Vol. 20, No. 9 September 2016 Youfree Can’T Buy It
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Grief and Grievance: Art and Mourning in America,” an Intergenerational Exhibition of Works from Thirty-Seven Artists, Conceived by Curator Okwui Enwezor
NEW MUSEUM PRESENTS “GRIEF AND GRIEVANCE: ART AND MOURNING IN AMERICA,” AN INTERGENERATIONAL EXHIBITION OF WORKS FROM THIRTY-SEVEN ARTISTS, CONCEIVED BY CURATOR OKWUI ENWEZOR Exhibition Brings Together Works that Address Black Grief as a National Emergency in the Face of a Politically Orchestrated White Grievance New York, NY...The New Museum is proud to present “Grief and Grievance: Art and Mourning in America,” an exhibition originally conceived by Okwui Enwezor (1963-2019) for the New Museum, and presented with curatorial support from advisors Naomi Beckwith, Massimiliano Gioni, Glenn Ligon, and Mark Nash. On view from February 17 to June 6, 2021, “Grief and Grievance” is an intergenerational exhibition bringing together thirty-seven artists working in a variety of mediums who have addressed the concept of mourning, commemoration, and loss as a direct response to the national emergency of racist violence experienced by Black communities across America. The exhibition further considers the intertwined phenomena of Black grief and a politically orchestrated white grievance, as each structures and defines contemporary American social and political life. Included in “Grief and Grievance” are works encompassing video, painting, sculpture, installation, photography, sound, and performance made in the last decade, along with several key historical works and a series of new commissions created in response to the concept of the exhibition. The artists on view will include: Terry Adkins, Jean-Michel Basquiat, Kevin Beasley, Dawoud Bey, Mark -
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Daly, Timothy Michael (2016) Towards a fugitive press: materiality and the printed photograph in artists’ books. Doctoral thesis (PhD), Manchester Metropolitan University. Downloaded from: https://e-space.mmu.ac.uk/617237/ Usage rights: Creative Commons: Attribution-Noncommercial-No Deriva- tive Works 4.0 Please cite the published version https://e-space.mmu.ac.uk Towards a fugitive press: materiality and the printed photograph in artists’ books Tim Daly PhD 2016 Towards a fugitive press: materiality and the printed photograph in artists’ books Tim Daly A thesis submitted in partial fulfilment of the requirements of the Manchester Metropolitan University for the degree of Doctor of Philosophy MIRIAD Manchester Metropolitan University June 2016 Contents a. Abstract 1 b. Research question 3 c. Field 5 d. Aims and objectives 31 e. Literature review 33 f. Methodology 93 g. Practice 101 h. Further research 207 i. Contribution to knowledge 217 j. Conclusion 220 k. Index of practice conclusions 225 l. References 229 m. Bibliography 244 n. Research outputs 247 o. Appendix - published research 249 Tim Daly Speke (1987) Silver-gelatin prints in folio A. Abstract The aim of my research is to demonstrate how a practice of hand made books based on the materiality of the photographic print and photo-reprography, could engage with notions of touch in the digital age. We take for granted that most artists’ books are made from paper using lithography and bound in the codex form, yet this technology has served neither producer nor reader well. As Hayles (2002:22) observed: We are not generally accustomed to thinking about the book as a material metaphor, but in fact it is an artifact whose physical properties and historical usage structure our interactions with it in ways obvious and subtle. -
Golf Course, the Home of the Fighting Golf Camel Golf Teams and PGA Golf Management Program, Tel.(910)893 5051, in Buies Creek, North Carolina
