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(C) First Edition Riddle's Collection of Scots Playford's Scotch Tunes of 1700 and 1701, Aria Reels, C
CJj'e •fllustca/.. Vol. VII., No. 2. ist OCTOBER 1925. Pkice Fourpence. NEW EDUCATIONAL WORKS Just Published ij.—NOVELLO'S MUSIC PRIMERS. No. 101.—NOVELLO'S MUSIC PRIMERS. BREATHING FOR VOICE-PRODUCTION EAR-TRAINING (Rewritten and brought up to date) EURHYTHM: THOUGHT IN ACTION. MUSICAL APPRECIATION AND By H. H. HULBERT. RHYTHMIC MOVEMENTS. Price ... Three Shillings. Paper Buards, 45. MABEL CHAMBERLAIN. Just Published. Complete, Six Shillings, Or No. 100.—NOVELLO'S MUSIC PRIMERS. In Two Books: Letterpress and Illustrations, as. Music only, 35. PRONUNCIATION FOR The Ear-Training Course outlined in this book is intended VOICE-PRODUCTION primarily for Class use, but if a judicious selection be made from FROM the exercises, the course can be used with equal benefit by private EURHYTHM : THOUGHT IN ACTION. teachers for individual pupils. Senior pupils and students who desire to Study music, and who have received little or no previous By H. H. HULBERT. tuition, cannot do better than work rapidly through these progress- ive exercises and tests. A Prospectus will be sent on application. Pkice, One Shilling and Sixpence. LONDON NOVELLO & COMPANY LIMITED A valuable Work of Reference for all School and Music Teachers The " His Master's Voice " Education Catalogue has been compiled especially for the use of Teachers and Stu- dents who are using the Gramophone. It is intended to be a simple guide to a "His very large number of Records that have Master's been chosen for their educational value. Voice" The above Catalogue can be obtained free from all "His Master's Voice" accredited dealers, or from The Gramophone Company, Ltd. -
FRANK HOWES on the Forthcoming Symphony Concerts.• Ploration As Did His Feet
154 RADIO TIMES October 18, 1929. ARE YOU » REPRODUCTION LIVES—IT IS REAL When your radio programme sounds as though there were no receiver between you and the ! ^show,” then you have discovered realism at last. Any K-B set will do this for you. ! K-B 161 & 169. The Kolster-Brandes ALL MAINS Three-Valve : Receiver designed for operation off A.C. Electric supply mains. No INCLUDING VALVES batteries or accumulators are required. PRICE :10 AND ROYALTY \ K-B 72. The latest Kolster-Brandes Cone-speaker. PRICE Oak 1 Cabinet £5 : .5 Mahogany or Walnut S.6 : 6 BRITISH MADE BY BRITISH LABOUR Kolster-Brandes 1 ALL ELECTRIC RADIO 1 I . October is, 1929. RADIO TIMES -j J REPRODUCTION LIVES - - - IT IS REAL' When you next meet a man who says 7/Oh, I don’t care for radio,” ask him along one evening and leave him in the room with any K-B Set. It only takes a few minutes to convert anybody to K-B radio. You see, it lives . it is veal. K.B. 163. The Kolster-Brandes three-valve Brandeset IIIA. The popular three-valve Screened-Grid Pentode Receiver. set arranged for one detector and two low frequency valves. INCLUDING VALVES INCLUDING VALVES PRICE £10 : 15 AND ROYALTY PRICE £7:10 AND ROYALTY All K-B products costing £5 or more can be obtained on simple Hire Purchase Terms. BRITISH MADE BY BRITISH LABOUR FREE y°ur dealer for a copy of the K-B Book; containing the full range of K-B radio products, or send the coupon DVJCJK for one, to Kolster-Brandes Ltd., Cray Works, Sidcup, Kent. -
Beecham: the Delius Repertoire - Part Three by Stephen Lloyd 13
