Ravenna Arsenal News for CY 1969
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Music Video Pack Vol. 5 Song Title No. Popularized By Composer /Lyricist Billie Joe Armstrong, 21ST CENTURY BREAKDOWN 329 GREEN DAY Green Day 24 HOURS 337 CUESHE ACCORDING TO YOU 330 ORIANTHI Steve Diamond IKAW LANG TALAGA 338 YENG CONSTANTINO JUMP THEN FALL 333 TAYLOR SWIFT Taylor Swift LOVE STORY 334 TAYLOR SWIFT Taylor Swift Kevin Jonas, Sr., Nicholas LOVEBUG 332 JONAS BROTHERS Jonas, Joe Jonas, Kevin Jonas MAHAL PA RIN 339 SAM MILBY MOMENT OF TRUTH 335 FM STATIC FM Static PAIN IN MY HEART 340 ARNEL PINEDA PANAGINIP 341 MAYONNAISE PUTIK 342 SANDWICH Sandwich SUNDOT 343 AEGIS Celso Abenoja Matthew Followill, Jared Followill, USE SOMEBODY 336 KINGS OF LEON Nathan Followill, Caleb Followill HARTZLER JOSHUA, HODGES WHAT ABOUT NOW 331 WESTLIFE DAVID, MOODY BEN, www.wowvideoke.com 1 Music Video Pack Vol. 5 Song Title No. Popularized By Composer /Lyricist James Harris, Janet AGAIN 9046 JANET JACKSON Jackson, Terry Lewis Jimi Jamison, Todd EVER SINCE THE WORLD BEGUN 9048 SURVIVOR Smallwood, Frankie Sullivan Kara DioGuardi, Leona HAPPY 9049 LEONA LEWIS Lewis, Salaam Remi I HAVE FALLEN IN LOVE (WITH THE SAME WOMAN THREE TIMES) 9052 JOSE MARI CHAN Jose Mari Chan (lyrics) MY LOVE IS HERE 9053 ERIK SANTOS SMITH DANDRE LEMONT, MILLER PYRAMID 9047 CHARICE CALVIN JERMEL, FRANK LAWRENCE SA AKING PUSO 9054 ARIEL RIVERA Vehnee Saturno SANA KAHIT MINSAN 9055 ARIEL RIVERA Vehnee Saturno Glen Burtnik, Shelly WE COULD BE IN LOVE 9050 LEA SALONGA AND BRAD KANE Peiken Walter Afanasieff, WHENEVER YOU CALL 9051 MARIAH CAREY AND BRIAN MCKNIGHT Mariah Carey 2 www.wowvideoke.com Music Video Pack Vol. -
Directory P&E 2021X Copy with ADS.Indd
Annual Directory of Producers & Engineers Looking for the right producer or engineer? Here is Music Connection’s 2020 exclusive, national list of professionals to help connect you to record producers, sound engineers, mixers and vocal production specialists. All information supplied by the listees. AGENCIES Notable Projects: Alejandro Sanz, Greg Fidelman Notable Projects: HBO seriesTrue Amaury Guitierrez (producer, engineer, mixer) Dectective, Plays Well With Others, A440 STUDIOS Notable Projects: Metallica, Johnny (duets with John Paul White, Shovels Minneapolis, MN JOE D’AMBROSIO Cash, Kid Rock, Reamonn, Gossip, and Rope, Dylan LeBlanc) 855-851-2440 MANAGEMENT, INC. Slayer, Marilyn Manson Contact: Steve Kahn Studio Manager 875 Mamaroneck Ave., Ste. 403 Tucker Martine Email: [email protected] Mamaroneck, NY 10543 Web: a440studios.com Ryan Freeland (producer, engineer, mixer) facebook.com/A440Studios 914-777-7677 (mixer, engineer) Notable Projects: Neko Case, First Aid Studio: Full Audio Recording with Email: [email protected] Notable Projects: Bonnie Raitt, Ray Kit, She & Him, The Decemberists, ProTools, API Neve. Full Equipment list Web: jdmanagement.com LaMontagne, Hugh Laurie, Aimee Modest Mouse, Sufjan Stevens, on website. Mann, Joe Henry, Grant-Lee Phillips, Edward Sharpe & The Magnetic Zeros, Promotional Videos (EPK) and concept Isaiah Aboln Ingrid Michaelson, Loudon Wainwright Mavis Staples for bands with up to 8 cameras and a Jay Dufour III, Rodney Crowell, Alana Davis, switcher. Live Webcasts for YouTube, Darryl Estrine Morrissey, Jonathan Brooke Thom Monahan Facebook, Vimeo, etc. Frank Filipetti (producer, engineer, mixer) Larry Gold Noah Georgeson Notable Projects: Vetiver, Devendra AAM Nic Hard (composer, producer, mixer) Banhart, Mary Epworth, EDJ Advanced Alternative Media Phiil Joly Notable Projects: the Strokes, the 270 Lafayette St., Ste. -
The Macgill--Mcgill Family of Maryland
