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Hark the Heraldry Angels Sing
The UK Linguistics Olympiad 2018 Round 2 Problem 1 Hark the Heraldry Angels Sing Heraldry is the study of rank and heraldic arms, and there is a part which looks particularly at the way that coats-of-arms and shields are put together. The language for describing arms is known as blazon and derives many of its terms from French. The aim of blazon is to describe heraldic arms unambiguously and as concisely as possible. On the next page are some blazon descriptions that correspond to the shields (escutcheons) A-L. However, the descriptions and the shields are not in the same order. 1. Quarterly 1 & 4 checky vert and argent 2 & 3 argent three gouttes gules two one 2. Azure a bend sinister argent in dexter chief four roundels sable 3. Per pale azure and gules on a chevron sable four roses argent a chief or 4. Per fess checky or and sable and azure overall a roundel counterchanged a bordure gules 5. Per chevron azure and vert overall a lozenge counterchanged in sinister chief a rose or 6. Quarterly azure and gules overall an escutcheon checky sable and argent 7. Vert on a fess sable three lozenges argent 8. Gules three annulets or one two impaling sable on a fess indented azure a rose argent 9. Argent a bend embattled between two lozenges sable 10. Per bend or and argent in sinister chief a cross crosslet sable 11. Gules a cross argent between four cross crosslets or on a chief sable three roses argent 12. Or three chevrons gules impaling or a cross gules on a bordure sable gouttes or On your answer sheet: (a) Match up the escutcheons A-L with their blazon descriptions. -
Heraldic Terms
HERALDIC TERMS The following terms, and their definitions, are used in heraldry. Some terms and practices were used in period real-world heraldry only. Some terms and practices are used in modern real-world heraldry only. Other terms and practices are used in SCA heraldry only. Most are used in both real-world and SCA heraldry. All are presented here as an aid to heraldic research and education. A LA CUISSE, A LA QUISE - at the thigh ABAISED, ABAISSÉ, ABASED - a charge or element depicted lower than its normal position ABATEMENTS - marks of disgrace placed on the shield of an offender of the law. There are extreme few records of such being employed, and then only noted in rolls. (As who would display their device if it had an abatement on it?) ABISME - a minor charge in the center of the shield drawn smaller than usual ABOUTÉ - end to end ABOVE - an ambiguous term which should be avoided in blazon. Generally, two charges one of which is above the other on the field can be blazoned better as "in pale an X and a Y" or "an A and in chief a B". See atop, ensigned. ABYSS - a minor charge in the center of the shield drawn smaller than usual ACCOLLÉ - (1) two shields side-by-side, sometimes united by their bottom tips overlapping or being connected to each other by their sides; (2) an animal with a crown, collar or other item around its neck; (3) keys, weapons or other implements placed saltirewise behind the shield in a heraldic display. -
Saints, Signs Symbols
\ SAINTS, SIGNS and SYMBOLS by W. ELLWOOD POST Illustrated and revised by the author FOREWORD BY EDWARD N. WEST SECOND EDITION CHRIST THE KING A symbol composed of the Chi Rho and crown. The crown and Chi are gold with Rho of silver on a blue field. First published in Great Britain in 1964 Fourteenth impression 1999 SPCK Holy Trinity Church Acknowledgements Marylebone Road London NW1 4DU To the Rev. Dr. Edward N. West, Canon Sacrist of the Cathedral Church of St. John the Divine, New York, who has © 1962, 1974 by Morehouse-Barlow Co. graciously given of his scholarly knowledge and fatherly encouragement, I express my sincere gratitude. Also, 1 wish to ISBN 0 281 02894 X tender my thanks to the Rev. Frank V. H. Carthy, Rector of Christ Church, New Brunswick, New Jersey, who