MileByMile.com Personal Road Trip Guide North Carolina United States Highway #421 Miles ITEM SUMMARY 0.0 Pleasure Is.: South Eastern Pleasure Island, near Fort Fisher State Recreation Area, on The Basin of Terminus US #421 North Carolina, This is where US Route #421, begins its run through North Carolina to terminate at the Tennessee State Line northwest of the city of Boone, North Carolina. Major Cities US Highway #421 passes by are; Wilmington, Greensboro and Winston-Salem, in North Carolina. Altitude: 3 feet 0.7 Aquarium Path : North Aquarium Path, to North Carolina Aquarium in Fort Fisher, located Carolina Aquarium within the Fort Fisher State Recreation Area, Altitude: 3 feet 1.5 Battle Acre Rd : Fort Battle Acre Road, Fort Fisher was a Confederate fort during the Fisher, NC American Civil War, located on one of Cape Fear River's two outlets to the Atlantic Ocean on present day Pleasure Island. Fort Fisher Air Force Station was a US Air Force installation located on the Atlantic coast near Kure Beach, North Carolina. State Historic Site, Kure Beach, Altitude: 3 feet 2.1 Surfrider Circle : Surfrider Circle, Underwater Archaeology, located on US Route #421, Underwater Archaeology on Pleasure Island, North Carolina Altitude: 10 feet 3.7 Avenue K : Kure Beach, Avenue K, Kure Beach, North Carolina, a town in New Hanover NC County, North Carolina, Kure Beach Pier, a long pier located in Kure Beach, NC, Altitude: 16 feet 5.2 Ocean Blvd : Wilmington Ocean Boulevard, Wilmington Beach was a coastal unincorporated Beach, NC community on Pleasure Island in North Carolina, now annexed by the town of Carolina Beach, North Carolina on the Pleasure Island. -
Vol. 23, No. 8 August 2019 You Can’T Buy It
ABSOLUTELY FREE Vol. 23, No. 8 August 2019 You Can’t Buy It As Above, So Below Artwork is by Diane Nations and is part of her exhibit Under the Influence of Jung on view at Artworks Gallery in Winston-Salem, North Carolina through August 31, 2019. See the article on Page 28. ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. Page 1 - Cover - Artworks Gallery (Winston-Salem) - Diane Nations Page 3 - Ella Walton Richardson Fine Art Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs, and Carolina Arts site Page 5 - Wells Gallery at the Sanctuary & Halsey MCallum Studio Page 4 - Redux Contemporary Art Center & Charleston Artist Guild Page 6 - Thomas Dixon for Mayor & Jesse Williams District 6 Page 5 - Charleston Museum & Robert Lange Studios Page 7 - Emerge SC, Helena Fox Fine Art, Corrigan Gallery, Halsey-McCallum Studio, Page 6 - Robert Lange Studios cont., Ella Walton Richardson Fine Art & Rhett Thurman, Anglin Smith Fine Art, Halsey Institute of Contemporary Art, Lowcountry Artists Gallery The Wells Gallery at the Sanctuary & Saul Alexander Foundation Gallery Page 9 - Lowcountry Artists Gallery cont. & Halsey Institute / College of Charleston Page 8 - Halsey Institute / College of Charleston Page 10 - Halsey Institute / College of Charleston & Art League of Hilton Head Page 9 - Whimsy Joy Page 11 - Art League of Hilton Head cont. & Society of Bluffton Artists Page 10 - Halsey Institute -
Walking List CLERMONT MILFORD EXEMPTED VSD Run Date:05/19/2021
Walking List CLERMONT MILFORD EXEMPTED VSD Run Date:05/19/2021 SELECTION CRITERIA : ({voter.status} in ['A','I']) and {district.District_id} in [112] 535 HOWELL, JANET L REP MD-A - MILFORD CITY A 535 HOWELL, STACY LYNN NOPTY BELT AVE MILFORD 45150 535 HOWELL, STEPHEN L REP 538 BREWER, KENNETH L NOPTY 502 KLOEPPEL, CODY ALAN REP 538 BREWER, KIMBERLY KAY NOPTY 505 HOLSER, AMANDA BETH NOPTY 538 HALLBERG, RICHARD LEANDER NOPTY 505 HOLSER, JOHN PERRY DEM 538 HALLBERG, RYAN SCOTT NOPTY 506 SHAFER, ETHAN NOPTY 539 HOYE, SARAH ELIZABETH DEM 506 SHAFER, JENNIFER M NOPTY 539 HOYE, STEPHEN MICHAEL NOPTY 508 BUIS, DEBBIE S NOPTY 542 #APT 1 LANIER, JEFFREY W DEM 509 WHITE, JONATHAN MATTHEW NOPTY 542 #APT 3 MASON, ROBERT G NOPTY 510 ROA, JOYCE A DEM 543 AMAYA, YVONNE WANDA NOPTY 513 WHITE, AMBER JOY NOPTY 543 NORTH, DEBORAH FAY NOPTY 514 AKERS, TONIE RENAE NOPTY 546 FIELDS, ALEXIS ILENE NOPTY 518 SMITH, DAVID SCOTT DEM 546 FIELDS, DEBORAH J NOPTY 518 SMITH, TAMARA JOY DEM 546 FIELDS, JACOB LEE NOPTY 521 MCBEATH, COURTTANY ALENE REP 550 MULLEN, HEATHER L NOPTY 522 DUNHAM CLARK, WILMA LOUISE NOPTY 550 MULLEN, MICHAEL F NOPTY 525 HACKMEISTER, EDWIN L REP 550 MULLEN, REGAN N NOPTY 525 HACKMEISTER, JUDY A NOPTY 554 KIDWELL, MARISSA PAIGE NOPTY 526 SPIEGEL, JILL D DEM 554 LINDNER, MADELINE GRACE NOPTY 526 SPIEGEL, LAWRENCE B DEM 554 ROA, ALEX NOPTY 529 WITT, AARON C REP 529 WITT, RACHEL A REP CHATEAU PL MILFORD 45150 532 PASCALE, ANGELA W NOPTY 532 PASCALE, DOMINIC VINCENT NOPTY 2 STEVENS, JESSICA M NOPTY 532 PASCALE, MARK V NOPTY 2 #APT 1 CHURCHILL, REX -
