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#BXNCTCC CH 3-DI3I7 907 IIIIIIIIIIIIIIIMIIIIIIIIIIIIIIIIIIIIIIIIIIIIII #BL240E043# APR06 A04 y0101 MONTY CREENLT 3740 ELM AVE # A LONG BEACH CA 90807 --1C2 MAY FOR MORE TI-AN 110 YEARS GRAMMY WINNER JOHN SHANKS IS TODAY'S HOTTEST PRODUCER >P.24 t:0-131J R N I N tä KIOSKS: CAN THE MUSIC BIZ SMOKE OUT THE PROFITS? >P.27 CäC)13I I_I_A4. DR 1=AIVI I N Cà OF A N OTI-I E R WHEELING & DEALING WALL ST. TEPID ON WMG IPO >P.5 CANADIAN FIRM GRABS KOCH >P.8 BM'S DIRECT BUYS RIVAL >P.10 £6.99US $8.9 CAN 02552 US $6.99, CAN $8.99, UK £5.50, EUROPE 8.95. JAPAN Y2,E00 www.billboard.com www.billboard.biz www.americanradiohistory.com Your potential. Our passion." playsforsu re Windows Media Choose your music. Choose your device. Know it's going to work. When your device and music service are compatible with each other, all you have to do is choose the music that's compatible with you. Look for the PlaysForSure logo on a wide range of devices and music services. For a complete list go to playsforsure.com r!, 2005 Mit=osoft Corporation. All rights reserved Mk-rosoft, ut5h1, the MSN logo. tie PlaysforSute logo. the WInrfoNs log), Windows Media, and "Your potential. Our passion" are eithe- registered trademarks or traderra ks of Microsoft Corporation in the Jnitec States or ror other countries. The rames of actual companies ardproduds mentioned herein may be the trademarks of their e spective owners www.americanradiohistory.com May 21, 2005 VOLUME 117, NO. 21 ON THE CHARTS 010111 4,4 AI_I3UIVIS I I ® PAGE ARTIST / TITLE l'I ()\ LUDACRIS / TOP 5 IJews BILLBOARD 200 40 THE RED LIGHT DISTRICT ALISON KRAUSS + UNION STATION / 10 Making The Brand TOP BLUEGRASS 47 LONELY RUNS BOTH WAYS 11 Touring YO -Y0 MA WITH ROMA SINFONIETTA TOP BLUES 51 ORCHESTRA/ PLAYS ENNIO MORRICONE 12 Global ANDREA BOCELLI / TOP CHRISTIAN 51 ANDREA 14 The Publishers' Place SHANIA TWAIN / 15 Digital Entertainment TOP COUNTRY 47 GREATEST HITS THE POSTAL SERVICE / 21 Retail Track TOP GOSPEL 51 GIVE UP 22 The Indies GROSSFADE; TOP LATIN 48 CROSSPATE 23 Q &A CLAY AIKEN / HEATSEEKERS 49 MERRY CHRISTMAS WITH LOVE 34 Boxscore LIA JON & THE EAST SIDE BOYZ / 35 On The Road TOP INDEPENDENT 50 CREEK JUICE U2 / TOP NEW AGE 53 HOW TO DISMANTLE AN ATOMIC BOMB Q$ ALISON KRAUSS + UNION STATION / R &B /HIP HOP LONELY RUNS BOTH WAYS 111 Iif HIGHLIGHTS BOT / TOP WORLD 51 WHENHEN FALL IN LOVE 16 THE VIDEOGAME BUSINESS continues PAGE ARTIST / TITLE to revamp its platforms and grab more KENNY G / ADULT CONTEMPORARY 44 AT LAST THE DUETS ALBUM cutting -edge acts to contribute songs CELINE DION / ADULT TOP 40 ad MIRACLE to its games. LUIS MIGUEL / COUNTRY 52 MEXICO EN LA PIEL MANNHEIM STEAMROLLER / 24 JOHN SHANKS tells Billboard how he COUNTRY SING LES SALES 52 CHRISTMAS CELEBRATION turned from guitarist and co- collaborator IG / HOT DANCE CLUB PLAY ?' 