April 1983, Number 79 The Delius Society Journal The DeliusDe/ius Society Journal + .---- April 1983, Number 79 The Delius Society Full Membership £8.00t8.00 per year Students £5.0095.00 Subscription to Libraries (Journal only) £6.00f,6.00 per year USA and Canada US $17.00 per year President Eric Fenby OBE, Hon DMus,D Mus,Hon DLitt,D Litt, Hon RAM Vice Presidents The Rt Hon Lord Boothby KBE, LLD Felix Aprahamian Hon RCO Roland Gibson M Sc, Ph D (Founder Member) Sir Charles Groves CBE Stanford Robinson OBE, ARCM (Hon), Hon CSM Meredith Davies MA, BMus,B Mus,FRCM, Hon RAM Norman Del Mar CBE, Hon DMusD Mus VemonVernon Handley MA, FRCM, D Univ (Surrey) ChairmanChairmart RBR B Meadows 5 Westbourne House, Mount Park Road, Harrow, Middlesex Treasurer Peter Lyons 160 Wishing Tree Road, S1.St. Leonards-on-Sea, East Sussex Secretary Miss Diane Eastwood 28 Emscote Street South, Bell Hall, Halifax, Yorkshire Tel: (0422) 5053750537 Membership Secretary Miss Estelle Palmley 22 Kingsbury Road, Colindale,Cotindale,London NW9 ORR Editor Stephen Lloyd 414l Marlborough Road, Luton, Bedfordshire LU3 lEFIEF Tel: Luton (0582)(0582\ 20075 2 CONTENTS Editorial...Editorial.. 3 Music Review ... 6 Jelka Delius: a talk by Eric Fenby 7 Beecham: The Delius Repertoire - Part Three by Stephen Lloyd 13 Gordon Clinton: a Midlands Branch meeting 20 Correspondence 22 Forthcoming Events 23 Acknowledgements The cover illustration is an early sketch of Delius by Edvard Munch reproduced by kind permission of the Curator of the Munch Museum, Oslo. The quotation from In a Summer GardenGuden on page 7 is in the arrangement by Philip Heseltine included in the volume of four piano transcriptions reviewed in this issue and appears with acknowledgement to Thames Publishing and the Delius Trust. -
R,Eg En T's S.10411415 Wood -P P
R,EG EN T'S S.10411415 WOOD -P P o AAYLLOONt \\''. 4k( ?(' 41110ADCASTI -PADDINGTON "9' \ \ - s. www.americanradiohistory.com St l'ANCRAS U S TON \ 4\ \-4 A D RUSSEL. A. 'G,PORTLAND St \ O \ \ L. \ \2\\\ \ SQUARE \ l' \ t' GOO DGT. 1,..\ S , ss \ ' 11 \ \ \ 4-10USi \ç\\ NV cY\6 \ \ \ e \ """i \ .jP / / ert TOTT E N NAM // / ;COI COURT N.O. \ ON D ).7"'";' ,sr. \,60 \-:Z \COvtroi\ oA ARDEN O \ www.americanradiohistory.com X- www.americanradiohistory.com THE B. B. C. YEAR=BOOK 1 93 3 The Programme Year covered by this book is from November I, 1931 to October 31, 1932 THE BRITISH BROADCASTING CORPORATION BROADCASTING HOUSE LONDON W I www.americanradiohistory.com f Readers unfamiliar with broadcasting will find it easier to understand the articles in this book if they bear in mind the following :- (I) The words "Simultaneous(ly) Broadcast" or "S.B." refer to the linking of two or more transmitters by telephone lines for the purpose of broadcasting the same programme ; e.g. the News Bulletins are S.B. from all B.B.C. Stations. (2) The words "Outside Broadcast" or "O.B." refer to a broadcast outside the B.B.C. studios, not necessarily out -of- doors; e.g. a concert in the Queen's Hall or the commentary on the Derby are equally outside broadcasts. (3) The B.B.C. organisation consists, roughly speaking, of a Head Office and five provincial Regions- Midland Region, North Region, Scottish Region, West Region, and Belfast. The Head Office includes the administration of a sixth Region - the London Region-which supplies the National programme as well as the London Regional programme. -
029I-HMVNX1914X04-0000A0.Pdf
12-inch Records 5s. 6d.; 10-inch 3s. 6d. THE SYMPHONY ORCHESTRA (Conducted by SIR EDWARD ELGAR) 12-inch Record, Ss. 6d. Carissima Elgar IKISCH and Landon Ronald have shown their delight in the artistic perfection of " His Master'sN Voice " Gramophone by conducting great orchestras in our recording laboratories. Now we add the name of Elgar-a name synonymous in English minds with all that is best in modern composing and conducting. And it is both as conductor and composer that we present this dis- tinguished artist in this notable new record. All England has been talking about his newest work, " Carissima. " As befits its title, " Dearest One," this charming composition breathes throughout the spirit of true love which, for once, runs smoothly. The rich sonorous melodies have a measured flow which