WDAM Radio's History of the Animals
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Early Dutch Settlements in South Dakota
EARLY DUTCH SETTLEMENTS IN SOUTH DAKOTA The first families came to this area from the Netherlands because economic conditions were such that there was no future for farmers and artisans. Wages were very low, both for the laboring class and the farmer. Many farmers had retrogressed to such an extent that they were forced to abandon their farms, and many workmen were unable to find employment. I recall that many carpenters complained about conditions, and they did not believe that it would be much better in the United States. Moreover, there were very few who had the means to pay for such a journey. Only those who had received some money from an inheritance began to think about emigrating. Rickele Zylstra, son of Je1le Zylstra, made plans to go to America with his family. I believe that he left during the latter part of 1881, and his brother Rein went with him, as well as a few families from Wolvega. The latter had acquaintances in BonHomme County, and all first went to that area. In 1882 these two sons of uncle Je1le went to Charles Mix County, and took up a claim. Riekele built a sod house for his family, but Rein returned to the Netherlands to be married. But alas, the girl of his choice refused to go to America, so Rein returned alone. In 1883 Douse, the third son of uncle Jelle, came here, and with him a family from the province of Groningan, namely 1. Dyksterhuis, with his wife, son, and two daughters. An older son had arrived a year earlier. -
Fascinating Experience
Tuesday January 31st, 2012 3 Star Track Album Joey Lewis Pic by: Johann inger Joey Lewis completed his short years of sadness and destruction, this is Jayasinha vacation in Sri Lanka and left for home now your reward....and a much deserved (SNNI) S(England) last Wednesday, January one - having her to yourself in her glori- Melbourne 18th, 2012. ous and magnificent beauty once again. Yes, of course, Joey is Sri Lankan but "Experiencing this while I was there now lives in England. the past few weeks was simply awesome." His trip to Colombo was mainly to spend Generally, Joey obliges his followers in the festive period with his mom. Colombo with some surprise guest spots, He arrived soon after spending Christmas especially at the Margarita Blue. with his family members in England. This time, however, he decided to Although the singer was here during the play it cool. But that did not stop New Year Eve celebrations, he opted to stay him from getting involved in at home, with his mom, and his 14-year-old some kind of music. son, Mark, who accompanied him. He was seen working with PROUD Mark was last here as a 10-year-old kid maestro Nimal Mendis on and was seeing things differently now. some Sinhala/English tracks JLS According to Joey, his son was simply fas- for a compilation album. cinated by what he saw on his way to Joey also spent some When my strength was gone, Make me stronger, so that I Colombo from the airport. time rehearsing his reper- and I just gave up on life rise up He was just blown away by all the decora- toire of songs with the In my darkest place you were Made my mind up my guide All that I do is to make you tions, connected with the festive season, and band Flame who will be And you told me that I proud the lights, and the nativity creations along touring Australia in should live my life to the Proud, proud, make you the way, said Joey. -
Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’S Blown Away Tour
COUNTRY CULTURE AND CROSSOVER: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’s Blown Away Tour Krisandra Ivings A Thesis Presented In Partial Fulfillment of the Requirement for the Degree Master of Arts in Music with Specialization in Women’s Studies University of Ottawa © Krisandra Ivings, Ottawa, Canada, 2016 Abstract This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres. ii Acknowledgements A great number of people have supported this thesis behind the scenes, whether financially, academically, or emotionally. -
Gitmo III, the Naval AP - President Bush Is in Fighting, Noting' "Itwill Save by the Iraqi Forces
