The PHOTO REVIEW NEWSLETTER

February / March 2014

Robert Heinecken Cybill Shepherd/Phone Sex. 1992, dye bleach print on foamcore, 63"×17”. (The Robert Heinecken Trust, Chicago; courtesy Petzel Gallery, New York. © 2013 The Robert Heinecken Trust) At the Museum of Modern Art, New York Exhibitions PHILADELPHIA AREA Germán Gomez “Deconstructing Cities and Duos,” Bridgette Mayer Gallery, 709 Walnut St., Philadelphia, PA 19106, 215/413– Alien She Vox Populi, 319 N. 11th St., 3rd fl., Philadelphia, PA 8893, www.bridgettemayergallery.com, T–Sat 11–5:30 and by 19107, 215/23 8-1236, www.voxpopuligallery.org, T–Sun 12–6, appt., through February 22. March 7 – April 27. Includes photography. Graffiti, Murals, and Tattoos “Paired,” Bucks County Project Artists of a Certain Age Philadelphia Episcopal Cathedral, Gallery, 252 W. Ashland St., Doylestown, PA 18901, 267/247- 3723 Chestnut St., Philadelphia, PA 19104, 267/386-0234 x104, 6634, www.buckscountyprojectgallery.com, Th–F 12–4, F–Sat daily 10–4 and by appt., through February 28. Includes photogra- 1–5, March 8 – April 6. phy by William Brown and Arlene Love. David Graham “Thirty-Five Years / 35 Pictures,” Gallery 339, Donald E. Camp/Lydia Panas/Lori Waselchuk “Humankind,” 339 S. 21st St., Philadelphia, PA 19103, 215/731-1530, www.gal- Main Line Art Center, 746 Panmure Rd., Haverford, PA 19041, lery339.com, T–Sat 10–6, through March 15. 610/525-0272, www.mainlineart.org, M–Th 10–8, F–Sun 10–4, through March 20. Reception, Friday, February 21, 6–8 PM. Panel Jefferson Hayman Wexler Gallery, 201 N. 3rd St., Philadelphia, Discussion and Book Signing, Wednesday, March 19, 6–8 PM. PA 19106, 215/923-7030, www.wexlergallery.com, T–Sat 10–6, M by appt., through March 1. Regina Joans “As I Go,” Twenty-Two Gallery, 236 S. 22nd St., Philadelphia, PA 19103, 215/772-1911, www.twenty-twogallery. com, W–Sun 12–6 and by appt., through March 9. ICA@50: Pleasing Artists and Publics Since 1963 Institute of Contemporary Art, 118 S. 36th St., Philadelphia, PA 19104, 215/898-7108, www.icaphila.org, W 11–8, Th–F 11–6, Sat–Sun 11–5, through August 17. Paul Justice “Breathing Pictures,” Gallery 1401, The Univer- sity of the Arts, 211 S. Broad St., 14th fl., Philadelphia, PA 19102, 215/717-6300, www.uarts.edu, M–F 10–5, Sat–Sun by appt., through March 14.

Joel Katz: Unidentified spectators at a rally for Alabama governor George C. Wallace for president at the Mississippi Coliseum in Jackson, 25 June 1964, from “And I Said No Lord,” at The Galleries at Moore, Moore College of Art Rudolph Kalish, 1870. Kalish played third base for the Live Oak of Cincinnati and Design, Philadelphia in 1870, an amateur club that lost twice to the fabled Cincinnati Red Stock- ings (courtesy of Peter S. Horvitz), at the National Museum of American Joel Katz “And I Said No Lord,” The Galleries at Moore, Jewish History Moore College of Art and Design, 20th St. & the Parkway, Phila- Chasing Dreams: Baseball and Becoming American The delphia, PA 19103, 215/965-4027, www.moore.edu, T–F 11–7, Sat National Museum of American Jewish History, 101 South Inde- 11–5, through March 15. pendence Mall East, Philadelphia, PA 19106, 215/923-3811, www. nmajh.org, T–F 10–5, Sat–Sun 10–5:30, March 13 – October 26. Vita Litvak “Я Подарю Тебе Мир (I Will Give You the World) and Other Promises,” Atrium Gallery, Marshall Fine Arts Center, Alex Damevski “Paired,” Bucks County Project Gallery, 252 Haverford College, 370 Lancaster Ave., Haverford, PA 19041, W. Ashland St., Doylestown, PA 18901, 267/247-6634, www. 610/896-1267, www.haverford.edu, M–F 10–5, Sat–Sun 12–5, buckscountyprojectgallery.com, Th–F 12–4, F–Sat 1–5, through through April 20. February 28. Leah Macdonald “In My Body: Narratives, Anxieties, and Maria Dumlao/Jay Muhlin Vox Populi, 319 N. 11th St., 3rd fl., Celebrations,” Grace and Joseph Gorevin Fine Arts Gallery, Holy Philadelphia, PA 19107, 215/23 8-1236, www.voxpopuligallery. Spirit Library, Cabrini College, 610 King of Prussia Rd., Radnor, org, T–Sun 12–6, through March 2. PA 19087, 610/902-8380, www.cabrini.edu, through March 31.

2 Humankind

© Lydia Panas 2005 © Donald E. Camp 2008 © Lori Waselchuk 2008

Featuring photographers Donald E. Camp, Lydia Panas, and Lori Waselchuk, Humankind presents works that uniquely address the human condition through qualities and genres inherent to the photographic tradition: social responsibility, portraiture, and the photo essay. Presented in collaboration with our new digital media program, this exhibition curated by Amie Potsic, features photography by accomplished artists whose work creatively engages the world of contemporary photography.

746 Panmure Rd., Haverford, PA 19041 RECEPTION: Friday, February 21, 6 - 8 pm GALLERY HOURS: ARTIST TALK & Monday - Thursday: 10 am to 8 pm BOOK SIGNING: Wednesday, March 19, 6 - 8 pm Friday - Sunday: 10 am to 4 pm Free and open to the public

mainlineart.org 610.525.0272 facebook.com/mainlineart

3 PHILADELPHIA AREA continued Make & Do Philadelphia Photo Arts Center, 1400 N. Ameri- can St., Ste. 103, Philadelphia, PA 19122, 215/232-5678, www. philaphotoarts.org, T–W 10–9, Th–F 10–7, Sat–Sun 12–6, through February 22. Anne Leighton Massoni “Holding Pepina,” The Sol Mednick Gallery, University of the Arts, The Terra Building, 211 S. Broad St., 15th fl., Philadelphia, PA 19102, 215/717-6300, www.uarts. edu, M–F 10–5, Sat–Sun by appt., through March 14. Eric Mencher “Wallpaper,” Photo Lounge, 1909 Chestnut St., Philadelphia, PA 19103, 267/322-6651, www.myphotolounge.com, M–F 9:30–6:30, Sat 11–4, through March. Nikon Small World Exhibit 2014: Insight into a Microscopic World The Wistar Institute, 3601 Spruce St., Philadelphia, PA 19104, 215/898-3930, www.wistar.org, M–F 9–5, through March 7.

Amie Potsic: Endagered Seasons (detail), from “Frost” at the Schuylkill Cen- ter for Environmental Education, Philadelphia B. Proud “First Comes Love,” William Way LGBT Community Center, 1315 Spruce St., Philadelphia, PA 19107, 215/732-2220, www.waygay.org, M–F 11–10, Sat–Sun 12–5, through February 28. Ruffneck Constructivists Institute of Contemporary Art, 118 S. 36th St., Philadelphia, PA 19104, 215/898-7108, www.icaphila.org, W 11–8, Th–F 11–6, Sat–Sun 11–5, through August 17. Jill Saull “Blink,” Imperfect Gallery, 5601 Greene St., Phila- delphia, PA 19144, 215/869-1001, W–Sat 1–6 or by appt., through March 8. Sensing Change Chemical Heritage Foundation, 315 Chestnut St., Philadelphia, PA 19106, 215/925-2222, www.chemheritage. org, Th 10–4, through May 2. Yinka Shonibare MBE “Magic Ladders,” The Barnes Founda- tion, 2025 Benjamin Franklin Parkway , Philadelphia, PA 19130, 215/278-7000, www.barnesfoundation.org, M, W & Th 10–6, F 10–10, Sat–Sun 10–8, through April 21. Michael Snow “Photo-Centric,” Honickman Gallery, Phila- delphia Museum of Art, 26th St. & the Parkway, Philadelphia, PA 19130, 215/684-7695, www.philamuseum.org, T–Sun 10–5, W & F 10–8:45, through April 27. Ruth Thorne Thomsen “Messengers,” Schmidt/Dean Gallery, 1719 Chestnut St., Philadelphia, PA 19103, 215/569-9433, www. schmidtdean.com, T–Sat 10:30–6, March 8 – April 12. Reception, Saturday, March 8, 3–6 PM. Tierra Reveladora Off the Wall Gallery@Dirty Frank’s Bar, 347 S. 13th St., Philadelphia, PA 19107, 11–2, through February 28. Includes photographs by Rick Wright. Brian H. Peterson: Interior Light #12, 2003, archival digital print (courtesy 2013 Drexel University High School Photography Contest Santa Bannon/Fine Art), at Ursinus College, Collegeville, PA Photography Gallery, Paul Peck Problem Solving and Research Brian H. Peterson “Only Connect,” The Philip and Muriel Bldg., 101 N. 33rd St., Philadelphia, PA 19104, 215/895-5868, M– Berman Museum of Art at Ursinus College, 601 E. Main St., Col- Sat 9–10, Sun 12–8, through March 10. legeville, PA 19426, 610/409-3500, www.ursinus.edu, T–F 1–4, Sarah Van Keuren “I Began with Painting,” The Sol Mednick Sat–Sun 12–4:30, through March 9. Gallery, University of the Arts, The Terra Building, 211 S. Broad Prison Obscura Cantor Fitzgerald Gallery, Haverford College, St., 15th fl., Philadelphia, PA 19102, 215/717-6300, www.uarts. 330 Lancaster Ave., Haverford, PA 19041, 610/896-1287, www. edu, M–F 10–5, Sat–Sun by appt., March 21 – April 25. haverford.edu/exhibits, M­–F 11–5, W 11–8, Sat–Sun 12–5, through Frederick Weber “Domestic Views,” Gallery 1401, The Uni- March 7. versity of the Arts, 211 S. Broad St., 14th fl., Philadelphia, PA Amie Potsic “Frost,” The Schuylkill Center for Environmen- 19102, 215/717-6300, www.uarts.edu, M–F 10–5, Sat–Sun by tal Education, 8480 Hagy’s Mill Rd., Philadelphia, PA 19128, appt., March 21 – April 25. 215/482-7300, www.schuylkillcenter.org, M–Sun 8:30–4:30, through April 18.

4 PHILADELPHIA AREA continued Michael Bühler-Rose “Spirit & Matter,” Scaramouche Gallery, 52 Orchard St., NY, NY 10002, 212/228-2229, www.scaramou- cheart.com, W–Sat 12–6, Sun 1–5, and by appt., through March 30. Richard Caldicott “Recent Work,” Sous Les Etoiles, 560 Broadway, Ste. 603, NY, NY 10012, 212/966-0796, www.souslese- toilesgallery.net, M–F 10–6, through March 29. Lance W. Clayton Robin Rice Gallery, 325 W. 11th St., NY, NY 10014, 212/366-6660, www.robinricegallery.com, W–Sun 12–7, March 19 – April 27. Rick DeMint “Portroids,” The Impossible Project Space, 425 Broadway, 5th fl., NY, NY 10013, 212/219-3254, www.the-impos- sible-project.com, M–F 11–7, Sat 12–5, through March 27. Leonard Freed “Black in White America,” Leica Gallery, 670 Broadway, NY, NY 10012, 212/777-3051, leica-camera.com, T–F 11–6, Sat 12–6, through February 22. Max Fujishima “Wish You Were Here—NewYork to Egypt and Beyond,” Gallery Onetwentyeight, 128 Rivington St., NY, NY 10002, 212/674-0244, www.galleryonetwentyeight.org, W–Sat 1–7, Sun 1–5, through March 1. Yishay Garbasz “Ritual and Reality,” Ronald Feldman Fine Arts, 31 Mercer St., NY, NY 10013, 212/226-3232, www.feldma- ngallery.com, T–Sat 10–6, through March 22. Andrew Garn “The New York Pigeon,” O.K. Harris Works of Art, 383 W. Broadway, NY, NY 10012, 212/431-3600, www.okhar- ris.com, T–Sat 10–6, through March 1. Nikolai Ishchuk “Indeterminate Objects,” Denny Gallery, 261 Broome St., NY, NY 10002, 212/266-6537, elizabeth@dennygal- lery.com, W–Sun 11–6 and by appt., through March 16. Ruth Thorne-Thomsen: Messanger #4, France, 1990, toned silver print, Paul Kessel “Williamsburg, Old and New,” Umbrella Arts, 317 28"x41", at Schmidt/Dean Gallery, Philadelphia E. 9th St., NY, NY 10003, 212/505-7196, www.umbrellaarts.com, John Woodin “Un-natural Landscape,” The Hall, Crane Arts T–Sat 12–6, through March 1. Building, 1400 N. American St., Philadelphia, PA 19122, 215/232- Annie Ling “A Floating Population,” Museum of Chinese in 3203, www.cranearts.com, W–Sun 12–6, through March 8. America, 215 Centre St., NY, NY 10013, 212/619-4686, www.mo- canyc.org, M & F 11–5, T 11–9, Sat–Sun 10–5, through April 13. Works in Color: Selections from the Haverford Fine Art Pho- tography Collection Magill Alcove Gallery, James P. Magill Judy Linn Feature Inc., 131 Allen St., NY, NY 10002, 212/675- Library, Haverford College, 370 Lancaster Ave., Haverford, PA 7772, www.featureinc.com, W–Sun 12–6, February 19 –March 23. 19041, www.haverford.edu/exhibits, M–F 8:30 AM – 9 PM, Sat– Reception Saturday, February 22, 6–8 PM. Sun 10–9, through March 9. Matthew Pillsbury “Nate and Me,” Sasha Wolf Gallery, 70 Orchard St., NY, NY 10002, 212/925-0025, www.sashawolf.com, NEW YORK CITY: DOWNTOWN AND SOHO W–Sun 12–6, through February 26 – April 20. Opening reception, Amy Arbus “On the Street 1980–1990,” Leica Gallery, 670 February 26, 6–8 PM. Broadway, NY, NY 10012, 212/777-3051, leica-camera.com, T–F Portraits of New York Chinatown Museum of Chinese in 11–6, Sat 12–6, through April 19. America, 215 Centre St., NY, NY 10013, 212/619-4686, www.mo- Lee Backer/Neil Lawner/Elizabeth Nahum-Albright/Sonia To- canyc.org, M & F 11–5, T 11–9, Sat–Sun 10–5, through April 13. ledo/Lois Youmans “Surroundings,” Soho Photo, 15 White St., Alex Prager “Face in the Crowd,” Lehmann Maupin, 201 NY, NY 10013, 212/226-8571, www.sohophoto.com, W–Sun 1–6 Chrystie St., NY, NY 10002, 212/254-0054, www.lehmannmaupin. and by appt., March 5–29. Reception, March 4, 6–8 PM. com, T–F 11–6, and by appt., through February 22. David Barary “Manhattan Viewed from High in the Air,” MTA Priscilla Rattazzi “Selected Photographs: 1975–2013,” Staley/ Arts for Transit, Bowling Green Subway Station, Broadway and Wise Gallery, 560 Broadway, NY, NY 10012, 212/966-6223, www. Battery Place, NY, NY, through 2014. staleywise.com, T–Sat 11–5, through February 22. Richard Barnes “Murmur & Refuge,” Foley Gallery, 97 Allen Real and Surreal Staley/Wise Gallery, 560 Broadway, NY, NY St., NY, NY 10002, 212/244-9081, www.foleygallery.com, W–Sun 10012, 212/966-6223, www.staleywise.com, T–Sat 11–5, February 2–6, through February 23. 28 – April 19. Heather Bennett “Four Stories,” Stephan Stoyanov, 29 Orchard Lyn Savarese “My Still Life Aviary,” Umbrella Arts, 317 E. 9th St., NY, NY 10002, 212/343-4240, www.stephanstoyanovgallery. St., NY, NY 10003, 212/505-7196, www.umbrellaarts.com, T–Sat com, W–Sat 11–6, Sun 12–6, March 2 – April 18. 12–6, March 4–29.

