Diane Arbus Born 1923 in New York
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Pressemappe American Photography
Exhibition Facts Duration 24 August – 28 November 2021 Virtual Opening 23. August 2021 | 6.30 PM | on Facebook-Live & YouTube Venue Bastion Hall Curator Walter Moser Co-Curator Anna Hanreich Works ca. 180 Catalogue Available for EUR EUR 29,90 (English & German) onsite at the Museum Shop as well as via www.albertina.at Contact Albertinaplatz 1 | 1010 Vienna T +43 (01) 534 83 0 [email protected] www.albertina.at Opening Hours Daily 10 am – 6 pm Press contact Daniel Benyes T +43 (01) 534 83 511 | M +43 (0)699 12178720 [email protected] Sarah Wulbrandt T +43 (01) 534 83 512 | M +43 (0)699 10981743 [email protected] 2 American Photography 24 August - 28 November 2021 The exhibition American Photography presents an overview of the development of US American photography between the 1930s and the 2000s. With works by 33 artists on display, it introduces the essential currents that once revolutionized the canon of classic motifs and photographic practices. The effects of this have reached far beyond the country’s borders to the present day. The main focus of the works is on offering a visual survey of the United States by depicting its people and their living environments. A microcosm frequently viewed through the lens of everyday occurrences permits us to draw conclusions about the prevalent political circumstances and social conditions in the United States, capturing the country and its inhabitants in their idiosyncrasies and contradictions. In several instances, artists having immigrated from Europe successfully perceived hitherto unknown aspects through their eyes as outsiders, thus providing new impulses. -
A Than Or Xviii
A THAN OR XVIII Fl.oRlllA S TATE LJICl\.'ERS ITY D EPA RT\IE'<T or ART H ISTORY ATHANOR XVIII FLORIDA STATE UNIVERSITY DEPARTMENT OF ART HISTORY Cosmic oven or Athanor from Annibal Barlet, Le Vray Cours de Physique, Paris, 1653. Front cover: Albrecht Dürer, Bearing of the Cross, semi-grisaille, 1527, Accademia Carrara Bergamo, Bergamo, Italy. Back Cover: Detail of the eagle standard. Papers Copyright 2000 by the Authors ------------ Athanor XVIII Copyright 2000 by Florida State University / Tallahassee, FL 32306-1140 All Rights Reserved L.C. #81-68863 Florida State University Talbot D'Alemberte President L:rn-re.ncc G. Abele Provost and Vice President for Academic Affairs J. L. Draper Dean, School or Visual A11s and Dance Graduate StudieJ· in the History of An (l'1d Architecture Fm:11/ry: Art History Kare.n A. Bearor, Ph.D. Paula Gerson, Ph.D. Patricia Rose, Ph.D. University of Texas, Austin Columbia University Columbia University ASsociatc Professor Professor Associa1c Professor 19th and 20th Century A,1 Chair for Art History /1alia11 and Nonhem Medie~•al Ari Renaissance Art J. L. Draper. Ph.D. Univcrsily of No11h Carolina Cynthia Hahn, Ph.D. Jchannc TeiJhc1-Fisk. Ph.D. Associa1c Professor Johns Hopkins University University of California Dean. School of Visual Arts and Dance Professor Professor Renaissance and 19th Cemwy Art A1etliel'ol and Islamic An Ocetmia. African and American Indian Ari Jack W. Freiberg. Ph.D. Brenda G. Jordan, Ph.D. lnstilutc of Fine Arts University of Kansas l.uurcn \Veingardcn. Ph.D. \Jew York University Assistant Professor Univcrsi1y of Chicago Associate Professor Asian An Associate ProfCssor halian Rennisscmce Art 19th and 201h Cemwy Art Robert Neum,.n, Ph.D. -
Memphis, Eggleston, About 1965
J. Paul Getty Museum Education Department Exploring Photographs Information and Questions for Teaching Memphis, William Eggleston Memphis William Eggleston American, Memphis, Tennessee, about 1965–1970 Gelatin silver print 9 1/2 x 6 1/4 in. 2002.38.8 William Eggleston made this image from a two-person table in a Memphis diner; the collection of shakers and condiment jars on the tabletop in front of him are blurred by the camera's close proximity. Eggleston focused on an older woman having coffee at the next table, who returns his gaze. A bright stripe on the wall behind her and a nearby neon clock sign also vie for the camera's attention. The sign's message, "Payroll checks cashed free," addresses the diner's working-class patrons—a friendly message in an alienating interior. Diners are ubiquitous places, fixtures of American road culture where inexpensive food can be had quickly. The diner is also an iconic subject of twentieth-century American art; it featured in Edward Hopper's paintings of the 1930s and Robert Frank's photographs in The Americans, published in the 1950s. Eggleston's image extends their theme of lone city-dwellers sitting forlornly in harshly lit © Eggleston Artistic Trust eating establishments, looking as if they are trapped there. About the Artist William Eggleston (American, b. 1939) William Eggleston assumes a neutral gaze and creates his art from commonplace subjects: a farmer's muddy Ford truck, a red ceiling in a friend's house, the contents of his own refrigerator. In his work, Eggleston photographs "democratically"—literally photographing the world around him. -