captivates the ear from the opening bar. Fascinating is the phrase, constantly recurrin g-ýý Cantadil=ý- I i-ýI ý- a-- - fir -i 0 Impressive harmonies lead up to a happy passage triumphantly rendered by the full strength of the orchestra. Throughout we feel the master-hand controlling the performance-not a phrase, not a note but is played exactly as its author conceived it. The tone and general ensemble of this delightful record are remarkable even in these days of perfect orchestral records such as have made music-lovers take " His Master's Voice " Gramophone so closely to their hearts. Sir Edward Elgar photographed in the Recording Room while conducting " Carissima" A record worthy of the international, reputation of Sir Edward Elgar-a record that will appeal to every lover of music. -
ARSC Journal
THE GILBERT AND SULLIVAN OPERETTAS ON 78s: COMPLETE SETS AND ABRIDGEMENTS, 1906. 1950 John W. N. Francis In 1877 Richard D'Oyly Carte commissioned Gilbert and Sullivan to write The Sorcerer, and organized an ensemble of singer-actors to perform the new piece under the author's artistic direction. Also in 1877, of course, Charles Cros and Thomas Edison invented sound recording. More than a century later both the music and the medium continue to flourish, and indeed they have come together often and success fully--notably in the many complete versions by the D'Oyly Carte Opera Company, which have set standards of style and ensemble for generations of devotees and amateur performers. This discography documents the complete recordings of the Gilbert and Sullivan operettas made at 78 rpm, not only by the D'Oyly Carte company or under its aegis, but also by others with lesser claims to authenticity. Also included are substantial abridgements and sets of excerpts--groups of five or more sides made at essentially the same time and place and with the same performers, whether or not they were ever issued collectively or with consecutive numbering. The following comments set the recordings in the context of the D'Oyly Carte Opera Company's history. THE ACOUSTIC RECORDINGS When Richard D'Oyly Carte died in 1901, his widow Helen assumed manage ment of the businesses he had built, including the Savoy Theatre in London and the opera company, which was then on tour. In 1906 she brought the troupe back to the Savoy for a repertory season of Gilbert and Sullivan, its very first. -
Dame Ethel Smyth's Concerto for Violin, Horn, and Orchestra: a Performance Guide for the Hornist
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1998 Dame Ethel Smyth's Concerto for Violin, Horn, and Orchestra: A Performance Guide for the Hornist. Janiece Marie Luedeke Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Luedeke, Janiece Marie, "Dame Ethel Smyth's Concerto for Violin, Horn, and Orchestra: A Performance Guide for the Hornist." (1998). LSU Historical Dissertations and Theses. 6747. https://digitalcommons.lsu.edu/gradschool_disstheses/6747 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
110200-02 Bk Tristan EC 28|04|2003 5:01 PM Page 12
110200-02 bk Tristan EC 28|04|2003 5:01 PM Page 12 Great Opera Recordings ADD 8.110200-02 Also available: WAGNER 3 CDs Tristan und Isolde Nanny Larsen-Todsen • Gunnar Graarud • Rudolf Bockelmann • Ivar Andrésen Chorus and Orchestra of Bayreuth Festival • Karl Elmendorff (Recorded in 1928) 8.110872-75 8.110200-02 12 110200-02 bk Tristan EC 28|04|2003 5:01 PM Page 2 Ward Marston Great Opera Performance In 1997 Ward Marston was nominated for the Best Historical Album Grammy Award for his production work on BMG’s Fritz Kreisler collection. According to the Chicago Tribune, Marston’s name is ‘synonymous with tender Richard loving care to collectors of historical CDs’. Opera News calls his work ‘revelatory’, and Fanfare deems him ‘miraculous’. In 1996 Ward Marston received