SEP i ma The MaCgÍll - McGill Family of Maryland A Genealogical Record of over 400 years Beginning 1537, ending 1948 GENEALOGICAL SOCIETÏ OP THE CHURCH OF JlSUS CMOlSI OP UT7Sfc.DAY SAMS DATE MICROFILMED ITEM PROJECT and G. S. Compiled ROLL # CALL # by John McGill 1523 22nd St., N. W Washington, D. C. Copyright 1948 by John McGill Macgill Coat-of-Arms Arms, Gules, three martlets, argent. Crest, a phoenix in flames, proper. Supporters, dexter (right) a horse at liberty, argent, gorged with a collar with a chain thereto affixed, maned and hoofed or, sinister (left) a bull sable, collared and chained as the former. Motto: Sine Fine (meaning without end). Meaning of colors and symbols Gules (red) signifies Military Fortitude and Magnanimity. Argent (silver) signifies Peace and Sincerety. Or (gold) signifies Generosity and Elevation of Mind. Sable (black) signifies Constancy. Proper (proper color of object mentioned). The martlet or swallow is a favorite device in European heraldry, and has assumed a somewhat unreal character from the circumstance that it catches its food on the wing and never appears to light on the ground as other birds do. It is depicted in armory always with wings close and in pro file, with no visable legs or feet. The martlet is the appropriate "differ ence" or mark of cadency for the fourth son. It is modernly used to signify, as the bird seldom lights on land, so younger brothers have little land to rest on but the wings of their own endeavor, who, like the swallows, become the travellers in their season. -
Single Page Artist/Producer List
Artists, Producers and Songwriters I Have Worked With Barry Rudolph E-Mail: [email protected] VOX: (818)985-1855 (Office) FAX: (818)766-5989 as of 6/11/01 Engineered and Worked with: Hall & Oates, Lynyrd Skynyrd, Rod Stewart, Waylon Jennings, Al Wilson, Johnny Mathis, Jimmy Jam and Terry Lewis, Juice Newton, El Chicano, Shalamar, Dynasty, Gutherie Thomas, O'Bryan, Don Cornelius, Keith Moon, Robin Smith, Ringo, Rosie Gaines, James Last, John Prine, Roy Buchanan, Stanley Clarke, Tony Williams, Levon Helm, Steve Cropper, Cate Bros., Duck Dunn, The Beach Boys, Michael Bishop, Sonny and Cher, Andy Prieboy, Wall of Voodoo, Jamie Glaser, Steve Smith, Jeff Lorber, Evan Rogers and Karl Sturken, Karyn White, Dazz Band, Randy California, Maurice White, Philip Bailey, Jermaine Jackson, Robbie Nevil, David Kahne, Parthenon Huxley, Richard Scher, Jeff Pescetto, The O'Jay's, PHD, Steven Dubin, Christopher Bond, Yves Chovard, Gary Stockdale, Tommy Faragher, Lotti Golden, Paul Young, Najee, Caron Wheeler, Wendy Moten, Craig Safan, David Blue, Jack Wagner, Cleto Escobedo, Pride N' Politix, Billy Cioffi, Wayne Watson, Chris Farren, David Pack, Teena Clark, Jermaine Jackson, Curtis Stigers, Glen Ballard, Cliff Magness, James Ingram, Dr. Jam, The Silos, John Densmore The Butts Band, Wayne Perkins and The Crimsom Tide, Richard Wolf, Wilson Philips, Lucero, Rocio Banquells, Rafael Perez- Botija, Enrique Iglesias, Mick Jagger, Patti Austin, Tracie Spencer, Madness 4 Real, Solid Productions, Boy Howdy, David Frank, Tim Heintz, Siedah Garrett, Simon Stokes, -
Mark Moffatt Issue 82
FEATURE MARK MOFFATT EX-PAT IN NASHVILLE Sometimes it feels like there are more Australian engineers working overseas with international acts than locals working with Australian ones. Is the grass really that much greener in places like Nashville? We find out from long-time ex-pat, Mark Moffatt. Text: Peter Moses Mark Moffat in the legendary Blackbird ‘C Room’. AT !" It’s a sunny a!ernoon in the remote leafy U.S. town opened doors that a lot of Australian artists have walked they call Nashville: one of the few places le! on earth through since. "at’s something I’m still proud of. where the recording industry still thrives. New commercial STRANDED IN BRISBANE studios are opening every year here and the number of PM: You say you still get asked about I’m Stranded. Can you session musicians is well beyond counting. Long perceived tell us more about what you remember about those early as the centre of the Country Music universe – almost to the