Fraenkelgallery Earache Press Release 6-718

For immediate release EARACHE Organized by Jordan Stein July 12 – August 18, 2018 FRAENKEL GALLERY 49 Geary Street, San Francisco Opening: Thursday, July 12, 5:30-7:30pm I roll into the flow area and lay into a frontside grind on the extension that is so juicy it scares me. But somehow I stay on it and I’m fine. I love when that happens. I skate over to the bubbler for a drink of water and my brother sneaks up behind me. “How about this. I’ll pay for all the gas.” “I desperately need an oil change though.” “We’ll do that first. We can stop at that place on Duboce and Valencia. Plus think about it, we can skate all the way up!” “When do you want to leave?” “Now?” “Goddamn it. Fine. I’ll run home to get my shit, and then I’ll come get you.” “Already ready.” I start pushing out of the park and Peter yells after me, “I love you!” I laugh and wave. Two teenage dudes swing fists at each other half- jokingly just outside the skatepark fence and I’m not telling you that because it’s a metaphor for me and my brother, it’s just what I see. – Tara Jepsen, Like a Dog Earache is a photographic exhibition about discomfort, balance, and language. Works on view—and possible connections between them—animate a breakdown between the complex body systems responsible for maintaining stability. Earache will feature works by Berenice Abbott, Robert Adams, Diane Arbus, Eugène Atget, Richard Avedon, Sam Contis, Imogen Cunningham, Jay DeFeo, William Eggleston, Robert Frank, Lee Friedlander, Masahisa Fukase, Nan Goldin, Peter Hujar, Helen Levitt, Ralph Eugene Meatyard, Richard Misrach, Tina Modotti, A.J. Russell, Tisa Walden, Weegee, and William Wegman. Jordan Stein is a curator based in San Francisco. Recent exhibitions include Miyoko Ito: Heart of Hearts, Artists Space, New York (2018); and So I traveled a great deal..., Matthew Marks Gallery, New York (2017). * * * For press inquiries and images, please contact Rebecca Herman at 415.981.2661 or [email protected] IMAGE: RICHARD MISRACH, Crying Woman (for K.A.C.), Bombay Beach, California, 2011. © Richard Misrach, courtesy Fraenkel Gallery, San Francisco TEXT: Excerpt from Like a Dog. Used with permission of City Lights books. © Tara Jepsen .

Copy Link

Recommended publications

SOPHIE CALLE Page 1
SOPHIE CALLE page /1 SOPHIE CALLE Born in 1953, Paris, France Lives and works in Malakoff, France AWARDS 2019 Centenary Medal, Royal Photographic Society 2017 Infinity Award, InternaIonal Center of Photography 2010 Hasselblad Award, Hasselblad FoundaIon, Gothenburg, Sweden 2002 Spectrum InternaIonal Prize for Photography, FoundaIon of Lower Saxony, Germany SELECTED INDIVIDUAL EXHIBITIONS 2020 What Remains, Kunstmuseum, Ravensburg, Germany Because, Fraenkel Gallery, San Francisco, CA 2017 Musée de la Chasse, Paris, France Missing, Fort Mason Center for Arts & Culture, San Francisco, CA 2016 Histoires vraies, Théâtre Liberté, Toulon, France For the Last & First Time, Nagasaki Prefectural Art Museum, Nagasaki, Japan 2015 Sophie Calle, Fraenkel Gallery, San Francisco, CA For the Last & First Time, Toyota Municipal Museum of Art, Toyota, Japan Cuídese mucho, Centro Cultural Kirchner, Buenos Aires, ArgenIna Modus vivendi, La Virreina Centre de la Image, Barcelona, Spain Sophie Calle: North Pole, University of Michigan Museum of Art, Ann Arbor, MI Pour la dernière et pour la première fois, Musée d’art contemporain de Montréal, Montreal, Canada FRAENKELGALLERY.COM [email protected] SOPHIE CALLE page /2 2014 Sophie Calle, Makoto Aida, Galerie PerroIn, Hong Kong Cuídese mucho, Museo Tamayo, Mexico, Mexico MAdRE, Castello di Rivoli, Turin, Italy Sophie Calle, An Introducon, Un cabinet d’amateur, Sofia, Bulgaria Cuídese mucho, Museo de Arte Contemporáneo de Monterrey, Mexico Rachel Monique, Church of the Heavenly Rest, New York, NY Voir la mer,