52 ! THE E0 LIGHT DISTRICT into Grammy Award -winning producer of LUDACRIS / HOT DANCE AIRPLAY 42 THE RED LIGHT DISTRICT the year. SNOOP DOGG FEAT. PHARRELL / HOT DANCE SINGLES SALES 42 DROP T LINE IT'S HOT 27 THE CD- BURNING KIOSK may be a JOHN MAYER / HOT DIGITAL SONGS DAUGHTERS great concept, but retailers say there JOSH GROBAN / HOT 100 48 BELIEVE are numerous issues to resolve before BLAKE SHELTON / it can become a reality. HOT 100 AIRPLAY 49 SOME BEACH GWEN STEFANI / HOT 100 SINGLES SALES 44 WHAT YOU WAITING FOR' 30 THE TOURING FORECAST DESTINY'S CHILD / of 2005 remains cloudy even HOT LATIN TRACKS 42 LOSE MY BREATH RUPEE / with newcomers like Franz MODERN ROCK 46 TEMPTED TO TOUCH Ferdinand showing promise. KELLY CLARKSON / POP 100 46 SINCE U BEEN GONE PAULINA RUBIO / POP AIRPLAY 46 DAME OTRO TEQUILA \II I(' NELLY FEAT. TIM MCGRAW / 38 R &B /HIP HOP 49 ;[R AND OVER The Beat GREEN DAY / 39 & R Scene Heard &B /HIP HOP AIRPLAY 46'iULEVARD OF BROKEN DREAMS 40 In SNOOP 00GG FEAT. PHARRELL/ The Spirit, Nashville Scene R&B /HIP HOP SINGLES SALES 49 OP IT LIKE 42 Rhythm & Blues, SNOOP DOGG FEAT. PHARRELL / R&B/ADULT 49 .,DP IT IIPA I Beats & Rhymes SNOOP OOGG FEAT. PHARRELL / RHYTHMIC , 49 43 Global Pulse 44 Latin Notas, Classical Score ® VIDEOS PAGE ARTIST / TELE 45 Reviews DESTINY'S CHILD / TOP DVD SALES 50 )SE MY BREATH RUPEE / TOP MUSIC VIDEOS 50 LOTTED TO TOUCH DEPARTMIENTB THIS WEEK ON .biz 4 Opinion ARTIST / TITLE DESTINY'S CHILD / 47 Over The Counter TOP ELECTRONIC #1 COSE MY BREATH 47 Market Watch RUPEE / TOP CLASSICAL #1 TEMPTED TO TOUCH 67 Marketplace KELLY CLARKSON / TOP CLASSICAL CROSSOVER #1 SINCE U BEEN GONE 68 Mileposts PAULINA RUBIO / 69 BackBeat TOP INTERNET #1 DAME OTRO TEQUILA NELLY FEAT. TIM MCGRAW / 70 Inside Track, Executive Turntable TOP JAZZ #1 OVER AND OVER GREEN DAY/ TOP JAZZ CONTEMPORARY #1 BOULEVARD OF BROKEN DREAMS For more in-depth business co..erace, check out www.billboard.biz. KELLY CLARKSON / AI3OVE: TOP POP CATALOG #1 ONCE U BEEN GONE Rolling Stones' Mick PAULINA RUBIO Jagger fancies hitting TOP REGGAE #1 DAME TEQUILA OTRO a mix of venues for the HELL), FEAT. TIM MCGRAW / A/Imes l Ill NW Your 2417 Web TOP RINGTONES band's new tour. #1 OVER ANO OVER ()N destination for breaking 11. GREEN DAY / See page TOP SOUNDTRACKS #1 BOULEVARD OF BROKEN DREAMS news around the clock PAULINA RUBIO / and around the world. ON TH E ('OVER: VHS SALES #1 GAME OTRO TEQUILA John Shanks is the PAULINA RUBIO / VIDEO RENTALS #1 hot rock/pop SAME OTRO TEQUILA Conmeris about producer PAULINA RUBIO new look? of the GAME RENTALS #1 Piflboard's DAME OTRO TEQUILA Send then- to moment. Photo by redesign aNbillboard com. Sebastian Artz www.americanradiohistory.com &IIhoed EXECUTIVE EDITORS KEN SCHLAGER TAMARA CONNIFF EDITORIAL FEATURES EDITOR: Marc Schiffman 646- 654 -4708 MUSIC EDITOR: Melinda Newman 323 -525 -2287 BUREAU CHIEFS: Leila Cobo (Miami /Latin America) 305- 361 -5279: Bill Holland (Washington. DC.) 202 -833 -8692. Melinda Newman (L A ) 323 -525 -2287. Phyllis Stark (Nashville) 615 -321 -4284 COMMENTARY I LETTERS EDITORIALS SPECIAL FEATURES EDITOR: Thom Duffy 646- 654-4716 OPINION BILLBOARD.COM EDITOR: Barry Jeckell 646-654 -5581 SENIOR EDITORS: Ed Christman (Retail) 646 -654 -4723, Gall Mitchell (R &B) 323 - 525 -2289. Ray Waddell ., rig) 615- 321 -4245 STAFF EDITORS: Antony Bruno (Digital /Mobile) 31 . Susan Butler (Legal /Publishing) 646- 654 -4646: Brian Garrity (Business) 646- 654 -47. Michael Paoletta (Brand