5 NEW YORK CITY: DOWNTOWN AND SOHO continued Zack Seckler “Botswana,” Robin Rice Gallery, 325 W. 11th St., Susan Hockaday “After Nature,” Soho20 Chelsea Gallery, 547 NY, NY 10014, 212/366-6660, www.robinricegallery.com, W–Sun W. 27th St., Ste. 301, NY, NY 10001, 212/367-8994, www.so- 12–7, through February 23. ho20gallery.com, T–Sat 12–6, through February 22. 16th Annual International Krappy Camera Competition Win- Imprints Leslie Tonkonow Artworks + Projects, 535 W. 22nd ners Soho Photo, 15 White St., NY, NY 10013, 212/226-8571, St., 6th fl., NY, NY 10011, 212/255-8450, www.tonkonow.com, www.sohophoto.com, W–Sun 1–6 and by appt., through March 1. T–Sat 10–6, through March 15. Curtice Taylor “Transforming Nature: Gardens and Land- Kate Joyce/Jakub Karwowski/Jow Maloney/Cheryle St. Onge/ scapes 1985–2011,” Leica Gallery, 670 Broadway, NY, NY 10012, Joni Sternback “Not Long Hidden,” Rick Wester Fine Art, 526 212/777-3051, leica-camera.com, T–F 11–6, Sat 12–6, through W. 26th St., Ste. 417, NY, NY 10001, 212/255-5560, www.rick- April 19. westerfineart.com, through March 1. The Lee Family of New York Chinatown Since 1888 Museum Sarah Kaufman “Homebody,” Porter Contemporary, 548 W. of Chinese in America, 215 Centre St., NY, NY 10013, 212/619- 28th St., 3rd fl., NY, NY 10001, 212/696-7432, www.portercon- 4686, www.mocanyc.org, M & F 11–5, T 11–9, Sat–Sun 10–5, temporary.com, W 11–6, Th 11–8, F–Sat 11–6, through February through April 13. 22. Those Lovable Lads From Liverpool Morrison Hotel, 124 David LaChapelle “Land Scape,” Paul Kasmin Gallery, 515 W. Prince St., NY, NY 10012, 212/941-8770, www.morrisonhotelgal- 27th St., NY, NY 10001, 212/563-4474, www.paulkasmingallery. lery.com, M–Th 11–6, F–Sat 11–7, through March 1. com, T–Sat 10–6, through March 1. Tribble & Mancenido “Lost Ones,” Sasha Wolf Gallery, 70 Maroesjka Lavigne “Island,” Robert Mann Gallery, 525 W. Orchard St., NY, NY 10002, 212/925-0025, www.sashawolf.com, 26th St., NY, NY 10001, 212/989-7600, www.robertmann.com, W–Sun 12–6, through February 23. T–Sat 11–6, April 3 – May 17. 21st Annual Soho Photo Artists’ Krappy Camera Competition Naomi Leshem “Centered,” Andrea Meislin Gallery, 534 W. Soho Photo, 15 White St., NY, NY 10013, 212/226-8571, www. 24th St., NY, NY 10001, 212/627-2552, www.andreameislin.com, sohophoto.com, W–Sun 1–6 and by appt., through March 1. T–Sat 10–6, through February 22. Karlheinz Weinberger “Portraits, 1959–1987,” Maccarone, 98 Jerome Liebling “Matter of Life and Death.” Steven Kasher Morton St., New York, NY 10014, 212/431-4977, http://www.mac- Gallery 521 W. 23rd St., NY, NY 10011, 212/966-3978, www. carone.net, T–Sat 10–6, through March 29. stevenkasher.com, T–Sat 11–6, March 13 – April 19. Reception, John Whitaker “Black and White Swan,” Leica Store New Thursday, March 13, 6–8 PM. York, 460 W. Broadway, NY, NY 10012, 212/475-7799, M–F Michel Majerus Matthew Marks Gallery, 526 W. 22 St., NY, 10–7, Sat–Sun 11–7, through March 23. NY 10011, 212/243-0200, www.matthewmarks.com, T–Sat 11–6, through April 19. NEW YORK CITY: CHELSEA Tanya Marcuse “Fallen,” Julie Saul Gallery, 535 W. 22nd St., NY, NY 10011, 212/627-2410, www.saulgallery.com, T–Sat 11–6 Nir Arieli “Inframen,” Daniel Cooney Fine Art, 508 W. 26th and by appt., through February 22. St., #9C, NY, NY 10001, 212/255-8158, www.danielcooneyfineart. Fred W. McDarrah “Save the Village,” Steven Kasher Gallery com, T–Sat 11–6, through March 8. Gallery talk, February 22, 3 PM. 521 W. 23rd St., NY, NY 10011, 212/966-3978, www.stevenkasher. Arrangements by Marie Cosindas Silverstein Photography, com, T–Sat 11–6, through March 8. 535 W. 24th St., NY, NY 10011, 212/627-3930, www.brucesilver- Christine Meisner “Disquieting Nature,” Walther Collection, stein.com, T–Sat 11–6, through March 8. 526 W. 26th St., Ste. 718, NY, NY 10001, 212/352-0683, www. Lawrence Beck “Italian Pictures,” Sonnabend, 536 W. 22nd St., walthercollection.com, Th–Sat 12–6, February 28 – May 24. NY, NY 10011, 212/627-1018, www.sonnabendgallery.com, T–Sat Andrew Moore “Dirt Meridian,” Yancey Richardson Gallery, 11–6, through March 15. 535 W. 22nd St., NY, NY 10011, 646/230-9610, www.yanceyrich- Nancy Burson “Composites,” Clamp Art, 531 W. 25th St., ardson.com, T–Sat 10–6, through February 22. Ground Fl., NY, NY 10001, 646/230-0020, www.clampart.com, Richard Mosse Jack Shainman Gallery, 513 W. 20th St., NY, T–Sat 11–6 February 20 – March 29. NY 10011, 212/645-1701, www.jackshainman.com, M–F 10–6, Wijnanda Deroo “Rijksmuseum,” Robert Mann Gallery, 525 February 22 – March 22. W. 26th St., NY, NY 10001, 212/989-7600, www.robertmann.com, Shirin Neshat “Our House is On Fire,” Robert Rauschen- T–Sat 11–6, through March 29. berg Foundation Project Space, 455 W. 19th St. NY, NY 10011, Ashley Gilbertson “Dangerous Ground,” VII Photo Agency at 212/228-5283, www.rauschenbergfoundation.org, Tue–Sat, 11–6, The Half King, 505 West 23rd Street, NY, NY 10011, 212/462- through March 1. 4300, curphoto.tumblr.com, through March 11. Photography 2014 New Century Artists, 530 W. 25th St., Ste. David Goldes Yossi Milo Gallery, 245 Tenth Ave., NY, NY 406, NY, NY 10001, 212/367-7072, www.newcenturyartists.org, 10001, 212/414-0370, www.yossimilo.com, T–Sat 10–6, through T–Sat 11–6, through March 4. March 8. Matthew Pillsbury “City Stages,” Aperture Gallery, 547 W. Hisaji Hara “After Balthus,” Danziger Projects, 527 W. 23rd 27th St., 4th fl., NY, NY 10001, 212/505-5555, www.aperture.org, St., NY, NY 10011, 212/629-6778, www.danzigerprojects.com, T–Sat 10–6, February 20 – March 27. T–F 11–6, Sat 12–6, through March 22. Alex Prager “Face in the Crowd,” Lehmann Maupin Gallery, Kenyatta A.C. Hinkle “Say It Isn’t So,” Jenkins Johnson Gal- 540 W. 26th St., NY, NY 10001, 212/255-2923, www.lehman- lery, 521 W. 26th St., 5th fl., NY, NY 10001, 212/629-0707, www. nmaupin.com, T–Sat 10–6, through February 22. jenkinsjohnsongallery.com, T–Sat 12–6, February 20 – April 5.

6 NEW YORK CITY: CHELSEA continued

Richard Renaldi “Touching Strangers,” Aperture Gallery, 547 Black & Beautiful Keith de Lellis Gallery, 1045 Madison W. 27th St., 4th fl., NY, NY 10001, 212/505-5555, www.aperture. Ave. #3, NY, NY 10075, 212/327-1482, www.keithdelellisgallery. org, T–Sat 10–6, April 3 – May 15. com, T–Th 11–5, F 11–2, through March 1. A group exhibition of Malick Sidibé Jack Shainman Gallery, 524 West 24th St, NY, African-American portraits. NY 10011, 212/337-3372, www.jackshainman.com, T–Th 10–6, Alexander Borodulin “New York Undergrouund, 1970s– March 27 – April 26. 1980s” Nailya Alexander Gallery, 41 E. 57th St., Ste. 704, NY, NY Harvey Stein “Coney Island/Harlem A Portrait of Two Com- 10022, 212/315-2211, www.nailyaalexandergallery.com, T–Sat munities,” Leica Gallery, 670 Broadway, NY, NY 10012, 212/777- 11–6, through March 8. 3051, leica-camera.com, T–F 11–6, Sat 12–6, through February 22. Manuel Alvarez Bravo “Vintage,” Throckmorton Fine Art, 145 The Heart & The Eye: Henri Cartier-Bresson and Robert E. 57th St., 3rd fl., NY, NY 10022, 212/223-1059, www.throck- Frank in the World Danziger Projects, 527 W. 23rd St., NY, morton-nyc.com, T–Sat 10–5, through March 1. NY 10011, 212/629-6778, www.danzigerprojects.com, T–F 11–6, Harry Callahan “City,” The Pace/MacGill Gallery, 32 E. 57th Sat 12–6, through March 22. St., NY, NY 10022, 212/759-7999, www.pacemacgill.com, T–F Carrie Mae Weems Flomenhaft Gallery, 547 W. 27th St., Ste. 9:30–5:30, Sat 10–6, through March 8. 200, NY, NY 10001, 212/268-4952, www.flomenhaftgallery.com, Capa in Color The International Center of Photography, 1133 T–Sat 10:30–5, through February 22. Avenue of the Americas at 43rd St., NY, NY 10036, 212/857-0000, Marc Yankus “The Space Between,” Clamp Art, 531 W. 25th www.icp.org, T–Th 10–5, F 10–8, Sat–Sun 10–6, through May 4. St., Ground Fl., NY, NY 10001, 646/230-0020, www.clampart. City as Canvas: Graffiti Art from the Martin Wong Collection com, T–Sat 11–6, April 3 – May 17. Museum of the City of New York, 1220 Fifth Ave., NY, NY 10029, Sharon Ya’ari Andrea Meislin Gallery, 534 W. 24th St., NY, 212/534-1672, www.mcny.org, W–Sat 10–5, Sun 12–5, through NY 10001, 212/627-2552, www.andreameislin.com, T–Sat 10–6, August 24. March 8 – April 26. Darkness & Light: Contemporary Nordic Photography

Zoobs “Consolidate the Experience,” Ivy Brown Gallery, 675 Scandinavia House, 58 Park Avenue @ 38th St.,| NY, NY 10016, Hudson St., 4th fl., NY, NY 10014, 212/925-1111, www.ivybrown- 212/779-3587, www.scandinaviahouse.org, T–Sat 12–6, W 12–7, gallery.org, T–Sat 12–6, through February 20. February 22 – April 26. Opening reception, Saturday, February 22, 6–8 PM. Jed Devine “New Color Work,” Bonni Benrubi Gallery, 41 E. NEW YORK CITY: MIDTOWN AND UPTOWN 57th St., NY, NY 10022, 212/888-6007, www.bonnibenrubi.com, A Collective Invention: Photographs at Play The Morgan T–Sat 10–6, through April 12. Library & Museum, 225 Madison Ave. at 36th St., NY, NY 10016, Isa Genzken “Retrospective,” Museum of Modern Art, 11 W. 212/685-0008, www.themorgan.org, T–Th 10:30–9, F 10:30–6, Sat 53rd St., NY, NY 10019, 212/708-9400, www.moma.org, Sat–M 10–6, Sun 11–6, through May 18. & W–Th 10:30–5:30, F 10:30–8, through March 10. Includes pho- Activist New York Museum of the City of New York, 1220 tography. Fifth Ave., NY, NY 10029, 212/534-1672, www.mcny.org, W–Sat Robert Heinecken Museum of Modern Art, 11 W. 53rd St., 10–5, Sun 12–5, ongoing. NY, NY 10019, 212/708-9400, www.moma.org, Sat–M & W–Th Diane Arbus “Portraits of America,” Gagosian Gallery, 976 10:30–5:30, F 10:30–8, March 15 – September 7. Madison Ave., NY, NY 10075, 212/744-2313, www.gagosian.com, Ink Art: Past as Present in Contemporary China Metropoli- T–Sat 10–6, through April 19. Reception, Thursday, March 6, 6–8 tan Museum of Art, 1000 Fifth Ave., NY, NY 10028, 212/535- PM. 7710, www.metmuseum.org, Sun & T–Th 9:30–5:30, F–Sat 9:30–9, through April 6. Invitational Exhibition of Visual Arts American Academy of Arts and Letters, 633 W. 155th St., NY, NY 10032, 212/368-5900, www.artsandletters.org, T–Sun 1–4, March 7 – April 14. Italian Futurism, 1909–1944: Reconstructing the Universe Solomon R. Guggenheim Museum, 1071 Fifth Ave., NY, NY 10128, 212/423-3500, www.guggenheim.org, F–W 10–5:45, Sat 10–7:45, February 21 – September 1. Ladies and Gentlemen… The Beatles The New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center, 40 Lincoln Center Plaza, NY, NY 10023, 212/642-0142, www.nypl.org/locations/lpa, T–W 12–6, Th 12–8, Sat 12–6, Christian Marclay: Allover (Genesis, Travis Tritt, and others), 2008, cyano- through May 10. type, 51.5"x97.75" (The Museum of Modern Art, New York. Acquired through Charles Marville “Photographer of Paris,” Metropolitan Mu- the generosity of Steven A. and Alexandra M. Cohen. © 2014 Christian Mar- seum of Art, 1000 Fifth Ave., NY, NY 10028, 212/535-7710, www. clay), from "A World of Its Own: Photographic Practices in the Studio" at the Museum of Modern Art, New York metmuseum.org, Sun & T–Th 9:30–5:30, F–Sat 9:30–9, through May 4. A World of Its Own: Photographic Practices in the Studio Museum of Modern Art, 11 W. 53rd St., NY, NY 10019, 212/708- Herbert Matter Gitterman Gallery, 41 E. 57th St., Ste. 1103, 9400, www.moma.org, Sat–M & W–Th 10:30–5:30, F 10:30–8, NY, NY 10022, 212/734-0868, www.gittermangallery.com, T–Sat through October 5. 10–6, through March 22.

