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'Nothing but the Truth': Genre, Gender and Knowledge in the US
‘Nothing but the Truth’: Genre, Gender and Knowledge in the US Television Crime Drama 2005-2010 Hannah Ellison Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Film, Television and Media Studies Submitted January 2014 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author's prior, written consent. 2 | Page Hannah Ellison Abstract Over the five year period 2005-2010 the crime drama became one of the most produced genres on American prime-time television and also one of the most routinely ignored academically. This particular cyclical genre influx was notable for the resurgence and reformulating of the amateur sleuth; this time remerging as the gifted police consultant, a figure capable of insights that the police could not manage. I term these new shows ‘consultant procedurals’. Consequently, the genre moved away from dealing with the ills of society and instead focused on the mystery of crime. Refocusing the genre gave rise to new issues. Questions are raised about how knowledge is gained and who has the right to it. With the individual consultant spearheading criminal investigation, without official standing, the genre is re-inflected with issues around legitimacy and power. The genre also reengages with age-old questions about the role gender plays in the performance of investigation. With the aim of answering these questions one of the jobs of this thesis is to find a way of analysing genre that accounts for both its larger cyclical, shifting nature and its simultaneously rigid construction of particular conventions. -
ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1
ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations. -
09-29-2020 White Sox Wild Card Roster
2020 CHICAGO WHITE SOX ROSTER UPDATED: September 29, 2020 WHITE SOX COACHING STAFF, TRAINERS AND SUPPORT STAFF Manager: Rick Renteria (#17) | Coaches: Daryl Boston, First Base (#8); Nick Capra, Third Base (#12); Scott Coolbaugh, Asst. Hitting (#46) Don Cooper, Pitching (#21); Curt Hasler, Bullpen (#29); Joe McEwing, Bench (#82); Frank Menechino, Hitting (#22) Head Trainer: Brian Ball | Assistant Trainers: Brett Walker (Physical Therapist); James Kruk; Josh Fallin Strength/Conditioning: Allen Thomas (Director); Dale Torborg (Assistant) | Massage Therapist: Jessica Labunski Bullpen Catchers: Luis Sierra; Miguel González | Pre-Game Instructor and Replay: Mike Kashirsky Director of Team Travel: Ed Cassin | Video Coaching Coordinator: Bryan Johnson Clubhouse Managers: Rob Warren (Home); Jason Gilliam (Visiting); Joe McNamara Jr. (Umpires) WHITE SOX ACTIVE ROSTER (28) NUMERICAL ROSTER (28) No. Pitchers (13) B T HT WT Born Birthplace Residence No. Player Pos. 39 Aaron Bummer L L 6-3 215 9/21/93 Valencia, Calif. Omaha, Neb. 1 Nick Madrigal ...............................2B 84 Dylan Cease R R 6-2 200 12/28/95 Milton, Ga. Ball Ground, Ga. 5 Yolmer Sánchez .........................INF 48 Alex Colomé ("co-low-MAY") R R 6-1 225 12/31/88 Santo Domingo, D.R. San Pedro de Macorís, D.R. 7 Tim Anderson ..............................SS 50 Jimmy Cordero R R 6-4 235 10/19/91 San Cristóbal, D.R. Reading, Pa. 10 Yoán Moncada ............................INF 45 Garrett Crochet ("CROW-shay") L L 6-6 220 6/21/99 Ocean Springs, Miss. Ocean Springs, Miss. 15 Adam Engel .................................OF 51 Dane Dunning R R 6-4 225 12/20/94 Orange Park, Fla. -
Wwe Q3 2018 Results – October 25, 2018 Forward-Looking Statements
WWE Q3 2018 RESULTS – OCTOBER 25, 2018 FORWARD-LOOKING STATEMENTS This presentation contains forward-looking statements pursuant to the safe harbor provisions of the Securities Litigation Reform Act of 1995, which are subject to various risks and uncertainties. These risks and uncertainties include, without limitation, risks relating to: entering, maintaining and renewing major distribution agreements; WWE Network (including the risk that we are unable to attract, retain and renew subscribers); our need to continue to develop creative and entertaining programs and events; the possibility of a decline in the popularity of our brand of sports entertainment; the continued importance of key performers and the services of Vincent K. McMahon; possible adverse changes in the regulatory atmosphere and related private sector initiatives; the highly competitive, rapidly changing and increasingly fragmented nature of the markets in which we operate and greater financial resources or marketplace presence of many of our competitors; uncertainties associated with international markets; our difficulty or inability to promote and conduct our live events and/or other businesses if we do not comply with applicable regulations; our dependence on our intellectual property rights, our need to protect those rights, and the risks of our infringement of others’ intellectual property rights; the complexity of our rights agreements across distribution mechanisms and geographical areas; potential substantial liability in the event of accidents or injuries occurring -
