Mussolini's Theatre Patricia Gaborik Index More Information Www

Total Page:16

File Type:pdf, Size:1020Kb

Mussolini's Theatre Patricia Gaborik Index More Information Www Cambridge University Press 978-1-108-83059-1 — Mussolini's Theatre Patricia Gaborik Index More Information Index Note: Benito Mussolini is listed in the index only in relation to select themes. BL, , , –, –, , , , persecution of, –, , See also: Theatre for the masses within fascist institutions, , –, Abba, Marta, , , –, , , –, , anti-Semitism, –, – Abbey Theatre (Dublin), Antoine, André, , , actors, contemporary views on Antongini, Tom, , bad behavior/need for discipline, , , , Antonini, Sandro, , , , , , , See also: Borboni, Paola; AOI (Italian East Africa), , , , , Monaldi, Gastone , See also: imperialism; Ethiopia Adams, Elsie B., Apollinaire, Guillaume, Adamson, Walter, Arendt, Hannah, , Adani, Laura, Argentieri, Claudio, Adler, Friedrich, , Aristophanes, , Aeschylus, Aristotle, aestheticism, strategic, , , , – Arthurs, Joshua, aesthetics, politicization of, , –, , –, Artioli, Umberto, Atkins, Robert, Afranius, Lucius, , Augustus, Gaius Julius Caesar Octavianus, , Alatri, Paolo, – Austria Alberti, Alberto Cesare, –, – Italian theatre/thespians in, – Aldridge, Ira, Avanti!, , Alessi, Rino, , , , , Alfieri, Dino, , , , , , , , Bach, David Josef, , , , , Badoglio, Pietro, , Alfieri, Vittorio, , , Bakhtin, Michail Michajlovič, Alfonso XIII of Spain, Balabanoff, Angelica, , – Alighieri, Dante, Balbo, Italo, , , , –, Alonge, Roberto, Baldassini, Cristina, Alvaro, Corrado, , –, , , , – Baldini, Antonio, Amaglobeli, Sergo, , Balla, Giacomo, , , Amendola, Giovanni, Bankhead, Tallulah, Amiel, Denys, Barbina, Alfredo, Anderson, Maxwell, Barbusse, Henri, Andreoli, Annamaria, –, Barchin, Michail G., Angelini, Franca, , , Barish, Jonas, Aniante, Antonio, Barzini, Luigi Jr., , anti-fascism Barzman, Luli, accusations of, – Basile, Carlo Emanuele, in the theatre, , –, –, –, , , Bassnet, Susan, , See also: satire, theatrical, of fascism or Mussolini Becco Giallo, Il, , © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-83059-1 — Mussolini's Theatre Patricia Gaborik Index More Information Index Beckett, Samuel, , , Bedeschi, Sante, Cinderella, , Beer, Guido, , Genuine Minnie, Beethoven, Ludwig van, Hunger, Bel Geddes, Norman, Life and Death of Adria and Her Children, Belli, Giuseppe Gioacchino, Northwest Hedge, Bellini, Vincenzo, Our Goddess, Beltramelli, Antonio, , Watching the Moon, Benadusi, Lorenzo, Borboni, Paola, , Benassi, Domenico, Borgia, Cesare, Benelli, Sem, , , , , , , , , Borzi, Italo, Bosworth, R.J.B., , –, , , –, Ben-Ghiat, Ruth, , –, , , , , –, , Bottai, Giuseppe, , , , , , , , –, Benjamin, Walter, , , , , , , –, –, , , , , , , , , –, , , , –, Bentley, Eric, , bourgeois culture, , , , –, , , Berezin, Mabel, , , , , Berghaus, Günter, , –, , Bourget, Jean Loup, Bergson, Henri, Bracco, Roberto, , , Berlusconi, Silvio, Bragaglia, Anton Giulio, –, , , –, Berman, Russel A., , –, –, –, , , , Berneri, Camillo, , , , –, –, , , , Bernini, Gian Lorenzo, , , , , , , , Bertellini, Giorgio, –, , The Theatre of the