7 NEW YORK CITY: MIDTOWN AND UPTOWN continued

Gary Metz “Quaking Aspen” A Lyric Complaint,” Ildiko Butler Thirty Years: Thirty-One Photographers Laurence Miller Gallery, 113 W. 60th St., Rm. 423, NY, NY 10023, 212/636-6073, Gallery, 20 W. 57th St., NY, NY 10019, 212/397-3930, www.lau- www.ildikobutlergallery.com, 9–9 daily, through March 20. rencemillergallery.com, W–Sat 11–5:30, through April 26. Mid-Century: Postwar Italian Photography Keith de Lellis 2014 Whitney Biennial The Whitney Museum of American Gallery, 1045 Madison Ave. #3, NY, NY 10075, 212/327-1482, Art, 945 Madison Ave. at 75th St., NY, NY 10021, 212/570-3676, www.keithdelellisgallery.com, T–Th 11–5, F 11–2, March 20 – www.whitney.org, W–Sun 11–6, F 1–9, March 7 – May 25. April 26. Thomas Struth Marian Goodman Gallery, 24 W. 57th St., NY, Moving Walls Open Society Foundations, 224 W. 57th St., NY, NY 10019, 212/977-7160, www.mariangoodman.com, T–Sat 10–6, NY 10016, 212/548-0600, www.opensocietyfoundations.org, M–F through February 28. 10–4, through October 3. Jeff Wall Marian Goodman Gallery, 24 W. 57th St., NY, NY My Forest /Our Future Gabarron Foundation, Carriage House 10019, 212/977-7160, www.mariangoodman.com, T–Sat 10–6, Center for the Arts, 149 E. 38th St., NY, NY 10016, 212/573-6968, March 6 – April 12. www.gabarronfoundation.org, M–F 9–5, through February 28. Carrie Mae Weems “Three Decades of Photography and Vid- Irina Nakhova “Moscow Diary,” Nailya Alexander Gallery, 41 eo,” Solomon R. Guggenheim Museum, 1071 Fifth Ave., NY, NY E. 57th St., Ste. 704, NY, NY 10022, 212/315-2211, www.nailyaal- 10128, 212/423-3840, www.guggenheim.org, Sun–W 9–6, F–Sat exandergallery.com, T–Sat 11–6, April 2 – May 17. 9–8, through May 14. Picturing Science: Museum Scientists and Imaging Technology What is a Photograph? The International Center of Photog- American Museum of Natural History, Central Park West at 79th raphy, 1133 Avenue of the Americas at 43rd St., NY, NY 10036, St., NY, NY 10024, 212/769-5000, www.amnh.org, daily 10–5:45, 212/857-0000, www.icp.org, T–Th 10–5, F 10–8, Sat–Sun 10–6, through Spring 2014. through May 4. Pioneering Poet of Light: Photographer Florence Vandamm Within the Light Trap: Cruz-Diez in Black and White Ameri- & the Vandamm Studio The New York Public Library for the cas Society, 680 Park Ave., NY, NY 10021, 212/249-8950, www. Performing Arts, Dorothy and Lewis B. Cullman Center, 40 Lin- as-coa.org, T–Sun 12–6, through March 22. coln Center Plaza, NY, NY 10023, 212/642-0142, www.nypl.org/ locations/lpa, T–W 12–6, Th 12–8, Sat 12–6, through February 28. NEW YORK CITY: BROOKLYN Proof: The Intersection of Science, Art and Photography, Global Awareness powerHouse Arena, 37 Main St., Brooklyn, 1850s–2013 L. Parker Stephenson Photographs, 764 Madison NY 11201, 718/666-3049, www.powerhousearena.com, M–F 10–7, Ave., NY, NY 10065, 212/517-8700, www.lparkerstephenson.com, Sat–Sun 11–7, February 27 – March 20. Exhibition of SocialDocu- W–Sat 11–6, call gallery for exact dates. mentary.net’s Call for Entries Winners. Rising Waters: Photographs of Hurricane Sandy Museum of Dave Jordano “Detroit: Unbroken Down,” United Photo Indus- the City of New York, 1220 Fifth Ave., NY, NY 10029, 212/534- tries HQ, 111 Front St., Ste. 204, DUMBO, Brooklyn, NY 11201, 1672, www.mcny.org, W–Sat 10–5, Sun 12–5, through March 2. www.unitedphotoindustries.com, M–F 12–6, through March 21. Herb Ritts “Supermodel: Stephanie, Cindy, Christy, Tatjana, Paula McCartney “A Field Guide to Snow and Ice,” Klompch- Naomi,” Edwynn Houk Gallery, 745 Fifth Ave., 4th fl., NY, NY ing Gallery, 111 Front St., Ste. 206, Brooklyn, NY 11201, 212/796- 10151, 212/750-7070, www.houkgallery.com, T–Sat 11–6, Febru- 2070, www.klompching.com, W–Sat 11–6 and by appt., through ary 20 – March 22. February 15. Brea Souders The Camera Club of New York, The Arts Bldg., Mónika Sziládi “Wide Receivers & Tight Ends,” Smack Mel- 336 W. 37th St., Ste. 206, NY, NY 10018, 212/260-9927, www. lon Gallery, 92 Plymouth St., Brooklyn, NY 11201, 718/834-8761, cameraclubny.org, M–Sat 12–6, February 20 – March 15. www.smackmellon.org, W–Sun 12–6, through March 2. Edward Steichen in the 1920s and 30s: A Recent Acquisition The Whitney Museum of American Art, 945 Madison Ave. at 75th St., NY, NY 10021, 212/570-3676, www.whitney.org, W–Th & NEW YORK CITY: BRONX Sat–Sun 11–6, F 1–9, through February 23. Bridging the Gap: Photographs by Gordon Parks and Toni Stories in the Social Landscape Rita K. Hillman Education Parks Gordon Parks Gallery, John Cardinal O’Connor Campus, Gallery at the School of the International Center of Photography, The College of New Rochelle, 332 E. 149th St., #3, Bronx, NY 1114 Avenue of the Americas at 43rd St., NY, NY 10036, 212/857- 10451, 718/665-1310, www.cnr.edu, F 2–6, Sat 1–5, and by appt., 0001, daily 10–6, through March 16. ICP faculty exhibition. through May 2. The Image Gallery: Redux 1959–1962 Howard Greenberg Close: The Photography of Allan Pollok-Morris New York Gallery, 41 E. 57th St., NY, NY 10022, 212/334-0010, www.how- Botanical Garden, 2900 Southern Blvd., Bronx, NY 10458, ardgreenberg.com, T–Sat 10–6, through February 22. 718/817-8700, www.nybg.org, T–Sun 10–6, through March 16. The Shadows Took Shape Studio Museum in Harlem, 144 W. Jessica Dimmock/Stephanie Sinclair “Too Young to Wed,” 125th St., NY, NY 10027, 212/864-4500, www.studiomuseum.org, Bronx Documentary Center, 614 Courtland Ave., 10451, 347/332- through March 9. 6962, www.bronxdoc.org, by appt., through March 16. The Tall Tale: Folk, Fantasy & Fear in the Art of the Fairy The Beauty of Paradise: A Photographic Journey New Tales Susan Eley Fine Art, 46 W. 90th St., 2nd fl., NY, NY York Botanical Garden, 2900 Southern Blvd., Bronx, NY 10458, 10024, 917/952-7641, www.susaneleyfineart.com, T–Th 11–5, 718/817-8700, www.nybg.org, T–Sun 10–6, through February 23. Sat 11–3, and by appt., through February 28. Frank Thiel “Nowhere is a Place,” Sean Kelly Gallery, 475 10th Ave., NY, NY 10018, 212/239-1181, www.skny.com, T–F 11–6, Sat 10–6, through March 22. 8 NEW YORK CITY: QUEENS NEW YORK CITY: QUEENS UPSTATE NEW YORK Raising the Temperature: Art in Environmental Reactions Ansel Adams: Early Works The Hyde Collection, 161 Warren Queens Museum of Art, NYC Building, Flushing Meadows, Co- St., Glens Falls, NY 12801, 518/792-1761, www.hydecollection. rona Park, Flushing, NY 11368, 718/592-9700, www.queensmuse- org, T–Sat 10–5, Sun 12–5, through April 20. um.org, T–F 10–5, Sat–Sun 12–5, through March 2. A World Apart: Hasidic Communities in Israel George East- Accra Shepp “The Islands of New York,” Queens Museum of man House, 900 East Ave., Rochester, NY 14607, 585/271-3361, Art, NYC Building, Flushing Meadows, Corona Park, Flushing, www.eastmanhouse.org, T–Sat 10–5, Th 10–8, Sun 1–5, February NY 11368, 718/592-9700, www.queensmuseum.org, T–F 10–5, 22 – May 25. Sat–Sun 12–5, through May 11. Big Orbit Members’ Exhibition CEPA Gallery, 617 Main St., Buffalo, NY 14203, 716/856-2717, www.cepagallery.org, M–F NEW YORK CITY: STATEN ISLAND 9–5, Sat 12–4, through March 15. Invisible Migrations Alice Austen House Museum, 2 Hylan Lisa Bradley/Bruno Chalifour/Carl Chiarenza/David W. Haas Blvd., Staten Island, NY 10305, 718/816-4506, www.aliceausten. “Makers & Mentors,” The Rochester Contemporary Art Center, org, Th–Sun 12–5, March 4 – August 31. Reception, Sunday 137 East Ave., Rochester, NY 14604, 585/461-2222, www.roches- March 16, 3–5 PM. tercontemporary.org, W–Sun 1–5, F 1–10, through March 16. Michael Bühler-Rose “New Geographics,” Light Work, Rob- BEYOND NEW YORK CITY ert B. Menschel Media Center, 316 Waverly Ave., Syracuse, NY 13244, 315/443-1300, www.lightwork.org, Sun–F 10–6 and by Body Conscious Amelie A. Wallace Gallery, Campus Center, appt., March 17 – May 30, 2014. Main Level, SUNY College at Old Westbury, Rte. 107, Old West- Derek Farkas/Eric Mitchell CEPA Gallery, 617 Main St., Buf- bury, NY 11568, 516/876-3056, www.oldwestbury.edu, M–Th falo, NY 14203, 716/856-2717, www.cepagallery.org, M–F 9–5, 12–5, and by appt., through April 10. Sat 12–4, through March 15. Garden Party Nassau County Museum of Art, One Museum Jason Houston “Conservation Journal,” Fovea Exhibitions, 143 Dr., Rosyln Harbor, NY 11576, 516/484-9337, www.nassaumu- Main St., Beacon, NY 12508, 845/765-2199, www.foveaeditions. seum.org, T–Sun 11–4:45, March 8 – July 6. Includes photography. org, F–Sun 12–6, through April 6. Rob Goldman “I Matter,” Northport Public Library, 151 Laurel In Context: The Portrait in Contemporary Photographic Prac- Ave., Northport, NY 11768, 631/261-6930, www.nenpl.org/index. tice Ruth and Elmer Wellin Museum of Art , Hamilton College , php, M–F 9–9, Sat 9–5, Sun 1–5, through March. 198 College Hill Rd., Clinton, NY 13323, 315/859-4396, www. Marzena Grabczynska Alfred Van Loen Gallery, South Hun- hamilton.edu/wellin, T–F 11–5:30, Sat 10–5, Sun 12–5, through tington Library, 145 Pigdeon Hill Rd, Huntington Station, NY July 27. 11746, 631/549-4411, www.shpl.info, M–T, Th–F 9–9, W 10–9, Judy Linn Esther Massry Gallery, The College of Saint Rose, Sat 9–5, Sun 1–5, through March 5. Featuring photos from Cuba. 1002 Madison Ave., Albany NY 12203, 518/337-2390, www. Legacy Fisher Landau Center, 38-27 30th St., Long Island City, strose.edu/gallery, M–F 12–5, Sun 12–4 and by appt., through Feb- NY 11101, 718/937-0727, www.flcart.org Th–M 12–5, through ruary 28. March 31. Photographs from Emily Fisher Landau’s gift to the Aspen Mays “Works,” Light Work, Robert B. Menschel Media Whitney Museum of Art. Center, 316 Waverly Ave., Syracuse, NY 13244, 315/443-1300, Thaw Dorsky Gallery, 11-03 45th Ave., Long Island City, NY www.lightwork.org, Sun–F 10–6 and by appt., through March 7. 11101, www.dorsky.org, 718/937-6317, M–F 10–5, through April Photographs Re-Imagined Spectrum Gallery, Lumiere Photo, 16. 100 College Ave., Rochester, NY 14607, 585/461-4447, www. Paolo Tosti “Exodus,” Fotofoto Gallery, 14 W. Carver St., Hun- lumierephoto.com, T & Th 9–8, W & F 9–6, Sat 10–2, through tington, NY 11743, 631/549-0448, www.fotofotogallery.org, F 5–8, March 28. Sat 12–8, Sun 12–4, through February 23. Paolo Tosti Solarium Gallery, The Knox School, Houghton Hall, 541 Long Beach Rd., St. James, NY 11780, through February 28. Lois Youmans/Thom O’Connor/Barry Feuerstein Fotofoto Gallery, 14 W. Carver St., Huntington, NY 11743, 631/549-0448, www.fotofotogallery.org, F 5–8, Sat 12–8, Sun 12–4, February 28 – March 30. Reception Saturday, March 1, 7–9 PM.

WOODSTOCK AREA Tabla Rasa The Center for Photography at Woodstock, 59 Tin- ker St., Woodstock, NY 12498, 845/679-9957, www.cpw.org, W–Sun 12–5, through March 30. Includes work by Anouk Kruit- hof, Sara Skorgen Tiegen, and Sonja Thompsen. Sara Macel “May the Road Rise to Meet You,” The Center for Photography at Woodstock, 59 Tinker St., Woodstock, NY 12498, Pranlal Patel: Selling Ghee, Gate of the Shree Swaminarayan Temple, Kalu- 845/679-9957, www.cpw.org, W–Sun 12–5, through March 30. pur, Ahmedabad, 1937, inkjet print (courtesy of the artist, © Pranlal Patel) at the Wellin Museum of Art, Hamilton College, Clinton, NY

9 UPSTATE NEW YORK continued Photography Takes Over 2014 Upstream Gallery, 8 Main St., Hastings-on-Hudson, NY 10706, 914/674-8548, www.upstream- gallery.com, Th–Sun 12:30–5:30, through February 23.

Refocusing the Lens: Pranlal Patel’s Photographs of Women at Work in Ahmedabad Ruth and Elmer Wellin Museum of Art , Hamilton College , 198 College Hill Rd., Clinton, NY 13323, 315/859-4396, www.hamilton.edu/wellin, T–F 11–5:30, Sat 10–5, Sun 12–5, through April 15. Joseph Squillante “A Closer Look: The Hudson River,” The Beacon Institute, 199 Main St., Beacon, NY 12508, 845/383-1600, M–F 9–5, Sat 11–5, through March 2. 2014 Transmedia Photography Annual Light Work, Robert B. Menschel Media Center, 316 Waverly Ave., Syracuse, NY 13244, 315/443-1300, www.lightwork.org, Sun–F 10–6 and by appt., through May 30. Robert Weingarten “Another America: A Testimonial to the Amish,” George Eastman House, 900 East Ave., Rochester, NY 14607, 585/271-3361, www.eastmanhouse.org, T–Sat 10–5, Th 10–8, Sun 1–5, February 22 – May 25. William Wegman “Flo/Flow (2011),” Everson Museum of Art, 401 Harrison St., Syracuse, NY 13202, 315/474-6064, www. everson.org/museum, W–F & Sun 12–5, Sat 10–5, March 1 – May 27. Dan Wetmore “Golden Dawn,” Light Work, Robert B. Men- schel Media Center, 316 Waverly Ave., Syracuse, NY 13244, 315/443-1300, www.lightwork.org, Sun–F 10–6 and by appt., March 17 – May 30, 2014. Pavel Wolberg George Eastman House, 900 East Ave., Roch- ester, NY 14607, 585/271-3361, www.eastmanhouse.org, T–Sat 10–5, Th 10–8, Sun 1–5, February 22 – May 25.

NEW JERSEY A Gallery 14 Sampler The Chauncey Center Gallery at Edu- cational Testing Center, 660 Rosedale Rd., Princeton, NJ 08541, 609/921-3600, through March 17. Work by nine highly accom- plished NJ photographers. Rhoda Kassov-Isaac “Autumn’s Beauties,” Gallery 14, 14 Mer- Artists’ Portraits: Putting a Face to the Name Jane Voorhees cer St., Hopewell, NJ 08525, 609/333-8511, www.photogallery14. Zimmerli Art Museum, Rutgers State University, 71 Hamilton St., com, Sat–Sun 12–5, March 14 – April 13. Reception, Friday, New Brunswick, NJ 08901, 732/932-7237, www.zimmerlimu- March 14, 6–8 PM. Meet the Artists, Sunday, March 16, 1–3 PM. seum.rutgers.edu, T–F 10–4:30, Sat–Sun 12–5, through April 6. Brian Lav “Down South,” Upstairs Gallery, Red Filter Gallery, Miek Boltjes “Street Art Portrait(s),” Gallery 14, 14 Mercer St., 74 Bridge St., Lambertville, NJ 08534, 347/244-9758, www.redfil- Hopewell, NJ 08525, 609/333-8511, www.photogallery14.com, tergallery.com, F– Sun 12–5, through March 16. Sat–Sun 12–5, March 14 – April 13. Reception, Friday, March 14, Tina Link Harrison Public Library, 2 Bruce Ave., Harrison, NY 6–8 PM. Meet the Artists, Sunday, March 16, 1–3 PM. 10528, 914/835-0324, www.harrisonpl.org, M & W 9:30–9, Th, Diane Burko “Glacial Perspectives,” Jane Voorhees Zimmerli F–Sat 9:30–5:30, Sun 1–5, through February 25. Art Museum, Rutgers State University, 71 Hamilton St., New Man Made Atrium Art Gallery, Performing Arts Center of Sus- Brunswick, NJ 08901, 732/932-7237, www.zimmerlimuseum.rut- sex County Community College, One College Hill Rd., Newton, gers.edu, T–F 10–4:30, Sat–Sun 12–5, through July 31. NJ 07860, 973/300-2100, M–Th 8–9, F 9–6, through March 9. Mark Fields/Forrest Old: There and Back Red Filter Gallery, Work by the New Jersey Photography Forum. 74 Bridge St., Lambertville, NJ 08534, 347/244-9758, www.redfil- Meiji Photographs: A Historic Friendship between Japan and tergallery.com, F– Sun 12–5, March 15 – May 4. Rutgers Jane Voorhees Zimmerli Art Museum, Rutgers State Paul Grecian and Michael Schweigart “Down East,” Artists’ University, 71 Hamilton St., New Brunswick, NJ 08901, 732/932- Gallery, 18 Bridge St., Lambertville, NJ 08530, 609/397-4588, 7237, www.zimmerlimuseum.rutgers.edu, T–F 10–4:30, Sat–Sun www.lambertvillearts.com, F–Sat, Sun 11–6, April 10 – May 4. 12–5, through July 31. Inspired The Markeim Art Center, 104 Walnut St., Haddon- Kevin J. Miyazaki/Jon Yamashiro Art Gallery, The Richard field, NJ 08033, 856/429-8585, www.markeimartcenter.org, T–F Stockton College of New Jersey, 101 Vera King Farris Dr., Gallo- 10–2:30, Sat 1–3, through March 2. way, NJ 08205, 609/652-4214, M–Sat 12–7:30, Sun 12–4, through March 23. “Camp Home” by Miyazaki, “WWII Japanese Inter- ment Camps” by Yamashiro.

10 NEW JERSEY continued Larry Parsons “…round Rodin,” Gallery 14, 14 Mercer St., DELAWARE Hopewell, NJ 08525, 609/333-8511, www.photogallery14.com, Scott Heiser “Fashion, Circus, Spectacle,” Delaware Art Muse- Sat–Sun 12–5, through March 9. um, 2301 Kentmere Pkwy., Wilmington, DE 19806, 302/571-9590, Photography 33 Perkins Center for the Arts, 395 Kings Hwy., www.delart.org, T, Th, F & Sat 10–4, W 10–8, Sun noon–4, March Moorestown, NJ 08057, 856/235-6488 or 800/387-5226, www. 8 – June 1. perkinscenter.org, Th–F 10–4, Sat–Sun 12–4, through March 29. Photography as Painting The Center for Contemporary Art, MARYLAND 2020 Burnt Mills Rd., Bedminster, NJ 07920, 908/234-2345, www. American Photography X2 Center for the Arts Gallery, Tow- ccabedminster.org, M–F 9–3, through February 22. son University, 8000 York Rd., Towson, MD 21252, 410/704-2808, Photo-Secession: Painterly Masterworks of Turn-of-the-Cen- www.towson.edu/artscalendar, T–Sat 11–4, through April 5. tury Photography The Hyde Collection, 161 Warren St., Glens Zhao Jing C. Grimaldis Gallery, 523 N. Charles St., Baltimore, Falls, NY 12801, 518/792-1761, www.hydecollection.org, T–Sat MD 21201, 410/539-1080, www.cgrimaldisgallery.com, T–Sat 10–5, Sun 12–5, through April 20. 10–5:30, March 12 – April 12. Princeton Photography Club “Generations,” Lakefront Gal- An-My Lê The Baltimore Museum of Art, 10 Art Museum Dr., lery, Robert Wood Johnson university Hospital Hamilton, 1 Ham- Baltimore, MD 21218, 410/396-6314, www.artbma.org, W–F ilton Health Place, Hamilton, NJ 08690, 609/802-8924, March 13 11–5, Sat–Sun 11–6, through February 23. – June 13. Visibility Machines: Harun Farocki and Trevor Paglen Cen- Roberto Quezada-Darden “What Happens When We Die,” ter for Art, Design and Visual Culture, UMBC, 1000 Hilltop Circle Red Filter Gallery, 74 Bridge St., Lambertville, NJ 08534, Fine Arts Bldg., 105 Baltimore, MD 21250, 410/455-3188, www. 347/244-9758, www.redfiltergallery.com, F– Sun 12–5, through umbc.edu/cadvc, T­–Sat 10–5, through February 22. March 16. Martin Schwartz “Figure Studies 1,” Gallery 14, 14 Mercer St., Hopewell, NJ 08525, 609/333-8511, www.photogallery14.com, WASHINGTON, DC, AREA Sat–Sun 12–5, through March 9. A Day Like No Other: Commemorating the 50th Anniversary 35th Annual Juried Art Exhibition Monmouth Museum, 765 of the March on Washington The Library of Congress, Graphic Newman Springs Rd., Lincroft, NJ 07738, 732/747-2266, www. Arts Galleries, Ground Level, Thomas Jefferson Building, 10 First monmouthmuseum.org, T–Sat 10–5, Sun 12–5, through March 9. St., S.E., Washington, DC 20540, 202/707-8000, www.myloc.gov/ exhibitions, M–Sat 10–5, through March 1. Windows on the World Overlook Hospital Main Gallery, 99 Beauvoir Ave., Summit, NJ 07960, 908/522-2000, M–F 8–4:30, Africa Re-Viewed: The Photographic Legacy of Eliot Elisofon through April 11. A presentation of the New Jersey Photography The National Museum of African Art, 950 Independence Ave., SW, Forum. Washington, DC, 202/357-4860, www.africa.si.edu, daily 10–5:30, through August 24.

