P R E S S R E L E a S E Several Exceptionally

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P R E S S R E L E A S E SEVERAL EXCEPTIONALLY GOOD RECENTLY ACQUIRED PICTURES XIX 31 May through 11 August 2007 Fraenkel Gallery is pleased to present Several Exceptionally Good Recently Acquired Pictures XIX, on view from May 31st through August 11th, 2007. This is the nineteenth installation of the exhibition known for its eclectic group of artists, some familiar and others unknown. The exhibition provides an opportunity to study a provocative range of photographs that encompasses both flea market finds and historic treasures. The exhibition includes new and never before seen work by several of the gallery’s primary artists. Among this year’s highlights is Idris Khan’s new, color photograph created by layering images of the fifteen paintings Caravaggio made in the last four years of his life. A unique, large scale photograph of the Nevadian night sky by Richard Misrach will be exhibited as well as two newly acquired photographs by Nan Goldin. A dazzling new photogram of pansies by Adam Fuss will be included, as well as a rare print of Robert Frank’s Mary & Pablo, N.Y.C. Also on view will be Garry Winogrand’s timely image of a Central Park peace demonstration from 1970; a nighttime seascape by Hiroshi Sugimoto; a selection of early photographs by Diane Arbus; and a striking group of photographs of trees from the parks of Frederick Law Olmstead made by Lee Friedlander. Several Exceptionally Good Recently Acquired Photographs XIX can be seen concurrently with the exhibition The Book of Shadows. Fraenkel Gallery is located at 49 Geary Street, 4th floor, San Francisco. Hours are Tuesday through Friday, 10:30 am - 5:30 pm, & Saturday 11:00 am - 5:00 pm. For further information and press photographs, please contact Daniel Cheek at 415.981.2661 or [email protected]. *Nan Goldin, Self-portrait on the train, Boston - New Haven, 1997. .

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SOPHIE CALLE Page 1
SOPHIE CALLE page /1 SOPHIE CALLE Born in 1953, Paris, France Lives and works in Malakoff, France AWARDS 2019 Centenary Medal, Royal Photographic Society 2017 Infinity Award, InternaIonal Center of Photography 2010 Hasselblad Award, Hasselblad FoundaIon, Gothenburg, Sweden 2002 Spectrum InternaIonal Prize for Photography, FoundaIon of Lower Saxony, Germany SELECTED INDIVIDUAL EXHIBITIONS 2020 What Remains, Kunstmuseum, Ravensburg, Germany Because, Fraenkel Gallery, San Francisco, CA 2017 Musée de la Chasse, Paris, France Missing, Fort Mason Center for Arts & Culture, San Francisco, CA 2016 Histoires vraies, Théâtre Liberté, Toulon, France For the Last & First Time, Nagasaki Prefectural Art Museum, Nagasaki, Japan 2015 Sophie Calle, Fraenkel Gallery, San Francisco, CA For the Last & First Time, Toyota Municipal Museum of Art, Toyota, Japan Cuídese mucho, Centro Cultural Kirchner, Buenos Aires, ArgenIna Modus vivendi, La Virreina Centre de la Image, Barcelona, Spain Sophie Calle: North Pole, University of Michigan Museum of Art, Ann Arbor, MI Pour la dernière et pour la première fois, Musée d’art contemporain de Montréal, Montreal, Canada FRAENKELGALLERY.COM [email protected] SOPHIE CALLE page /2 2014 Sophie Calle, Makoto Aida, Galerie PerroIn, Hong Kong Cuídese mucho, Museo Tamayo, Mexico, Mexico MAdRE, Castello di Rivoli, Turin, Italy Sophie Calle, An Introducon, Un cabinet d’amateur, Sofia, Bulgaria Cuídese mucho, Museo de Arte Contemporáneo de Monterrey, Mexico Rachel Monique, Church of the Heavenly Rest, New York, NY Voir la mer,
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How I Learned to See: an (Ongoing) Education in Pictures
For immediate release How I Learned to See: An (Ongoing) Education In Pictures Curated by Hanya Yanagihara Fraenkel Gallery 49 Geary Street, San Francisco June 30 – August 20, 2016 Fraenkel Gallery is pleased to present How I Learned to See: An (Ongoing) Education in Pictures, Curated by Hanya Yanagihara, from June 30 – August 20, 2016, at 49 Geary Street. The exhibition brings together a varied array of photographs that Yanagihara has chosen for their significance to her growth as an artist. The overarching theme is one of a writer looking deeply at other artists’ creative work—specifically, photographs—as a process of learning and discovery. Hanya Yanagihara is an American novelist whose most recent book, A Little Life, was a finalist for the 2015 National Book Award and shortlisted for the 2015 Man Booker Prize and the 2016 Baileys Prize for Fiction. She has been a periodic visitor to Fraenkel Gallery for 17 years. Yanagihara remarked: The challenge for any artist, in any medium, is to find work that inspires her to re-see the things and people and places she thought she knew or understood. So much of my artistic development is directly linked to the images and photographers I encountered through years of visiting Fraenkel Gallery; the work here has, in ways both direct and not, influenced my own fiction. How I Learned to See is organized by six sections or “chapters” on the subjects of loneliness, love, aging, solitude, beauty, and discovery. Yanagihara has selected an idiosyncratic mix, with iconic and less familiar works by 12 artists: Robert Adams, Diane Arbus, Elisheva Biernoff, Harry Callahan, Lee Friedlander, Nan Goldin, Katy Grannan, Peter Hujar, Ralph Eugene Meatyard, Richard Misrach, Nicholas Nixon, Alec Soth, and Hiroshi Sugimoto.
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February/March 2014
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G a G O S I a N G a L L E R Y Hiroshi Sugimoto Biography
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1 LEE FRIEDLANDER Born, 1934, Aberdeen, Washington Lives In
LEE FRIEDLANDER Born, 1934, Aberdeen, Washington Lives in New City, New York AWARDS & HONORS 2018 Lucie Award for Lifetime Achievement in Photography 2010 Lead Award Gold Medal, MONOPOL Magazine 2006 Lifetime Achievement Award, The International Center of Photography, Infinity Awards 2005 Erna and Victor Hasselblad Foundation International Award in Photography Doctor of Fine Arts, The Art Center School of Design, Pasadena, CA 2004 Doctor of Fine Arts, University of Pennsylvania Doctor of Fine Arts, Yale University 1999 Fellow of the American Academy of Arts and Sciences French Chevalier of the Order of Arts and Letters 1990 John D. and Catherine T. MacArthur Foundation Award 1986 Edward MacDowell Medal 1981 Medal of the City of Paris 1980 National Endowment for the Arts Grant Friends of Photography Peer Award 1979 National Endowment for the Arts Grant 1978 National Endowment for the Arts Grant 1977 National Endowment for the Arts Grant John Simon Guggenheim Memorial Foundation Fellowship Mellon Chair, Rice University 1972 National Endowment for the Arts Grant 1962 John Simon Guggenheim Memorial Foundation Fellowship 1960 John Simon Guggenheim Memorial Foundation Fellowship SELECTED SOLO EXHIBITIONS 2020 Lee Friedlander, Luhring Augustine, New York, NY 2019 Lee Friedlander: Dog’s Best Friend, Andrew Smith Gallery, Tucson, AZ Signs, Fraenkel Gallery, San Francisco, CA 2018 Lee Friedlander / MARIA, Deborah Bell Photographs, New York, NY Lee Friedlander in Louisiana, New Orleans Museum of Art, New Orleans, LA 1 Lee Friedlander: American Musicians,
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Diane Arbus Born 1923 in New York
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Oral History Interview with Robert Adams, 2010 July 20
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American Road Photography from 1930 to the Present A
THE PROFANE AND PROFOUND: AMERICAN ROAD PHOTOGRAPHY FROM 1930 TO THE PRESENT A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Han-Chih Wang Diploma Date August 2017 Examining Committee Members: Professor Gerald Silk, Department of Art History Professor Miles Orvell, Department of English Professor Erin Pauwels, Department of Art History Professor Byron Wolfe, Photography Program, Department of Graphic Arts and Design THE PROFANE AND PROFOUND: AMERICAN ROAD PHOTOGRAPHY FROM 1930 TO THE PRESENT ABSTRACT Han-Chih Wang This dissertation historicizes the enduring marriage between photography and the American road trip. In considering and proposing the road as a photographic genre with its tradition and transformation, I investigate the ways in which road photography makes artistic statements about the road as a visual form, while providing a range of commentary about American culture over time, such as frontiersmanship and wanderlust, issues and themes of the automobile, highway, and roadside culture, concepts of human intervention in the environment, and reflections of the ordinary and sublime, among others. Based on chronological order, this dissertation focuses on the photographic books or series that depict and engage the American road. The first two chapters focus on road photographs in the 1930s and 1950s, Walker Evans’s American Photographs, 1938; Dorothea Lange’s An American Exodus: A Record of Human Erosion, 1939; and Robert Frank’s The Americans, 1958/1959. Evans dedicated himself to depicting automobile landscapes and the roadside. Lange concentrated on documenting migrants on the highway traveling westward to California.