Revolution, , Berti, Filippo, Theatrical Theatre, that is, the Theatre, , Betrone, Annibale, Bragaglia, Arturo, Betti, Ugo, Bragaglia, Carlo Ludovico, – Bianchin, Pier M., Bragaglia, Francesco, Biccari, Gaetano, Brancati, Vitaliano, , , , –, , Bignami, Ernesto Adamo, , , , Biguzzi, Stefano, Everest, –, , Bilenchi, Romano, , Piave, –, , , Birbaeu, Andrea, The Lost Years, , Birrell, Francis, Unwilling Don Juan, –, , –, Bisicchia, Andrea, , Bismarck, Otto von, Brandon, James R., Blasetti, Alessandro, Braun, Emily, , Boas, Frederick S., Brecht, Bertolt, , , , –, Bocchini, Arturo, , Threepenny Opera, , Bodrero, Emilio, Bresciani, Marco, Boidi, Carlo, Brogi, Daniela, Bomba, Leo, Bruers, Antonio, Bonaparte, Napoleon, , , , , –, , Büchner, Georg, , –, –, , , –, Bürger, Peter, , –, , , , Burgtheater (Vienna), , Bonelli, Luigi, Burke, Kenneth, , Bongini, Ada, Businelli, Nino, Bonino, Guido Davico, , Bonsaver, Guido, –, – Caesar, Gaius Julius, , , –, , –, Bontempelli, Massimo, , –, , , –, , , –, –, , , –, Calendoli, Giovanni, , , , , , , –, –, Cambellotti, Duilio, , , –, , , , , , , Canfora, Luciano, , –, , –, Cangiullo, Francesco, © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-83059-1 — Mussolini's Theatre Patricia Gaborik Index More Information Index Cannistraro, Philip V., – Copeau, Jacques, , , –, , , Cantarella, Pasquale, , Čapek, Karel, Corner, Paul, Cardarelli, Vincenzo, –, Corradini, Enrico, , Cardillo, Massimo, Corridoni, Filippo, Carducci, Giosue, , Corsi, Mario, , , Carli, Mario, Costa, Orazio, , Carlini, Armando, Costa, Simona, Carlson, Marvin, Covent Garden (London), Casini, Gherardo, , Craig, Edward Gordon, – Cassata, Francesco, Crispi, Francesco, Cassels, Allen, Croce, Benedetto, , , , , Castelnuovo-Tedesco, Mario, Cromwell, Oliver, Cavaciocchi, Giuseppe, Cavallo, Pietro, , , D’Ambra, Lucio, Cavarocchi, Francesca, d’Amico, Alessandro, Cavicchioli, Giovanni, d’Amico, Silvio, , , –, , , , , , Cavour, Camillo Benso Count of, , , , , –, –, , –, , –, , , , , , , , , , Cecarini, Laura, –, , –, –, –, , Cecchi, Emilio, , , , , –, –, , Céline, Louis Ferdinand, – Celli, Maria Laetitia, D’Annunzio, Gabriele, –, –, , , censorship, , , , –, –, –, , –, , , , , , , , , , –, , –, , , , –, , , , –, , , after fascism, , Electra, as pedagogy, – Glory, , , –, , , before fascism, –, , Halcyon, self-censorship, , –, Jorio’s Daughter, , , , , –, Cervantes, Miguel de, –, , Chang, Natasha, Phaedra, Chapoutot, Johann, The Dead City, –, Chappelow, Allan, – The Flame of Life, , , Charles V, Holy Roman Emperor, The Rebirth of Tragedy, Chekhov, Anton Pavlovich, The Ship, , Chierici, Renzo, The Torch Under the Bushel, , , –, Chladek, Rosalia, Churchill, Winston, D’Aroma, Nino, , , Ciano, Galeazzo, , , , –, , , , Daudet, Alphonse, –, , , , , –, , Davis, Tracy C., –, , , , –, , , , , DC (Democrazia Cristiana), –, , De Ambris, Alceste, , – Cicero, Marcus Tullius, De Begnac, Yvon, , , , Cigliana, Simona, De Benedetti, Aldo, Cimmino, Alessandra, De Benedictis, Michele, cinema, , , , –, , –, , De Bono, Emilio, De Castris, Arcangelo Leone, Ciocca, Gaetano, , De Castro Rocha, Joäo Cézar, Clark, Martin, de Chirico, Giorgio, , – Claudel, Paul, De