John Brown: Acacia Tree, from The Africa Series, 2014, at Cross Mackenzie Gallery, Washington, DC

11 WASHINGTON, DC, AREA continued

American Cool National Portrait Gallery, Eighth & F Sts., NW, Caleb Cain Marcus “A Portrait of Ice,” National Academy of Washington, DC 20001, 202/633-1000, www.npg.si.edu, daily Sciences Upstairs Gallery, 2101 Constitution Ave., NW, Washing- 11:30–7, through May 31. ton, DC 20001, 202/334-2415, M–F 9–5, through July 7. Chris Anthony “Venice,” Randall Scott Projects, 1326 H St., Meade Brothers: Pioneers in American Photography Nation- NE, 2nd fl., Washington, DC 20002, 202/396-0300, www.ran- al Portrait Gallery, Eighth & F Sts., NW, Washington, DC 20001, dallscottprojects.com, W–Sat 12–6, through February 22. 202/633-1000, www.npg.si.edu, daily 11:30–7, through June 1. Art on Paper Maryland Federation of Art, MFA Circle Gallery, 1964: Civil Rights at 50 Newseum, 555 Pennsylvania Ave., 18 State Circle, Annapolis, MD 21404, 410/268-4566, www.mdfe- NW, Washington, DC 20001, 888/639-7386, www.newseum.org, dart.com, T–Sat 11–5, March 20 – April 20. daily 9–5, through 2015. Sharon Beals “Nests,” National Academy of Sciences Upstairs One Life: Martin Luther King Jr. National Portrait Gallery, Gallery, 2101 Constitution Ave., NW, Washington, DC 20001, Eighth & F Sts., NW, Washington, DC 20001, 202/633-1000, 202/334-2415, M–F 9–5, through May 2. www.npg.si.edu, daily 11:30–7, through June 1. Beyond Bollywood: Indian Americans Shape the Nation Our America: The Latino Presence in American Art Smith- Smithsonian National Museum of Natural History, 10th & Con- sonian American Art Museum, 8th and F Sts., NW, Washington stitution Ave., NW, Washington, DC 20560, 202/633-1000, www. DC 20001, 202/633-1000, www.americanart.si.edu, daily 11–7, mnh.si.edu, daily 10–5:30, February 27 – February 2015. through March 2. Bound for Freedom’s Light: African Americans and the Civil Outwin Boochever Portrait Competition 2013 National War National Portrait Gallery, Eighth & F Sts., NW, Washing- Portrait Gallery, Eighth & F Sts., NW, Washington, DC 20001, ton, DC 20001, 202/633-1000, www.npg.si.edu, daily 11:30–7, 202/633-1000, www.npg.si.edu, daily 11:30–7, through February 23. through March 2. Alex Prager “Face in the Crowd,” Corcoran Gallery of Art, Matthew Brady’s Photographs of Union Generals National 500 Seventeenth St., NW, Washington, DC 20006, 202/639-1700, Portrait Gallery, Eighth & F Sts., NW, Washington, DC 20001, www.corcoran.org, W–M 10–5, Th 10–9, through March 9. 202/633-1000, www.npg.si.edu, daily 11:30–7, through May 31, Select 2014: WPA Art Auction Exhibition Washington Proj- 2015. ect for the Arts, 2023 Massachusetts Ave., NW, Washington, DC John H. Brown Jr.: “Out of Africa” Cross Mackenzie Gallery, 20038, 202/234-7103, www.wpadc.org, M–F 10–4, February 28 2026 R Street NW, Washington, DC 20009, 202/333-7970, www. – March 21. crossmackenzie.com, March 7 – April 9. New photographs of the Susanna Thornton “Reveries: Selected Works,” 410 GooD- Broad Canopies. BuddY Art Space, 410 Florida Ave., NW, Washington, DC 20001, Dancing the Dream National Portrait Gallery, Eighth & F Sts., through March 2. NW, Washington, DC 20001, 202/633-1000, www.npg.si.edu, Stephen Twist “Occulation,” Touchstone Gallery, 901 New daily 11:30–7, through July 13, 2014. Images of performers like York Ave., NW, Washington, DC 20001, 202/347-2787, www. Fred Astaire and Ginger Rogers, Michael Jackson, Savion Glover, touchstonegallery.com, W–F 11–5, Sat–Sun 12–5, through March 2. George Balanchine, Mikhail Baryshnikov, Beyoncé, Isadora Dun- can, Agnes de Mille, and Lady Gaga. Unintended Journeys Smithsonian National Museum of Natu- ral History, 10th & Constitution Ave., NW, Washington, DC 20560, Frank Day Cafritz Foundation Art Center, School of Art + De- 202/633-1000, www.mnh.si.edu, daily 10–5:30, through August sign at Montgomery College, Takoma Park/Silver Spring Campus, 13. In collaboration with Magnum Photos, “Unintended Journeys” Montgomery College, 930 King St., Tacoma Park, MD 20912, provides a glimpse into the lives of humans displaced by global 240/567-5821, www.montgomerycollege.edu, M–F 8–4, through climate change and some of the most devastating natural disasters November 28. in the past decade. Maria Friberg “Between Solitude and Belonging,” Conner- Garry Winogrand The National Gallery of Art, 6th St. at Con- smith, 1358 Florida Avenue, NE, Washington, DC 20002, 202/588- stitution Ave., NW, Washington, DC 20565, 202/842-6353, www. 8750, www.connersmith.us.com, T–Sat 11–5, through December nga.gov, M–Sat 10–5, Sun 11–6, March 2 – June 8, 2014. 21. Women of Vision National Geographic Museum, 1145 17th St., In Focus: Ara Güler’s Anatolia Arthur M. Sackler Gallery, NW, Washington, DC 20036, 202/857-7588, www.nationalgeo- 1050 Independence Ave., SW, Washington, DC 20560, 202/663- graphic.com, daily 10–6, through March 9. 1000, www.asia.si.edu, daily 10–5:30, through May 4. Fred Zafran “7th and H Streets, NW,” Multiple Exposures Gal- Juried Member Show Multiple Exposures Gallery, 105 North lery, 105 North Union St., Studio 312, Torpedo Factory Art Center, Union St., Studio 312, Torpedo Factory Art Center, Alexandria, VA Alexandria, VA 22314, 703/683-2205, www.multipleexposuresgal- 22314, 703/683-2205, www.multipleexposuresgallery.com, daily lery.com, daily 11–5, February 18 – March 30. 11–5, through November 24. Yousuf Karsh: American Portraits National Portrait Gallery, Eighth & F Sts., NW, Washington, DC 20001, 202/633-1000, VIRGINIA www.npg.si.edu, daily 11:30–7, through April 27. Louis Draper “Retrospective,” Candela Gallery, 214 W. Broad Landscapes In Passing: Photographs by Steve Fitch, Robbert St., Richmond, VA 23220, 804/225-5527, www.candelabooks.com, Flick, and Elaine Mayes Smithsonian American Art Museum, M–F 11–5, Sat 1–5, through February 22. 8th and F Sts., NW, Washington DC 20001, 202/633-1000, www. New Relics for the Old Acrimony 12 12 Gallery, 0 E. 4th St., americanart.si.edu, daily 11:30–7, through February 23. #39, Richmond, VA 23224, 804/301-6971, www.1212richmond. Made in the USA The Phillips Collection, 1600 21st St., NW, com, F–Sun 12–4, through March 9. Washington, DC 20009, 202/387-2151, www.phillipscollection. org, T–Sat 10–5, Th 10–8:30, March 1 – August 31.

12 VIRGINIA continued Signs of Protest: Photographs from the Civil Rights Era Vir- CENTRAL AND WESTERN PENNSYLVANIA ginia Museum of Fine Arts, 200 N. Boulevard, Richmond, VA Dan Lobdell “The Course of Empire: Post-Industrial Cities,” 23220, 804/340-1400, www.vmfa.museum, M–F 9–5, Sat 9:30– Art Space, East Bldg., Harrisburg Area Community College, Lan- 4:30, through August 3. caster Campus, 1641 Old Philadelphia Pike, Lancaster, PA 17602, 717/293-5000, M–Th 9–7, F 9–5, through February 27. PITTSBURGH AREA Marcellus Shale Documentary Project Doane Hall of Art, Al- legheny College, 520 N. Main St., Meadville, PA 16335, 814/332- David Aschkenas “Arena: Remembering the Igloo,” 707 Gal- 4365, www.allegheny.edu, T–F 12:30–5, Sat 1:30–5, Sun 2–4, lery, 707 Penn Ave., Pittsburgh, PA 15222, 412/456-6666, www. through February 26. trustarts.org, W–Th 11–6, F–Sat 11–8, Sun 11–5, through March 2. Robert Polidori “Selected Works,” Erie Art Museum, 411 State Kelly Bogel “Palimpsests: Ghost Signs of Pittsburgh,” Pitts- St., Erie, PA 16501, 814/459-5477, www.erieartmuseum.org, T–Sat burgh Filmmakers, 477 Melwood Ave., Pittsburgh, PA 15213, 11–5, Sun 1–5, through April 13. 412/681-5449, www.pghfilmmakers.org, M–F 12–5, or by appt., March 14 – May 16. Robert E. Wedge “A Moment of Emotion,” Southern Allegh- enies Museum of Art at Altoona, 1210 Eleventh Ave., Altoona, PA Fellowship 14: Projects by Donna J. Wan & Aaron MacLach- 16601, 814/946-4464, www.sama-art.org/ex_ev/altoona.htm, T–F lan Silver Eye Center for Photography, 1015 East Carson St., 10–5, Sat 1–5, through April 12. Pittsburgh, PA 15203, 412/431-1810, www.silvereye.org, T–Sat 12–6, through March 22. The exhibition also includes one photo by each of the five judges: Victoria Crayhon, Johanne Seines Svend- NORTHERN CALIFORNIA sen, Kevin Sweeney, Christian Werner, and Yoong Alex Wong. All About the Image Robert Tat Gallery, 49 Geary St., Ste. 211, Jennifer Myers “Women In Time,” Pittsburgh Center for the San Francisco, CA 94108, 415/781-1122, www.roberttat.com, T– Arts, Mellon Park, 6300 Fifth Ave., Pittsburgh, PA 15232, 412/361- Sat 11–5:30, through February 22. 0873, www.pittsburgharts.org, T–Sat 10–5, Sun 12–5, through A Sense of Place Pier 24 Photography, Pier 24 The Embar- April 20. cadero, San Francisco, CA 94105, 415/512-7424, pier24.org, by Taryn Simon “Birds of the West Indies,” The Carnegie Museum appointment only M–Th 9–5, through May 1. of Art, 4400 Forbes Ave., Pittsburgh, PA 15213, 412/622-3131, Doug Hall “Franz Kafka and Milena Jesenská: Letters in the www.cmoa.org, M–Sat 10–5, Sun 12–5, through April 12. Dark,” Rena Bransten Gallery, 77 Geary St., San Francisco, CA 2013 Carnegie International The Carnegie Museum of Art, 94108, 415982-3292, www.renabranstengallery.com, T–F 10:30– 4400 Forbes Ave., Pittsburgh, PA 15213, 412/622-3131, www. 5:30, Sat 11–5, February 20 – March 29. cmoa.org, M–Sat 10–5, Sun 12–5, through March 16. Brigitte Carnochan “Natural Beauty,” Modernbook, 49 Geary, 4th fl., San Francisco, CA 94108, 415/732-0300, www.modern- book.com, T–Sat 10:30–5:30, through March 1. NORTHEASTERN PENNSYLVANIA Sarah Christianson “When the Landscape Is Quiet Again: Theo Anderson “Complexity,” DuBois Gallery, Maginnes North Dakota’s Oil Boom,” SF Camerawork, 1011 Market St., 2nd Hall, 9 E. Packer Ave., Lehigh University, Bethlehem, PA 18015, fl., San Francisco, CA 94103, 415/487-1011, sfcamera@sfcamera- 610/758-3615, www.luag.org, M–F 9 AM–10 PM, Sat 9–noon, work.org, sfcamerawork.org, W–Sat 12–5, through April 19. Panel through May 17. Discussion, Thursday, April 10, 6–8 PM, “What the Frack?!”, fea- Mikhael Antone “Sense of Place,” Camerawork Gallery Down- turing artist Sarah Christianson with participants from Earth Justice stairs, The Laundry Building, 515 Center St., Scranton, PA 18503, and The Sierra Club. 570/344-3313, www.cameraworkgallery.org, M–F 10–6, Sat 10–5, Critical Mass: How One Thing Leads to Another Corden/ April 4–29. Reception, April 4, 6–8:15 PM. Potts Gallery, 49 Geary St., Ste. 410, San Francisco, CA 94108, Main Street Views: Photographs from the Historic Bethlehem, 415/781-0110, cordenpottsgallery.com, T–Sat 11–5:30, first Th of Inc. Collections Historic Visitor Center, 505 Main St., Beth- the month 11–7:30, March 6 – March 29. lehem, PA 18018, 610/691-6055, T–Sat 10–5, Sun 11–4, through Enrique De La Uz “Cuba Zafra,” PHOTO, 473 25th St., Oak- February 28. land, CA 94612, 510/847-2416, [email protected], Thomas Pickarski “The Middle of Nowhere,” Camerawork photogalleryoakland.com, Th–Sat 12–6, through February 22. Gallery Downstairs, The Laundry Building, 515 Center St., Scran- Buck Ellison Ratio 3, 2831A Mission St., San Francisco, CA ton, PA 18503, 570/344-3313, www.cameraworkgallery.org, M–F 94110, 415/821-3371, www.ratio3.org, T–Sat 11–6, February 21 – 10–6, Sat 10–5, March 7–30. Reception, March 7, 6–8:15 PM. March 29. Jett Ulaner Sarachek “Explorations,” Banko Family Gal- Paz Errázuri UC Berkeley Art Museum and Pacific Film lery, The Banana Factory, 25 W. 3rd St., Bethlehem, PA 18015, Archive, 2625 Durant Ave., Berkeley, CA 94720, 510/642-0808, 610/332-1300, www.bananafactory.org, M–F 8–9:30, Sat–Sun www.bampfa.berkeley.edu, W–Sun 11–5, through March 30. 8:30–5, through March 16. Lalla Essaydi “New Beauty,” Jenkins Johnson Gallery, 464 William Earle Williams “A Stirring Song Sung Heroic: African Sutter St., San Francisco, CA 94108, 415/677-0770, www.jenkins- Americans from Slavery to Freedom, 1619 to 1865,” Main Gallery, johnsongallery.com, T–F 10–6, Sat 1–5, through March 29. Zoellner Arts Center, 420 E. Packer Ave., Lehigh University, Beth- lehem, PA 18015, 610/758-3615, www.luag.org, W–Sat 11–5, Sun Extraordinary People: Portraits by Yousuf Karsh Monterey 1–5, through May 25. Museum of Art (Via Mirada), 720 Via Mirada, Monterey, CA 93940, 831/372-3689, montereyart.org, W–Sat 11–5, Sun 1–4, through March 30. 13 NORTHERN CALIFORNIA continued Flesh and Metal: Body and Machine in Early 20th-Century Art Lauren Marsolier “Transition,” Robert Koch Gallery, 49 Geary Cantor Arts Center, Stanford University, Palm Drive at Museum St., 5th fl., San Francisco, CA 94108, 415/421-0122, info@koch- Way, Stanford, CA 94305, 650/723-4177, http://museum.stanford. gallery.com, kochgallery.com, T–Sat 11–5:30, through March 29. edu, W–Sun 11–5, Th 11–8, through March 16. Ben Nixon and Esmeralda Ruiz “The Once and Future Land- Nan Goldin “Nine Self Portraits,” Fraenkel Gallery, 49 Geary scape,” Center For Photographic Art, Sunset Cultural Center, San St., 4th fl., San Francisco, CA 94108, 415/981-2661, mail@fraen- Carlos and 9th St., Carmel, CA 93921, 831/625-5181, info@pho- kelgallery.com, fraenkelgallery.com, T–F 10:30–5:30, Sat 11–5, tography.org, photography.org, T–Sun 1–5, March 8 – April 26. through March 8. One Thing Leads to Another Corden/Potts Gallery, 49 Geary Katy Grannan “The 99,” Fraenkel Gallery, 49 Geary St., 4th fl., St., Ste. 410, San Francisco, CA 94108, 415/781-0110, cordenpott- San Francisco, CA 94108, 415/981-2661, mail@fraenkelgallery. sgallery.com, T–Sat 11–5:30, first Th of the month 11–7:30, March com, fraenkelgallery.com, T–F 10:30–5:30, Sat 11–5, March 13 – 6–29. April 26. Public Intimacy: Art and Other Ordinary Acts in South Africa Chip Hooper “Surf,” Weston Gallery, PO Box 655, Sixth Ave. Yerba Buena Center for the Arts, 701 Mission St., San Francisco, and Dolores St., Carmel, CA 93921, 831/624-4453, info@we- CA 94103, 415/978-2787, www.ybca.org, Th–Sat 12–8, Sun 12–6, stongallery.com, westongallery.com, T–Sun 10:30–5:30, through February 21 – June 8. March 24. Gail Parris and Raven Victoria Erevus “Avian Studies,” Peter Hujar “Love & Lust,” Fraenkel Gallery, 49 Geary St., 4th Viewpoint Gallery, 2015 J St., Ste.101, Sacramento, CA 95811, fl., San Francisco, CA 94108, 415/981-2661, mail@fraenkelgal- 916/441-2341, www.viewpointgallery.org/home, T–Th 12–6, lery.com, fraenkelgallery.com, T–F 10:30–5:30, Sat 11–5, through F–Sat 12–5, March 5 – April 5. March 8. Photographs from the Bhutan Workshop Viewpoint Gallery, 2015 J St., Ste.101, Sacramento, CA 95811, 916/441-2341, www. viewpointgallery.org/home, T–Th 12–6, F–Sat 12–5, March 5 – April 5. Quietude Corden/Potts Gallery, 49 Geary St., Ste. 410, San Francisco, CA 94108, 415/781-0110, cordenpottsgallery.com, T–Sat 11–5:30, first Th of the month 11–7:30, through March 1. Siberia: In the Eyes of Russian Photographers Sonoma Coun- ty Museum, 425 Seventh St., Santa Rosa, CA 95401, 707/579- 1500, www.sonomacountymuseum.org, T–Sun 11–5, June 14 ­– August 24. David Sokosh “American Tintypes,” Robert Tat Gallery, 49 Geary St., Ste. 211, San Francisco, CA 94108, 415/781-1122, www.roberttat.com, T–Sat 11–5:30, through February 22. Recep- tion, Saturday, April 5, 3–5 PM, gallery walk-through at 4 PM. Kenneth Josephson: Washington, D.C., 1975, at Robert Koch Gallery, San Robert Stivers Modernism, 685 Market St., San Francisco, CA Francisco 94105, 415/541-0461, [email protected], modernisminc. Kenneth Josephson Robert Koch Gallery, 49 Geary St., 5th fl., com, T–Sat, 10-5:30, through March 1. San Francisco, CA 94108, 415/421-0122, [email protected], Brian Taylor Gallery 291, 401 Miller Ave., Mill Valley, CA kochgallery.com, T–Sat 11–5:30, through March 29. 94941, 415/888-3583, www.gallery291.net, M–Th 10–6, through March 31. Max Kellenberger/Jacqueline Walters/Ewa Monica Zebrowski Corden/Potts Gallery, 49 Geary St., Ste. 410, San Francisco, CA The Bay Bridge: A Work in Progress, 1933–1936 De Young 94108, 415/781-0110, cordenpottsgallery.com, T–Sat 11–5:30, first Museum, Golden Gate Park, 50 Hagiwara Tea Garden Dr., San Th of the month 11–7:30, through March 1. Francisco, CA 94118, 415/750-3600, deyoungmuseum.org, T–Sun 9:30–5:15, F 9:30–8:45, through June 8. Bob Kolbrener: In Real Time: Celebrating Fifty Years in Pho- tography Monterey Museum of Art Pacific Street, 559 Pacific The Honest Landscape: Photographs by Peter Henry Emerson St., Monterey, CA 93940, 831/372-5477, [email protected], or from the 1880s Cantor Arts Center, Stanford University, Palm www.montereyart.org, W–Sat 11–5, Sun 1–4, through April 28. Drive at Museum Way, Stanford, CA 94305, 650/723-4177, http:// museum.stanford.edu, W–Sun 11–5, Th 11–8, through May 18. Vivian Maier “See All About It,” Reva & David Logan Gallery of Documentary Photography, U.C. Berkeley Graduate School of This Land is Our Land: Phillip Hyde and America’s Wilder- Journalism, North Gate Hall, Corner of Hearst & Euclid, Berkeley, ness Smith Andersen North Gallery, 20 Greenfield Ave., San CA, 510/642-3383, journalism.berkeley.edu/events, M–F 9–6, Anselmo, CA 94960, 415/455-9733, jennifer@smithandersennorth. March 3 – May 1. Vivian Maier’s Newspaper Portraits. Reception, com, www.smithandersennorth.com, T–F 10–6, Sat 12–5, through April 2, 5–6:15 PM, gallery talk 6:15–7:15 PM. March 1. Vivian Maier “Out of the Shadows,” Scott Nichols Gallery, 49 2014 Juried Exhibition Center For Photographic Art, Sun- Geary St., 4th fl., San Francisco, CA 94108, 415/788-4641, info@ set Cultural Center, San Carlos and 9th St., Carmel, CA 93921, scottnicholsgallery.com, scottnicholsgallery.com, T–Sat 11–5, 831/625-5181, [email protected], photography.org, T–Sun through April 26. 1–5, through March 1.