Tomorrow's flight r mmmmmmmmmmmmmmmmj Energy Conservation 727 a Water Usage a NAS Norfolk, Va. -------- 8:00 a.m. Wednesday, Feb. 27 Wednesday, Feb. 27 Guantanamo Bay 11:00 a.m. noon Goal: 900 K Goal: 315,000 KWH Kingston, Jamaica 12:30 p.m. 1:30 p.m. Storage: 9.8 MIL -- 71% Cost $39,375 Guantanamo Bay 2:15 p.m. 3:20 p.m. Production: 1.3 MIL Usage: 306,600 NAS Norfolk, Va. 6:15 p.m. Consumption: 1.4 MIL See page 3 Cost: $38,325 I. mmmmmmmmmmmmmmmmmJg Cost in Norfolk: $22,995 I Guantanamo Daily Gazette 0 Vol. 47 -- No. 039 U.S. Naval Base, Guantanamo Bay, Cuba Thursday, Februrary 28, 1991 Water condition 'Gulf War i ; Bravo over Guantanamo Bay - Due to re- pairs planned for Gitmo III, the Naval AP - President Bush is in fighting, noting' "Itwill save by the Iraqi forces. Residents Base will be in Water Condition Bravo declaring a quick, decisive the blood of our sons." of Kuwait City have been from midnight, Monday, March 4, to and midnight, Baghdad - Iraq has ordered its just victory in the Gulf War. Even before Tuesday, March 5. Iraq re- praising President Bush, There is no clothes washing, car troopstostopfighting. In astate- And Iraq apparently is ac- ment broadcast on Baghdad sponded to the allied cease- America and its soldiers, par- washing or lawn watering during this 24-hour period. Residents need radio, the Iraqi military said knowledging its defeat. A fire, it had raised Iraqi hopes ticularly those who died. Says to con- military spokesman serve as much water as possible. -
Hilbert Circle Theatre
HILBERTCIRCLETHEATRE KRZYSZTOFURBAŃSKI MUSIC DIRECTOR | JACKEVERLY PRINCIPAL POPS CONDUCTOR Vadim Gluzman Plays Bruch Bronfman Plays Beethoven Sibelius Symphony No. 5 Music of U2 Side-by-Side The Sounds of Simon & Garfunkel MARCH | VOLUME 5 Jump in, IT’SJump PERFECT in, From diving into our heated pool to joining neighbors for a day trip From divingIT’S into our heated PERFECTpool to joining neighbors for a day trip Careful planning, talent and passion are on to taking a dance class, life feels amazingly good here. Add not-for- Fromto taking diving IT’Sa dance into our class, heated life feels PERFECTpool amazingly to joining goodneighbors here. for Add a day not-for- trip pro t ownership, a local board of directors, and CCAC accreditation, display at today’s performance. proFromto t takingownership, diving a danceinto a our local class, heated board life feels pool of directors,amazingly to joining andgood neighbors CCAC here. forAddaccreditation, a daynot-for- trip and Marque e truly is the place to be. proto ttaking ownership, a dance a local class, board lifeand feels ofMarque directors,amazingly e and trulygood CCAC ishere. the accreditation, Add place not-for- to be. pro t ownership, a local board of directors, and CCAC accreditation, At Citizens Energy Group, we understand the value of working hard and Marque e truly is the place to be. behind the scenes to deliver quality on a daily basis. We strive to To learn more, call, visit our websiteand Marque or stop e truly by isour the community. place to be. replicate that ensemble effort in our work and are proud to support To learn more, call, visit our website or stop by our community. -
R Z- /Li ,/Zo Rl Date Copyright 2012
Hearing Moral Reform: Abolitionists and Slave Music, 1838-1870 by Karl Byrn A thesis submitted to Sonoma State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS III History Dr. Steve Estes r Z- /Li ,/zO rL Date Copyright 2012 By Karl Bym ii AUTHORIZATION FOR REPRODUCTION OF MASTER'S THESIS/PROJECT I grant permission for the reproduction ofparts ofthis thesis without further authorization from me, on the condition that the person or agency requesting reproduction absorb the cost and provide proper acknowledgement of authorship. Permission to reproduce this thesis in its entirety must be obtained from me. iii Hearing Moral Reform: Abolitionists and Slave Music, 1838-1870 Thesis by Karl Byrn ABSTRACT Purpose ofthe Study: The purpose of this study is to analyze commentary on slave music written by certain abolitionists during the American antebellum and Civil War periods. The analysis is not intended to follow existing scholarship regarding the origins and meanings of African-American music, but rather to treat this music commentary as a new source for understanding the abolitionist movement. By treating abolitionists' reports of slave music as records of their own culture, this study will identify larger intellectual and cultural currents that determined their listening conditions and reactions. Procedure: The primary sources involved in this study included journals, diaries, letters, articles, and books written before, during, and after the American Civil War. I found, in these sources, that the responses by abolitionists to the music of slaves and freedmen revealed complex ideologies and motivations driven by religious and reform traditions, antebellum musical cultures, and contemporary racial and social thinking. -
Simon and Garfunkel.Pptx