guitar sounds? exclusion of all other musical genres – these days Nashville also boasts pop/rock powerhouses Kings of Leon, "e Black MM: Top Gear had all the major UK guitarists coming Keys, Kei$ha and "e White Stripes to name but a few who through every day, either to buy stu# or get repairs done. now reside and record in Nashville. Home and single studio In the %rst few months I had tasks as diverse as scraping facilities are abundant, bookended by the large recording violin rosin o# Jimmy Page’s #1 Les Paul to setting up every complexes of Ocean Way, Sound Kitchen, Sound Emporium Beatle guitar you’ve ever seen. -
Santa Clara Again After Four Years? the SCHOOL WAS GROWING THEN
LIBRARY USE I!M!H!3BIS H'iliwHHHDi ONLY iflflBHflH ril \ ^ ' H^RVMHOWIWATO AAXJ i B vinos UNIVERSITY OF SAN FRANCISCO 1950 Edward Murphy Editor James Kenney Business Manager Cecil Anderson Asst. Business Manager William Knill Photographer Charles Loughran Asst. Photographer James Raser Sports Editor John Bay Asst. Sports Editor Gerald J. Nagle, S. J Moderator STAFF James Doherty Donald McLaughlin Richard Murphy William Walters Thomas Barron Kevin Walsh Anthony Avellar Richard O'Brien Norman Adler Richard Pahl Gerald Geary Mario Vedrich CONTRIBUTORS Joseph Laharty Lawrence Lawson Joseph Gumina Walter Johnson Albert Schlarmann Gerald Mulvihill Patrick See Frank Maloon Gilbert DeLaMora Grateful acknowledgement is extended to Raymond T. Feely, S. J.; Gerald J. Nagle, S.J.; John Shanks, S. J.; the members of the Executive Council; the Student Body Officers; the Athletic Publicity Department and the Foghorn, without whose cooperation this chronicle of Student Life could not have been recorded. Copyright 1950 by the Associated Students WILLIAM J. DUNNE, S. J. President of the University of San Francisco 7&im nunRHnnnMm do<u x LD W^V SIS' ~E> (o C\ 5c < <L,5U GERALD J. NAGLE, SJ Dean of Men ALEXIS I. MEI, SJ. Dean of the College of Science CARROLL M. O'SULLIVAN, S. J. Rector RAYMOND T. FEELY, S.J. Dean of Faculties PAUL J. HARNEY, SJ. Dean, Dept. of Education ROY C. HALL, M.B.A. Dean of the College of Business Administration STUDENT BODY OFFICERS •••LB LARRY LAWSON President The University of San Francisco is the only Jesuit as: rebuilding of stairs and remodeling of the lounge. -
2009 WFYI Annual Report TABLE of CONTENTS MISSION Me S S a G E F R O M T H E Pr E S I D E N T As a Trusted Catalyst a N D T H E Bo a R D Ch a I R
2009 WFYI ANNUAL REPORT TABLE OF CONTENTS MISSION MESSAGE FRO M THE PRESIDENT AS A TRUSTED CATALYST AND THE BOARD CHAIR . 1 FOR LIFELONG LEARNING, WFYI PUBLIC MEDIA ENGAGES AND ENRICHES WFYI PU B LI C TELEVISION . 2 OUR COmmUNITY THROUGH DISTINCTIVE WFYI PU B LI C RADIO . 3 PROGRamS AND SERVICES. LEARNING SERVI C ES /OUTREA C H & ONLINE SERVI C ES 4 VISION IRIS & VOLUNTEERS . 5 WFYI PUBLIC MEDIA CO mm UNIT Y EVENTS . 6 IS A CENTER OF DISCOVERY FOR ALL AGES. THROUGH UNIQUE PROGRAMS, THE YEAR IN BRIEF . 7 SERVICES AND EMERGING LEADERSHI P GIVING . 10 TECHNOLOGIES, WE WILL BE A LEADING COMMUNITY RESOURCE, EMPOWERING PEOPLE COR P ORATE SP ONSORS /GRANTS . 18 TO DISCOVER THEIR WORLD, BROADEN THEIR HORIZONS AND BECOME ACTIVE FINAN C IAL REVIE W . 19 PARTICIPANTS IN SHAPING THE FUTURE. THROUGH THESE EFFORTS, WFYI BUILDS COMMUNITIES AND STRENGTHENS FAMILIES IN CENTRAL INDIANA. “PU B LI C TV AND RADIO ARE C RITI C AL TO KEE P ING THE P U B LI C INFOR M ED AND INVOLVED IN THE NATIONAL DIALOGUE . WE C AN AL W A Y S DE P END U P ON B OTH ENTITIES TO P RESENT US W ITH THE UN B IASED FA C TS W ITH W HI C H W E C AN M AKE OUR O W N DE C ISIONS .” – Jeffrey, a member in Noblesville MessaGE FROM THE PRESIDENT AND THE CHAIRMAN OF THE BOARD WFYI Board Chair David Sease and WFYI President & CEO Lloyd Wright. As we look back on 2009, we would like to take WFYI’s Development Department also received a moment to thank you for your support of WFYI national recognition for the second consecutive Public Media . -
