JSON downloads of the object data from the catalogue and the accompanying Guide to the Collection; and JPG and PPT downloads of the main catalogue images. © 2016 J. Paul Getty Trust This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042. First edition, 2016 Last updated, December 19, 2017 https://www.github.com/gettypubs/terracottas Published by the J. Paul Getty Museum, Los Angeles Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 90049-1682 www.getty.edu/publications Ruth Evans Lane, Benedicte Gilman, and Marina Belozerskaya, Project Editors Robin H. Ray and Mary Christian, Copy Editors Antony Shugaar, Translator Elizabeth Chapin Kahn, Production Stephanie Grimes, Digital Researcher Eric Gardner, Designer & Developer Greg Albers, Project Manager Distributed in the United States and Canada by the University of Chicago Press Distributed outside the United States and Canada by Yale University Press, London Printed in the United States of America Library of Congress Cataloging-in-Publication Data Names: J.