Felice, Renzo, , , –, –, , Clemens, Cyril, , , , , –, Collier, Richard, de Grazia, Victoria, , , , , , Connell, William, J., , , , – Contini, Ermanno, De Hart Mathews, Jane, © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-83059-1 — Mussolini's Theatre Patricia Gaborik Index More Information Index De Maria, Luciano, Ethiopia, , , , –, , , , De Marzio, Cornelio, , See also: AOI; imperialism de Orco, Rimirro, Euripides, , De Pirro, Nicola, , –, , , , Evreinov, Nikolai, , –, , –, , , , , Experimentals, the (Teatri-GUF), , , –, –, , De Roberto, Federico, De Sica, Vittorio, Fabbri, Diego, De Vecchi, Cesare Maria, Fabius Maximus, Debenedetti, Giacomo, , Facchi, Francesca, Delcroix, Carlo, Faglioni, Walter, Deledda, Grazia, Falasca-Zamponi, Simonetta, , , Di Stefano, Carlo, Fani, Amedeo, Di Tizio, Raffaella, Farinacci, Roberto, , , , , Diaghilev, Serge, Fascism Dietrich, Margaret, and avant-garde, –, , , –, , Diggins, John P., –, , , –, See also: Futurism diplomacy, theatre as, –, , –, , as anthropological revolution, , , , –, , , See also: Soft Power , , , direction, theatrical, , –, –, , , as spectacle, , , – , , , as Third Way, –, after fascism, , , as totalitarianism, , , , , , , outside of Italy, Dittrich-Johansen, Helga, Fatticcioni, Ettore, Dogliani, Patrizia, , Federzoni, Luigi, , Dollfuss, Engelbert, , Fellini, Federico, , Donati, Giuseppe, Ferrara, Patrizia, , , Dondero, Marco, , Ferrando, Anna, Dostoevsky, Fyodor, Ferrero, Leo, Douglas, Alfred Bruce, Lord, Ferretti, Lando, drama Ferrigni, Marco, , foreign in Italy, –, , , , , Ferroni, Giulio, –, –, , –, , , Festorazzi, Roberto, –, , – Fichte, Johann Gottlieb, historical, –, –, , , Fielden, John, Italian, valorization of, , –, –, Film. See: cinema , Fiocco, Achille, Dreijmanis, John, Flanagan, Hallie, Drinkwater, John, , Fogu, Claudio, – Duggan, Christopher, , Forster, Edward Morgan, , Dukes, Ashley, , Fortuny, Mariano, Dunnett, Jane, Forzano, Giovacchino, , , –, –, Dunsany, Lord (Edward Plunkett, th Baron), , , , , , , –, , , , –, , Black Shirt, –, Ebner, Michael, – Campo di Maggio, –, –, –, Eco, Umberto, , , –, , Eisner, Lotte, Cesare, , –, , –, , , England – Italian theatre/thespians in, , , Tales of Fall, Winter, and Spring, – theatre/thespians in Italy, , –, Villafranca, , –, –, –, – –, , , , , Ervine, St John, Fouache, Laurence, Escher, Maurits Cornelis, Fouché, Joseph, , Espmark, Kjell, Fraddosio, Maria, © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-83059-1 — Mussolini's Theatre Patricia Gaborik Index More Information Index Fragnito, Gigliola, GIL (Gioventù indigena del littorio); France Gilbertini, Osvaldo, , Italian theatre/thespians in, – Giordani, Paolo, , theatre/thespians in Italy, , , , –, Giudice, Gaspare, Giustizia e libertà, France, Anatole, Gjata, Adela, Franco, Francisco, Gobetti, Piero, , , , , , , , , Franz Josef I of Austria, Freddi, Luigi, Goebbels, Joseph, , , Freie Bühne (Berlin), Goethe, Johann Wolfgang von,
Recommended publications
  • Ap-6 . the Rubicon Is Crossed 191 Appendix 6 1) What Is the Rubicon