Evolving a Signature Sound: Blending Celtic Roots and Aesthetics with Divergent Music Production Practices in Studio Albums Recorded by the Corrs
Evolving a signature sound: blending Celtic roots and aesthetics with divergent music production practices in studio albums recorded by The Corrs Stephanie Caffrey May 2020 Supervisors: Dr Daithí Kearney and Mr Seán Keegan External Examiner: Dr Leah Kardos Internal Examiner: Mr Paul McGettrick Master of Arts by Research in Music Declaration I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of Master of Arts by Research in Music is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: ID No: D00140714 Date: 29th of May 2020 i Acknowledgements First of all, I am sincerely grateful to Dundalk Institute of Technology’s Research Scholarship Programme for providing me with the opportunity to study at a postgraduate research degree level. I would also like to thank the staff of the Research Support Team and the Department of Creative Arts, Media and Music. I am particularly indebted to my joint supervisors Dr Daithí Kearney and Mr Seán Keegan for their unwavering commitment, support and encouragement throughout the course of my project. Their enthusiasm for music, music production and scholarly learning motivated me throughout my research and their guidance kept me on the right path throughout. I am exceptionally grateful to Jim Corr for providing me with many opportunities to discuss aspects of my research. -
2019–20 Commencement Program
Commencement UNIVERSITY OF COLORADO BOULDER MAY 16, 2020 One Hundred Forty-Fourth Year of the University NORLIN CHARGE TO THE GRADUATES The frst commencement at the University of Colorado was held for six graduates on June 8, 1882, in the chapel of Old Main. It was not until 40 years later, on September 4, 1922, that the frst summer commencement was held. Since the frst commencement in 1882, the University of Colorado Boulder has awarded more than 350,000 degrees. The traditional Norlin Charge to the graduates was frst read by President George Norlin to the June 1935 graduating class. You are now certified to the world at large as alumni of the university. She is your kindly mother and you her cherished sons and daughters. This exercise denotes not your severance from her, but your union with her. Commencement does not mean, as many wrongly think, the breaking of ties and the beginning of life apart. Rather it marks your initiation in the fullest sense into the fellowship of the university, as bearers of her torch, as centers of her influence, as promoters of her spirit. The university is not the campus, not the buildings on campus, not the faculties, not the students of any one time—not one of these or all of them. The university consists of all who come into and go forth from her halls, who are touched by her influence, and who carry on her spirit. Wherever you go, the university goes with you. Wherever you are at work, there is the university at work. -
International-Short
L. VI FEBRUARY, 1935 NO. 5 YNIERNATIONAL Short Wave News. Police Stations. Accurate Station List. Aircraft Stations. Hourly Tuning Guide. And Other Features. THE VOICE OF THE INTERNATIONAL SHORT WAVE CLUB EAST LIVERPOOL, OHIO, U. S. A. ALWAYS MENTION THE CLUB WHEN BUYING "Satisfactory Short Wave Reception Under Worst Possible Conditions" 7"1\ HI-FI !)E MARX REGISTERED (HighFidelity) ANTENNA SYSTEMS "We are located on the ground floor of an eleven story office building. In this building are number of doctors with X-ray equipment, etc.. and within one hundred feet f is another office bulding in which areover three hun- dreded with their associated electrical equipment. Reception coniions werew so bad that i the daytime with normal antenna. it practically impossible to hear aning except local broadcast stations. "We have