14 NORTHERN CALIFORNIA continued Gary Wagner “Sierra Mountain Wilderness,” Viewpoint Gal- Kevin Cooley & Phillip Andrew Lewis “Unexplored Terri- lery, 2015 J St., Ste.101, Sacramento, CA 95811, 916/441-2341, tory,” Kopeikin Gallery, 2766 La Cienega Blvd., Los Angeles, CA www.viewpointgallery.org/home, T–Th 12–6, F–Sat 12–5, through 90034, 310/559-0800 [email protected], kopeikingallery. March 1. com, T–Sat 11–5, through February 22. Max Whittaker/Jim Klein Viewpoint Gallery, 2015 J St., Noah Doely “By the Light,” San Diego Museum of Art, 1450 El Ste.101, Sacramento, CA 95811, 916/441-2341, www.viewpoint- Prado, Balboa Park, San Diego, CA 92112, 619/232-7931, www. gallery.org/home, T–Th 12–6, F–Sat 12–5, through March 1. “In sdmart.org, M–T & Th–F 10–5, Sat 12–5, through February 25. the Shadow of the Sun” by Whitaker, “Wheatland Snapshots” by William Eggleston “At Zenith,” Gagosian Gallery, 456 N. Cam- Klein. den Dr., Beverly Hills, CA 90210, 310/271-9400, info@gagosian. com, gagosian.com, T–Sat 10–6, through February 20. SOUTHERN CALIFORNIA Electron Salon Los Angeles Center for Digital Art, 102 W. Fifth After Image Irvine Fine Arts Center, 14321 Yale Ave., Irvine, St., Los Angeles, CA 90013, 102 5th St., Los Angeles, CA 90013, CA 92604, 949/724-6880, www.irvinefinearts.org, M–Th 10–9, F 323/646-9427, www.lacda.com, W–Sat 12–5, through March 5. 10–5, Sat 9–5, through March 1. Lynn G. Fayman “A Colorful Life,” Museum of Photographic Arts, 1649 El Prado, San Diego, CA 92101, 619/238-7559, mopa. org, T–Sun 10–5, through May 11. Peter Fischli/David Weiss Matthew Marks Gallery, 1062 N. Orange Grove, Los Angeles, CA 90046, 323/654-1830, www.mat- thewmarks.com, T–Sat 10–6, through April 12. Flash: Job Piston UCR/California Museum of Photography, 3824 Main St., Riverside, CA 92501, 951/784-3686, cmp.ucr.edu, T–Sat 12–5, through February 22. Robbert Flick “Freeways,” ROSEGALLERY, Bergamot Sta- tion, 2525 Michigan Ave., G-5, Santa Monica, CA 90404, 310/264- 8440 [email protected], rosegallery.net, T–Sat 10–6, through April 12. Allen Gill/Dan Shepherd dnj Gallery, Bergamot Station, 2525 Michigan Ave., Ste. J1, Santa Monica, CA 90404, 310/315-3551, [email protected], dnjgallery.net, T–Sat 10–6, March 8 – April 26. “Xradiography” by Allan Gill, “Alaska/California Collection” by Shepherd.

Robert Glenn Ketchum: Brewster Boogie Woogie #27, from “Shifting Land- Dan Gluibizzi “Between Friends,” Kopeikin Gallery, 2766 scape, Shifting Vision,” at The G2 Gallery, Venice, CA La Cienega Blvd., Los Angeles, CA 90034, 310/559-0800 info@ kopeikingallery.com, kopeikingallery.com, T–Sat 11–5, March 1 – Ansel Adams/Robert Glenn Ketchum/Eliot Porter “Shifting April 19. Landscape, Shifting Vision,” The G2 Gallery, 1503 Abbot Kinney Blvd., Venice, CA 90291, 310/452-2842, [email protected], Heavenly Bodies Santa Barbara Museum of Art, 1130 State St., www.theg2gallery.com, M–Sat 10–7, Sun 10–6, through March 2. Santa Barbara, CA 93101, 805/963-4364, sbma.net, T–Sun 11–5, February 22 – May 25. Caren Alpert “Terra Cibus: the Beauty and Biology of Our Sol Hill (“Signal from Noise”)/Domenico Foschi (“Women”)/ Food,” PHOTO, 473 25th St., Oakland, CA 94612, 510/847-2416, Sara Jane Boyers (“Gridlock”) Leica Gallery, 8783 Beverly [email protected], photogalleryoakland.com, Th–Sat Blvd., W. Hollywood, CA 90048, 424/777-0341, www.leicagal- 12–6, February 27 – April 12. leryla.com, M–Sat 10–6, Sun 12–5, through March 8 – April 5. A Royal Passion: Queen Victoria and Photography Getty David Hockney “The Jugglers,” Los Angeles County Museum Center, 1200 Getty Center Dr., Los Angeles, CA 90049, 310/440- of Art, 5905 Wilshire Blvd., Los Angeles, CA 90036, 323/857- 7300, getty.edu, T–F 10–5:30, Sat 10–9, Sun 10–5:30, through 6000 www.lacma.org, M, T & Th 12–8, F 12–9, Sat–Sun 11–8, June 8. through April 20. Thomas Barrow “The Fashion Show,” Joseph Bellows Gallery, John Humble “Pico Boulevard,” Craig Krull Gallery, Bergamot 7661 Girard Ave., La Jolla, CA 92037, 858/456-5620, info@jo- Station, 2525 Michigan Ave., Bldg. B-3, Santa Monica, CA 90404, sephbellows.com, josephbellows.com, T–Sat 10–5, April 12 – May 310/828-6410, www.craigkrullgallery.com, T–F 10–5:30, Sat 31. 11–5:30, through February 22. Matthew Brandt “Sticky/Dusty/Wet,” M+B Gallery, 612 N. In Focus: Architecture Getty Center, 1200 Getty Center Dr., Almont Dr., Los Angeles, CA 90069, 310/550-0050, info@mbart. Los Angeles, CA 90049, 310/440-7300, getty.edu, T–F 10–5:30, com, mbart.com, T–Sat 10–6, through March 9. Sat 10–9, Sun 10–5:30, through March 2. E J Camp “Sea,” Leica Gallery, 8783 Beverly Blvd., W. Holly- Internal Ballistics: Photography of Deborah Bay & Sabine wood, CA 90048, 424/777-0341, www.leicagalleryla.com, M–Sat Pearlman Wall Space Gallery, 116 E. Yanonali St., C-1, Santa 10–6, Sun 12–5, through March 1. Barbara, CA 93101, 805/637-3898, [email protected], wall-spacegallery.com, T–Sat 11–5:30, Sun 12–5, through March 30.

15 SOUTHERN CALIFORNIA continued

Michael Kenna/Pentti Sammallahti Peter Fetterman Gallery, See the Light-Photography, Perception, Cognition: The Mar- Bergamot Station, 2525 Michigan Ave., #A1, Santa Monica, CA jorie and Leonard Vernon Collection Los Angeles County 90404, 310/453-6463 [email protected], peterfetterman. Museum of Art, 5905 Wilshire Blvd., Los Angeles, CA 90036, com, T–Sat 11–6, through March 1. 323/857-6000 www.lacma.org, M, T & Th 12–8, F 12–9, Sat–Sun 11–8, through March 23. LACDA 2014 International Juried Competition Los Angeles Center for Digital Art, 102 W. Fifth St., Los Angeles, CA 90013, Phil Stern “Hollywood Big Shots,” Fahey/Klein Gallery, 148 102 5th St., Los Angeles, CA 90013, 323/646-9427, www.lacda. N. La Brea Ave., Los Angeles, CA 90036, 323/934-2250, fkg@ com, W–Sat 12–5, March 13 – April 6. earthlink.net, www.faheykleingallery.com, T–Sat 10–6, through February 22. Landscape Into Abstraction Orange County Museum of Art, 850 San Clemente Dr., Newport Beach, CA 92660, 949/759-1122, Hiroshi Sugimoto “Past Tense,” Getty Center, 1200 Getty www.ocma.net, W, F–Sun 11–5, Th 11–8, through March 9. In- Center Dr., Los Angeles, CA 90049, 310/440-7300, getty.edu, T–F cludes work by Robert Glenn Ketchum. 10–5:30, Sat 10–9, Sun 10–5:30, through June 8. R. Dean Larson “HydroGraphics,” dnj Gallery, Bergamot The Power of Photography: National Geographic 125 Years Station, 2525 Michigan Ave., Ste. J1, Santa Monica, CA 90404, Annenberg Space for Photography, 2000 Ave. of the Stars, Century 310/315-3551, [email protected], dnjgallery.net, T–Sat 10–6, City, CA 90067, 213/403-3000, annenbergspaceforphotography. through March 1. org, W–Sun 11–6, through April 27. LATINO/US Cotidiano Museum of Latin American Art, 628 Paul Turounet Jdc Fine Art, 400 Kettner Blvd., Ste. 208, San Alamitos Ave., Long Beach, CA 90802, 562/437-1689, http://mo- Diego, CA 92101, 619/985-2322, T–F 11–5, www.jdcfineart.com, laa.org/index.aspx, W, Th, Sat–Sun 11–5, F 11–9, through Febru- Sat 12–5, through February 28. ary 23. Unsparing Quality Diane Rosenstein Fine Art, 831 Highland Peter Lindbergh Fahey/Klein Gallery, 148 N. La Brea Ave., Ave., Los Angeles, CA 90038, 323/397-9225, www.dianerosen- Los Angeles, CA 90036, 323/934-2250, [email protected], www. stein.com, T–Sat 10–6, through March 15. faheykleingallery.com, T–Sat 10–6, February 27 – April 19. Robert von Sternberg “Black & White Vintage Photographs,” Robert Mapplethorpe “As Above, So Below,” OHWOW, 937 dnj Gallery, Bergamot Station, 2525 Michigan Ave., Ste. J1, Santa N. La Cienega Blvd., Los Angeles, CA 90069, 310/652-1711, oh- Monica, CA 90404, 310/315-3551, [email protected], dnjgallery. wow.com, T–Sat 11–6, February 28 – March 29. net, T–Sat 10–6, through March 1. Yamamoto Masao “Shizuka=Cleanse,” Craig Krull Gallery, Gillian Ware “L.A. Tree Portraits,” Los Angeles Center for Bergamot Station, 2525 Michigan Ave., Bldg. B-3, Santa Monica, Digital Art, 102 W. Fifth St., Los Angeles, CA 90013, 102 5th St., CA 90404, 310/828-6410, www.craigkrullgallery.com, T–F 10– Los Angeles, CA 90013, 323/646-9427, www.lacda.com, W–Sat 5:30, Sat 11–5:30, March 1 – April 5. Reception, Saturday, March 12–5, through March 4. 1, 1–4 PM. Hannah Whitaker M+B Gallery, 612 N. Almont Dr., Los Ange- Michael Miner “Nature LA,” The G2 Gallery, 1503 Abbot Kin- les, CA 90069, 310/550-0050, [email protected], mbart.com, T–Sat ney Blvd., Venice, CA 90291, 310/452-2842, info@theg2gallery. 10–6, March 15 – April 26. com, www.theg2gallery.com, M–Sat 10–7, Sun 10–6, through Stephen H. Willard “Photographs of the West,” Palm Springs March 2. Art Museum, 101 Museum Dr., Palm Springs, CA 92262, 760/322- Johnny Naked “Digital Taoism,” Los Angeles Center for Digi- 4800, www.psmuseum.org, T–W & F–Sun 10–5, Th 12–8, through tal Art, 102 W. Fifth St., Los Angeles, CA 90013, 102 5th St., Los April 6. Angeles, CA 90013, 323/646-9427, www.lacda.com, W–Sat 12–5, Women, War, and Industry San Diego Museum of Art, 1450 through March 4. El Prado, Balboa Park, San Diego, CA 92112, 619/232-7931, Han Nguyen Joseph Bellows Gallery, 7661 Girard Ave., La www.sdmart.org, M–T & Th–F 10–5, Sat 12–5, through February Jolla, CA 92037, 858/456-5620, [email protected], joseph- 18. Includes work by Margaret Bourke-White, Esther Bubley, Al- bellows.com, T–Sat 10–5, through March 1. fred Eisenstaedt, Berenice Abbot, and others. Bill Owens/John Thacker “Jamaica THEN – Cuba NOW,” PhotoCentral Gallery, Hayward Area Park & Recreation District CALLS FOR WORK Offices, 1099 E St., Hayward, California, 94544, 510/881-6721, Camerawork Gallery. “Exhibition Opportunities.” Deadline: www.photocentral.org, M 5–10, T–Th 10–1, and by appt., through Ongoing. Camerawork is accepting proposals from photographers April 12. “Peace Corps 1964–1966” by Owens, “Cuba 2010–2011” for future exhibitions at the Camerawork Gallery in Scranton, PA. by Thacker. If you are interested in showing your work in the Camerawork Portraits of the 20th Century Peter Fetterman Gallery, Berga- Gallery please submit all of the following for review: 3–6 exhibi- mot Station, 2525 Michigan Ave., #A1, Santa Monica, CA 90404, tion quality, unmated and unframed prints representing the body of 310/453-6463 [email protected], peterfetterman.com, T– work you want to exhibit. CD, DVD or web URL with additional Sat 11–6, March 15 – May 31. examples of work you plan on showing in jpg format only. Brief statement describing the work. A self-addressed, stamped enve- Mei Xian Qiu “Qilin,” Kopeikin Gallery, 2766 La Cienega lope for return of these materials. Complete contact information Blvd., Los Angeles, CA 90034, 310/559-0800 info@kopeikingal- including mailing address, phone number, email address. Your lery.com, kopeikingallery.com, T–Sat 11–5, March 1 – April 19. submission must include the materials outlined above to qualify for Alan Ross The G2 Gallery, 1503 Abbot Kinney Blvd., Venice, consideration. Please send these materials to: Ivana Pavelka, 585 CA 90291, 310/452-2842, [email protected], www.theg2gal- Bardwell Rd., Factoryville, PA 18419. Questions should be ad- lery.com, M–Sat 10–7, Sun 10–6, through March 2. dressed to Ivana at 570/351-6973.

16 The Mobile Masters PROOF Mobile Photo Contest The prizes are valued at over $3000 but the exposure... Priceless

THE PRIZE COUNT IS EXPANDING! 1 All winners recieve Personal Features in the interactive ebook Mobile Masters 2 All winners recieve East Coast Print Show that may travel 3 All winners Shown at Macworld / iWorld Expo 4 All who enter get an Exclusive 45 Minute Video Tutorial on Adobe PS touch 5 First twenty Five who enter get the iPhone Obsessed Col- lection of eBooks 6 Three winners will get the A Recent Flickr Portfolio Entry From Lynda Martin Adobe Creative Cloud one Year membership $600 dollar value each 7 Three winners will get free entry to the Mobile Masters Workshop at Macworld San Francisco worth over $300 each 8 Two winners will get Feature Stories in the The App Whisperer 9 Five people will be invited to become Elite members of RooM from room the agency 10 Three people will be Featured in FLTR Mag from The British Journal of Photography 11 Two Artists will receive 8 by 10 Bamboo Prints from iPhoneart 12 One Artist will receive the full first year collectable collection of Shooter Magazine 13 Three winners will get the brand new lens from OlloClip14 Fifteen random people will get various App Packs

A Unique Contest & Unique Judges Submit a Complete ePortfolio! Since good work is not just about getting one or two lucky shots, but rather about a sustained vision across a body of work, we will be looking at broader e-portfolios of work via a link like Flickr, Instagram or other web based portfolio site. We want the work chosen to be considered more than just good "mobile" work so we have invited a diverse, distinguished group of jurors comprising three from the fine art photography world and three top mobile photography artists. More Info Tap Here 17 CALLS FOR WORK continued Hamilton Township Public Library. The Hamilton Township Public Library of New Jersey is looking for artwork to be dis- played on a short or long term loan basis. Photos will be consid- CALL FOR ENTRIES ered. Spaces are limited and pieces for display will be selected by O BEST OF BOTANICALS the Library. Please contact Susan Sternberg Assistant Director at

609/581-4060 x4003, or visit www.hamiltonnjpl.org. T NATIONAL JURIED EXHIBITION A Benefit for San Francisco Botanical Garden PhotoPhilanthropy. “Your Photo for Social Change.” Deadline:

