Hank Willis Thomas
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Grief and Grievance: Art and Mourning in America,” an Intergenerational Exhibition of Works from Thirty-Seven Artists, Conceived by Curator Okwui Enwezor
NEW MUSEUM PRESENTS “GRIEF AND GRIEVANCE: ART AND MOURNING IN AMERICA,” AN INTERGENERATIONAL EXHIBITION OF WORKS FROM THIRTY-SEVEN ARTISTS, CONCEIVED BY CURATOR OKWUI ENWEZOR Exhibition Brings Together Works that Address Black Grief as a National Emergency in the Face of a Politically Orchestrated White Grievance New York, NY...The New Museum is proud to present “Grief and Grievance: Art and Mourning in America,” an exhibition originally conceived by Okwui Enwezor (1963-2019) for the New Museum, and presented with curatorial support from advisors Naomi Beckwith, Massimiliano Gioni, Glenn Ligon, and Mark Nash. On view from February 17 to June 6, 2021, “Grief and Grievance” is an intergenerational exhibition bringing together thirty-seven artists working in a variety of mediums who have addressed the concept of mourning, commemoration, and loss as a direct response to the national emergency of racist violence experienced by Black communities across America. The exhibition further considers the intertwined phenomena of Black grief and a politically orchestrated white grievance, as each structures and defines contemporary American social and political life. Included in “Grief and Grievance” are works encompassing video, painting, sculpture, installation, photography, sound, and performance made in the last decade, along with several key historical works and a series of new commissions created in response to the concept of the exhibition. The artists on view will include: Terry Adkins, Jean-Michel Basquiat, Kevin Beasley, Dawoud Bey, Mark -
Position Overview
DIRECTOR OF DEVELOPMENT Birmingham, AL Search conducted by Development Resources, inc. www.driconsulting.com Art Free For All The Birmingham Museum of Art (BMA) sparks the creativity, imagination, and liveliness of Birmingham by connecting all its citizens to the experience, meaning, and joy of art. Founded in 1951, the Birmingham Museum of Art has one of the finest collections in the Southeast supported by a strong educational program designed to make the arts come alive for children and adults throughout the region. More than 27,000 objects represent a rich panorama of cultures, including Asian, European, American, African, Pre-Columbian, and Native American. Highlights include the Museum’s collection of Asian art, considered the finest and most comprehensive in the Southeast; a remarkable Kress collection of Renaissance and Baroque paintings, sculpture, and decorative arts from the late 13th century to the 1750s; and the Museum’s world-renowned collection of Wedgwood, the largest outside of England. The Museum connects with the community through educational programs and curated exhibitions that engage, entertain, and enlighten visitors. Programs are designed around the Museum’s permanent collection and changing exhibitions, and provide opportunities for all ages and levels of experience to connect with art. In its most recent fiscal year, BMA welcomed 124,039 visitors, an increase of 3,000 guests over the previous year. This increase was spurred by relevant and innovative exhibitions and programs, such as the popular Family Festivals and the Barbie: Dreaming of a Female Future exhibition, which received widespread acclaim from visitors and the media. Barbie: Dreaming of a Female Future Emblematic of the types of programs and exhibitions the Museum features, this exhibition takes a critical look at Barbie on her 60th anniversary. -
Architectonic Forms MAURIZIO ANZERI: Lay It on the Line