    Ap-6 . The Rubicon is crossed 191 Appendix 6 1) What is the Rubicon? It is a stream near Rimini, Italy. 2) What is significant about the stream that crossing it is so well known? Neither crossing the Rubicon nor the people who cross it is necessarily significant. Julius Caesar made it significant by saying "the die is cast" and by ceremoniously crossing the Rubicon as a symbol of defiance to the orders of the ruler of Rome, Pompey, and the Roman government. They had ordered Julius to return to Rome by disbanding his army, as he returned from defeating Gaul. As Julius Caesar marched to Rome, Pompey fled. Eventually the Senate elected Julius dictator for life in 49 BC. In 44 BC Senator Brutus stabbed Julius, the benevolent duce (leader) to death (Kubly and Ross, 1961). 3) Why would the defiance of a dictator become the cry that so many revere? Julius Caesar was no simple dictator. He felt that he was a descendent of Jupiter. He studied and practiced law, and even was a Pontus Maximus (interpreter of the messages of the Gods) of Rome before marching as the general to subjugate Gaul (France). He always shared his exploits to the plebeians (landless Romans), who assembled in the Roman central town of activity (the Forum) as he marched along the Via Sacra (the sacred street of the Forum). He was well liked by the plebeians, though less so by the patricians (rich Romans including senators) of Republican Rome. He had a sense that he was going to reform the republic and make it more responsive to the Ap-6 .
    [Show full text]
  • Tha Battle of Adwa.Book
    THE BATTLE OF ADWA THE BATTLE OF ADWA REFLECTIONS ON ETHIOPIA’S HISTORIC VICTORY AGAINST EUROPEAN COLONIALISM Edited by Paulos Milkias & Getachew Metaferia Contributors Richard Pankhurst Zewde Gabra-Selassie Negussay Ayele Harold Marcus Theodore M. Vestal Paulos Milkias Getachew Metaferia Maimire Mennasemay Mesfin Araya Algora Publishing New York © 2005 by Algora Publishing All Rights Reserved www.algora.com No portion of this book (beyond what is permitted by Sections 107 or 108 of the United States Copyright Act of 1976) may be reproduced by any process, stored in a retrieval system, or transmitted in any form, or by any means, without the express written permission of the publisher. ISBN: 0-87586-413-9 (softcover) ISBN: 0-87586-414-7 (hardcover) ISBN: 0-87586-415-5 (ebook) Library of Congress Cataloging-in-Publication Data — The Battle of Adwa: reflections on Ethiopia’s historic victory against European colonialism / edited by Paulos Milkias, Getachew Metaferia. p. cm. Includes bibliographical references and index. ISBN 0-87586-413-9 (trade paper: alk. paper) — ISBN 0-87586-414-7 (hard cover: alk. paper) — ISBN 0-87586-415-5 (ebook) 1. Adwa, Battle of, Adwa, Ethiopia, 1896. I. Milkias, Paulos. II. Metaferia, Getachew. DT387.3.B39 2005 963'.043—dc22 2005013845 Front Cover: Printed in the United States This book is dedicated to all peoples of the world who have stood up to colonial subjugation and courageously sacrificed their lives for the love of freedom and liberty ETHIOPIAN TITLES Afe-Nigus — (“Mouthpiece of the Emperor”) equivalent to the U.S. “Chief Justice.” Asiraleqa — (“Commander of 10”) Corporal, as a military title.