[Show full text]
How I Learned to See: an (Ongoing) Education in Pictures
For immediate release How I Learned to See: An (Ongoing) Education In Pictures Curated by Hanya Yanagihara Fraenkel Gallery 49 Geary Street, San Francisco June 30 – August 20, 2016 Fraenkel Gallery is pleased to present How I Learned to See: An (Ongoing) Education in Pictures, Curated by Hanya Yanagihara, from June 30 – August 20, 2016, at 49 Geary Street. The exhibition brings together a varied array of photographs that Yanagihara has chosen for their significance to her growth as an artist. The overarching theme is one of a writer looking deeply at other artists’ creative work—specifically, photographs—as a process of learning and discovery. Hanya Yanagihara is an American novelist whose most recent book, A Little Life, was a finalist for the 2015 National Book Award and shortlisted for the 2015 Man Booker Prize and the 2016 Baileys Prize for Fiction. She has been a periodic visitor to Fraenkel Gallery for 17 years. Yanagihara remarked: The challenge for any artist, in any medium, is to find work that inspires her to re-see the things and people and places she thought she knew or understood. So much of my artistic development is directly linked to the images and photographers I encountered through years of visiting Fraenkel Gallery; the work here has, in ways both direct and not, influenced my own fiction. How I Learned to See is organized by six sections or “chapters” on the subjects of loneliness, love, aging, solitude, beauty, and discovery. Yanagihara has selected an idiosyncratic mix, with iconic and less familiar works by 12 artists: Robert Adams, Diane Arbus, Elisheva Biernoff, Harry Callahan, Lee Friedlander, Nan Goldin, Katy Grannan, Peter Hujar, Ralph Eugene Meatyard, Richard Misrach, Nicholas Nixon, Alec Soth, and Hiroshi Sugimoto.
[Show full text]
February/March 2014
The PHOTO REVIEW NEWSLETTER February / March 2014 Robert Heinecken Cybill Shepherd/Phone Sex. 1992, dye bleach print on foamcore, 63"×17”. (The Robert Heinecken Trust, Chicago; courtesy Petzel Gallery, New York. © 2013 The Robert Heinecken Trust) At the Museum of Modern Art, New York Exhibitions PHILADELPHIA AREA Germán Gomez “Deconstructing Cities and Duos,” Bridgette Mayer Gallery, 709 Walnut St., Philadelphia, PA 19106, 215/413– Alien She Vox Populi, 319 N. 11th St., 3rd fl., Philadelphia, PA 8893, www.bridgettemayergallery.com, T–Sat 11–5:30 and by 19107, 215/23 8-1236, www.voxpopuligallery.org, T–Sun 12–6, appt., through February 22. March 7 – April 27. Includes photography. Graffiti, Murals, and Tattoos “Paired,” Bucks County Project Artists of a Certain Age Philadelphia Episcopal Cathedral, Gallery, 252 W. Ashland St., Doylestown, PA 18901, 267/247- 3723 Chestnut St., Philadelphia, PA 19104, 267/386-0234 x104, 6634, www.buckscountyprojectgallery.com, Th–F 12–4, F–Sat daily 10–4 and by appt., through February 28. Includes photogra- 1–5, March 8 – April 6. phy by William Brown and Arlene Love. David Graham “Thirty-Five Years / 35 Pictures,” Gallery 339, Donald E. Camp/Lydia Panas/Lori Waselchuk “Humankind,” 339 S. 21st St., Philadelphia, PA 19103, 215/731-1530, www.gal- Main Line Art Center, 746 Panmure Rd., Haverford, PA 19041, lery339.com, T–Sat 10–6, through March 15. 610/525-0272, www.mainlineart.org, M–Th 10–8, F–Sun 10–4, through March 20. Reception, Friday, February 21, 6–8 PM. Panel Jefferson Hayman Wexler Gallery, 201 N. 3rd St., Philadelphia, Discussion and Book Signing, Wednesday, March 19, 6–8 PM.