FOR IMMEDIATE RELEASE For all inquiries, please contact Irene Fung: [email protected] www.hainesgallery.com DARREN WATERSTON: Architectonic Forms MAURIZIO ANZERI: Lay it on the Line January 6 – February 25, 2017 Press Preview: Thursday, January 5, 5:00 pm Opening Reception: Thursday, January 12, 5:30 pm to 7:30 pm Haines Gallery is pleased to present two concurrent solo exhibitions, featuring new and recent works by Darren Waterston and Maurizio Anzeri. Architectonic Forms is New York-based artist Darren Waterston’s ninth solo exhibition with Haines Gallery, and follows his nationally touring installation Filthy Lucre, a reimagining of James McNeil Whistler’s eccentric masterwork of deco- rative art, the Peacock Room. Exhibited for the first time on the West Coast, Waterston’s newest body of work continues to explore the coalescence between painting and architecture in Western art history, while reflecting the artist’s sustained interest in the allegorical, alchemical and apocalyptic. In Architectonic Forms, Waterston draws directly from devotional architectural Darren Waterston, Triptych (twilight) and Predella, both 2014 structures such as Renaissance altarpieces, confessional screens and Gothic Oil on wood panel, 80 x 131 inches; 21.5 x 83.5 inches partitions, reinterpreting them as magnetic and even menacing painterly objects. Familiar religious iconography is transformed into apocalyptic land- scapes, gestural flourishes and paint-scarred surfaces characteristic of Waterston’s work. The centerpiece of the exhibition, Triptych (twilight), 2014, is based on Matthias Grünewald’s sixteenth century masterpiece, The Isenheim Altar, and casts a spectral halo from the back of its hinged panels. At once intriguing and foreboding, the works hint at something darker lurking beneath their surfaces and demonstrate paradoxical ideas of attraction and revulsion. -
February/March 2014
The PHOTO REVIEW NEWSLETTER February / March 2014 Robert Heinecken Cybill Shepherd/Phone Sex. 1992, dye bleach print on foamcore, 63"×17”. (The Robert Heinecken Trust, Chicago; courtesy Petzel Gallery, New York. © 2013 The Robert Heinecken Trust) At the Museum of Modern Art, New York Exhibitions PHILADELPHIA AREA Germán Gomez “Deconstructing Cities and Duos,” Bridgette Mayer Gallery, 709 Walnut St., Philadelphia, PA 19106, 215/413– Alien She Vox Populi, 319 N. 11th St., 3rd fl., Philadelphia, PA 8893, www.bridgettemayergallery.com, T–Sat 11–5:30 and by 19107, 215/23 8-1236, www.voxpopuligallery.org, T–Sun 12–6, appt., through February 22. March 7 – April 27. Includes photography. Graffiti, Murals, and Tattoos “Paired,” Bucks County Project Artists of a Certain Age Philadelphia Episcopal Cathedral, Gallery, 252 W. Ashland St., Doylestown, PA 18901, 267/247- 3723 Chestnut St., Philadelphia, PA 19104, 267/386-0234 x104, 6634, www.buckscountyprojectgallery.com, Th–F 12–4, F–Sat daily 10–4 and by appt., through February 28. Includes photogra- 1–5, March 8 – April 6. phy by William Brown and Arlene Love. David Graham “Thirty-Five Years / 35 Pictures,” Gallery 339, Donald E. Camp/Lydia Panas/Lori Waselchuk “Humankind,” 339 S. 21st St., Philadelphia, PA 19103, 215/731-1530, www.gal- Main Line Art Center, 746 Panmure Rd., Haverford, PA 19041, lery339.com, T–Sat 10–6, through March 15. 610/525-0272, www.mainlineart.org, M–Th 10–8, F–Sun 10–4, through March 20. Reception, Friday, February 21, 6–8 PM. Panel Jefferson Hayman Wexler Gallery, 201 N. 3rd St., Philadelphia, Discussion and Book Signing, Wednesday, March 19, 6–8 PM. -
Travel Professionals | Greater Birmingham Convention & Visitors Bureau – Birmingham, AL
CONTACT MENU ATTRACTIONS SHOPPING DINING OUTDOORS NIGHTLIFE Plan a Tour When tour groups get down to Birmingham, they get down to the business of exploring the city’s personality. Among the themed tours are trips to sample the city’s locally-produced snacks, real Southern dining and the influence of immigrants on the city’s cuisine. Other tours explore the diversity of Birmingham’s ethnic communities, reflected in the architecture and cultural events throughout the city. Plan a tour to visit the Eternal Word Television Network, founded by Mother Mary Angelica. Take in the historic sites from Birmingham’s tumultuous role in America’s Civil Rights Movement. Hear interesting tales from the city’s rowdy pioneer days. Visit the factory where the popular M-Class Mercedes-Benz is manufactured. And sample the art, outdoors, dining, sports and entertainment that bring tour groups back to Birmingham time and again. (Sample itineraries include more locations than a full day of touring will accommodate. Let us help you customize your tour from these suggested destinations. Reservations are required and appreciated.) Itineraries Grits, Greens and Greeks: The Southern Foods Tour Spend a day sampling the flavors of Birmingham. Wake up the day with breakfast at Niki’s West, a Birmingham institution, where they serve up a heaping helping of Southern favorites: country ham, cheese grits, cathead biscuits with sawmill gravy, and eggs any way you like ‘em. Then walk off some of that fine meal at the Pepper Place Saturday Market. This seasonal spread of Southern foods is a delight to wander through. Farmers’ stalls are filled with peaches, peppers and tomatoes. -