February 23, 2014. Show us what’s happening right before your O Entries due: April 3, 2014 eyes! Together with the mobile photography platform EyeEm and PHOTO | Fine Art Photography photojournalist Ed Kashi we are looking for photos that address H 473 25th Street, Oakland CA important social issues. The winning shot will be selected and pre- website: photogalleryoakland.com sented at the PhotoPhilanthropy Activist Awards on March 8 in San P Francisco. For more info visit: http://blog.eyeem.com. From classical to contemporary, from desert to rain- forest, from bud to decay, the natural form of flowers The Center for Fine Art Photography. “Black and White 2014, and plants has been contemplated by artists, philoso- May 23 – July 12, 2014.” Deadline: February 26, 2014. Members: phers, scientists . . . and everyone. $20 for the first five images, $10 each additional; Non-Members: • This is PHOTO’s second benefit for the San Francisco Botani- $35 for the first five images, $10 each additional. Juror: Jason cal Garden. A percentage of sales will go to support their Landry, writer, photography collector and owner of Panopticon work in Golden Gate Park. Gallery in Boston. Complete information and submission instruc- • PHOTO is part of Oakland Art Murmur located in Oakland’s tions can be found at www.c4fap.org. Uptown Arts District. The exhibit will be seen by thousands Natural History Museum. “50th Wildlife Photographer of the of visitors during the June First Friday art walk, and during Year Competition.” Deadline: February 27, 2014. Fee: £30.00 for regular hours for the duration of the show. 18 or older. Free for photographers 17 and younger. Theme: The • Best of Show Award: $1000 best wildlife photographs possible. Multiple monetary awards and • Harold Davis will speak on “Making the Botanical Photo: The prizes. For full submission and prize information visit www.nhm. Digital Print As an Artifact” on June 7. He is the recipient of ac.uk/visit-us/wpy/competition. many photo awards, a Moab Printmaking Master, and the Mobile Masters. “You Are the Proof.” Deadline: March 2, 2014. author of numerous bestselling photography books, including “Photographing Flowers: Exploring Macro Worlds.” Fee: $25 for six images entered in category #1 “Image Discovery” (and/or) $25 for six images entered in category #2 “Image Inven- • Exhibit dates: May 22 – June 28 tion.” The aim of this second edition of the Mobile Masters interac- To enter: photogalleryoakland.com/call-entries tive eBook is to showcase Mobile Photography as a distinctive and expanding new movement in the history of the art form. Jurors: Texas Tech School of Art. “Call for Submissions, 2014–2015 Karen Devine, Koci Hernandez, Dan Marcolina, Stephen Perloff, Solo Photography Exhibitions.” Deadline: March 28, 2014. Fee: and Eric Shiner. For more information contact Dan Marcolina at $10 for twenty digital images. The SRO Photo Gallery hosts an 215/840-3355, [email protected], or visit www.marcolina.com. annual national competition for six to eight photographic art solo Foam Magazine. “Foam Talent Call 2014: Are You the World’s exhibitions. Portfolios are reviewed by a committee consisting Next Photography Talent?” Deadline: March 12, 2014. The an- of the Photography area of the School of Art and the Director of nual Foam Talent Call is designed to showcase exceptional young Landmark Arts. We look for portfolios that utilize photography photographers from all over the world. To learn more visit www. in all styles, techniques, and aesthetic approaches. Consistency foamtalent.com/ - home. in the work as well as creative vision is important in the selection process. All entries are accepted through SlideRoom at ttuart.slide- Maryland Federation of Art. “Focal Point: Fine Art and Creative room.com. For more information visit www.srophotogallery.org Photography,” May 23 – June 15. Deadline: March 20, 2014. A or contact Victoria Marie Bee, Director, SRO Photo Gallery, TTU maximum of 6 original works created within the past 3 years may School of Art, Lubbock, TX 79409, 806/742-1947, srophotogal- be entered. One or two entries $35 (MFA members $20). Addition- [email protected]. al four entries $5 each. Entry fees are non-refundable. Membership may be processed during entry. Juror: Jennifer O’Neill, Director of The Greenburgh Public Library Foundation. “5th Annual Academic Advising for Undergraduate Photography at the Corco- Westchester County Amateur Photo Contest,” May 2 – June 12, ran College of Art + Design. Enter online. 2014. Deadline: March 15–31, 2014. Fee: none. The contest is open only to amateur photographers who are residents of New Noorderlicht. Deadline: March 30, 2014. In a contemporary York’s Westchester County. For complete rules and submission parallel to the vision of the Frisian author Jan Slauerhoff, the main guidelines visit www.greenburghlibrary.org/photocontest. exhibition looks at people around the world who want to think ‘outside the box’ and who, dissatisfied with the status quo, set out The California Academy of Sciences in San Francisco. “Big in search of alternatives. The exhibition will be presented simulta- Picture: Natural World Photography.” Deadline: March 31, 2014. neously in the Fries Museum during the Noorderlicht 2014 Inter- Categories: Land Mammals; Birds; Insects; Reptiles; Marine Mam- national Photofestival and by the Singapore International Photo- mals; Fish and Amphibians; Waterscapes, Landscapes, and Plant festival 2014. We are seeking photographers from every continent. Life. Big Picture encourages photographers from around the world Submissions and suggestions of photographers and curators are to contribute their work to this competition that will both celebrate welcome. These can be sent to the curator Wim Melis, via ftp or by and illustrate the rich diversity of life on Earth and inspire action email to [email protected]. For guidelines, click here. to protect and conserve it through the power of imagery. For more information visit www.bigpicturecompetition.org.

18 CALLS FOR WORK continued

PX3 Prix de la Photographie Paris. “Eighth Annual PX3 Com- petition.” Deadline: March 31, 2014. Accepted work showcased News at the annual exhibition in Paris, included in the annual book, and viewed by leaders in the photography industry and a large public PROJECT BASHO ANNOUNCES DETAILS OF ONWARD audience. Awards include the “Photographer of the Year.” Non-pro- SUMMIT ’14 fessional photographers compete for the “Best New Talent Award.” Project Basho has announced the official line–up for the third For more information or to enter visit http://px3.fr/submit/. annual ONWARD Summit, which will take place in Philadelphia Crusade for Art. “$10,000 Crusade Engagement Grant for In- on February 28 – March 2, 2014. novation.” Deadline: April 1, 2014. Fee: $20. Crusade for Art This year’s event will focus on exploration, featuring hands– has announced that it will award a $10,000 grant to an individual on workshops, a panel discussion, and a lecture by Andrew Moore photographer, or group of photographers, with the most innovative on “The Language of Place: Exploring Our Surroundings Through idea for increasing the artist’s audience and collector base. The Photography.” unrestricted grant is created both to generate and highlight these In addition, Moore and an array of other accomplished artists innovations, and to underwrite the execution of the best idea. For and curators will be available to offer one–on–one feedback in more information, visit www.crusadeforart.org/crusade-engage- Portfolio Reviews. ment-grant or call 404/790-9078. Programming Highlights include: The Museum of Contemporary Photography. “2014 Snider • Keynote speaker Andrew Moore will discuss his work in Prize.” Deadline: April 1, 2014. The Museum of Contemporary the context of the Summit theme. Photography (MoCP) at Columbia College Chicago is now accept- • Panelists Vincent Feldman, Justin Maxon, and Kenneth ing submissions for the 2014 Snider Prize, a purchase award given Finkel will explore why we photograph our surroundings. to emerging artists as they leave graduate school. MoCP’s curato- rial staff will select one artist and offer $2,000 for the purchase of • Andrew Moore and other artists and curators will be avail- work to be added to its permanent collection. Application details able for one-on-one Portfolio Reviews. can be found at mocp.org. • Celebrated photographic artists will lead a variety of work- shops for photographers of all levels. The Victor Pinchuk Foundation. “Future Generation Art Prize.” Deadline: April 12, 2014. The Prize is open to all artists up to the • There will be an exclusive party at a private residence age of 35 with the aim of acknowledging and giving long-term attended by the Summit artists and other notable photogra- support to a future generation of artists from all over the world. phers. The Prize is unique because of its global reach and highly demo- Visit the Summit ‘14 Site. cratic form of application via the Internet. The winner receives a total of $100,000: $60,000 as a cash award, and $40,000 towards PHILADELPHIA MUSEUM OF ART ACQUIRES THE the production of new work. An additional $20,000 is allocated to KEITH L. AND KATHERINE SACHS COLLECTION OF fund artist-in-residency programs for up to five special prizewin- CONTEMPORARY ART ners. For full information visit www.futuregenerationartprize.org. The Philadelphia Museum of Art announced today the acqui- U.S.A. Landscape Photographer of the Year. Deadline: April 17, sition of one of the nation’s leading private collections of contem- 2014. Jurors: Art Wolfe, David Muench, Christopher Burkett, Jim porary art, formed by Keith L. and Katherine Sachs. Ranging in Patterson, Tim Fitzharris, Marc Muench, Marc Adamus and Char- date from the 1950s to the present, the promised gift of 97 works lie Waite, and others. $14,000 in prizes. Open to photographers from the Sachs Collection represents a transformational moment from anywhere in the world with images made in the U.S.A. within for the institution and its collections. It is exceptional for a concen- the last five years. For more information visitinfo@usalandscapep - tration of works by American masters Jasper Johns and Ellsworth hotographeroftheyear.com. Kelly, a strong focus on major British and German artists, and important works of outdoor sculpture, large-scale photography, ADDITIONAL CALLS and video art. The couple, closely associated with the Museum for decades, has been collecting art with great dedication for more than Photo Annual Awards. “2014 Annual Photo Competition.” Dead- forty years, and Keith Sachs has been a Trustee since 1988. line: April14, 2014. Multiple Prizes. For full information and sub- mission visit www.photoannualawards.com. Denise Bibro. “Art From the Boros II 2014 Competition.” Dead- line: February 28, 2014. For entry form and rules visit http://assets- p.artcat.com. Lucie Foundation. “2014 Lucie Foundation Emerging Scholar- ship Open Call for Submissions.” Deadline: February 28, 2014. For more information, visit here. United Photo Industries. “2014 Fence Photo Contest.” Dead- line: April 9, 2014. Fee: $40 per series of six photographs. Images sought for three outdoor locations in New York City. For full sub- mission information visit fence.photovillenyc.org.

Constance Mensh: Keith L. and Katherine Sachs (courtesy of the Philadel- phia Museum of Art)

19 NEWS continued

Timothy Rub, the Museum’s George D. Widener Director PHOTO INDEPENDENT: ARTIST-ONLY PHOTOGRAPHIC and CEO, said: “The Sachs Collection reinforces and expands the ART FAIR DEBUTS IN HOLLYWOOD, CA, THIS APRIL scope of the Museum’s holdings of contemporary art and will en- PHOTO INDEPENDENT, launching April 24–27 at Raleigh able us to present to our audiences a more comprehensive view of Studios in Hollywood, CA, is the first and only high-visibility plat- the art of the past half century. It brings this institution into the top form for independent photographers. An artist-only fair, PHOTO echelon among encyclopedic museums that collect contemporary INDEPENDENT is a forum for direct exchange of ideas and con- art. To find a comparable antecedent in terms of the potential im- tact between photographic artists, collectors, and art professionals. pact of this gift for the Museum’s contemporary art collections, one The inaugural edition of the art fair will also feature specialized undoubtedly would have to look back to the great collections do- programs including panel discussions, lectures, roundtables, and nated to us by Albert E. Gallatin and Louise and Walter Arensberg docent tours. in the early 1950s. For this reason we are delighted to celebrate this Produced by Fabrik Media, an LA-based multifaceted pub- gift by naming the Museum’s suite of galleries devoted to modern lishing and marketing agency, PHOTO INDEPENDENT’s goal and contemporary art The Keith L. and Katherine Sachs Galleries.” — to connect professional and emerging photographic artists with The Museum will officially name the galleries in honor of Mr. larger global audiences — is in line with the company’s overarch- and Mrs. Sachs in a dedication ceremony scheduled for March 3, ing mission to support and provide a regional and international net- 2014. In summer 2016, the Museum will also present a full-scale work for artists. Scheduled to run concurrently with, and next door exhibition devoted to the Sachs Collection, accompanied by a to, Paris Photo Los Angeles, PHOTO INDEPENDENT’s annual scholarly catalogue, in the Dorrance Galleries. showcase will provide curators, galleries, collectors, editors, and The Keith L. and Katherine Sachs Collection contains im- arts enthusiasts the opportunity to discover photographic talent and portant paintings and sculptures by some of the most influential acquire new works. European and American artists of the last fifty years, among them “Photo Independent was developed to fill a void in the art fair Robert Gober, Gerhard Richter, Katharina Fritsch, Georg Baselitz, marketplace,” states Chris Davies, President of Fabrik Media, and Cy Twombly, Brice Marden, Gabriel Orozco, Joel Shapiro, Founder of PHOTO INDEPENDENT. “Extremely talented photog- Howard Hodgkin, Robert Ryman, Joseph Beuys, Sol LeWitt, and raphers were being under-represented within the conventional art Richard Hamilton. The collection includes a wide representation of fair structure. PHOTO INDEPENDENT provides a valuable plat- video art—one of the most fruitful channels of expression for art- form for these photographers, who don’t normally have the oppor- ists working today—by such celebrated figures as Bill Viola, Pierre tunity to exhibit within a traditional art fair context. We are proud Huyghe, Steve McQueen, Francis Alÿs, Jennifer Allora and Guill- to be launching the first endeavor of this kind in Los Angeles, a ermo Calzadilla, and Willie Doherty. It also features an exceptional city with a passionate and highly active creative photography com- group of outdoor sculptures, with major works by Richard Serra, munity.” Tony Smith, Richard Long, Scott Burton, and Charles Ray. Among Daniell Cornell, Deputy Director for Art and Senior Curator at the large-scale photographs in the Sachs Collection are important the Palm Springs Art Museum; curator, photo-historian and artist, works by Andreas Gursky, Thomas Struth, Candida Höfer, Jeff Graham Howe; along with fellow curator and gallerist Sarah Lee Wall, Thomas Ruff, and Clifford Ross. and Eve Schillo, Collections Manager at the Los Angeles County The collection’s strengths in works by Johns and Kelly, piv- Museum of Art, will lead the PHOTO INDEPENDENT Selection otal figures in the history of twentieth-century American art, richly Committee to ensure that the Fair will serve as a montage of complement the two galleries that the Museum has dedicated to today›s diverse photographic landscape. these artists for many years. It also includes the first works by other Photo Independent is currently accepting submissions from important artists, including Carl Andre, Serra, Baselitz, Smith, and fine art photographers worldwide. For more information about Piero Manzoni, to enter the Museum’s collection. Photo Independent, visit www.photoindependent.com. Twelve works from the Sachs Collection have been donated to Fabrik Media is a Los Angeles-based multifaceted publishing the Museum as 2013 year-end gifts. Four works from the collection and marketing agency that supports artists and the arts. The Fabrik have been placed on view in the Modern and Contemporary Gal- media platform connects and profiles influential and visionary -in leries. Among them is Johns’s bronze 0-9 (2008) in The Keith L. novators, features contemporary artists, distinctive galleries, trend- and Katherine Sachs Gallery (Gallery 171) and 5 Postcards (oil and setting designers, discerning architects, and showcases emerging encaustic on canvas), a work consisting of five paintings completed artists. Fabrik covers art and design with its Los Angeles-centric by the artist in 2011, which is now exhibited in a museum for the magazine. A quarterly journal of lively coverage and commentary first time in the Anne d’Harnoncourt Gallery (Gallery 182). Kelly’s on art and design, Fabrik also provides extensive directories that Cutout in Wood (1950) has been placed in Gallery 175 in context list local outlets for new forms, ideas, and expressions in diverse with the artist’s early Paris works. In addition, Erdtelephon (Earth media and disciplines. See more at fabrik.la. Telephone), a mixed-media sculpture by Beuys, can be seen in Gallery 170. Carlos Basualdo, The Keith L. and Katherine Sachs Senior INSTITUTE OF CONTEMPORARY ART LAUNCHES NEW Curator of Contemporary Art, said: “The collection is remarkable WEBSITE TO MARK ITS 50TH ANNIVERSARY YEAR not only because it contains stellar works that reflect some of the The Institute of Contemporary Art (ICA) at the University most daring and productive directions in contemporary art over the of Pennsylvania has announced the launch of its new website, past few decades, but also because it reflects a vision that is deeply icaphila.org — and flexible identity system — that fosters a more personal and grounded in Keith and Kathy’s heartfelt affection and accessible, connective, and immersive visitor experience than ever admiration for the artists whose work they collect. It is also a testa- before. Integral to the site is ICA’s digitized archive, which will be ment to the deep and lasting relationship with Philadelphia that has made available over the course of this, its 50th anniversary year. inspired their artistic interests and collecting activities.” As a non-collecting institution, ICA’s archive is its collection, and the site transforms this repository of history into a vital part of the living fabric of the museum.