initiated my Printed in Great Britain by interest in the drama of the Church; and to my wife, Bette, for Hart-Talbot Printers Ltd her loyal co-operation. Saffron Walden, Essex The research material used has been invaluable, and I am indebted to writers, past and contemporary. They are: E. E. Dorling, Heraldry of the Church; Arthur Charles Fox-Davies, Guide to Heraldry; Shirley C. Hughson of the Order of the Holy Cross, Athletes of God; Dr. F. C. Husenbeth Emblems of Saints; C. Wilfrid Scott-Giles, The Romance of Heraldry; and F. R. Webber, Church Symbolism. W. ELLWOOD POST Foreword Contents Ellwood Post's book is a genuine addition to the ecclesiological library. It contains a monumental mass of material which is not Page ordinarily available in one book - particularly if the reader must depend in general on the English language. -
Post Office Half Penny Blue SHS AM0413
Post Office Half Penny Blue SHS AM0413 Issued in the Year of the Backward Facing Artichoke Blue on White Image of Ankh-Morpork Post Office labelled THE POST OFFICE with Motto and Dome Top Framed ANKH-MORPORK with floral motif with columns REVENUE Sinister and POSTAGE Dexter over Patricians Profile Sinister and Dexter Combatant bordering HALF PENNY POST Central Base. Stamp Name: Post Office Half Penny Blue Common SHS AM0413Aw Region: Ankh-Morpork Availability: Unlimited Availability Perforation: Wincanton 10/2cm/2cm Width/Height: 40 by 28 mm Price: 30p Release Date: 11 Jan 2017 Stamp Name: Post Office Half Penny Blue Floor Sport SHS AM0413Bw Region: Ankh-Morpork Availability: Sport found on sheet Perforation: Wincanton 10/2cm/2cm Width/Height: 40 by 28 mm Price: Release Date: 11 Jan 2017 The Post Office has only two upper floors. SHS0413Aw SHS0413Bw Discworld Stamp Catalogue Penny Patrician Artichoke SHS AM0414 Issued in the Year of the Backward Facing Artichoke Black and shades on White Fine Burlage field Mature Patrician Sinister Profile Chief ANKH-MORPORK Artichoke Square White Canton and Canton Sinister Base ONE PENNY A in Square White Dexter M in Square White Sinister. Stamp Name: Penny Patrician Artichoke Common SHS AM0414Aw Region: Ankh-Morpork Availability: Unlimited Availability Perforation: Wincanton 10/2cm/2cm Width/Height: 23 by 26 mm Price: 35p Release Date: 11 Jan 2017 Stamp Name: Penny Patrician Artichoke Hatless Sport SHS AM0414Bw Region: Ankh-Morpork Availability: Sport found on sheet Perforation: Wincanton 10/2cm/2cm Width/Height: 23 by 26 mm Price: Release Date: 11 Jan 2017 The Patrician is not wearing his cap. -
Heraldry in Ireland
Heraldry in Ireland Celebrating 75 years of the Office of the Chief Herald at the NLI Sir John Ainsworth Shield Vert, a chevron between three battle-axes argent Crest A falcon rising proper, beaked, legged and belled gules Motto Surgo et resurgam Did you know? Sir John Ainsworth was the NLI's Surveyor of Records in Private Keeping in the 1940s and 1950s. Roderick More OFerrall Shield Quarterly: 1st, Vert, a lion rampant or (for O Ferrall); 2nd, Vert a lion rampant in chief three estoiles or (for O More); 3rd, Argent, upon a mount vert two lions rampant combatant gules supporting the trunk of an oak tree entwined with a serpent descending proper, (for O Reilly); 4th, Azure, a bend cotised or between six escallops argent (for Cruise) Crest On a ducal coronet or a greyhound springing sable; A dexter hand lying fess-ways proper cuffed or holding a sword in pale hilted of the second pierced through three gory heads of the first Motto Cú re bu; Spes mea Deus Did you know? This four designs on the shield represent four families. Heiress Leticia More of Balyna, county Kildare married Richard Ferrall in 1751. Their grandson Charles Edward More O'Ferrall married Susan O'Reilly in 1849. Susan was the daughter of Dominic O'Reilly of Kildangan Castle, county Kildare who had married heiress Susanna Cruise in 1818. Dublin Stock Exchange Shield Quarterly: 1st, Sable, a tower or; 2nd, Vert, three swords points upwards two and one proper pommelled and hilted or; 3rd, Vert, three anchors erect two and one argent; 4th, Chequy, sable and argent, on a chief argent an escroll proper, inscribed thereon the words Geo. -