the Gramophone award for Historical Vocal Recording of the Year, WAGNER honouring his production and engineering work on Romophone’s complete recordings of Lucrezia Bori. He also (1818-1892) served as re-recording engineer for the Franklin Mint’s Arturo Toscanini issue and BMG’s Sergey Rachmaninov recordings, both winners of the Best Historical Album Grammy. Born blind in 1952, Ward Marston has amassed tens of thousands of opera classical records over the past four Tristan und Isolde decades. Following a stint in radio while a student at Williams College, he became well-known as a reissue producer in 1979, when he restored the earliest known stereo recording made by the Bell Telephone Laboratories in 1932. Opera in three acts, 1865 In the past, Ward Marston has produced records for a number of major and specialist record companies. -
Including Records of "CARILLON" 12-Inch Records 5S
Including records of "CARILLON" 12-inch Records 5s. 6d.; 10-inch 3s. 6d. NEW SYMPHONY ORCHESTRA (conducted by LANDON RONALD) 12-inch Record, 5s. 6d. 0850 "William Tell" Overture-Opening nREFACING our analytical r' notes, we must observe at once that the record under review is one of the most lovely, soul-satisfying achievements on The story of Tell, the patriot who was chief instrument of the revolution which delivered the Swiss cantons from the German yoke in 1207, was taken by Rossini for the theme of one of his best-known operas, the dramatic interest b e i n g heightened by the introduction of love scenes and other episodes. The overture, played probably as often as any other single work at concerts the world over, was called by Berlioz a symphony in four parts. It is a fitting prelude to a noble work and abounds in beautiful contrasts.The opening Andante depicts the serene solitude of Nature at dawn. From the slowly-climbing figure on the 'cello Andante. -ý-ý--ý- ._-- > ý -?ý-ý ºrý-I-- ---ý- -ý --ýý--i-ý-"-+-- , - " the music is enchantingly reposeful. The wayward, elusive air resolves after a time into a more definite rhythmic tune, which soon lapses into dreamy meditation. This is short-lived, however, for the measured flow is resumed until the blissful termination of this andante comes along to throw the witchery of its spell over the fortunate hearer. The full beauty of the orchestra can be admired, albeit the movement almost amounts to a ravishing 'cello solo with orchestral background. -
Vol. 13, No. 1 March 2003
Chantant • Reminiscences • Harmony Music • Promenades • Evesham Andante • Rosemary (That's for Remembrance) • Pastourelle • Virelai • Sevillana • Une Idylle • Griffinesque • Gavotte • Salut d'Amour • MotElgar d'Amour Society • Bizarrerie • O Happ Eyes • My Love Dwelt in a Northern Land • Froissart • Spani Serenade • La Capricieuse • Serenade • The Black Knight • Sursum Corda • Theournal Snow • Fly, Singing Bird • From the Bav Highlands • The Light of Life • King Olaf • Imperial March • T Banner of St George • Te Deum and Benedictus • Caractacu Variations on an Original Theme (Enigma) • Sea Pictures • Chanson de Nuit • Chanson de Matin • Three Characteristic Pieces • The Dream of Gerontius • Serenade Lyrique • Pomp Circumstance • Cockaigne (In London Town) • Concert Alleg Grania and Diarmid • May Song • Dream Children • Coronati Ode • Weary Wind of the West • Skizze • Offertoire • The Apo • In The South (Alassio) • Introduction and Allegro • Evening Scene • In Smyrna • The Kingdom • Wand of Youth • How Ca the Evening • Pleading • Go, Song of Mine • Elegy • Violin Concerto in B minor • Romance • Symphony No 2 • O Heark Thou • Coronation March • Crown of India • Great is the Lor Cantique • The Music Makers • Falstaff • Carissima • Sospiri Birthright • The Windlass • Death on the Hills • Give Unto th • Carillon • Polonia • Une Voix dans le Desert • The Starlight Express • Le Drapeau Belge • TheMARCH Spirit 2003of England Vol. 13, • TheNo.1 Fr of the Fleet • The Sanguine Fan • Violin Sonata in E minor • Q t t i E i Pi Q i t t i A i C ll C The Elgar Society Founded 1951 President Richard Hickox, CBE Vice-Presidents Professor-Emeritus Ian Parrott Sir David Willcocks, CBE, MC Dr Percy Young Diana McVeagh Dr Vernon Handley Michael Kennedy, CBE Dr Jerrold Northrop Moore Michael Pope Lady Barbirolli, OBE E. -