20 NEWS continued

NEW DIRECTOR FOR SF CAMERAWORK children/teens to create a meaningful experience and a high quality Heather Snider has been appointed the new Executive Direc- artistic project. Work created by seniors and their school-aged part- tor of SF Camerawork. Snider comes to SF Camerawork with a ners during the 2014 Fellowship Program will be exhibited with wide range of expertise and experiences in the photography and art the work of the artist fellows in a large, well publicized exhibition community. She has held director positions at Vision Gallery and entitled “Art is Ageless 2015.” Once artists receive this award they Scott Nichols Gallery. Recently, her work has been devoted to free- will be responsible for conducting ten 1.5 hour workshops, attend- lance writing, curating, and consulting on contemporary photogra- ing several preliminary and post-workshop meetings, attending one phy. She is very familiar with SF Camerawork as she served on the sensitivity training session, and participating in the Art is Ageless Board from 2005 to 2010. exhibition in Spring 2014. Artists will also be separately compen- sated for purchasing all necessary art supplies and professionally presenting the artwork created in their program for the final exhibi- DONATE YOUR OLD PHOTOGRAPHIC PROCESS BOOKS tion. To apply to the 2014 NewCourtland Fellowship please visit Nicolette Bromberg writes, “Because the world has gone https://cfeva.slideroom.com/ and follow the application instruc- digital and from now on people will not know anything about the tions. For more details or to discuss your application please contact production of photographs in the pre-digital world, I have started Genevieve Coutroubis at 215/546-7775 x11 or Genevieve@cfeva. a special photograph library collection here at the University of org. Washington that will collect books on the processes of photog- raphy in the pre-digital world. I have started up the collection with donated books I used to use for teaching photography and a DAGUERREIAN SOCIETY CALL FOR ORIGINAL PAPERS collection of books from another person who had a lot of technical The Daguerreian Society seeks original papers that address guides. If you know of anyone who might want to get rid of their and advance the understanding and appreciation of the photograph- old books and would consider donating (they can take a tax write- ic history of the Daguerreian era (ca. 1830–1870) in relation to the off for it) please pass along my contact information. art, history, collection and practice of the daguerreotype, as well “As an example of how this will be helpful to future scholars, as the history and social impact of other photographic processes of I am currently teaching an independent study course in which we this period. Authors are responsible for rights and releases of im- are examining identifying 20th-century papers, processor marks, ages used as illustrations, and grant permission for publication and etc., to help us date photographs in collections. The Kodak Dark- for future electronic access. Papers of up to 30 pages (8,000 words) room Dataguide contains paper samples that are quite helpful. The are requested for peer review by Daguerreian expert Keith Davis, copy I have is published in 1974, so I would love to get copies Senior Curator of Photography at the Nelson Atkins Museum, from other years (or other paper companies).” and the publication committee. The winners will be published in You can contact Nicolette, Visual Materials Curator, Special the Daguerreian Society Annual. Timeline: Submission of a 300- Collections, University of Washington Libraries, at [email protected]. word abstract by March 1, 2014; Review and notification by April 1, 2014; Submission of completed manuscript with illustrations by June 1, 2014; Review process and notification of selection by WINTER OLYMPICS ON DISPLAY AT WASHINGTON, July 15, 2014. The Society will recognize the best submission D.C.’S NEWSEUM as selected by the review committee with a $1,000 award, and The Newseum and AFP are partnering once again to provide the best graduate student or new author submission with a $500 Newseum visitors with the very best of AFP’s photo coverage of award. Each will receive complimentary registration to the 2014 the 2014 Winter Olympics in Sochi, Russia. Each day, an AFP Daguerreian Society Symposium in Austin Texas. The Daguerre- photo editor will select images representing the best of the global ian Society, P.O. Box #306 Cecil, PA 15321-0306, 412/221-0306, news agency’s daily production of more than 2,000 photographs [email protected], www.daguerre.org. of the Olympic Games. The AFP photos will be shown in high definition on the massive 40-by-22-foot media screen in the New- seum’s atrium from February 6 to 28. The display will be updated 92ND STREET Y PRESENTS regularly to showcase the latest highlights of the Olympic Games. “VIETNAM: DEFINING IMAGES” The photos also will be available on the Newseum’s website. On Thursday, February 27, Pete Hamill, Peter Arnett, and AFP will provide comprehensive, real-time coverage of the Kimberly Dozier will discuss Images that Defined the Vietnam Sochi Olympics in text, photo, video and graphics. AFP has been War from the Critically Acclaimed Book Vietnam: The Real War, on the ground since Sochi was named in 2007 to hold this year’s A Photographic History by the Associated Press (Abrams) at 8:15 Olympic Games, monitoring preparations for the event and follow- p.m., at the 92nd Street Y, Buttenweiser Hall, Lexington Avenue at ing athletes as they arrive to compete. AFP is sending 70 special 92nd Street, New York, NY. Order tickets here. envoys of 17 nationalities to cover the games, providing text and These are images that tell the story of the war that left a deep video reports in six languages, photos, live reports and more. and lasting impression on American life. From Malcolm Browne’s photograph of the burning monk to Nick Ut’s picture of a nine- CFEVA’S NEWCOURTLAND ARTIST FELLOWSHIP year-old running from a napalm attack to Eddie Adams’s photo- AWARD graph of the execution of a Viet Cong prisoner, this book contains the pictures that both recorded and made history. The Center for Emerging Visual Artists (CFEVA), in partner- ship with NewCourtland, is offering Philadelphia area artists the Books will be on sale and available for signing during the opportunity to participate in a community-based fellowship (Dead- event: 304 pages, 300 color and black-and-white photographs, line: March 15, 2014). Through the NewCourtland Artist Fellow- $40.00 hardcover. ship, visual artists will be selected to bring innovative and engag- “Art in the First Person: 27 Talks with Artists, Curators, ing art-making to seniors in sites throughout Philadelphia. In order Scholars, and Writers,” Spring 2014. An ongoing series of dia- to apply, artists are asked to develop an intergenerational project logues with important members of the art world. School of Visual that brings members of NewCourtland together with school age Arts Gallery, 209 E. 23rd St., NY, NY 10010, 212/592-2010, www. sva.edu/events. 21 NEWS continued

VIEWERS BRAVE COLD FOR RIT’S BIG SHOT PHOTO BOOK LAUNCHES AT THE PRINT CENTER Snow and cold temperatures didn’t keep hundreds of people The Print Center announces the launch of its newest publica- from descending on downtown Rochester to light up High Falls tion, The Picture that Remains on Tuesday, February 25, 2014, at Sunday night and help make Rochester Institute of Technology’s 5:30 p.m. The Picture that Remains: Hardbound, 64 page vol- 29th Big Shot photograph a wintertime success. More than 600 ume, featuring 38 quadtone plates, $35.00. Photographs by Will volunteers, including nearly 100 RIT students and 150 alumni pro- Brown, Poems by Thomas Devaney, Introduction by Vincent Katz. vided the primary light source for the Big Shot image while RIT The Print Center, 1614 Latimer Street, Philadelphia, PA 19103, photographers shot an extended exposure of one of Rochester’s 215/735-6090, www.printcenter.org. natural and iconic spectacles.

EVENTS / LECTURES / ITEMS OF INTEREST / GRANTS On Wednesday, February 19, from 5 to 6 p.m., Gary Saretzky discusses 12 Million Black Voices: A Folk History of the Negro in the United States, and the golden age of documentary photography. In 1941, Richard Wright collaborated with photo-director Edwin Rosskam to produce 12 Million Black Voices: A Folk History of the Negro in the United States. The combination of Wright’s prose with photos from the Farm Security Administration files narrates a history of African-American life that feels very much like a docu- mentary film. Monmouth County Connection, 3544 State Highway 66, Neptune, NJ 07753. The Southern Alleghenies Museum of Art at Altoona will host a Lunch a l’Art program with photographer Robert Wedge on Wednesday, February 19. The program, which begins at noon, in- cludes lunch and a presentation by the artist. Cost is $15 per person or $14 for SAMA members. Reservations are required by calling 814/946-4464. Southern Alleghenies Museum of Art at Altoona, 1210 Eleventh Ave., Altoona, PA 16601. The PhotoAlliance’s 8th Annual National Portfolio Re- view will be held March 14–16, 2014 in San Francisco. The application deadline is February 24. For a complete application and submission information go to: www.photoalliance.org. “Special Exhibition Panel: Place and Photography (60 E),” Sunday, March 16, 2014, 3–4:30 p.m. Edgar N. Putman Event Pavilion at the Michener Art Museum in Doylestown, PA. $10 per member/$20 per non-member/$5 per student with valid ID, There also will be a book release party for Vincent Feldman’s includes museum admission. Advance registration required: www. long-awaited first monograph, City Abandoned: Charting the michenerartmuseum.org. Call for student discount ticket: 215/340- Loss of Civic Institutions in Philadelphia, at The Print Center on 9800. Wednesday, March 5, from 5:30 to 7 p.m. Published by Paul Dry PPAC Book Fair, March 29–30, 12–6 p.m. Philadelphia Photo Books, the monograph is 147 pages with 100 illustrations, a fore- Arts Center, 1400 N. American St., Ste. 103, Philadelphia, PA ward by John Andrew Gallery, a preface by Kenneth Finkel, and an 19122, 215/232-5678, www.philaphotoarts.org. introduction by Feldman — all for $29.95. “What it Means To Be Seen: Photography and Queer Vis- ibility” and “Zanele Muholi: Faces and Phases” will be on view at THE BIG PHOTO SHOW RETURNS TO LA: FREE the Ryerson Image Centre 33 Gould St., Toronto, Ontario, Cana- REGISTRATION TO 10 PHOTO REVIEW SUBSCRIBERS da from June 18 to August 24. For more information, visit www. The Big Photo Show is returning to Los Angeles May 17–18. ryerson.ca. This year, there will be more classes taught by leading photogra- New York City’s Department of Transportation and United phy educators at both beginner and advanced levels. There will be Photo Industries curate a new exhibit in display cases in Lower many more exhibitors; lots of live model shooting zones with tips Manhattan, Staten Island, Bronx, Brooklyn, and Queens. For more and advice from top pros; and displays. Discover more at www. information on locations visit madmimi.com. thebigphotoshow.com. Momentage, a state-of-the-art photo-sharing app is available An Early Bird registration rate of $10 is available through with iPhone and iPad technology. The app gives users the chance March 31. After that, registration goes up to its full price of $25. to fully make use of Apple’s advanced camera settings such as However, the first 10 Photo Review subscribers to register with improved sensors and image stabilization. Users can instantly edit the code “PhotoReview” at thebigphotoshow2014.eventbrite. and share images. For more info on the Momentage app and com- com/?aff=PhotoReview will get free registration. munity visit Momentage.com.

22 CATALOGUES AND PUBLICATIONS catalogues and publications The List Gallery of Swarthmore College has published a beautiful small catalogue — Andrew Moore: East/West, with an essay by gallery director Andrea Packard — in conjunction with the exhibition at the gallery through February 26. It’s available for $10. You can order it by sending a check made out to the Swarth- more College Department of Art, c/o List Gallery, 500 College Avenue, Swarthmore, PA 19081. Hawk/Dove is Bea Nettles’s latest book. She writes: “Re- cently I have photographed the last names of veterans in national cemeteries. My latest book is a dos-a-dos (a reversible book telling two stories) that contains poems about war & peace written with these names. The text mirrors itself in places, including contrasting images of real battles (war) and pillow battles (peace). There are two versions of the book. The limited edition ver- sion is cloth bound with the title HAWK on one side, and DOVE For more than 30 years, New York-based photographer and (reversed) on the other side. The book is a four-fold accordion painter Mariette Pathy Allen has been documenting transgender digitally printed on cotton rag paper and it is housed in a copper culture worldwide; in 2004 she won the Lambda Literary Award paper wrap. 12 copies 5.25x9.5" opening to 5.25x38". The open for her monograph The Gender Frontier. In her new publication, edition version is the same size bound in grey museum board and TransCuba, Allen focuses on the transgender community of Cuba, contained in a white paper wrap. Email me for price and availabil- especially its growing visibility and acceptance in a country ity at [email protected]. whose government is transitioning into a more relaxed model of Catalogue - Arrangements by Marie Cosindas - essay by Lisa communism under Raúl Castro’s presidency. This publication Hostetler - $30 - published by the Bruce Silverstein Gallery, 535 West therefore records a cultural watershed within Cuba. In addition to 24th Street, New York, NY 10011, (212) 627-3930, in conjunction with color photographs and interviews by Allen, the book also includes the exhibition, January 16 – March 8, 2014 – for further information, a contribution from Raúl Castro’s daughter, Mariela Castro, who contact Meredith Rockwell at [email protected]. is the director of the Cuban National Center for Sex Education in Havana. In 2005, Castro proposed a project, which became law Iconic American photographer George Tice has completed three years later, to allow transgender individuals to receive sex his most recent fine art volume. The resulting book, entitledSel - reassignment surgery and change their legal gender. With text by dom Seen, is a 128-page legacy piece featuring 100 images that, Mariela Castro, Allen Frame, Wendy Watriss, the book is $45 and until now, have never been published. available from Daylight Books. As a large-format photographer, George Tice has received international acclaim for his landscape work and is considered one Many Getty Museum publications were recently released of the great photographers of the 20th century. Remaining loyal online. Among books in painting, sculpture, prints, and conserva- to film and printing in the darkroom, George’s work continues to tion, among other subjects, photography books now online for garner attention from museums and collectors worldwide. A team download include Antiquity & Photography, The Silver Canvas, from Brilliant recently sat down with George to talk about this Disciples of Light, Whisper of the Muse, Walker Evans: Catalogue collaboration and how advancements in printing technology along of the Collection, and many more. Visit www.getty.edu/publica- with the craftsmanship at Brilliant, allowed his latest book, Seldom tions/virtuallibrary. Seen to become “the epitome of what can be done.” The Australian magazine Silvershotz is making the transition Order your copy of Seldom Seen at www.Brilliant-Press.com. to a digital format. Check out the video on their home page: www. George discusses the book-making process at www.youtube.com/ silvershotz.com. watch?v=XkiyPAr5D0c&feature=youtu.be. LIMITED EDITIONS Dr. Mike Ware writes, “The first monograph on Cyanotype was published by the Science Museum of London in 1999, but has long Elisabeth Sunday is offering an open edition of her Anima been totally out of print, and only accessible as a digitized part- and Animus images in a new smaller size. (Click here to see images version online at Google Books. My book was devoted to the study from both series.) These archival pigment prints are 24"x14" with of photographic printing in Prussian blue, engaging with its history, a 1" border and are selling for $1,100 each. Contact Corden|Potts aesthetics, practice, conservation and chemistry. Now, in response to Gallery, 49 Geary Street, Suite 410, San Francisco CA 94108 kind requests, I have substantially restructured this text in a revised and 415/781-0110, [email protected], if you’re interested extended edition that I intend to make freely available as a download in the images from either of these series. from the World Wide Web as a 5.3 MB pdf: http://bit.ly/1fnRJMx. AWARDS “For the time being, it will remain largely unillustrated. With its 700+ references to the literature and the WWW, my hope is Educator and an artist Alesandra Zsiba won the fourth quarter that it may occasionally serve as a useful resource for historians, 2013 of the ongoing JGS Photography Contest. While in residence curators and conservators of photographs, and for students of at Roger Williams Middle School (Providence, RI) as a full-time iron-based analogue imaging (siderotype) — should any of these arts integration educator, she designed a yearlong curriculum in good folk ever find themselves as castaways upon the strange blue documentary storytelling and project-based literacy learning en- shores of cyanotype. For those other shipwrecked mariners — pho- titled “The Identity Project.” Each piece documents a collaboration tographic artists exploring cyanotype printmaking as an expressive between herself as the photographer and her students as the poets medium — I have included full practical instruction in the modern and designers. Her layered work presents a unique combination of process. collaborative artistic expression, and creative personal storytelling. Check it out at forwardthinkingmuseum.com/solo_zsiba_00.php. 23 FESTIVALS / CONFERENCES / SYMPOSIUMS FESTIVALS / CONFERENCES / SYMPOSIUMS The 2014 SPE National Conference — “Collaborative Ex- changes: Photography in Dialogue” — will be held in Baltimore, MD, from March 6 to 9. Featured speakers are Joan Fontcuberta, Zoe Strauss, Nicholas Kahn & Richard Selesnick, and Catherine Lord, and the Honored Educator is Susan kae Grant. See www. spenational.org/conference for further information. “2014 f295 Symposium: Photography Beyond Technique,” May 29 – June 1, 2014. This year’s f295 symposium takes place in Pittsburgh, PA. Saturday and Sunday workshops will be held at Pittsburgh Filmmakers. For more information visit www.f295.org. “Striking Resemblance: The Changing Art of Portraiture,” March 7–8, 2014. Speaker: Dr. Eric R. Kandel. A symposium at Jane Voorhees Zimmerli Art Museum, Rutgers State University, 71 Hamilton St., New Brunswick, NJ 08901, 732/932-7237, www. zimmerlimuseum.rutgers.edu. Advance registration required by February 27. For program details, including speakers, topics, and registration, visit bit.ly/SRSympo. For assistance, call the educa- tion office at 848/932-6766.

KUDOS Thomas Brummett writes, “Here is some great news. My Carl Corey: 3641 — Tom and Dino Christ — Nick's Restaurant — Madison, Wisconsin, 2011/2013, 35"x35", ed. 20, acquired by the Madison Museum of Light Projections Series made the final 3 in the very prestigious Contemporary Art World Photography Awards 2014! (The 30 world finalists are flown to the London Awards Ceremony all expenses paid).” The Madison (WI) Museum of Contemporary Art has ac- quired Carl Corey’s print of 3641 – Tom and Constantine Christ Among the new trustees at The Philadelphia Museum of Art is from the For Love and Money series for their permanent collection. Andrea M. Baldeck. Dr. Baldeck is a physician, musician, and — His new book, For Love and Money, will be released in March. best known to us — a photographer. You can see more about it here: www.facebook.com/pages/For- Rita Bernstein and Leah Macdonald are two of the photog- Love-and-Money/239543449561469. In addition, the following raphers included in Diffusion at VERVE Gallery in Santa Fe, NM, public talks, presentations, and exhibits are coming up: through April 26. • Fox Cities Book Fair – Featured speaker, includes Tavern League and For Love and Money presentation – April 12, 2014 • Museum of Wisconsin Art – For Love and Money – opening April 24, 2014 • Museum of Wisconsin Art – For Love and Money – morning lecture and book signing – April 25, 2014 • This is How to Make a Book – One Day Seminar May, 2014 – sponsored by CoPA Milwaukee. Rania Matar’s exhibition of work from the Middle East — “Deserted Spaces and Ordinary People” — will be on view at the Bank of America Center, 700 Louisiana Street, in Houston, TX, through April 28. Juror Diana Daniels, Curator of Contemporary Work at the Crocker Collection, awarded George Grubb first place in the “2014 Juried Exhibition” at the Center for Photographic Art in Car- mel, California. Mr. Grubb was also named a Finalist at the 2014 Eco-Arts Awards, juried by Bruce Helander, Nona Donoho, Maria Len Speier: B&H, 53d Street Wall, at Calumet Gallery, New York City Epes, and Clarissa Sligh, in Asheville, North Carolina. Len Speier had an exhibition at the Calumet Gallery in New Thomas Kellner’s exhibition “Genius Loci — Two German York City from February 1–15. Gentlemen in the Land of the Tsars,” honoring Yekaterinburg’s Laurence Miller Gallery is celebrating its Thirtieth An- 290th anniversary, will be on view at Art Galerie Siegen in Siegen, niversary with an exhibition February 6 – April 26. The complete Germany, through March 1. exhibition will be posted on their website at www.laurencemiller- Soo Kim has been awarded the 2013 John Gutmann Photog- gallery.com. The Laurence Miller Gallery is located at 20 West raphy Fellowship by the San Francisco Foundation. 57th Street, Third Floor, New York, NY 10019. Gallery Hours are Tuesday–Saturday 11–5:30. For further information, info@lauren- Miska Draskowsky’s “Gowanus Wild” opened at The Ver- cemillergallery.com or (212) 397-3930. mont Center for Photography on February 7. Anthony Almeida has work appearing in the “35th Annual Juried Art Exhibition” at the Monmouth Museum through March 9.