[Show full text]
G a G O S I a N G a L L E R Y Hiroshi Sugimoto Biography
G A G O S I A N G A L L E R Y Hiroshi Sugimoto Biography Born in 1948, Tokyo. Lives and works in New York. Education: 1972 BFA, Art Center College of Design, Los Angeles. 1966-1970 BA, Saint Paul's University, Tokyo. Solo Exhibitions: 2009 Lightning Fields, Gallery Koyanagi, Tokyo, Japan. Lightning Fields, Fraenkel Gallery San Francisco, CA. 2008 Hiroshi Sugimoto: Seven Days/Seven Nights, Gagosian Gallery, New York. Hiroshi Sugimoto, Museum der Moderne, Salzburg, Austria. Hiroshi Sugimoto, Neue Nationalgalerie, Berlin. Hiroshi Sugimoto, Kunstmuseum Luzern, Switzerland. Hiroshi Sugimoto: History of History, The National Museum of Art, Osaka, Japan. Travelled to: 21st century Museum of Contemporary Art, Kanazawa, Japan. 2007 Leakage of Light, Gallery Koyanagi, Tokyo. Hiroshi Sugimoto, K20 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany. Travlled to: Fine Arts Museum of San Francisco, Villa Manin Centro d’Arte Contemporanea, Udine, Italy. Hiroshi Sugimoto, Villa Manin, Passariano, Italy. Hiroshi Sugimoto: Colors of shadow, Fraenkel Gallery, San Francisco, CA. 2006 Hiroshi Sugimoto, Modern Art Museum, Fort Worth, TX. Hiroshi Sugimoto: Colors of Shadow, Sonnabend, New York. Hiroshi Sugimoto: Mathematical Forms, Galerie de l’Aterlier Brancusi, Paris. Hiroshi Sugimoto, Galerie Marian Goodman, Paris. Hiroshi Sugimoto:Joe, Gagosian Gallery, Beverly Hills. Hiroshi Sugimoto: Photographs of Joe, The Pulitzer Foundation for the Arts, St. Louis, MO. Hiroshi Sugimoto, Hirshhorn Museum and Sculpture Garden, Washington, D.C. Hiroshi Sugimoto: History of History, Arthur M. Sackler Gallery, The Smithsonian, Washington D.C. 2005 Hiroshi Sugimoto: History of History, Japan Society, New York. Hiroshi Sugimoto: Retrospective, Mori Art Museum, Tokyo. (through 2006) Conceptual Forms, Gagosian Gallery, London (Britannia Street) and Sonnabend Gallery, New York.
[Show full text]
P R E S S R E L E a S E Several Exceptionally
P R E S S R E L E A S E SEVERAL EXCEPTIONALLY GOOD RECENTLY ACQUIRED PICTURES XIX 31 May through 11 August 2007 Fraenkel Gallery is pleased to present Several Exceptionally Good Recently Acquired Pictures XIX, on view from May 31st through August 11th, 2007. This is the nineteenth installation of the exhibition known for its eclectic group of artists, some familiar and others unknown. The exhibition provides an opportunity to study a provocative range of photographs that encompasses both flea market finds and historic treasures. The exhibition includes new and never before seen work by several of the gallery’s primary artists. Among this year’s highlights is Idris Khan’s new, color photograph created by layering images of the fifteen paintings Caravaggio made in the last four years of his life. A unique, large scale photograph of the Nevadian night sky by Richard Misrach will be exhibited as well as two newly acquired photographs by Nan Goldin. A dazzling new photogram of pansies by Adam Fuss will be included, as well as a rare print of Robert Frank’s Mary & Pablo, N.Y.C. Also on view will be Garry Winogrand’s timely image of a Central Park peace demonstration from 1970; a nighttime seascape by Hiroshi Sugimoto; a selection of early photographs by Diane Arbus; and a striking group of photographs of trees from the parks of Frederick Law Olmstead made by Lee Friedlander. Several Exceptionally Good Recently Acquired Photographs XIX can be seen concurrently with the exhibition The Book of Shadows. Fraenkel Gallery is located at 49 Geary Street, 4th floor, San Francisco.