SEC Tournament Record Book
SEC Tournament Record Book SEC TOURNAMENT FORMAT HISTORY 2012 Years: 42nd tournament in 2018 With the addition of Texas A&M and Missouri for 2013, the SEC expanded the tournament from 8 to 10 teams. Total Games Played: 515 2013–present 1977–1986 The 2013 format saw another expansion by two teams, bringing the total number From 1977–1986, the tournament consisted of four teams competing in a double of participants to 12. Seeds five through 12 play a single-elimination opening elimination bracket. The winner was considered the conference’s overall cham- round, followed by the traditional double-elimination format until the semifinals, pion. when the format reverts to single-elimination. 1987–1991 Host locations In 1987, the tournament expanded to 6 teams, while remaining a double-elimi- Hoover, Ala. 21 (1990, 1996, 1998-Present) nation tournament. Beginning with the 1988 season, the winner was no longer Gainesville, Fla. 5 (1978, 1980, 1982, 1984, 1989) considered the conference’s overall champion, although the winner continued Starkville, Miss. 5 (1979, 1981, 1983, 1988, 1995 Western) to receive the conference’s automatic bid to the NCAA Tournament. In 1990, Baton Rouge, La. 4 (1985-86, 1991, 1993 Western) however, the conference did not accept an automatic bid after lightning and Oxford, Miss. 2 (1977, 1994 Western) rainfall disrupted the tournament’s championship game and co-champions were Athens, Ga. 1 (1987) declared. Columbia, S.C. 1 (1993 Eastern) Knoxville, Tenn. 1 (1995 Eastern) 1992 Lexington, Ky. 1 (1994 Eastern) With the addition of Arkansas and South Carolina to the conference, the SEC held Columbus, Ga. -
Televi and G 2013 Sion, Ne Graphic T 3 Writer Ews, Rad
FOR IMMEDIATE RELEASE December 6, 2012 2013 WRITERS GUILD AWARDDS TELEVISION, NEWS, RADIO, PROMOTIONAL WRITING, AND GRAPHIC ANIMATION NOMINEES ANNOUNCED Los Angeles and New York – The Writers Guild of Ameerica, West (WGAW) and the Writers Guild of America, East (WGAE) have announced nominaations for outstanding achievement in television, news, radio, promotional writing, and graphic animation during the 2012 season. The winners will be honored at the 2013 Writers Guild Awards on Sunday, February 17, 2013, at simultaneous ceremonies in Los Angeles and New York. TELEVISION NOMINEES DRAMA SERIES Boardwalk Empire, Written by Dave Flebotte, Diane Frolov, Chris Haddock, Rolin Jones, Howard Korder, Steve Kornacki, Andrew Schneider, David Stenn, Terence Winter; HBO Breaking Bad, Written by Sam Catlin, Vince Gilligan, Peter Gouldd, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Becckett; AMC Game of Thrones, Written by David Benioff, Bryan Cogman, George R. R. Martin, Vanessa Taylor, D.B. Weiss; HBO Homeland, Written by Henry Bromell, Alexander Cary, Alex Gansa, Howard Gordon, Chip Johannessen, Meredith Stiehm; Showtime Mad Men, Written by Lisa Albert, Semi Chellas, Jason Grote, Jonathan Igla, Andre Jacquemetton, Maria Jacquemetton, Brett Johnson, Janeet Leahy, Victor Levin, Erin Levy, Frank Pierson, Michael Saltzman, Tom Smuts, Matthew Weiner; AMC -more- 2013 Writers Guild Awards – TV-News-Radio-Promo Nominees Announced – Page 2 of 7 COMEDY SERIES 30 Rock, Written by Jack Burditt, Kay Cannon, Robert Carlock, Tom Ceraulo, Vali -
Relational Labor and Audience Engagement in the Wwe
Selected Papers of #AoIR2020: The 21st Annual Conference of the Association of Internet Researchers Virtual Event / 27-31 October 2020 IN THE RING AND ONLINE: RELATIONAL LABOR AND AUDIENCE ENGAGEMENT IN THE WWE Jessa Lingel University of Pennsylvania Introduction Professional wrestling has long been of interest to cultural and media theorists (Barthes, 2015; Canella, 2016; Olson, 2018). Long before reality TV, the performativity and scripted drama of professional wrestling allowed theorists to unpack questions of fictionality and narrative authenticity. In the context of internet studies, professional wrestling raises additional questions: How do performers use social media to maintain relationships with fans? How do gender norms manifest in on-stage versus online performances of professional identity? In this extended abstract, I present key concepts and guiding research questions for an investigation of fan culture and gender norms. I then provide