Travel Guide
TRAVEL GUIDE Traces of the COLD WAR PERIOD The Countries around THE BALTIC SEA Johannes Bach Rasmussen 1 Traces of the Cold War Period: Military Installations and Towns, Prisons, Partisan Bunkers Travel Guide. Traces of the Cold War Period The Countries around the Baltic Sea TemaNord 2010:574 © Nordic Council of Ministers, Copenhagen 2010 ISBN 978-92-893-2121-1 Print: Arco Grafisk A/S, Skive Layout: Eva Ahnoff, Morten Kjærgaard Maps and drawings: Arne Erik Larsen Copies: 1500 Printed on environmentally friendly paper. This publication can be ordered on www.norden.org/order. Other Nordic publications are available at www.norden.org/ publications Printed in Denmark T R 8 Y 1 K 6 S 1- AG NR. 54 The book is produced in cooperation between Øhavsmuseet and The Baltic Initiative and Network. Øhavsmuseet (The Archipelago Museum) Department Langelands Museum Jens Winthers Vej 12, 5900 Rudkøbing, Denmark. Phone: +45 63 51 63 00 E-mail: [email protected] The Baltic Initiative and Network Att. Johannes Bach Rasmussen Møllegade 20, 2200 Copenhagen N, Denmark. Phone: +45 35 36 05 59. Mobile: +45 30 25 05 59 E-mail: [email protected] Top: The Museum of the Barricades of 1991, Riga, Latvia. From the Days of the Barricades in 1991 when people in the newly independent country tried to defend key institutions from attack from Soviet military and security forces. Middle: The Anna Akhmatova Museum, St. Petersburg, Russia. Handwritten bark book with Akhmatova’s lyrics. Made by a GULAG prisoner, wife of an executed “enemy of the people”. Bottom: The Museum of Genocide Victims, Vilnius, Lithuania. -
Ing Items Have Been Registered
ACCEPTANCES Page 1 of 38 December 2018 LoAR THE FOLLOWING ITEMS HAVE BEEN REGISTERED: ÆTHELMEARC Æthelmearc, Kingdom of. Badge. Azure, in cross an axe and a knife argent, a bordure Or. Æthelmearc, Kingdom of. Badge. Gules, in cross an axe and a knife argent, a bordure Or. Æthelmearc, Kingdom of. Badge. Purpure, in cross an axe and a knife argent, a bordure Or. Æthelmearc, Kingdom of. Badge. Sable, in cross an axe and a knife argent, a bordure Or. Æthelmearc, Kingdom of. Badge. Vert, in cross an axe and a knife argent, a bordure Or. Anna Leigh. Badge. (Fieldless) On a rose gules a wolf’s head cabossed argent. Masina d’Alessandro. Device. Per bend gules and sable, in sinister chief a cross bottony argent. This device does not conflict with the badge of David of Moffat, (Fieldless) A cross-crosslet argent quarter-pierced gules. There is one DC for fieldlessness. The quarter-piercing of David’s badge is the equivalent of a tertiary delf, which provides the necessary second DC. AN TIR Adele Marie Purrier. Name. The Letter of Intent documented the given name Adele in 16th Switzerland. However, Adele is the likely vernacular form of the Latinized English given name Adela, which was documented in commentary. Therefore, the name is entirely English. Aonghus Keith. Device. Per bend sinister gules and sable, a winged sea-unicorn and a chief rayonny argent. Bella Valencia. Name. Bran Dubh Ua Mic Raith. Name. Submitted as Bran Dubh Ua Mac Raith, the byname was not correctly formed. Gaelic grammar requires the ancestor’s name to be in the genitive form following Ua. -
R-7538 G.Qs a ? / T'