    [Show full text]
  • Bowl Round 8 Bowl Round 8 First Quarter
    IHBB Beta Europe MS Bowl 2015-2016 Bowl Round 8 Bowl Round 8 First Quarter (1) King Godfred built the Danevirke as a defense against this ruler. This ruler, who died of pleurisy, was succeeded by his son Louis the Pious, and three of his grandsons divided his empire in the Treaty of Verdun. Alcuin of York advised this man, who was crowned on Christmas Day by Leo III. For ten points, name this King of the Franks. ANSWER: Charlemagne (or Charles I or Carolus Magnus) (2) Franschhoek in South Africa was settled by this group. Mem de S`aattacked the colony of France Antarctique, which served as a haven for these people. They were defeated during the siege of La Rochelle. The Edict of Fontainebleau revoked the tolerance granted to these people by Henry IV in the Edict of Nantes. For ten points, name this group of French Protestants. ANSWER: Huguenots (prompt on French Protestants before mentioned) (3) This author wrote about a drunk Pope Julius II who tries to convince Julius into letting him into heaven in Julius Exclusus, and he advocated for Christians to act with faith in his Handbook of a Christian Knight. Hans Holbein created drawings for this man's best known work, which satirizes the workings of the Catholic Clergy. For ten points, name this Dutch humanist who wrote In Praise of Folly. ANSWER: Desiderius Erasmus (4) A photo by Yevgeny Khaldei [khal-DAY] shows a soldier raising a flag atop a building in this city. In this city, the mural My God, Help Me to Survive This Deadly Love depicts Leonid Brezhnev and Erich Honecker embracing.
    [Show full text]
  • The Courtyard of Honour the Courtyard
    The Courtyard of Honour The Courtyard of Honour of the Quirinale Palace appears to be a large arcaded piazza, unified and harmonious in shape, but it is in fact the result of four separate phases of construction which were carried out between the end of the 1500s and next century. The oldest and most easily distinguishable section forms the backdrop to the courtyard with the tower rising above it. This part of the palace was originally an isolated villa, whose construction was begun in 1583 by Pope Gregory XIII who wished to pass the hot Roman summers on the Quirinal Hill, a fresher and airier location than the Vatican. The architect who designed this first building was Ottaviano Mascarino, from Bologna. The next pope, Sixtus V, decided to enlarge the structure with a long wing running down the piazza and a second building directly in front of the older villa; Domenico Fontana was in charge of these projects. The palace and the Courtyard were completed under Pope Paul V by the architect Flaminio Ponzio, who designed the wing on the side of the gardens, and Carlo Maderno, who rebuilt the Sixtus V structure in order that it could accommodate larger and more solemn ceremonial spaces. The clock-tower was originally a simple viewing tower crowning the 16th Century villa. At the beginning of the 17th Century it was fitted with a clock and bell, and towards the end of that century a mosaic of the Madonna and Child was carried out, based on a design by Carlo Maratta. Above the tower fly the Italian and European flags as well as the presidential standard, which is lowered when the Head of State is not in Rome.
    [Show full text]
  • And They Called Them “Galleanisti”
    And They Called Them “Galleanisti”: The Rise of the Cronaca Sovversiva and the Formation of America’s Most Infamous Anarchist Faction (1895-1912) A DISSERTATION SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Andrew Douglas Hoyt IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Advised by Donna Gabaccia June 2018 Andrew Douglas Hoyt Copyright © 2018 i Acknowledgments This dissertation was made possible thanks to the support of numerous institutions including: the University of Minnesota, the Claremont Graduate University, the Italian American Studies Association, the UNICO Foundation, the Istituto Italiano di Cultura negli Stati Uniti, the Council of American Overseas Research Centers, and the American Academy in Rome. I would also like to thank the many invaluable archives that I visited for