[Show full text]
1 LEE FRIEDLANDER Born, 1934, Aberdeen, Washington Lives In
LEE FRIEDLANDER Born, 1934, Aberdeen, Washington Lives in New City, New York AWARDS & HONORS 2018 Lucie Award for Lifetime Achievement in Photography 2010 Lead Award Gold Medal, MONOPOL Magazine 2006 Lifetime Achievement Award, The International Center of Photography, Infinity Awards 2005 Erna and Victor Hasselblad Foundation International Award in Photography Doctor of Fine Arts, The Art Center School of Design, Pasadena, CA 2004 Doctor of Fine Arts, University of Pennsylvania Doctor of Fine Arts, Yale University 1999 Fellow of the American Academy of Arts and Sciences French Chevalier of the Order of Arts and Letters 1990 John D. and Catherine T. MacArthur Foundation Award 1986 Edward MacDowell Medal 1981 Medal of the City of Paris 1980 National Endowment for the Arts Grant Friends of Photography Peer Award 1979 National Endowment for the Arts Grant 1978 National Endowment for the Arts Grant 1977 National Endowment for the Arts Grant John Simon Guggenheim Memorial Foundation Fellowship Mellon Chair, Rice University 1972 National Endowment for the Arts Grant 1962 John Simon Guggenheim Memorial Foundation Fellowship 1960 John Simon Guggenheim Memorial Foundation Fellowship SELECTED SOLO EXHIBITIONS 2020 Lee Friedlander, Luhring Augustine, New York, NY 2019 Lee Friedlander: Dog’s Best Friend, Andrew Smith Gallery, Tucson, AZ Signs, Fraenkel Gallery, San Francisco, CA 2018 Lee Friedlander / MARIA, Deborah Bell Photographs, New York, NY Lee Friedlander in Louisiana, New Orleans Museum of Art, New Orleans, LA 1 Lee Friedlander: American Musicians,
[Show full text]
Avedon Fashion 1944–2000
Contact: Communications Department 212.857.0045 [email protected] media release AVEDON FASHION 1944–2000 On view from May 15 through September 20, 2009 Media Preview May 14, 2009 11:30 am –1:00 pm RSVP: [email protected] 212.857.0045 Richard Avedon Richard Avedon Dorian Leigh, hat by Paulette, Paris, August 1949 Jade Parfitt and Esther De Jong, ensembles by Galliano, New York, March 1998 © 2009 The Richard Avedon Foundation © 2009 The Richard Avedon Foundation The centerpiece of ICP’s Year of Fashion, Avedon Fashion 1944–2000 will be on view at the International Center of Photography (1133 Avenue of the Americas at 43rd Street) from May 15 through September 20, 2009. The first exhibition devoted exclusively to Richard Avedon’s fashion work, it will occupy the main galleries of the museum and include some 175 photographs from throughout his productive career, as well as original magazines showing his work in context, and material demonstrating his creative process. The exhibition has been organized by ICP Curator Carol Squiers and Adjunct Curator Vince Aletti, with the cooperation of The Richard Avedon Foundation, and will be accompanied by a catalogue published by Harry N. Abrams, Inc. Richard Avedon is the most significant and influential photographer to have taken fashion as one of his subjects. He began working for Harper’s Bazaar in 1944, when he was only twenty-one, and revolutionized fashion photography, dispensing with its prevailing mannered and statically posed formulas and introducing a more youthful, spirited, and distinctly American style. Inspired by Hungarian photographer Martin Munkacsi and encouraged by legendary Harper’s Bazaar art director Alexey Brodovitch, he took models out of the studio and photographed them in motion to exhilarating effect.