GIBBON, John Introducilo ad latìnam blasoniam : an essay to a more correct blason in latine than formerly hath been used... / authore Johanne Gibbono... - London : Printed by J.M... : And are tobe sold by J. Crump... [et al.], 1682 [15], 165, [3] p., A-L8, M4 : il. ; g o Port, fileteada. — Esc. xil. intercalados en el texto 1. Heráldica 2. Heraldika I. Titulo R-7538 g.qs a ? / t' * £ iteratura, Heráldica pracipuè , necnon Hi* jiorica, admodum ftudiofis , fequens Tra= LBatus, cui Titulm, Introduco ad Latinam plafoniam, obnixé recommendatur per Gulielmum Dugdale, Eq. Aur. (Prinápalem Armorum $(egem, cognomento Garter. Hen. S. George, Eq. Aur. Clarenceux ${egem Armorum. J Tho. S. George, Eq. Aur. “Morroy I(egem Armorum. Eliam Afhmole Arnig. * { * * Quem, TraBatm Ordinis Georgiani An glicani (<vulgo Garteriani diBi) apud Europeos aterno nomine beaYtt, <£?* qui non ita pridem fuit fécialis Windjorienjìs. “ -T t- ■ * I N TR O D U CTIO AD Latinam Blafoniam. AN' Eflay to a more Correft BLASON In Latine than formerly hath been ufed.' COLLECTED Out o f Approved Modern Authors, and de- icribing the Arms of all the Kingdoms o f Europe, and of many ofthe greateft Princes! ■ and Potentates thereof: Together with many other Illuftrious and Ancient Houfes both of England and other Countries. No Work of this Nature extant in our Engliih Tongue, nor (abfit glorUri) of its Method and ; Circumftances in any Foreign Language what- foever. — -------------- -— — ----------------------------------------------------- 1— Authore J O H ANNE, (j IB BO NO Armorttm Servulo, quern a Mrnelio dicunt C&rnUo. LONDON, Printed by J. M, for the Author, and are to be fold by J. -
Unraveling Identity Catalogue
Unraveling Identity Our Textiles, Our Stories Unraveling Identity Our Textiles, Our Stories Edited by Sumru Belger Krody With essays by Dr. Ingrid Creppell Dr. Mattiebelle Gittinger Lee Talbot First published on the occasion of the exhibition Cover and page 16: Detail of Daoist Priest’s Unraveling Identity: Our Textiles, Our Stories Robe, China, late 18th–early 19th century; at the George Washington University Museum silk, metal-wrapped yarns; embroidered. and The Textile Museum, Washington, D.C., 73" × 54 ¾". The Textile Museum 51.24; March 21, 2015—August 23, 2015 Acquired by George Hewitt Myers in 1929. Published 2015 by The Textile Museum Page 10: Detail of a common tampan, south at the George Washington University Sumatra, Indonesia, early 20th century. © 2015 The Textile Museum and The George 19 ½" × 17". The Textile Museum 1984.23.5, Washington University Gift of Mr. and Mrs. G. Reginald van Raalte. The George Washington University Museum Page 26: Detail of Chasuble fragment with and The Textile Museum inscribed bands, Nasrid dynasty, Spain, 701 21st Street, NW Granada, early 15th century, silk, satin weave Washington, DC 20052 patterned with twill weave (lampas). http://museum.gwu.edu/ 54 ½" × 29 ½". The Textile Museum 84.29, acquired by George Hewitt Myers in 1936. All rights reserved under International and Pan-American Copyright Conventions. Except for Page 42: Tampan from Gunung Terang near legitimate excerpts customary in review or scholarly Sukamara. Photo by Mattiebelle Gittinger. publications, no part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photo- copying, recording, or information storage or retrieval systems, without permission in writing from the publisher. -
The-Pursuivant-Of-Arms-Or-Heraldry-Founded-Upon-Facts.Pdf
600022745Q THE PURSUIVANT OF ARMS. i-y &JttHtmorial Gkt^ip^ .of Xnjm Beamfert Dttk of JStmo? i'iom Ms Garter Hale in S! @torg# Compel, Wratyi'tfr ^r Ji. Haxdmcfce, .192 Piccadilly. i»« April 1859." THE PURSUIVANT OF ARMS; OK, HERALDRY FOUNDED UPON EACTS. BY J. R. PLANCH E, Rouge Croix. " My attempt is not of presumption to teach (I myself having most need to be taught), but only to the intent that gentlemen who seek to know all good things and would have an entry into this, may not And here a thing expedient, but rather, a poor help thereto." Leigh's Accedence op Armorie. NEW EDITION. WITH ADDITIONS AND CORRECTIONS. LONDON: ROBERT HARDWICKE, 192, PICADILLY. AND ALL BOOKSELLERS. M<rq 2/<9. a,, 4-6- TO SIR CHARLES GEORGE YOUNG, Knt, GARTER KING OF ARMS, &c. &c. &c. DEAR SIR CHARLES, I have much pleasure in inscribing this little volume to you. + .„. A personal acquairi,tarice-""©f /nearly five and twenty years might, of itself, have entitled me to the privilege of thus expressing my respefct Jor an able antiquary, and esteem for a woTflpJ^mmi : but as Garter King of Arms, you have a double claim to this trifling tribute, independently of that of private friendship : Firstly, as the principal officer of a Corporation to which my best thanks are due for the courtesy of all, and the assistance of many of its members. Secondly, as one of that body, most competent to judge of the difficulties which beset the study of Heraldic Antiquities, and the real value of the results of such labour. -