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Sandra Chen Weinstein: Woman of Nablus Sandra Chen Weinstein’s exhibition “Women of Arab Spring” will be seen at three venues in conjunction with FotoFest Biennial 2014, Houston, TX, in March and April. • Houston Club, 910 Louisiana Street One Shell Plaza, Suite 4900 Houston, TX 77002, 713/225-3257, www.clubcorp. com/Clubs/The-Houston-Club, M–F 8–5, March 15 - April Frank Rodick: Portrait, Frances Rodick (Red Pearls), 2012, at the Fort Wayne 27; Reception: TBD. Art Museum • Chinelli La Fratta Art Gallery, 1813 Crockett Street, Hous- Frank Rodick has a show opening at Kirk Hopper Fine Arts ton, TX 77007, 713/869-2727, www.jeanettechinelli.com/ in Dallas, TX, on March 8th entitled Frank Rodick: Faces, Flesh, jeanettechinelli/exhibitions.html, T–Th 10–6, F–Sat 11–8, and Other Hallucinations. It runs until April 12th. He also has March 15 – April 5; Reception: March 22, 6–9 PM. work in the Fort Wayne (IN) Art Museum’s inaugural bicentennial • Houston Public Library, Central Library, 500 McKinney, exhibition, The National: Best Contemporary Photography 2014, Houston, TX 77002, 832/-393-1313, www.houstonlibrary. which opens March 29th. Also, AkinaBooks is doing a small lim- org, March 18 – April 29. ited second edition printing of his book (with a different cover and She also was a finalist for “Emerging Focus @ photo LA,” a different edit from the first), calling this one simplyLiquid Cities had eight “Honorable Mention Pro Awards at the “International Joshus Lanzara writes, “I recently put up a new website with my Photography Awards (IPA), and also had images chosen at “Ameri- work www.joshualanzara.com, and will be adding more to it in the can Photography 29 AI–AP.” near future as I scan my old film.” His series Fallen Angels: The Leah Macdonald has work appearing at the Verve Gallery of Streetwalkers of Philadelphia’s Skid Row at www.joshualanzara. Photography in Santa Fe through April 26. com/prostitutes is a tough look at a population marginalized by polite society. The International Loupe Awards 2014 Open & Amateur Award Winners are Mark Carter from New Zealand (Open Bill Rauhauser of Detroit and Southfield, Michigan, was Award) and Lori Cicchini from Australia (Amateur Award). Carter awarded the $50,000 Eminent Artist Award by the Kresge Founda- receives a prize pool that includes $15,000 in cash and a VIP trip to tion: Bill-Rauhauser-Kresge-Eminent-Artist. the 2014 Creative Asia Imaging Expo in Hong Kong; Lori Cicchini Rauhauser, whose work was featured in Volume 29, Number receives photographic equipment. 3 of The Photo Review, is Professor Emeritus of the College of Creative Studies in Detroit, where he taught most classes in the Roger Matsumoto’s palladium print, Stereo Pair: Amanita, photography curriculum, including History of Photography. Now has been selected for addition to the permanent collection of the 95, Bill’s photograph of a soldier and two woman on a park bench Philadelphia Museum of Art. This print will be included in the at the Detroit River was included in Edward Steichen’s “Family of “Photography 33” exhibit at the Perkins Center for the Arts, 395 Man” exhibit at the Museum of Modern Art in the mid-1950s. The Kings Highway, Moorestown, NJ, through March 29. catalog of that exhibit is still in print. Andreas Rentsch’s new video, “The Wanderer,” is appear- Rauhauser still photographs every day and always has at least ing as a part of “Stories in the Social Landscape” at ICP’s Hillman two book projects in mind. He is active in several organizations, Gallery through March 16. including the Detroit Institute of Arts and the Michigan Photo- Builder Levy’s work and new book Appalachia USA were graphic Historical Society. featured on The New York Times Lens blog on January 15. Jerry Uelsmann and Maggie Taylor have work appearing in Mary Virginia Swanson was the recipient of Griffin Mu- the Baldwin Photographic Gallery at Middle Tennessee University seum’s 2013 FOCUS Award for Lifetime Achievement in Photog- through March 9. raphy.

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David Maitland was a category winner in the Natural History BENEFIT AUCTIONS / FUNDRAISERS Museum’s “Wildlife Photographer of the Year” competition. “Select 2014: WPA Art Auction,” Saturday, March 22, 2014. The 33rd anniversary of the organization’s highly-regarded art gala includes a curated silent auction of more than 150 art works by top contemporary artists, delicious dinner, open bar, desserts, and DJ-fueled party with artist-designed piñatas. Tickets to the auction gala start at $325 and can be purchased by visiting the WPA web- site or contacting Mary Resing at [email protected] or 202/234- 7103 x5. New this year, WPA will be offering a $150 party ticket for guests age 35 and under with admission at 9 p.m. Bidding on artwork will commence the night of the gala. For information on bidding in absentia, please visit the WPA website or contact Mary Resing. Washington Project for the Arts, 2023 Massachusetts Ave., NW, Washington, DC 20038, 202/234-7103, www.wpadc.org.

WORKSHOPS / RESIDENCES / TRAVEL / EDUCATION Steve Weinrebe, Director, Imaging R & R (formerly Princ- eton Workshops), writes: “I have listed a late winter/early spring photography workshop series that includes late-March to early- April dates for four-hour Beginner Digital Photography workshops at Barnegat Light, NJ. Those workshops were well received last Fall, and turned out to be great fun and lots of learning for the participants. “I’m also offering one three-day workshop in Barnegat Light France Scully Osterman and Mark Osterman: From “Sun Sketches at the (Friday evening to Sunday evening) that will combine beginner to Twilight of Photography,” at Tilt Gallery, Scottsdale, AZ intermediate photography techniques with Photoshop and Light- room download and editing. Mark Osterman and France Scully Osterman’s exhibition “Sun Sketches at the Twilight of Photography” comprising “Sun “All the above can be seen at workshops.ImagingRandR. Traps in the Arizona Desert” and “The Light at Lacock” — uti- com.” lizing the photogenic drawing process — will be on view at Tilt Steve is the author of Irreverent Photo Tools for Digital Pho- Gallery in Scottsdale, AZ, through March 1. tographer and Adobe Photoshop & the Art of Photography. You can reach him at 856/222-9696 or [email protected]. Timothy H. McCoy’s exhibition “Sanctuary” is on view at Cochenour Art Gallery, Georgetown College, 400 East College “Peru: Monumental And Spiritual: Cusco During Semana Street, Georgetown, KY 40324, www.georgetowncollege.edu/ Santa and Machu Picchu,” April 12–20, 2014. Instructors: Harvey galleries/cochenour-gallery, from February 21 to March 28. The Stein & Adam L. Weintraub. Workshop fee: $$2950-$3250, Opening Reception and Gallery Talk is February 21 from 12 p.m. depending on enrollment. To register email Adam L Weintraub at to 2 p.m. The images are from the photographer’s palladium-on- [email protected] or call 206/817-4686. translucent-vellum portfolio. Christopher Matthew’s Abandoned America workshops Spring calendar is now available. Visit http://us6.campaign-ar- chive1.com. HELP SAVE AFRICAN WILDLIFE Columbia University School of the Arts (2960 Broadway, New York, NY 10027) is presenting an Advanced Photography Intensive: New York, May 27–July 3. Instructors are Professor Thomas Roma, Adjunct Faculty Yola Monakhov, and Adjunct Faculty Corey Riddell. The Advanced Photography Intensive engages students in all elements of photographic practice and the development of a portfolio. A combi- nation of technical tutorials, individual meetings with internationally renowned artists and art professionals (Thomas Roma, John Pilson, Elinor Carucci, Michael Spano, Susan Kismaric, and Vince Aletti), as well as a series of seminars and group critiques, provide students with the tools they need to advance professionally and further develop the core elements of their practice. The Advanced Photography Intensive provides an exceptional workshop environment where students have 24-hour access to traditional and digital facilities, coupled with daily hands-on assistance from experienced faculty and staff, culminating in a group exhibition at the LeRoy Neiman Gallery. Students are Cyril Christo and Marie Wilkinson: African scene: elephants and lions expected to produce work independently throughout the six-week Cyril Christo and Marie Wilkinson are raising money to fund term and fully dedicate their time and efforts to the course. Visit the a new conservation documentary. You can read about their work Columbia Summer Arts website to find out more about all Visual Arts here: news.mongabay.com/2014/0129-thoumi-christo-wilkinson- offerings. Email inquiries to [email protected]. interview.html and visit their website here: www.christoandwilkinsonphotography.com. 26 WORKSHOPS continued

The Harrisburg Camera Club will holds it’s 4th Annual Philadelphia Photo Arts Center, 120 N. 3rd St., “Light and Creativity” Workshop on Saturday April 5, at the Philadelphia, PA 19122, 215/232-5678, www.philaphotoarts.org: Central Penn College Conference Center in Summerdale, near Flash Photo Monday, March 10th, 6:30 p.m. – 9:30 p.m. Harrisburg, PA. The guest speakers are “Canon Explorer of Light” Instructor: Anthony Wood. photographer Lewis Kemper and photographer Leo H. Lubow. The conference runs from 9–5 and is limited to 175 participants. Photoshop Basics Saturday, March 15th, 10 a.m. – 4 p.m. For more information got to www.harrisburgcameraclub. Instructor: Jordan Baumgarten. org/2014lcworkshop. PHOTOWORKS has 12 new photography classes and two “Self Portraiture Workshop” with Linda Troeller, June 6–8, new workshops. Check them out at www.glenechophotoworks. 2014. Self-Portraiture builds an understanding of where we are in org. PHOTOWORKS, 7300 MacArthur Boulevard, Glen Echo, life and where we can go in the future. This workshop is designed MD 20812, registrar: 301/634-2226. to take participants to another level through exploration with a mirror, role-playing and creating narrative fantasies. Snapping the shutter on oneself daily during the workshop, students can discover UNIVERSITY OF THE ARTS: 2014 PARADIGM LECTURE how their camera can serve as reassurance for their psyche, drama- SERIES tize their fears and joys and find new ideas for other photography Thursday, February 20 directions. Linda Troeller has been published by Aperture with her Gail Buckland, Connelly Lecture Hall, 1:00 p.m. Pictures of the Year award winning book, Healing Waters and by Scalo, Switzerland for her book, Erotic Lives of Women, which was Thursday February 27 exhibited at Fotohof, Austria. Tuition: $385 (tuition includes lunch William Hunt, Connelly Lecture Hall, 1:00 p.m. during workshop) Studio/Materials Fee: $30. Location: Peters Val- University of the Arts, Terra Hall, Connelly Lecture Hall, 8th fl., ley School of Craft, 19 Kuhn Rd., Layton, NJ 07851, www.peters- 211 S. Broad St., Philadelphia, PA 19107. Lectures are free and valley.org. open to the public. For more information call 215/717-6300 or visit School of Visual Arts “Shanghai Photography Workshop,” www.uarts.edu. June 7 – July 5, 2014. Spend four weeks—and get four studio cred- its--in a workshop that provides the opportunity and sufficient time ESPACE PHOTOGRAPHIQUE ARTHUR BATUT is present- to work on projects in depth as well share ideas and forge relation- ing two photo workshops exploring two significant historical pro- ships with Shanghai’s photographers, curators and gallery owners. cesses. Classes are scheduled Monday to Thursday and participants will have the opportunity and freedom to gain a deeper understanding June 27, 28, 29, 2014 - Tintype Workshop of art practices and photographic content, form, color, context, Presented by Daniel Ballesteros. taste, and limits. Prerequisites: One year of photography educa- July 4, 5, 6, 2014 - Ziatype Workshop tion. The program is open to students 18 years or older, as well as Presented by Kevin Martini-Fuller. college graduates and professionals. For more information and to Workshops will be held at the Espace Photographique Arthur apply online visit the Arts Abroad website or contact Kimberlee Batut in the quaint and historic commune of Labruguiere, France. Venable at [email protected]. Contact Kevin Martini-Fuller at 610/675-5128 or kmartini.foto@ Peter Turnley is leading photography workshop to Cuba on gmail.com for further information and reservations. April 5–11, 2014. If you’re interested visit www.peterturnley.com/ workshops. David Simchock is leading a photo tour and workshop to Ec- uador, June 18–23, 2014. For full information visit vagabondvistas. com.

PROJECT BASHO, 1305 Germantown Ave., Philadelphia, PA 19122, 215/238-0928, www.projectbasho.org, find a complete class schedule here. In addition to various classes, Project Basho is holding four workshops in conjunction with its Onward Summit. PHOTO REVIEW LISTING DEADLINES Sunday, February 23, 10–5 Introduction to Flash, Alex Orgera While The Photo Review Newsletter has the most Sunday, March 2, 10–5 complete listing of photography exhibitions of any periodi- The Cultural Landscape, Lois Conner cal throughout the Mid-Atlantic region, there are still some Sunday, March 2, 10–5 shows that do not get listed because notice of them does not Environmental Portraiture: Person And Place, Greg Miller reach us in time. For photographers and presenters of pho- Sunday, March 2, 2–5 tography shows, following is a schedule of listing due dates. Through the Lens: The Culture Of Chinatown, Niko J. Kallianiotis Due Date For Exhibitions & Events Occuring Between 3/29/14 4/7/14 and 5/18/14 5/10/14 5/19/14 and 7/6/14 6/28/14 7/7/14 and 8/31/14

27 PRISON OBSCURA AT HAVERFORD COLLEGE

Prison Obscura, curated by Pete Brook and appearing at Haverford College’s Cantor Fitzgerald Gallery through March 7, is a powerful and unflinching look at the system of incarceration in the United States. From the essay: “Prison Obscura considers this fundamental distortion that characterizes vision and viewing, how we see and don’t see the people we incarcerate, the people we put in boxes. Guiding the viewer through the visual culture of America’s prisons, the exhibit traces the contours of that box, to attempt to make sense of the dominant narratives and stereotypes that somehow justify a U.S. system now locking up people at an unprecedented rate. What do we know of our prisons? Do photographs help us know? Are the images of pris- ons we see reliable? Are they even useful? How do images relate to the political, social, and economic realities that exist within our prison industrial complex? Do prisons, as closed sites, present any challenges to the claims photography makes as a medium of communication?” You can read the essay here: exhibits.haverford.edu/prisonobscura/essay. You can also read the review by Rachel Heidenry on theart- blog.

At the entrance to “Prison Obscura” at the Cantor Fitzgerald Gal- Alyse Emdur photographs the visiting rooms at prisons where lery. painted backdrops serve as backgrounds for photographs of inmates.

In Take A Picture, Tell A Story, Robert Gumpert makes a portrait of a prisoner and gives them four prints in exchange for a story. On the right a rapt viewer watches the images and listens to the raw, unedited stories.

Kristen S. Wilkins’s series Supplication pairs respectful portraits of female inmates with photographs of scenes they miss seeing.

28 From the essay: "When Justice Kennedy included three photographs of California prisons in the appendix of the majority ruling of Brown v. Plata (May 2011), there was widespread consternation. Protestors proclaimed the photographs of holding cages and overcrowded living quarters too imprecise and emotional to have any place in a high profile legal case. "Brown v. Plata was a class action lawsuit brought by prisoners against the State of California. Ultimately, the US Supreme Court ruled that prison overcrowding had resulted in inadequate healthcare and preventable deaths. As a result, every one of California’s 160,000 prisoners was recognized as suffering cruel and unusual detention in violation of 8th Amendment rights. Prior to Brown v. Plata, the Golden State warehoused the largest prison population of any state, an ignominious distinction California held for 25 years. "The photographs submitted by the Prison Law Office and San Francisco law firm Rosen Bien Galvan & Grunfeld LLP were a criti- cal part of the victory. The low-resolution digital images are nothing special; aesthetically they are the antithesis of art or photographic narrative. And yet no photojournalist or documentary photographer’s works have achieved a structural change and widespread benefit as profound as the 200 evidentiary images from Brown v. Plata and the consequent appeals."

Josh Begley’s Prison Map, aerial views of prisons across the country.

Josh Begley: Facility 492

Mark Strandquist’s Some Other Places We’ve Missed asks, “If you had a window in your cell, what place from your past would it look out to?” The installation pairs what the prisoners wrote with 4x6" prints — the largest allowed — of the proxy scenes.

Installation photographs by Stephen Perloff

29 WHAT IS A PHOTOGRAPH? & CAPA IN COLOR AT ICP

ICP curator Carol Squiers discusses Matthew Brandt's Grays Lake, ID 7, at the press preview for “What Is a Photograph?,” a provoca- tive, challenging, and insightful show at ICP, on January 30. Top right: Squiers discusses Alison Rossiter's cameraless images made on expired photographic paper. Below right: a Marlo Pascual work reminiscent in a way to Robert Rauschenberg's Monogram, 1955-59, that incorporates a stuffed goat.

Rebecca Robertson, Photo Editor at ARTnews and a Haverford Col- lege alum, at the entrance to “Capa in Color” at ICP.

Photographs by Stephen Perloff. ICP curator Cynthia Young discusses Capa's color work at the press preview for “Capa in Color” at ICP. 30 AROUND AND ABOUT IN JANUARY AND FEBRUARY

Charles Stainback, Director of Ursinus College's Berman Museum, and Brain Peterson at the opening of Brian's exhibition at the Museum on January 30. An artist, curator, critic, and arts administrator in the Philadelphia area for more than three decades, Brian H. Peterson recently retired as chief curator at The Michener Museum in Doylestown, PA, where he worked from 1990 to 2013. At the Michener he organized numerous important historical and contemporary exhibitions in a variety of media, most recently the quite extraordinary “Making Magic: Beauty in Word and Image,” now available as a touring exhibition from ExhibitsUSA. (Full disclosure: Peterson included one of my images in the ex- hibition and catalogue.) His memoir The Smile at the Heart of Things (2009), was co-published by the Michener and Tell Me Press. His most recent book, The Blossoming of the World (2011), also was published by Tell Me Press. Together these books offer many honest, heart-felt moments into the life of an artist and reveal Peterson’s clear-eyed and often moving perceptions about the creative process, and love, and loss. Peterson is represented by Santa Bannon/Fine Art Gallery in Bethlehem, PA, www.santafineart.com, 610/997-5453.

On February 5, I gave a lecture at The Richard Stockton College in New Jersey about Ansel Adams’s photographs of the Manzanar in- ternment camp in 1943, also comparing them to later photographs by Joan Myers, in conjunction the exhibition of work by Kevin J. Miyazaki and Jon Yamashiro in the Stockton Art Gallery (intraweb.stockton.edu/eyos/page.cfm?siteID=230&pageID=1). After the lecture we went to the gallery for Kevin’s gallery talk. It turns out the Quakers were very concerned about the treatment of the Japanese during World War II (110,00 Japanese on the West Coast, two-thirds of them American citizens, were interned in ten camps during the war). After the war the Quakers brought a number of Japanese-Americans to New Jersey and found many of them work in a local seafood canning plant, so now there is a Japanese community in the Stockton area. What was totally amazing and a surprise to me was that a number of former internees came to the lecture and Kevin’s gallery talk. It was a wonderful experience to meet and talk to these people. I photographed the group in the gallery.

Kevin Miyazaki (third from right) and a group of Japanese- Vita Litvak at the opening of her exhibition of photographs of the Americans, most of whom had been interned as children in U.S. post-Soviet nation of Transnistria at the Atrium Gallery at Haverford internment camps during the Second World War. The mother of College on February 7. Livak was born in Moldova in Transnitria and the woman in the colorful blouse in the center was Ansel Adams's emigrated to the United States in 1992. She is now a visiting profes- guide at the Manzanar camp in 1943. sor at Haverford.

Photographs by Stephen Perloff. The The Photo Review Newsletter PHOTO REVIEW Advertising Rates NEWSLETTER

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