His Master's Voice New Gramophone Records
M r t 4 . a a< 4 t<< t K i r ý > r r s n .ý r r r a s -.> y > r > > " > a > r > > > > y > >Y HARRODS, LTD., Piano Department, Brompton Road, S.W. PRICE. This Set of Four 12-inch Records is published at ONE GUINEA. Pot-Pourri- -MUSICAL MEMORIES" Recalled by HERMAN FINCK. Complete List of Melodies performed in the Pot-pourri in their rotation. 1 Oh ! listen to the Band (Aioxcklon) 33 Tarara-boom-de-ay (Sayer, 2 Hi Tiddly Hi Ti (Le Bruun) 34 Hiawatha (Moves 3 The Torpedo&theWhale(Audran) 35 La Paloma - 4 A Frangesa (Costa) 36 Stop yer Tickling, Jock (Laude , 5 The Blue Danube (Strauss) 37 Salut d'dmour (E1gav 6 Intermezzo 'Cavalleria Rusticana) 38 Vien Poupoule - (Mascagnz) 39 F flat Nnrtnrnr ((-leh;. 7 Pas des Quatre (Faust up to date) 40 Champagne Charley (Lee (Lutz) .41 Wouldn'tYou Like to Go?(lVenzee 8 Queen of my Heart (Cellier) 42 Linger Longer, Loo (Sydney Jones 9 Girly Girly (Kuornles) 43 It Bacio (Arditi 10 Two lovely black eyes (Coborn) 44 Movement from "Poet & Peasant(Sz=pße 11 I1Iusetta's Song (Puccini) 12 Toreadors Song (Bizet) 45 Movement from "Zampa" (Herola 13 When Other Lips (Balje) 46 La Czarine (Gann 14 Soldiers' Chorus (Faust) (Gounod) 47 Oh, Marguerite (Faron 15 Funiculi Funicula (L. Dcnza) 48 Cheer, Boys, Cheer (Russell 49 The Dear Homeland (Slaugitet 16 Oh, Honey, my Honey (Caryll) 17 Twiggez-vous (Le Braun) 50 Good-bye ('I'ostz 18 Dear Heart (Mattez) 51 Daddy (6ehrena 52 Wedding March (Dlendelssohn 19 When we are Married (Kerker) 20 Song from " Les Cloches de Corne- 53 Knocked 'em in the Old Ken ville" (Planquette) Road (Ingle 21 In the Summer Time (Everard) 54 Boulanger March (Desorures 22 I'm going to Marry Vum-Yum, 55 Valse Bleue (.lfargis Yum-Yum (Sulki'an) 23 Le Sabre (Offenbach) 57 We Don t Want to Fight, &c.(Nun 24 Tommy Atkins (Potter) See-Saw Waltz (Crow, 25 Tell me, Pretty Maiden (Stuart) 58 26 Waltz Song (Lecocq) 59 All on Account of Eliza (Solzviz,, 27 Henry VIII. -
Edward Elgar's the Music Makers
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 5-2018 Edward Elgar’s the Music Makers: A Choral Conductor’s Analysis and Score Preparation Guide David Klement Follow this and additional works at: https://digscholarship.unco.edu/dissertations Recommended Citation Klement, David, "Edward Elgar’s the Music Makers: A Choral Conductor’s Analysis and Score Preparation Guide" (2018). Dissertations. 523. https://digscholarship.unco.edu/dissertations/523 This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2018 DAVID KLEMENT ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School EDWARD ELGAR’S THE MUSIC MAKERS: A CHORAL CONDUCTOR’S ANALYSIS AND SCORE PREPARATION GUIDE A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts David Klement College of Performing and Visual Arts School of Music Choral Conducting May 2018 iii This Dissertation by: David Klement Entitled: Edward Elgar’s The Music Makers: A Choral Conductor’s Analysis And Score Preparation Guide has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Arts and Sciences in School of Visual and Performing Arts, Music Accepted by the Doctoral Committee Dr. Galen Darrough, D.M.A., Research Advisor Dr. Jill Burgett, D.A., Committee Member Dr. Michael Oravitz, Ph.D., Committee Member Dr. Michael Welch, Ph.D., Faculty Representative Date of Dissertation Defense March 27, 2018 Accepted by the Graduate School Linda L.