FROM MOMENTSTO a MOVEMENT Advancing Civil Rights Through Economic Opportunity
FROM MOMENTSTO A MOVEMENT Advancing Civil Rights through Economic Opportunity 2020 IMPACT REPORT “When the architects of our republic wrote the magnificent words of the Constitution and TABLE OF CONTENTS the Declaration of Independence, they were signing a promissory note to which every American was to fall heir. This was the promise that all men, yes, Black men as well as Moments Moments that Moments Moments Moments Moments that Build a Saved Small that Shaped that Changed in Healthcare of Esperanza white men, would be guaranteed the unalienable rights of life, liberty, and the pursuit of Movement Businesses Policy Banking History happiness. It is obvious today that America has defaulted on this promissory note in so far as her citizens of color are concerned…But we refuse to believe that the bank of justice 3 6 12 14 20 23 is bankrupt. We refuse to believe that there are insufficient funds in the great vaults of opportunity of this nation. So, we have come to cash this check, a check that will give us Moments HOPE Exists to Moments in Moments in Moments in Moments on upon demand the riches of freedom and the security of justice.” in Consumer Close the Racial Homeownership Education Partnership Campus Lending Wealth Gap ― Dr. Martin Luther King, Jr. August 28, 1963 27 29 32 36 39 43 Moments of 2020 Corporate Transformation Financials Governance 46 50 56 The Martin Luther King, Jr. Memorial in Washington, D.C., includes “The Stone of Hope,” a sculpture of Dr. King created by artist Lei Yixin. MOMENTS THAT BUILD A MOVEMENT 2020 was a year of American reckoning. -
New Editions 2012
January – February 2013 Volume 2, Number 5 New Editions 2012: Reviews and Listings of Important Prints and Editions from Around the World • New Section: <100 Faye Hirsch on Nicole Eisenman • Wade Guyton OS at the Whitney • Zarina: Paper Like Skin • Superstorm Sandy • News History. Analysis. Criticism. Reviews. News. Art in Print. In print and online. www.artinprint.org Subscribe to Art in Print. January – February 2013 In This Issue Volume 2, Number 5 Editor-in-Chief Susan Tallman 2 Susan Tallman On Visibility Associate Publisher New Editions 2012 Index 3 Julie Bernatz Managing Editor Faye Hirsch 4 Annkathrin Murray Nicole Eisenman’s Year of Printing Prodigiously Associate Editor Amelia Ishmael New Editions 2012 Reviews A–Z 10 Design Director <100 42 Skip Langer Design Associate Exhibition Reviews Raymond Hayen Charles Schultz 44 Wade Guyton OS M. Brian Tichenor & Raun Thorp 46 Zarina: Paper Like Skin New Editions Listings 48 News of the Print World 58 Superstorm Sandy 62 Contributors 68 Membership Subscription Form 70 Cover Image: Rirkrit Tiravanija, I Am Busy (2012), 100% cotton towel. Published by WOW (Works on Whatever), New York, NY. Photo: James Ewing, courtesy Art Production Fund. This page: Barbara Takenaga, detail of Day for Night, State I (2012), aquatint, sugar lift, spit bite and white ground with hand coloring by the artist. Printed and published by Wingate Studio, Hinsdale, NH. Art in Print 3500 N. Lake Shore Drive Suite 10A Chicago, IL 60657-1927 www.artinprint.org [email protected] No part of this periodical may be published without the written consent of the publisher. -
Annual Report 2013-2014