installed two 2034 foot cages d a using nof .Your HI-FI Coupling Kite with'240 feet f Cieent Killer Cable. EAQ, Madrid. nows through beautifully, with very little background o We hove checked during the dayand find that evencr if the X-rays are running. weable toget sufficient ecent reception ae very onvincing emonstration to a customer ahnt a short wave radio will work satisfactorily with a LYNCH Antenna System-" s (Name on Request) "No Radio Can Be Better Than Its Aerial- No Aerial Is As Good As a LYNCH Aerial." Full Information on Request Arthur H. Lynch, Inc., 227 Fulton St., N. Y. PIONEER OF NOISE -REDUCING AERIALS ANNOUNCEMENT Sol Perlman, E. E., Technical Advisor, N. Y. Chapter, International Short Wave Club, has been made Manager of our Technical Correspondence Department. -
Imagem Stumpf
Imagem That! Meet An Unlikely US Publishing Power Player Richard Stumpf has been a man on a mission since arriving at Imagem with the mandate to lead the Dutch-owned company into the U.S. pop/rock marketplace. As part of that mission, Stumpf, who serves as president of Imagem Music USA, has been working to ensure Imagem emerges as a midsize U.S. music publisher. It would fill the void created by BMG Rights Management, when it acquired Bug Music, Stage Three Music, Cherry Lane Music Publishing and Evergreen Copyrights, among others. Besides BMG, Round Hill Music has also made acquisitions while Spirit Music and Bicycle Music continue to buy artist catalogs. "With all of the acquisitions and the [BMG] rollup, the upper-tier indie-music publishing space is almost virtually vacant," says Stumpf, who joined Imagem in September 2010 after BMG picked up his employer Cherry Lane. "All that consolidation leaves room for other indie music publishers to come up." Imagem had already made inroads to establish itself in the United States before hiring Stumpf. In 2009, it acquired the Rodgers & Hammerstein Organization, which owns the grand rights to such musicals as "The Sound of Music," "Oklahoma!" and "South Pacific." Founded in 2007 by Dutch pension fund ABP and music publisher CP Masters, Imagem began by acquiring classical music publisher Boosey & Hawkes, Zomba U.K., 19 Music and other catalogs. Between those acquisitions and the RHO deal, Imagem already had offices in New York. But the hiring of Stumpf has allowed the company to build its pop and rock catalog on both sides of the Atlantic. -
Wheeling & Dealing
#BXNCTCC CH 3-DI3I7 907 IIIIIIIIIIIIIIIMIIIIIIIIIIIIIIIIIIIIIIIIIIIIII #BL240E043# APR06 A04 y0101 MONTY CREENLT 3740 ELM AVE # A LONG BEACH CA 90807 --1C2 MAY FOR MORE TI-AN 110 YEARS GRAMMY WINNER JOHN SHANKS IS TODAY'S HOTTEST PRODUCER >P.24 t:0-131J R N I N tä KIOSKS: CAN THE MUSIC BIZ SMOKE OUT THE PROFITS? >P.27 CäC)13I I_I_A4. DR 1=AIVI I N Cà OF A N OTI-I E R WHEELING & DEALING WALL ST. TEPID ON WMG IPO >P.5 CANADIAN FIRM GRABS KOCH >P.8 BM'S DIRECT BUYS RIVAL >P.10 £6.99US $8.9 CAN 02552 US $6.99, CAN $8.99, UK £5.50, EUROPE 8.95. JAPAN Y2,E00 www.billboard.com www.billboard.biz www.americanradiohistory.com Your potential. Our passion." playsforsu re Windows Media Choose your music. Choose your device. Know it's going to work. When your device and music service are compatible with each other, all you have to do is choose the music that's compatible with you. Look for the PlaysForSure logo on a wide range of devices and music services. For a complete list go to playsforsure.com r!, 2005 Mit=osoft Corporation. All rights reserved Mk-rosoft, ut5h1, the MSN logo. tie PlaysforSute logo. the WInrfoNs log), Windows Media, and "Your potential. Our passion" are eithe- registered trademarks or traderra ks of Microsoft Corporation in the Jnitec States or ror other countries. The rames of actual companies ardproduds mentioned herein may be the trademarks of their e spective owners www.americanradiohistory.com May 21, 2005 VOLUME 117, NO.