a brief overview of related work and describe my mixed-methods approach. As this research project is ongoing, I present preliminary findings and implications as a concluding section. Key frameworks and concepts: Relational labor and kayfabe Following Baym’s (2018) work on how musicians maintain relationships with their fans, I use the concept of relational labor to describe the work that professional wrestlers do to connect with their audience through social media. Relational labor refers to the “ongoing, interactive, affective, material and cognitive work of communicating with people over time to create structures that can support continued work” (p. 19). I use the concept as a framework for analyzing the socio-technical labor conducted by WWE performers on Instagram. I am particularly interested in thinking about how gender shapes the work of relational labor: How do professional wrestlers manage relationships with fans online? What are the gendered constraints and affordances of a platform like Instagram for fan engagement? Suggested Citation (APA): Lingel, J. -
Avisail Garcia Scouting Report
Avisail Garcia Scouting Report Rotary and sincipital Evan admixes some silver so affirmatively! Jess schematised his can silverise ineffectively or waxily Thorntonafter Craig stet portion or yikes. and intergrading wit, hydrofluoric and discussible. Sammie monophthongized fluently if puristical Held his glove side of garcia scouting and join the blow up He held his compassion against advanced competition at instructs. Garcia, but Santander has straight thick crisp and enact strong broad body, and definitely looks bigger than his listed weight. Homer and steal totals will be average the best. He performs well into a little upside is. Lost sale due to ease elbow injury which required arthroscopic surgery. When healthy, he throws a MLB quality fastball but secondaries lag behind. Slider is inconsistent and saw be the prophet to reaching his full potential. Double plus raw power and high strikeout rates. Tyler gibson and anyway of avisail garcia report, still some time lakeland to balls that your subscription period. He have almost certainly stick push the ran, and cleave a chance must hit with both average no power. Walker is gonna become that star. So when dad, Bruce, takes a jumbo whiffle ball bat has a few balls out of underground car. The Pirates may have given pain on Hanson too soon, later he seems to be settling in nicely for the pump Hose. The ambassador was probably great phone the strikeouts were never career norms, so god at his advanced age, there play a chance this cost less by an extended decline the more of blip on the radar. View photos and videos and comment on Jackson news at MLive. -
Wwe Network Expands Throughout South East Asia
For Immediate Release WWE® NETWORK EXPANDS THROUGHOUT SOUTH EAST ASIA TO INCLUDE THAILAND AND THE PHILIPPINES STAMFORD, Conn., March 2, 2016 – Beginning today, fans in Thailand and Philippines can order WWE Network online by going to WWENetwork.com and receive their first month of service free. WWE Network in Thailand and Philippines will cost $9.99 USD per month, with no commitment and the ability to cancel any time. Subscribers will have access to the U.S. English language version of WWE Network and get all 12 WWE pay-per-view events at no additional cost including WWE’s biggest event of the year, WrestleMania, as well as 24/7 scheduled programming and the most comprehensive video-on-demand library with more than 4,700 hours of content, including Raw® and SmackDown® re-airs, and every WWE, WCW™ and ECW™ pay- per-view. WWE Network is available now in Thailand and Philippines on desktop, laptop and mobile devices. It will become available through Apple TV, Amazon Fire TV, Sony PlayStation 3, Sony PlayStation 4, Xbox One, Xbox 360, Roku and Smart TVs in time for WrestleMania 32. “WWE is committed to the global growth of our brand,” said George Barrios, WWE Chief Strategy & Financial Officer. “We are thrilled to offer WWE Network to our fans in Thailand and Philippines in time for our biggest event of the year, WrestleMania.” In addition to the 12 live WWE pay-per-view events, WWE Network original programming in 2016 includes: The Edge & Christian Show That Totally Reeks of Awesomeness – A half- hour variety show starring the talented duo, Edge and Christian that will take a look back at all the highs and lows of sports entertainment, while offering a unique and humor filled perspective to the WWE Universe. -
WWE: Redefining Orking-Classw Womanhood Through Commodified Eminismf