Ancient, Indigenous and Iconic Textile Motifs in Contemporary Fashion Case Study
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2018 Ancient, Indigenous and Iconic Textile Motifs in Contemporary Fashion Case Study: Defining Concepts through Textile Designs: Appropriation, Collaboration, Provenance and Identity Kristin Scheel Lunde SOAS, London University, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Materials Conservation Commons, Art Practice Commons, Fashion Design Commons, Fiber, Textile, and Weaving Arts Commons, Fine Arts Commons, and the Museum Studies Commons Lunde, Kristin Scheel, "Ancient, Indigenous and Iconic Textile Motifs in Contemporary Fashion Case Study: Defining Concepts through Textile Designs: Appropriation, Collaboration, Provenance and Identity" (2018). Textile Society of America Symposium Proceedings. 1093. https://digitalcommons.unl.edu/tsaconf/1093 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in Textile Society of America Symposium Proceedings 2018 Presented at Vancouver, BC, Canada; September 19 – 23, 2018 https://digitalcommons.unl.edu/tsaconf/ Copyright © by the author(s). doi 10.32873/unl.dc.tsasp.0039 Ancient, Indigenous and Iconic Textile Motifs in Contemporary Fashion Case Study: Defining Concepts through Textile Designs: Appropriation, Collaboration, Provenance and Identity Kristin Scheel Lunde Introduction In recent years ancient, indigenous and iconic textile motifs have emerged in global brands’ fashion collections, evoking wonder and curiosity, or, a sense of insignificance. -
Contemporary Flags of the Ukrainian Regions: Old Traditions and New Designs
Contemporary flags of the Ukrainian regions: Old traditions and new designs Andriy Grechylo Abstract Ukraine consists of the Autonomous Republic of Crimea and 24 oblasts (regions or provinces). The new law on local self-governments, adopted by the Verkhovna Rada (Parliament) of Ukraine in 1997, allowed local authorities to confirm the coats of arms, flags, and other symbols of oblasts, rayons (districts), cities, towns, and villages. Over the last six years, all oblasts have adopted their own symbols. Most of them have already adopted regional flags. Many of these flags have old historical signs and colours (Volyn, Ivano-Frankivsk, Lviv, etc.), but some oblasts have chosen new designs (Donetsk, Cherkasy, Kherson, and others). Ukraine is divided into 25 administrative territories — 24 oblasts (provinces or re- gions) and the Autonomous Republic of Crimea. Two cities, Kyiv and Sevastopol, have a special, national status. The oblast borders have remained unchanged since 1959, when Drohobych oblast was joined to the Lviv oblast (Fig. 1). After the disintegration of the Ruthenian Kingdom (Galician-Volynian State) in the middle of the 14th c., the Ukrainian lands were divided among various neighbour- ing countries. During this time the arms of separate administrative territories were used. When Ukraine was absorbed into the USSR, none of the oblasts possessed their own arms or flag. Only after the collapse of the Soviet Union and the declaration of Ukrainian independence did a process of the formation of symbols of administrative territories begin. The first regional coat of arms was ratified for the Transcarpathian (Zakarpattya) oblast in December 1990. In 1992 the symbols of Crimea, which received the status of an autonomous republic, were adopted.