Marketing) 646 -654- 4726. Deborah Evans Price (Country /Chnshan/Gospel. - : '92 STAFF WRITERS: Ivory Jones (Rap/Hip -Hop) 646 -654 -46- Jill Kipnis (Touring /Home Video) Kudos, Quibbles On `New' Billboard 323 -525 -2293, Todd Martens (Indies) 323 -525 -2292 BILLBOARD.COM NEWS EDITOR/ALBUM REVIEWS EDITOR: Jonathan Cohen 646 -654 -5582 SINGLES REVIEWS EDITOR: Chuck Taylor 646 -654 -4729 I wanted take a to congratu- Pro Audio column. I urge you to resume I just read through the first new issue to moment BILLBOARD.BIZ NEWS EDITOR: Chris M. Walsh 646- 654 -4904 late you on all of the changes you've this coverage. Howard Sherman and I love the layout, the charts, the SENIOR ASSOCIATE EDITOR: Katy Kroll (Special Features) 646- 654 -4709 Music) to Billboard. From the Howard Sherman Public Relations articles- everything. You guys have been ASSOCIATE EDITOR: Margo Whitmire 323 -525 -2322 made graphics COPY CHIEF: Chris Woods; COPY EDITORS: Jackie McCarthy, Wayne Robins and style to the reorganization of all of New York very aggressive in upgrading the content ART DIRECTOR: Jeff Nisbet (and new features as of all of your publications in the past year EDITORIAL ASSISTANT: Sarah Han (N.Y.) 646- 654 -4605 the content some CONTRIBUTORS: Jim Bessman, Fred Bronson, Ramiro Burr, Paul Heine, Titus, Kudos and I just wanted to let you know that I Catherine Applefeld Olson, Dan Ouellette, Tony Sanders, Bram Teltelman, Christa well), you have obviously taken great The new layout looks fantastic! Steve Traiman, Anastasia Tsloulcas care, research and good judgment, all of to the team for putting this together. take notice. John Zarling GLOBAL which have resulted in such a stellar Definitely moves the mag forward. DreamWorks /MCA /Mercury, Nashville LONDON: EMMANUEL LEGRAND (Bureau Chief /Global Editor) 011- 44 -?07- 470 -6155. Tom Ferguson (Deputy Global Editor) 011 -44-207 -420 -6069: magazine. It will be more enjoyable John Loken Lars Brandie (Global News Editor) 011 -44- 207-420 -6068 INTERNATIONAL BUREAU CHIEFS: Christie Ellezer (Australia), Larry LeBlanc (Canada), than ever to read the industry's bible Ride Management, Culver City, Calif. The magazine's new look: Perfect. Steve McClure (Asia). Wolfgang Spahr (Germany) Juliana Koranteng, Paul Sexton every week. Neil Portnow The charts' new look: This time you CONTRIBUTING EDITORS: Sam Andrews, President, The Recording Academy The charts aren't very legible. I'm sorry, got it totally right. CREATIVE DIRECTION 8 CONSULTING CREATIVE DIRECTION: STARK DESIGN (www 'Yarkcles =1 DANIEL STARK Santa Monica, Calif. but there are too many colors, pictures, The removal of Chart Beat's print ART DIRECTOR: Timothy Jones; SENIOR DESIGNER: Jodi Miller graphics, etc., that are very distracting. version: Boo, hiss! CHARTS 8 RESEARCH Congrats on the redesign. Man ... it The print is also too small. Relegating the prestigious Hot Too DIRECTOR OF CHARTS /SENIOR ANALYST: GEOFF MAYFIELD IL .A . i CHART MANAGERS: Bob Allen (Boxscore. Næ i Keith Caulfield (Pop Catalog. Soundtracks. looks awesome. The magazine really Grayson Bedwell to half-a -page every two weeks: Production Credits. L Anthony Colombo (t: .n P - !ern Rock.