research, particularly: the Immigration History Resource Center, the Archivio Centrale dello Stato, the Archivio Giuseppe Pinelli, the Biblioteca Libertaria Armando Borghi, the Archivio Famiglia Berneri – Aurelio Chessa, the Centre International de Recherches sur l’Anarchisme, the International Institute of Social History, the Emma Goldman Paper’s Project, the Boston Public Library, the Aldrich Public Library, the Vermont Historical Society, the U.S. National Archives and Records Administration, the Library of Congress, the Historic American Newspapers Project, and the National Digital Newspaper Program. Similarly, I owe a great debt of gratitude to tireless archivists whose work makes the writing of history
    [Show full text]
  • Relief Self- Portrait by Giuseppe Maria Bonzanigo, Dated 1786
    THE GIUSEPPE MARIA BONZANIGO SELF- PORTRAIT An Italian carved limewood, walnut, tulipwood, ebony and fruitwood "microscultura" relief self- portrait by Giuseppe Maria Bonzanigo, dated 1786. the oval central medallion with a profile portrait of the artist, framed by a banded and beaded oval moulding surrounded by a thin laurel wreath issuing from acanthus scrolls flanking a lion mask; below the medallion an inscribed tablet "JOSEPH MARIE BONZANIGO . SCVLPTEVR . DU ROI DE SARDAIGNE"; from the rinceaux by the acanthus two garlands with silhouetted coins link to two upright vases issuing foliate wreaths and supported by a platform of fruits and wheat sheaves; carved 1786 to one coin to left hand side; the border of darker ground has in the upper side two scrolls issuing from the central acanthus with an inscription partially lost "J.A ROS(...)IGN(...) LEUR(...)M(...)SE(...)F / LES ARTS RECO(...)N(...)S(...)N", (les arts reconnaissant?); the corners with profile portraits with further smaller silhouette portraits, each side with three further medallion portraits about other artists and Bonzanigo’s royal colleagues, interspersed by lozenge panels with trophies related to Sculpture, engraving, silversmith, plastering, design and Architecture, all on a dark ground with an entwined vine frieze centred by cord topped by tied ribbon; the lower side of border with rinceaux frieze with heads of hounds, tiger, lion and cockerel, the whole in a glazed frame. Height: 24,68 in. (62,7 cm) Width: 19,68in. (59cm) PROVENANCE: 1786-1787 Bonzanigo Atelier, Turin Art trade, Milan, in the late 19th century; Moisé Michelangelo Guggenheim (1837-1914), Venice; Acquired from the above by Sir George Donaldson, London, 1897; Probably acquired from the above by Sir Lionel Faudel-Phillips Bt., (1877-1941), Balls Park, Hertfordshire; His daughter Miss Jean Faudel-Phillips (1909-1992); Thence by family descent to the present owner.
    [Show full text]
  • PAPER 3 Italy (1815–1871) and Germany (1815–1890) SECOND EDITION
    History for the IB Diploma PAPER 3 Italy (1815–1871) and Germany (1815–1890) SECOND EDITION Mike Wells Series editor: Allan Todd 1 Introduction 5 2 The unification of Ital� 1815-48 18 2.1 What was Italy like before 1815? 21 2.2 What im1�act did the French Revolution and Napoleon have on Italy? 26 2.3 What was the imeact of the Congress System. on Italy? 30 2.4 Why was there unrest in Italy between 1815 and 1848? 33 2.5 How strong was nationalism in Italy by 1848? 38 2.6 Why did the 1848 Revolutions fail and how imeortant were they? 41 3 The Risorgimento and the establishment of the Kingdom of Italy 1849-61 54 3.1 What were the immediate consequences of the 1848-49 Revolutions? 57 3.2 How did Cavour move Italy towards unification? 59 3.3 What was the role of foreign influences in bringing about Italian unification? 68 3.4 What was the importance of Garibaldi in moving Italy towards greater unification? 82 4 Italy, 1861-71 95 4.1 What were the problems facing Italy in the 1860s? 98 4.2 State building in the 1860s: a new Italy or an expanded Piedmont? 104 4.3 How united was the new Italian state? 115 5 Germany 1815-49 127 5.1 What was Germany like before 1815? 130 5.2 What was the irn.pact of the Congress System on Germany? 1.39 5.3 How strong was nationalism in the Vormarz period in Germany? 145 5.4 What was the significance of the ZolJverein? 151.