The Museum of Fine Arts, Houston Arts, Fine of Museum The μ˙ μ˙ μ˙ The Museum of Fine Arts, Houston annual report 2013–2014 THE MUSEUM OF FINE ARTS, HOUSTON, WARMLY THANKS THE 1,183 DOCENTS, VOLUNTEERS, AND MEMBERS OF THE MUSEUM’S GUILD FOR THEIR EXTRAORDINARY DEDICATION AND COMMITMENT. ANNUAL REPORT ANNUAL 2013–2014 Cover: GIUSEPPE PENONE Italian, born 1947 Albero folgorato (Thunderstuck Tree), 2012 Bronze with gold leaf 433 1/16 x 96 3/4 x 79 in. (1100 x 245.7 x 200.7 cm) Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund 2014.728 While arboreal imagery has dominated Giuseppe Penone’s sculptures across his career, monumental bronzes of storm- blasted trees have only recently appeared as major themes in his work. Albero folgorato (Thunderstuck Tree), 2012, is the culmination of this series. Cast in bronze from a willow that had been struck by lightning, it both captures a moment in time and stands fixed as a profoundly evocative and timeless monument. ALG Opposite: LYONEL FEININGER American, 1871–1956 Self-Portrait, 1915 Oil on canvas 39 1/2 x 31 1/2 in. (100.3 x 80 cm) Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund 2014.756 Lyonel Feininger’s 1915 self-portrait unites the psychological urgency of German Expressionism with the formal structures of Cubism to reveal the artist’s profound isolation as a man in self-imposed exile, an American of German descent, who found himself an alien enemy living in Germany at the outbreak of World War I. -
LIBRARY BOOKS.Xlsx
Cat No. Title Author Type 476 2,286 traditional stencil designs Roessing, H APPLIQUE 13 Afternoon Tea with May Morris Hill, Michele APPLIQUE 1094 Applique 12 Borders & Medallions Sienkiewicz, Elly APPLIQUE 1444 Applique 12 Easy Ways Sienkiewicz, Elly APPLIQUE Rodale's Successful Quilting 455 Applique made easy Library APPLIQUE 4 Applique Mastery Naylor, Philippa APPLIQUE 382 Applique outside the lines with Piece O' Cake Designs Goldsmith, Becky & Jenkins, Linda APPLIQUE 774 Applique, Applique, Applique Sinema, Laurene APPLIQUE 657 Artful applique II Townswick, Jane APPLIQUE 656 Artful applique the easy way Townswick, Jane APPLIQUE 251 At Play with Applique Fronks, Dilys A APPLIQUE Back to Front & New Approach to Machine Applique 1369 (2nd copy) Scouler, Larraine APPLIQUE 585 Baltimore Beauties & Beyond Vol 2 Sienkiewicz, Ely APPLIQUE 702 Baltimore blocks for beginners; a step-by-step guide Dietrich, Mimi APPLIQUE 404 Barbara Brackman's encyclopedia of applique Brackman, Barbara APPLIQUE Beautiful botanicals: 45 applique flowers & 14 quilt 520 projects Kemball, Deborah APPLIQUE 1751 Best of BaLtimore Beauties Sienkiewicz, Elly APPLIQUE 1783 Best of Jacobean Applique Campbell, Patricia B & Ayars, Mimi APPLIQUE Best-ever applique sampler from Piece O' Cake 684 Designs Goldsmith, Becky & Jenkins, Linda APPLIQUE 1842 Blossoms in Winter Eaton, Patti & Mostek, Pamela APPLIQUE 1795 Bouquet of Quilts Rounds & Rymer APPLIQUE 1594 Celtic Style Floral Applique Rose, Scarlett APPLIQUE 1998 Classic Four-Block Applique Quilts Marston, Gwen APPLIQUE 235 -
2018 Sales Report
2018 JEFFERSON COUNTY SALES 01/01/2018-01/31/2018 Municipality Tax Map NumberLocation New Owner Seller Deed Date Sale Price Prop Class Village of Adams 112.28-1-28.2 15 High St Purdy, Ryan A. Rohde, Joanne L 1/17/2018$ 58,000 210 Town of Adams 100.14-1-6 14592 US Rte 11 Laisdell, Scott Clemons, Larry R 1/8/2018$ 135,000 210 Town of Adams 100.17-2-15 13906 US Rte 11 Lewandowski, Sean D. Gaulke, Russell S 1/10/2018$ 170,000 210 Town of Adams 107.00-4-13 16686 NYS Rte 178 Townsend, McKenzie F. Haller Fam Revoc Living Trust, 1/8/2018$ 169,600 210 Town of Adams 107.00-4-21 16520 NYS Rte 178 Williams, Brandi J. Williams, Brandi J 1/26/2018$ - 210 Town of Adams 108.05-2-80 18661 Honeyville Ter Casion, Stephen A. Roukous, George 1/26/2018$ 155,000 210 Town of Adams 108.17-1-33 10604 US Rte 11 Pfleegor, Chad M. Tharp, Thomas S 1/3/2018$ 173,000 210 Town of Adams 108.05-1-51 13137 US Rte 11 Williams, April R. Williams, Morgan J 1/17/2018$ - 280 Village of Alexandria Bay 7.29-3-26 39 Cornwall St Olson, Bryan R. Goudreau, David 1/29/2018$ 122,000 210 Village of Alexandria Bay 7.29-3-78 81 Crossmon St Gouverneur S&L Assoc, Hoffberg, Camette C 1/18/2018$ 25,000 210 Village of Alexandria Bay 7.22-2-29.3 3 Mance Ln Broad Street Funding Trust I, Daniels, Emma L 1/5/2018$ 95,000 280 Village of Alexandria Bay 7.38-2-21.2 107 Church St Schreiber, Kenneth M. -