New Editions 2012
January – February 2013 Volume 2, Number 5 New Editions 2012: Reviews and Listings of Important Prints and Editions from Around the World • New Section: <100 Faye Hirsch on Nicole Eisenman • Wade Guyton OS at the Whitney • Zarina: Paper Like Skin • Superstorm Sandy • News History. Analysis. Criticism. Reviews. News. Art in Print. In print and online. www.artinprint.org Subscribe to Art in Print. January – February 2013 In This Issue Volume 2, Number 5 Editor-in-Chief Susan Tallman 2 Susan Tallman On Visibility Associate Publisher New Editions 2012 Index 3 Julie Bernatz Managing Editor Faye Hirsch 4 Annkathrin Murray Nicole Eisenman’s Year of Printing Prodigiously Associate Editor Amelia Ishmael New Editions 2012 Reviews A–Z 10 Design Director <100 42 Skip Langer Design Associate Exhibition Reviews Raymond Hayen Charles Schultz 44 Wade Guyton OS M. Brian Tichenor & Raun Thorp 46 Zarina: Paper Like Skin New Editions Listings 48 News of the Print World 58 Superstorm Sandy 62 Contributors 68 Membership Subscription Form 70 Cover Image: Rirkrit Tiravanija, I Am Busy (2012), 100% cotton towel. Published by WOW (Works on Whatever), New York, NY. Photo: James Ewing, courtesy Art Production Fund. This page: Barbara Takenaga, detail of Day for Night, State I (2012), aquatint, sugar lift, spit bite and white ground with hand coloring by the artist. Printed and published by Wingate Studio, Hinsdale, NH. Art in Print 3500 N. Lake Shore Drive Suite 10A Chicago, IL 60657-1927 www.artinprint.org [email protected] No part of this periodical may be published without the written consent of the publisher. -
BAM 50 State Initiative Art Project—A Partnership with for Freedoms—Activates Civic Engagement Through Art Work Creation, Saturday, Oct 20
BAM 50 State Initiative Art Project—a partnership with For Freedoms—activates civic engagement through art work creation, Saturday, Oct 20 Free public event will be led by Brooklyn visual artist Katherine Toukhy Oct 5, 2018/Brooklyn, NY—The Brooklyn Academy of Music (BAM) has partnered with For Freedoms in an afternoon of civic engagement on Saturday, Oct 20 from 1–3pm at the South Site Plaza (Lafayette Ave, corner of Flatbush Ave). Attendees will participate in an art-making project, led by Brooklyn visual artist Katherine Toukhy, to create and share social and political statements with the community. Images of finished artworks will be photographed and displayed on BAM’s outdoor digital signpost on the corner of Flatbush Ave and Lafayette Ave—running on a loop until the mid-term elections in November. BAM’s VP of Education and Community Engagement Coco Killingsworth said, “We’re excited to join with For Freedoms and Katherine Toukhy in gathering community members for this creative civic activation. We hope this event inspires all of us to use our voices to engage in the democratic process.” For Freedoms started in 2016 as a platform for civic engagement, discourse, and direct action for artists in the United States. Inspired by Norman Rockwell’s 1943 painting of the four universal freedoms articulated by Franklin Delano Roosevelt in 1941—freedom of speech, freedom of worship, freedom from want, and freedom from fear—For Freedoms seeks to use art to deepen public discussions of civic issues and core values, and to clarify that citizenship in American society is deepened by participation, not by ideology. -
Exhibition Calendar 2019–20