    [Show full text]
  • In the Service of Kaiser and King: State Sovereignty, Nation-Building
    In the Service of Kaiser and King: State Sovereignty, Nation-Building, and the German Army, 1866-1918 By Gavin Wiens A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of History University of Toronto © Copyright by Gavin Wiens, 2019 In the Service of Kaiser and King: State Sovereignty, Nation-Building, and the German Army, 1866-1918 Gavin Wiens Doctor of Philosophy Department of History University of Toronto 2019 Abstract From its creation during the Wars of Unification (1864-71) until its defeat at the end of the First World War, the German army remained a federal institution. To be sure, the imperial constitution recognized the Kaiser as commander-in-chief of Germany’s land forces. Under the Kaiser’s direction, the Prussian war ministry prepared the military budget and the Prussian General Staff drafted operational plans for future wars. A patchwork of military agreements nevertheless limited the authority of the Kaiser and Prussia’s military leaders over nearly one- quarter of the German army. According to these agreements, separate war ministries, cadet schools, and general staffs oversaw the arming, clothing, feeding, housing, and training of Bavarians, Saxons, and Württembergers, while the monarchs of Germany’s three smaller kingdoms determined personnel appointments, the deployment of units, and even the design of insignia and uniforms. The army’s contingent-based structure ensured that Prussians and non-Prussians served alongside, but only rarely with, one another after 1871. Based on research in archives and libraries in Germany, Austria, England, and the United States, this dissertation explores the means by which the smaller armies of Bavaria, ii Saxony, and Württemberg were integrated into Prussia’s much larger military structure after 1871 and seeks to understand why the German army, burdened by numerous loyalties and overlapping spheres of control, did not simply fall apart during the First World War.
    [Show full text]
  • Italian Futurism and the Development of English Liter- Ary Modernism, 1909-1915
    ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Italian futurism and the development of English liter- ary modernism, 1909-1915 https://eprints.bbk.ac.uk/id/eprint/40451/ Version: Full Version Citation: Jakeman, Robyn Sarah (2019) Italian futurism and the devel- opment of English literary modernism, 1909-1915. [Thesis] (Unpub- lished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email Birkbeck, University of London Italian Futurism and the Development of English Literary Modernism, 1909–1915 Robyn Sarah Jakeman Submitted for the degree of Doctor of Philosophy 2019 Declaration I, Robyn Jakeman, declare that this thesis is my own work. Where I have drawn upon the work of other researchers, this has been fully acknowledged. 2 Abstract This thesis considers the role of Italian Futurism in the development of English literary modernism between 1909 and 1915. It maps a set of complex and heterogeneous responses to the movement, involving both rejection and appropriation, in which attempts to experiment with English literature are undertaken in a bid to become ‘modern’. I argue that Futurism represented for many English modernists a profoundly relevant approach to a social and cultural crisis that had emerged in the late nineteenth century. In this sense, Futurism was less a movement to be officially joined than a methodology that was appropriated in order to subvert and develop fin- de-siècle cultural discourses. The thesis is divided into four chapters.
    [Show full text]
  • The Age of Mass Politics: 1871-1914
    AP European History: Unit 8.2 HistorySage.com The Age of Mass Politics: 1871-1914 Politics in the —Long 19th Century“: 1789-1914 Use space below for French Rev & —Age of —Age of —Age of Mass notes Napoleon Metternich“ Realpolitik“ Politics“ (1789-1815) (1815-1848) (1848-1871) (1871-1914) • Nat‘l • Concert of • Second • French Third Assembly Europe French Republic (1789-1791) • Revolutions of Empire • German • Legislative 1830 and • Crimean War Empire Assembly 1848 • Unification of • Imperialism (1791-1792) • Reforms in Germany • Rise of • Nat‘l Britain • Unification of socialist Convention • Liberalism/ Italy parties (1792-1795) Nationalism Ausgleich: Increased • • • Directory vs. Austro- suffrage = (1795-1799) Conservatism Hungarian mass politics • Consulate • Romanticism Empire (1799-1804) • Empire (1804-1815) Main Theme: The national state created a common framework in European politics. Political parties dominated politics. Increased suffrage and literacy in western and central European countries during the late-nineteenth century resulted in higher expectations and demands among the people for government to be responsive to their needs. I. The Age of Mass Politics (overview) A. Ordinary people felt increasing loyalty to their governments B. By 1914 universal male suffrage was the rule (female suffrage emerged after WWI) C. Politicians and parties in national parliaments represented the people more responsibly as increased suffrage spread D. The welfare state emerged, first in Germany, then in Britain, France and other countries E. Increased literacy: governments came to believe public education was important to provide society with well- informed and responsible citizens. F. Governments were often led by conservatives who manipulated nationalism to create a sense of unity and divert attention away from underlying class conflicts • Frequently channeled national sentiment in an anti- liberal and militaristic direction after 1871 HistorySage.com AP Euro Lecture Notes Page 2 Unit 8.2: Age of Mass Politics (1871-1914) II.