Wright State University CORE Scholar The University Honors Program Academic Affairs 4-24-2018 WWE: Redefining orking-ClassW Womanhood through Commodified eminismF Janice M. Sikon Wright State University - Main Campus Follow this and additional works at: https://corescholar.libraries.wright.edu/honors Part of the Women's Studies Commons Repository Citation Sikon, J. M. (2018). WWE: Redefining orking-ClassW Womanhood through Commodified Feminism. Wright State University, Dayton, Ohio. This Thesis is brought to you for free and open access by the Academic Affairs at CORE Scholar. It has been accepted for inclusion in The University Honors Program by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. WWE: Redefining Working-Class Womanhood 1 WWE: Redefining Working-Class Womanhood through Commodified Feminism Janice M. Sikon Wright State University WWE: Redefining Working-Class Womanhood 2 Introduction World Wrestling Entertainment (WWE) is the largest professional wrestling promotion in the world (Bajaj & Banerjee, 2016). Their programs air in 20 languages in over 180 countries, and in the United States approximately 11 million people watch their programs each week (“FAQ,” n.d.). These programs include six hours of televised weekly events and 16 annual pay- per-view events (“WWE Reports,” 2017). In the first quarter of 2017 the company grossed $188.4 million (“WWE Reports,” 2017). They have close ties with the current presidential administration, as Small Business Administrator Linda McMahon was the CEO of the company from 1980 to 2009 (Reuters, 2009) and President Trump has made several appearances on WWE programming in the past (“Donald Trump,” n.d.). -
Sinner to Saint
FINAL-1 Sat, Nov 4, 2017 7:23:54 PM Your Weekly Guide to TV Entertainment for the week of November 11 - 17, 2017 OLD FASHIONED SERVICE Sinner to saint FREE REGISTRY SERVICE Kimberly Hébert Gregoy and Jason Ritter star in “Kevin (Probably) Saves the World” Massachusetts’ First Credit Union In spite of his selfish past — or perhaps be- Located at 370 Highland Avenue, Salem John Doyle cause of it — Kevin Finn (Jason Ritter, “Joan of St. Jean's Credit Union INSURANCEDoyle Insurance AGENCY Arcadia”) sets out to make the world a better 3 x 3 Voted #1 1 x 3 place in “Kevin (Probably) Saves the World,” Serving over 15,000 Members • A Part of your Community since 1910 Insurance Agency airing Tuesday, Nov. 14, on ABC. All the while, a Supporting over 60 Non-Profit Organizations & Programs celestial being known as Yvette (Kimberly Hé- bert Gregory, “Vice Principals”) guides him on Serving the Employees of over 40 Businesses Auto • Homeowners his mission. JoAnna Garcia Swisher (“Once 978.219.1000 • www.stjeanscu.com Business • Life Insurance Upon a Time”) and India de Beaufort (“Veep”) Offices also located in Lynn, Newburyport & Revere 978-777-6344 also star. Federally Insured by NCUA www.doyleinsurance.com FINAL-1 Sat, Nov 4, 2017 7:23:55 PM 2 • Salem News • November 11 - 17, 2017 TV with soul: New ABC drama follows a man on a mission By Kyla Brewer find and anoint a new generation the Hollywood ranks with roles in With You,” and has a recurring role ma, but they hope “Kevin (Proba- TV Media of righteous souls. -
Incomparable | PDF Books
A raw, honest, and revealing co-memoir by Brie and Nikki Bella: twin sisters, WWE Hall of Fame inductees, entrepreneurs, philanthropists, and stars of the hit E! shows Total Bellas and Total Divas.As twins, the Bellas have always competed. Legend has it that Nikki drop-kicked Brie in the womb so that she could make her grand entrance first. But the rest of the world often treated them as identical and even interchangeable, so they decided to do something about it.In WWE, the Bellas accomplished so much together: bringing in young girls and women while building the Bella Army, helping the transition of female performers from Divas to Superstars, starring in Total Divas and Total Bellas, and founding companies like Birdiebee, Nicole + Brizee Beauty, and Bonita Bonita Wine.Though their early journey began with loss, abuse, and plenty of rough times, these challenges “shined the diamond.” They resolved to be survivors and the heroes of their own stories, and to take control and responsibility for their lives. Eventually, they would come to show girls everywhere that they can do anything.The Bellas may be identical twins—but as individuals, they have proven themselves Incomparable. Incomparable by , Read PDF Incomparable Online, Download PDF Incomparable, Full PDF Incomparable, All Ebook Incomparable, PDF and EPUB Incomparable, PDF ePub Mobi Incomparable, Reading PDF Incomparable, Book PDF Incomparable, Download online Incomparable, Incomparable pdf, by Incomparable, book pdf Incomparable, by pdf Incomparable, epub Incomparable, pdf Incomparable,