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    nr kat artysta tytuł title nośnik liczba data supplement nośników premiery 9985841 '77 Nothing's Gonna Stop Us black LP+CD LP / Longplay 2 2015-10-30 9985848 '77 Nothing's Gonna Stop Us Ltd. Edition CD / Longplay 1 2015-10-30 88697636262 *NSYNC The Collection CD / Longplay 1 2010-02-01 88875025882 *NSYNC The Essential *NSYNC Essential Rebrand CD / Longplay 2 2014-11-11 88875143462 12 Cellisten der Hora Cero CD / Longplay 1 2016-06-10 88697919802 2CELLOSBerliner Phil 2CELLOS Three Language CD / Longplay 1 2011-07-04 88843087812 2CELLOS Celloverse Booklet Version CD / Longplay 1 2015-01-27 88875052342 2CELLOS Celloverse Deluxe Version CD / Longplay 2 2015-01-27 88725409442 2CELLOS In2ition CD / Longplay 1 2013-01-08 88883745419 2CELLOS Live at Arena Zagreb DVD-V / Video 1 2013-11-05 88985349122 2CELLOS Score CD / Longplay 1 2017-03-17 0506582 65daysofstatic Wild Light CD / Longplay 1 2013-09-13 0506588 65daysofstatic Wild Light Ltd. Edition CD / Longplay 1 2013-09-13 88985330932 9ELECTRIC The Damaged Ones CD Digipak CD / Longplay 1 2016-07-15 82876535732 A Flock Of Seagulls The Best Of CD / Longplay 1 2003-08-18 88883770552 A Great Big World Is There Anybody Out There? CD / Longplay 1 2014-01-28 88875138782 A Great Big World When the Morning Comes CD / Longplay 1 2015-11-13 82876535502 A Tribe Called Quest Midnight Marauders CD / Longplay 1 2003-08-18 82876535512 A Tribe Called Quest People's Instinctive Travels And CD / Longplay 1 2003-08-18 88875157852 A Tribe Called Quest People'sThe Paths Instinctive Of Rhythm Travels and the CD / Longplay 1 2015-11-20 82876535492 A Tribe Called Quest ThePaths Low of RhythmEnd Theory (25th Anniversary CD / Longplay 1 2003-08-18 88985377872 A Tribe Called Quest We got it from Here..
  • Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi

    Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi

    CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80.
  • Linn Lounge Presents... the Rolling Stones

    Linn Lounge Presents... the Rolling Stones

    Linn Lounge Presents... The Rolling Stones Welcome to Linn Lounge presents… ‘The Rolling Stones’ Tonight’s album, ‘Grr’ tells the fascinating ongoing story of the Greatest Rock'n'Roll Band In The World. It features re-masters of some of the ‘Stones’ iconic recordings. It also contains 2 brand new tracks which constitute the first time Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood have all been together in the recording studio since 2005. This album will be played in Studio Master - the highest quality download available anywhere, letting you hear the recording exactly as it left the studio. So sit back, relax and enjoy as you embark on a voyage through tonight’s musical journey. MUSIC – Muddy Waters, Rollin’ Stone via Spotify (Play 30secs then turn down) It all started with Muddy Waters. A chance meeting between 2 old friends at Dartford railway station marked the beginning of 50 years of rock and roll. In the early 1950s, Keith Richards and Mick Jagger were childhood friends and classmates at Wentworth Primary School in Kent until their families moved apart.[8] In 1960, the pair met again on their way to college at Dartford railway station. The Chuck Berry and Muddy Waters records that Jagger carried revealed a mutual interest. They began forming a band with Dick Taylor and Brian Jones from Blues Incorporated. This band also contained two other future members of the Rolling Stones: Ian Stewart and Charlie Watts.[11] So how did the name come about? Well according to Richards, Jones christened the band during a phone call to Jazz News.