    [Show full text]
  • The End and the Beginning the Book of My Life
    Hermynia Zur Mühlen The End and the Beginning The Book of My Life Translated, Annotated and with an Introduction by Lionel Gossman OpenBook Publishers To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/65 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Hermynia Zur Mühlen in the garden of the estate at Eigstfer, Estonia, c. 1910. The End and the Beginning The Book of My Life by Hermynia Zur Mühlen with Notes and a Tribute by Lionel Gossman ORIGINALLY TRANSLATED FROM THE GERMAN BY FRANK BARNES AS THE RUNAWAY COUNTESS (NEW YORK: JONATHAN CAPE & HARRISON SMITH, 1930). TRANSLATION EXTENSIVELY CORRECTED AND REVISED FOR THIS NEW EDITION BY LIONEL GOSSMAN. Cambridge 2010 Open Book Publishers CIC Ltd., 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com @ 2010 Lionel Gossman Some rights are reserved. This book is made available under the Creative Commons Attribution-Non-Commercial-No Derivative Works 2.0 UK: England & Wales License. This license allows for copying any part of the work for personal and non-commercial use, providing author attribution is clearly stated. Details of allowances and restrictions are available at: http://www.openbookpublishers.com As with all Open Book Publishers titles, digital material and resources associated with this volume are available from our website: http://www.openbookpublishers.com ISBN Hardback: 978-1-906924-28-7 ISBN Paperback: 978-1-906924-27-0 ISBN Digital (pdf): 978-1-906924-29-4 Acknowledgment is made to the following for generously permitting use of material in their possession: Princeton University Library, Michael Stumpp, Director of the Emil Stumpp Archiv, Gelnausen, Louise Pettus Archives and Special Collections, Winthrop University Germany and Dr.
    [Show full text]
  • In Partial Fulfillment of the Requirements
    The 1915 Treaty of London: Prelude to Fascism By Matthew Boggs Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the History Department Program Youngstown State University November, 2005 The 1915 Treaty of London: Prelude to Fascism Matthew Boggs I hereby release this thesis to the public. I understand that this thesis will be made available from the OhioLink ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: /) - 9 ~ 0) uate Approvals: ./"" Y" :j)..e ( · U c<. Date ~ ~AM z!Jo-6' Anne York, C Date ~j)r Date Abstract This thesis examines how the war aims of Italy developed during the First World War as formulated within the Treaty of London, which helped give political birth to Fascism. Emphasis is put on the Treaty itself and the months of negotiations between Italy, France, Russia and Britain that allotted Italy various territorial spoils along the Eastern Adriatic Sea where thousands of Italians lived, giving rise to irredentist claims. The eventual refusal of the inter-Allied delegates to honor the Treaty at the Paris Peace Conference of 1919 resulted in social discontent and a feeling of betrayal among numerous Italians. The thesis also examines the political transformation of Benito Mussolini from his Socialist origins to being the fascist Premier of Italy. Particular emphasis is placed on how Mussolini used the Treaty of London as a propaganda tool to obtain political power. Fascist foreign policy regarding the unfulfilled articles of the treaty is shown as a prime motivating tenet to rationalize Italian expansion.
    [Show full text]