EXHIBITION CALENDAR 2019–20 Rachel Eggers Manager of Public Relations [email protected] 206.654.3151 The following information is subject to change. Prior to publication, please confirm dates, titles, and other information with the Seattle Art Museum public relations office. 2 SEATTLE ART MUSEUM – NOW ON VIEW Victorian Radicals: From the Pre-Raphaelites to the Arts and Crafts Movement Seattle Art Museum June 13–September 8, 2019 As industrialization brought sweeping and dehumanizing changes to 19th- century England, a small group of artists reasserted the value of the handmade. Calling themselves the Pre-Raphaelites, they turned to the unlikely model of medieval European craftsmen as a way of moving forward. Victorian Radicals presents an unprecedented 145 paintings, drawings, books, sculpture, textiles, and decorative arts—many never before exhibited outside of the UK—by the major artists associated with this rebellious brotherhood. Dante Gabriel Rossetti, John Everett Millais, William Holman Hunt, Edward Burne-Jones, and William Morris dubbed themselves the Pre-Raphaelites in reaction to the Royal Academy of Arts, whose methods to artmaking they regarded to be as formulaic as industrial methods of production. This movement had broad implications and inspired a wide range of industries to rebel against sterility and strive to connect art to everyday life. The Pre-Raphaelites and members of the later Arts & Crafts movement operated from a moral commitment to honest labor, the handmade object, and the ability of art to heal a society dehumanized by industry and mechanization. The works of the men and women presented in the exhibition illustrate a spectrum of avant-garde practices of the Victorian period and demonstrate Britain’s first modern art response to industrialization. -
Leading up to the 2020 Presidential Election, for Freedoms to Present
PRESS CONTACT Molly Krause [email protected] Press kit and images: www.molly.nyc/ffcon Leading up to the 2020 presidential election, For Freedoms to present the inaugural For Freedoms Congress (FFCon): a nonpartisan, arts and culture-driven forum for civic engagement strategy slated to be largest-ever convening of its kind FFCon will take place February 28, February 29, and March 1 in Los Angeles. Host venues—donated by FFCon cultural partners—include the Hammer Museum, the Japanese American National Museum, and the Geffen Contemporary at MOCA Glenn Kaino, Hank Willis Thomas, and Black Lives Matter cofounder Patrisse Cullors among creatives confirmed to lead planning sessions and public talks Los Angeles, CA — January 2020 – For Freedoms, the nonpartisan collective for creative civic engagement cofounded by artists Hank Willis Thomas and Eric Gottesman, will this February present the inaugural For Freedoms Congress (FFCon). The three-day event is a first-of-its-kind convening of artists, academic and cultural institutions, and social justice organizations. Its objective—through a tightly curated series of artist-led planning sessions, creative workshops, and public events—is to build a collective strategy to supercharge civic engagement back in attendees’ local communities leading up to the 2020 presidential election. “The people who make up our country’s creative fabric have the collective influence to effect change,” said For Freedoms cofounder Hank Willis Thomas. “Right now, we have a lot of non-creative people shaping public policy, and a lot of creative individuals who haven't or don’t know how to step up. For Freedoms exists as an access point to magnify, strengthen, and perpetuate the civic influence of creatives and institutions nationwide. -
African Collection
calendar African Art from the Permanent Collection Collections of the RMCA: January 1, 2005–December 31, 2008 Headdresses Neuberger Museum of Art, SUNY Purchase December 20, 2006–September 30, 2007 Purchase, NY Royal Museum for Central Africa Tervuren, Belgium African Vision: Highlights from the The Walt Disney-Tishman African Art Collection Continuity and Change: February 15, 2007–September 7, 2008 Three Generations of Ethiopian Artists AFRICAN National Museum of African Art May 25–December 8, 2007 Washington, DC Diggs Gallery, Winston-Salem State University Winston-Salem, NC COLLECTION Afrique Noire: Fotografien von Didier Ruef Eternal Ancestors: Made possible by SunTrust Bank April 25– August 19, 2007 The Art of the Central African Reliquary Völkerkunemuseum der Universität Zürich October 2, 2007–March 2, 2008 Downloaded from http://direct.mit.edu/afar/article-pdf/40/3/95/1816128/afar.2007.40.3.95.pdf by guest on 26 September 2021 Zürich, Switzerland Metropolitan Museum of Art New York, NY Anxious Objects: Willie Cole’s Favorite Brands Inscribing Meaning: June 15–September 2, 2007 Writing and Graphic Systems in African Art Frye Art Museum May 9–September 