Simon & Garfunkel Created by Group 2 Kao-wei Chen, Rebecca Galarowicz, Bri@any Kelly, David Oberg, Nikolas Sell Kao-wei Chen Why Simon & Garfunkel? They were one of the first folk performers make it big in the music industry and became future role models for the upcoming generaon of folk rock singers. http://en.wikipedia.org/wiki/File:SimonandGarfunkel.jpg Background Informaon • Real Names • Paul Simon • Art Garfunkel • Both were born 1941, sll alive today • First met each other in elementary school • Realized their potenKal when singing together Doo-wop songs found on the radio at an early age h@p://www.last.fm/music/Simon+&+Garfunkel/ +images/138461 Beginning of Simon & Garfunkel • At age 16, they recorded their first single composed by Simon Ktled ‘’Hey Schoolgirl’’ • Peaked at the top 50 on the Billboard under Tom & Jerry • Late 50s/early 60s- both worked together ocassionally but were solo acts during this me • 1964, release of their debut album ‘’Wednesday Morning, 3 A.M.’’ • release did poorly • 1964-1965, Tom Wilson, a folk-rock producer, revised Simon’s & Garfunkel’s track Ktled ‘’The Sound of Silence’’ and released it in the market • Track rose to #1 in 1965 • Song was edited by incorporang electric bass, guitar and drums The High & End Life of S&G v 1966, placed 3 albums and four singles in the top 30 of the Billboard v E.g. ‘’The Sound of Silence’’, ‘’I Am A Rock’’, and ‘’Parsely, Sage, Rosemary & Thyme’’ v 1966-1969, their career was at a turning point v WriKng of songs and recording significantly took longer v Simon’s & Garfunkel’s -
The Spirit of the Living Creatures Was in the Wheels -- Ezekiel 1:21
The spirit of the living creatures was in the wheels -- Ezekiel 1:21 "Wheels Within Wheels deepens the musical experience created at Congregation Bet Haverim by lifting the veil between the ordinary and the sacred, so that our earthy expression of musical holiness connects with the celestial resonance of the universal. Like Ezekiel’s mystical vision, the spirals of harmonies, voices and instruments evoke contemplation, awe and celebration. At times Wheels Within Wheels will transport you to an intimate experience with your innermost self, and at other times it will convey a profound connection with the world around you." -- Rabbi Joshua Lesser THE MUSICIANS OF CONGREGATION BET HAVERIM Chorus Soprano: Nefesh Chaya, Sara Dardik, Julie Fishman, Nancy Gerber, Joy Goodman, Ellie McGraw, Theresa Prestwood, Rina Rosenberg, Faith Russler, Sandi Schein Alto: Jesse Harris Bathrick, Elke Davidson, Gayanne Geurin, Kim Goldsmith, Rebecca Green, Carrie Hausman, Alix Laing, Rebecca Leary Safon, AnnaLaura Scheer, Valerie Singer, Linda Weiskoff, Valerie Wolpe, McKenzie Wren Tenor: Ned Bridges, Brad Davidorf, Faye Dresner, Henry Farber, Alan Hymowitz, Lynne Norton Bass: Dan Arnold, Gregg Bedol, David Borthwick, Gary Falcon, Bill Laing, Bill Witherspoon, Howard Winer Band Will Robertson, guitar, keyboards; Natalie Stahl, clarinet, saxophone; Sarah Zaslaw, violin, viola; Reuben Haller, mandolin; Jordan Dayan, bass, electric bass; Mike Zimmerman, drum kit, percussion; Henry Farber and Gayanne Geurin, percussion; with Matthew Kaminski, accordion Strings Sarah Zaslaw and Benjamin Reiss, violin; David Borthwick, viola; Ruth Einstein, cello; Will Robertson, double bass Children’s Choir and CBH Community School Chorus director: Will Robertson Music director: Gayanne Geurin Thank You It takes a shul to raise a recording. -
Rewind, Play, Fast Forward : the Past, Present and Future of the Music Video, Bielefeld 2010, S
Originalveröffentlichung in: Keazor, Henry ; Wübbena, Thorsten (Hrsgg.): Rewind, play, fast forward : the past, present and future of the music video, Bielefeld 2010, S. 7-31 Rewind - Play - Fast Forward The Past, Present and Future of the Music Video: Introduction HENRY KEAZOR/THORSTEN WUBBENA "Art presses the "Stop"- and "Rewind"- buttons in the stream of life: It makes time stop. It offers reflection and re collection, it is an antidote against lost certitudes."1 Like perhaps no other medium, the music video clip is marking and shap ing our everyday culture: film, art, literature, advertisements they all are clearly under the impact of the music video in their aesthetics, their technical procedures, visual worlds or narrative strategies. The reason for this has not only to be sought in the fact that some of the video di rectors are now venturing into art or advertisement, but that also peo ple not working in the field of producing video clips are indebted to this medium.2 Thus, more or less former video clipdirectors such as Chris Cunningham or Jonas Akerlund have established themselves successfully with their creations which very often are based on ideas and concepts, originally developed for earlier music videos: both Cunningham's works Flex and Monkey Drummer, commissioned in 2000 respectively 2001 by the Anthony d'Offay Gallery, evolved out of his earlier music videos.' Flex relies on the fantastic and weightless underwater cosmos Cunningham designed for the images that accompanied Portishead's Only you in 1998. Monkey Drummer* is heavily based on the soundtrack written by the Irish musician Aphex Twin (Richard David James) for whom Cunningham had previously directed famous videos such as Come to Daddy (1997) and Win- dowlicker (1999). -