[Show full text]
Diane Arbus Born 1923 in New York
This document was updated November 25, 2020. For reference only and not for purposes of publication. For more information, please contact the gallery. Diane Arbus Born 1923 in New York. Died 1971 in New York. EDUCATION 1955-1957 Studied photography with Lisette Model, New York 1928-1940 Ethical Culture Fieldston School, New York SOLO EXHIBITIONS 2020 Diane Arbus: Photographs, 1956-1971, Art Gallery of Ontario, Toronto, February 22 – May 17, 2020 2019 Our Lady of the Flowers: Diane Arbus | Carol Rama, Lévy Gorvy, Hong Kong, September 26 – November 16, 2019 [two-person exhibition] 2018 Diane Arbus Untitled, David Zwirner, New York, November 2 – December 15, 2018 Diane Arbus: A box of 10 photographs, Smithsonian American Art Museum, April 6, 2018 – January 27, 2019 [catalogue] 2017 Diane Arbus: In the Park, Lévy Gorvy, New York, May 2 – June 28, 2017 2016-2019 diane arbus: in the beginning, The Metropolitan Museum of Art, New York, July 12 – November 27, 2016 [itinerary: San Francisco Museum of Modern Art, San Francisco, January 21 – April 30, 2017; Museo de Arte Latinoamericano de Buenos Aires Malba, Buenos Aires, July 14 – October 9, 2017; Hayward Gallery, London, February 13 – May 6, 2019] [catalogue] 2016-2018 Diane Arbus: American portraits, National Gallery of Australia, Canberra, June 6 – October 30, 2016 [itinerary: Lake Macquarie City Art Gallery, Booragul, Australia, July 9 – August 20, 2017; Heide Museum of Modern Art, Bulleen, Australia, March 17 – June 17, 2018; Art Gallery of South Australia, Adelaide, Australia, July 16 – September
[Show full text]
Oral History Interview with Robert Adams, 2010 July 20
Oral history interview with Robert Adams, 2010 July 20 Funding for this interview was provided by the Brown Foundation. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Robert Adams on 2010 July 20. The interview took place in Astoria, OR, and was conducted by Toby Jurovics for the Archives of American Art, Smithsonian Institution. Toby Jurovics reviewed the transcript with Robert Adams. Their emendations appear below in brackets with initials. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview TOBY JUROVICS: This is Toby Jurovics, curator of photography at the Smithsonian American Art Museum. And I'm sitting here with Robert Adams at his kitchen in Astoria, Oregon. It is July 20, 2010. You agree to these facts as they are stated. [Laughs.] ROBERT ADAMS: All right. All right. I won't back out. TOBY JUROVICS: Well, why don't we just start by going a little bit over biography. You were born in Orange, New Jersey. Is that— ROBERT ADAMS: That's true. My father always told me I was born across the street from Tony Galento's saloon, who was apparently a major gangster of the New Jersey scene. That's my only claim to fame—[they laugh]— unless you figure that it's not too far from Hoboken [NJ], where all kinds of good photographic history occurs.
[Show full text]
American Road Photography from 1930 to the Present A
THE PROFANE AND PROFOUND: AMERICAN ROAD PHOTOGRAPHY FROM 1930 TO THE PRESENT A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Han-Chih Wang Diploma Date August 2017 Examining Committee Members: Professor Gerald Silk, Department of Art History Professor Miles Orvell, Department of English Professor Erin Pauwels, Department of Art History Professor Byron Wolfe, Photography Program, Department of Graphic Arts and Design THE PROFANE AND PROFOUND: AMERICAN ROAD PHOTOGRAPHY FROM 1930 TO THE PRESENT ABSTRACT Han-Chih Wang This dissertation historicizes the enduring marriage between photography and the American road trip. In considering and proposing the road as a photographic genre with its tradition and transformation, I investigate the ways in which road photography makes artistic statements about the road as a visual form, while providing a range of commentary about American culture over time, such as frontiersmanship and wanderlust, issues and themes of the automobile, highway, and roadside culture, concepts of human intervention in the environment, and reflections of the ordinary and sublime, among others. Based on chronological order, this dissertation focuses on the photographic books or series that depict and engage the American road. The first two chapters focus on road photographs in the 1930s and 1950s, Walker Evans’s American Photographs, 1938; Dorothea Lange’s An American Exodus: A Record of Human Erosion, 1939; and Robert Frank’s The Americans, 1958/1959. Evans dedicated himself to depicting automobile landscapes and the roadside. Lange concentrated on documenting migrants on the highway traveling westward to California.