3, 2007 Seattle, WA National Museum of African Art Washington, DC September 26, 2007–January 7, 2008 Cantor Arts Center at Stanford University October 14, 2007–February 17, 2008 Stanford, CA Fowler Museum at UCLA Los Angeles, CA Art of Being Tuareg: Saharan Nomads in a Modern World Meditations on African Art: May 9–August 19, 2007 Color Cantor Arts Center at Stanford University April 18–August 19, 2007 Stanford, CA Baltimore Museum of Art Baltimore, MD Bamako: African Photographers Meditations on African Art: May 18–September 25, 2007 Pattern Museum of the African Diaspora August 29, 2007–January 13, 2008 San Francisco, CA Baltimore Museum of Art Baltimore, MD Benin—Könige und Rituale. -
Final Report of a Study of IMLS Youth Programs, 1998-2003
Museums and Libraries Engaging America’s Youth: Final Report of a Study of IMLS Youth Programs, 1998-2003 Institute of Museum and Library Services 1800 M St. NW, 9th floor Washington, DC 20036 202-653-IMLS (4657) www.imls.gov IMLS TTY (for hearing-impaired individuals) 202-563-4699 IMLS will provide visually impaired or learning disabled individuals with an audio recording of this publication upon request. Printed December 2007 Prepared by Judy Koke, Project Director Lynn Dierking, Ph.D., Senior Researcher Institute for Learning Innovation Edgewater, MD Library of Congress Cataloging-in-Publication Data Information not available at the time of publication. Table of Contents Dear Colleague.......................................................................................................................................... 5 Acknowledgments .................................................................................................................................... 6 Executive Summary .................................................................................................................................. 8 Background............................................................................................................................................... 8 Key Findings.............................................................................................................................................. 8 General Recommendations ...................................................................................................................10 -
Alper Initiative for Washington Art It Takes a Nation
ALPER INITIATIVE FOR WASHINGTON ART IT TAKES A NATION IT TAKES A NATION: ART FOR SOCIAL JUSTICE WITH EMORY DOUGLAS AND THE BLACK PANTHER PARTY, AFRICOBRA, AND CONTEMPORARY WASHINGTON ARTISTS September 6 – October 23, 2016 American University Museum at the Katzen Arts Center Washington, DC ALPER INITIATIVE FOR WASHINGTON ART FOREWORD This exhibition presents the American important work gave visual form to I am grateful to Sandy Bellamy for University Museum’s best efforts to the 10 points of the Black Panther undertaking the formidable and timely accomplish artistic objectives rarely ideology that, unfortunately, continue task of organizing this exhibition and found in the same space and time: to have relevance fifty years later: writing the catalog, and Asantewa the exhibition is a program of the freedom, employment, opposition Boakyewa for her curatorial assistance. Alper Initiative for Washington Art, so against economic exploitation and Most importantly, I am thankful for our charge is to offer the community marginalization, affordable housing, the artists in the exhibition who have a venue for the examination and quality education, free health care, raised their voices so powerfully and promotion of the accomplishments opposition to police brutality, eloquently: Akili Ron Anderson, Holly of artists in the greater Washington, opposition to wars of aggression, Bass, Graham Boyle, Wesley Clark, Jay DC region. And, as a grantee of the opposition to the prison industrial Coleman, Larry Cook, Tim Davis, Jeff CrossCurrents Foundation, we are also complex, and access to the necessities Donaldson, Emory Douglas, Shaunté committed to presenting an exhibition of life. Gates, Jennifer Gray, Jae Jarrell, with strong relevance to the issues Wadsworth Jarrell, Njena Surae Jarvis, facing voters in the 2016 national The exhibition title is taken from an Simmie Knox, James Phillips, Beverly elections.