Hank Willis Thomas
Goodman Gallery Hank Willis Thomas Biography Hank Willis Thomas (b. 1976, New Jersey, United States) is a conceptual artist working primarily with themes related to perspective, identity, commodity, media, and popular culture. Thomas has exhibited throughout the United States and abroad including the International Center of Photography, New York; Guggenheim Museum Bilbao, Spain; Musée du quai Branly, Paris; Hong Kong Arts Centre, Hong Kong, and the Witte de With Center for Contemporary Art, Netherlands. Thomas’ work is included in numerous public collections including the Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; Whitney Museum of American Art, New York; Brooklyn Museum, New York; High Museum of Art, Atlanta, and National Gallery of Art, Washington D.C. His collaborative projects include Question Bridge: Black Males, In Search Of The Truth (The Truth Booth), Writing on the Wall, and the artist-run initiative for art and civic engagement For Freedoms, which in 2017 was awarded the ICP Infinity Award for New Media and Online Platform. Thomas is also the recipient of the Gordon Parks Foundation Fellowship (2019), the Guggenheim Foundation Fellowship (2018), Art for Justice Grant (2018), AIMIA | AGO Photography Prize (2017), Soros Equality Fellowship (2017), and is a member of the New York City Public Design Commission. Thomas holds a B.F.A. from New York University (1998) and an M.A./M.F.A. from the California College of the Arts (2004). In 2017, he received honorary doctorates from the Maryland Institute of Art and the Institute for Doctoral Studies in the Visual Arts. Artist Statement Hank Willis Thomas is an American visual photographer whose primary interested are in race, advertising and popular culture. -
Selma Photographer Captured History on 'Bloody Sunday' by MATT PEARCE
Selma photographer captured history on 'Bloody Sunday' By MATT PEARCE As the column of black demonstrators in Selma, Ala., marched two by two over the Edmund Pettus Bridge, James "Spider" Martin and his camera were there to record the scene. It was March 7, 1965. Martin didn’t know it yet, but he was documenting one of the most consequential moments in the history of Alabama. Every photo would become a blow against white supremacy in the South. Martin, then a 25-year-old staff photographer for the Birmingham News, scooted ahead of the action. An Alabama state trooper swings his club at future U.S. Rep. John Lewis, pictured on the ground, during "Bloody Sunday" in Selma, Ala., in 1965. (James "Spider" Martin Photographic Archive) Martin later wrote that while trying to wipe the tear gas from his eyes, he used one of his cameras to block a blow from a trooper’s club. “Excuse me,” the trooper then said, Martin recalled. “I thought you’s a [n-word.]” Martin, who was white, was exasperated by what was happening. “Alabama, God damn, why did you let it happen here?” he remembered thinking. Several of Martin’s photos raced across the Associated Press wire and into history, where, half a century later, they have become a crucial record of the civil rights movement. Earlier this year, the photos were part of a collection purchased from Martin’s estate for $250,000 by the University of Texas’ Briscoe Center for American History. Martin died in 2003. The photos were also “referenced extensively” for the recent film “Selma,” which dramatized the events of the march, said director Ava DuVernay, who called Martin’s work “incredible stuff.” “It was the, at the time, most important thing in his life that he’d ever done,” daughter Tracy Martin said of the weeks that her father spent covering the events leading up to and following "Bloody Sunday" in Selma.