Mother and Child Ebook Free Download
MOTHER AND CHILD PDF, EPUB, EBOOK Annie Murray | 400 pages | 17 Oct 2019 | Pan MacMillan | 9781509895403 | English | London, United Kingdom Mother and Child PDF Book Had mother or child just passed away, rejoining the other as death brought them together in the afterlife? Please don't be sad, and please don't cry. At this time, however, toddlers are beginning to realise that they are their own individuals and now have the mobility to test the boundaries that their mothers have set for them. Pat Re: Sibling Rivalry in Children I have two kids, 6 and 2, both of them seem to have a very strange attachement to me, they smell my skin and as they do it they… 3 April Judy's Comet. A face that always smiled. Congratulations 4. Mother and Children , by P. His depiction of Mother Teresa is an ode to the universal motherhood that she embodied and the kindness she bestowed on everyone. If your grandniece or grandnephew has their own children, they would be the first cousins twice removed of your kids. Annette Bening. As a multimedia artist, Eva Rocha has worked in sculpture, performance art, set design and video work, so she considers her materials to be whatever is available to her. More From Ask. My Wife in Art a series of sketches , by M. Grandniece or Grandnephew. In her experience, only a person who goes to see art can know why they seek it out. Those parents are the grandparents of your nieces, nephews, sons and daughters. He received his training from the renowned J. -
Praise & Worship
pg0144_Layout 1 4/4/2017 1:07 PM Page 44 Soundtracks! H ot New Artist! pages 24–27 ease! ew Rele page N 43 More than 10,000 CDs and 186,000 Music Downloads available at Christianbook.com! page 8 1–800–CHRISTIAN (1-800-247-4784) pg0203_Layout 1 4/4/2017 1:07 PM Page 2 NEW! Elvis Presley Joey Feek NEW! Crying in If Not for You the Chapel Showcasing some of the Celebrating Elvis’s commitment first songs Joey Feek ever to his faith, this newly compiled recorded, this album in- collection features “His Hand cludes “That’s Important to in Mine,” “How Great Thou Art,” Me,” “Strong Enough to Cry,” “Peace in the Valley,” “He “Nothing to Remember,” Touched Me,” “Amaz ing Grace,” “The Cowboy’s Mine,” and more. “Southern Girl,” and more. WRCD31415 Retail $9.99 . .CBD $8.99 WRCD34415 Retail $11.99 . .CBD $9.99 Also available: WR933623 If Not for You—Book and CD . 15.99 14.99 David Phelps NEW! Hymnal Deal! Phelps’s flawless tenor inter- pretations will lift your appre- Joey+Rory Hymns That Are ciation of favorite hymns to a whole new level! Features “In Important to Us the Garden,” “How Great Thou The beloved country duo Art,” “Battle Hymn of the Re- sings their favorite hymns! public,” and more. Includes “I Need Thee Every Hour,” “He Touched WRCD32200 Retail $13.99 . .CBD $11.99 Me,” “I Surrender All,” “The Also available: Old Rugged Cross,” “How WRCD49082 Freedom . 13.99 11.99 WR918393 Freedom—DVD . 19.99 15.99 Great Thou Art,” and more. -
Paul Simon Touring U.S. in June
CLICK HERE TO SIGN UP FOR THE DAN'S INSIDER NEWSLETTER Search this website… Paul Simon Touring U.S. in June PAUL SIMON ONSTAGE IN 2012, PHOTO: ©PATRICKMCMULLAN.COM APRIL 16, 2017 BY SOTH TEAM 7 7 0 Like Share Share Tweet Montauk resident Paul Simon and his band will play 17 cities across the United States throughout the month of June. The tour, which benefits the E.O. Wilson Biodiversity Foundation’s Half- Earth Project, begins June 1 in St. Augustine, Florida, and ends June 28 in Denver, Colorado. Sadly, there’s no New York shows. RELATED – Slip Slidin’ Away: Paul Simon Moves Montauk Bluffs Cottage Simon is still touring in support of his 13th solo studio album, Stranger to Stranger, which was released via Concord Records on June 3, 2016—almost exactly one year before his latest list of shows kicks off. Stranger to Stranger debuted at number 3 on the Billboard 200, making it Simon’s most successful debut on the chart. The album, which offers a series of experimental tracks played on instruments custom-made by composer Harry Partch, topped the UK charts and was hailed by critics. It was Simon’s first studio record since 2011’s So Beautiful or So What. Simon has threatened to retire in recent years, so one never know which tour will be his last. Don’t you miss those All for the Sea concerts at Southampton College or, going way back, his concerts at Deep Hollow Ranch in Montauk? If you can find your way outside the Empire State, his tour dates are as follows: June 1 – St.