[Show full text]
GARRY WINOGRAND Page 1
GARRY WINOGRAND page 1 GARRY WINOGRAND 14 January 1928 – 19 March 1984 Born in New York, New York AWARDS 1978 John Simon Guggenheim Memorial FoundaHon Fellowship 1975 NaHonal Endowment for the Arts Fellowship 1972 New York State Council on the Arts Grant 1969 John Simon Guggenheim Memorial FoundaHon Fellowship 1964 John Simon Guggenheim Memorial FoundaHon Fellowship SELECTED INDIVIDUAL EXHIBITIONS 2021 Garry Winogrand, KBr Photography Center, Fundación MAPFRE, Barcelona, Spain (11 June – 5 September) 2013-14 Garry Winogrand, San Francisco Museum of Modern Art, San Francisco, CA; traVeled to: Metropolitan Museum of Art, New York, NY; NaHonal Gallery of Art, Washington DC; Jeu de Paume, Paris, France; Fundacion Mapfre, Madrid, Spain 2012 Circa 1969, Fraenkel Gallery, San Francisco, CA 2010 Public RelaHons, Galerie Thomas Zander, Köln, Germany 2009 Women are Beau5ful, CincinnaH Art Museum, CincinnaH, OH; traVeled to: Fundacio Foto ColecHana, Barcelona, Spain (2011); DenVer Art Museum, DenVer, CO (2012) FRAENKELGALLERY.COM [email protected] GARRY WINOGRAND page 2 2008 The Six5es, Fraenkel Gallery, San Francisco, CA 2007 Four Edges & the Facts, Phoenix Art Museum, Phoenix, AZ 2005 The Wedding, Howard Greenberg Gallery, New York, NY 2004 Airports & Animals, Fraenkel Gallery, San Francisco, CA 2002 Winogrand 1964, Center for CreaHVe Photography, UniVersity of Arizona, Tucson, AZ 2001 The Garry Winogrand Game of Photography Part I: The Known & Part II: The New, Center for CreaHVe Photography, UniVersity of Arizona, Tucson, AZ; traVeled
[Show full text]
Press Release
49 Geary Street, 4th Floor, San Francisco, CA 94108 Fraenkel Gallery T 415 981 2661 F 415 981 4014 fraenkelgallery.com For immediate release: THE UNPHOTOGRAPHABLE 3 January–23 March 2013 Fraenkel Gallery is pleased to announce The Unphotographable, an ambitious survey exploring the history of that which cannot be photographed. Comprised of approximately fifty works, the exhibition interweaves prints by artists as wide ranging as Alfred Stieglitz, Sophie Calle, Man Ray, and Glenn Ligon, as well as works by anonymous and virtually unknown photographers from the nineteenth and early twentieth centuries. The Unphotographable will be on view from January 3 through March 23, 2013, and will be accompanied by a 124-page hardcover book. More than a century of attempts to depict, through photographs, a reality beyond appearances is testament to a stubborn conviction that what can be seen is not all there is. In the book’s introduction Jeffrey Fraenkel writes, “From the moment of its invention almost 175 years ago, photography has proven adept at depicting the photographable: the solid, the concrete, that which can be seen. […] But another tradition exists, a parallel history in which photographers and other artists have attempted to describe by photographic means that which is not so readily seen: thought, time, ghosts, god, dreams. A vast array of strategies has been employed to bring such pictures about, tactics that have intersected and enriched the strains of modern art.” The exhibition will be installed in all three of the gallery’s spaces. Visitors will encounter Jakob Ottonowitsch’s Spark captured on the surface of the body of a well-washed prostitute, Tom Friedman’s Caveman, T.
[Show full text]