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GARRY WINOGRAND Page 1
GARRY WINOGRAND page 1 GARRY WINOGRAND 14 January 1928 – 19 March 1984 Born in New York, New York AWARDS 1978 John Simon Guggenheim Memorial FoundaHon Fellowship 1975 NaHonal Endowment for the Arts Fellowship 1972 New York State Council on the Arts Grant 1969 John Simon Guggenheim Memorial FoundaHon Fellowship 1964 John Simon Guggenheim Memorial FoundaHon Fellowship SELECTED INDIVIDUAL EXHIBITIONS 2021 Garry Winogrand, KBr Photography Center, Fundación MAPFRE, Barcelona, Spain (11 June – 5 September) 2013-14 Garry Winogrand, San Francisco Museum of Modern Art, San Francisco, CA; traVeled to: Metropolitan Museum of Art, New York, NY; NaHonal Gallery of Art, Washington DC; Jeu de Paume, Paris, France; Fundacion Mapfre, Madrid, Spain 2012 Circa 1969, Fraenkel Gallery, San Francisco, CA 2010 Public RelaHons, Galerie Thomas Zander, Köln, Germany 2009 Women are Beau5ful, CincinnaH Art Museum, CincinnaH, OH; traVeled to: Fundacio Foto ColecHana, Barcelona, Spain (2011); DenVer Art Museum, DenVer, CO (2012) FRAENKELGALLERY.COM [email protected] GARRY WINOGRAND page 2 2008 The Six5es, Fraenkel Gallery, San Francisco, CA 2007 Four Edges & the Facts, Phoenix Art Museum, Phoenix, AZ 2005 The Wedding, Howard Greenberg Gallery, New York, NY 2004 Airports & Animals, Fraenkel Gallery, San Francisco, CA 2002 Winogrand 1964, Center for CreaHVe Photography, UniVersity of Arizona, Tucson, AZ 2001 The Garry Winogrand Game of Photography Part I: The Known & Part II: The New, Center for CreaHVe Photography, UniVersity of Arizona, Tucson, AZ; traVeled
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Press Release
49 Geary Street, 4th Floor, San Francisco, CA 94108 Fraenkel Gallery T 415 981 2661 F 415 981 4014 fraenkelgallery.com For immediate release: THE UNPHOTOGRAPHABLE 3 January–23 March 2013 Fraenkel Gallery is pleased to announce The Unphotographable, an ambitious survey exploring the history of that which cannot be photographed. Comprised of approximately fifty works, the exhibition interweaves prints by artists as wide ranging as Alfred Stieglitz, Sophie Calle, Man Ray, and Glenn Ligon, as well as works by anonymous and virtually unknown photographers from the nineteenth and early twentieth centuries. The Unphotographable will be on view from January 3 through March 23, 2013, and will be accompanied by a 124-page hardcover book. More than a century of attempts to depict, through photographs, a reality beyond appearances is testament to a stubborn conviction that what can be seen is not all there is. In the book’s introduction Jeffrey Fraenkel writes, “From the moment of its invention almost 175 years ago, photography has proven adept at depicting the photographable: the solid, the concrete, that which can be seen. […] But another tradition exists, a parallel history in which photographers and other artists have attempted to describe by photographic means that which is not so readily seen: thought, time, ghosts, god, dreams. A vast array of strategies has been employed to bring such pictures about, tactics that have intersected and enriched the strains of modern art.” The exhibition will be installed in all three of the gallery’s spaces. Visitors will encounter Jakob Ottonowitsch’s Spark captured on the surface of the body of a well-washed prostitute, Tom Friedman’s Caveman, T.
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The Shop at Fraenkellab PR 11-25-16
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