A Discourse of Delegitimisation: the British Left and the Jews
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
'The Left's Views on Israel: from the Establishment of the Jewish State To
‘The Left’s Views on Israel: From the establishment of the Jewish state to the intifada’ Thesis submitted by June Edmunds for PhD examination at the London School of Economics and Political Science 1 UMI Number: U615796 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U615796 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 F 7377 POLITI 58^S8i ABSTRACT The British left has confronted a dilemma in forming its attitude towards Israel in the postwar period. The establishment of the Jewish state seemed to force people on the left to choose between competing nationalisms - Israeli, Arab and later, Palestinian. Over time, a number of key developments sharpened the dilemma. My central focus is the evolution of thinking about Israel and the Middle East in the British Labour Party. I examine four critical periods: the creation of Israel in 1948; the Suez war in 1956; the Arab-Israeli war of 1967 and the 1980s, covering mainly the Israeli invasion of Lebanon but also the intifada. In each case, entrenched attitudes were called into question and longer-term shifts were triggered in the aftermath. -
The Cut and Thrust: the Power of Political Debate in the Films of Ken Loach Author(S): Graham Fuller Source: Cinéaste , Fall 2015, Vol
The Cut and Thrust: The Power of Political Debate in the Films of Ken Loach Author(s): Graham Fuller Source: Cinéaste , Fall 2015, Vol. 40, No. 4 (Fall 2015), pp. 30-35 Published by: Cineaste Publishers, Inc. Stable URL: http://www.jstor.com/stable/26356460 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Cineaste Publishers, Inc. is collaborating with JSTOR to digitize, preserve and extend access to Cinéaste This content downloaded from 95.183.184.51 on Fri, 07 Aug 2020 09:43:32 UTC All use subject to https://about.jstor.org/terms The Cut and Thrust The Power of Political Debate in the Films of Ken Loach by GrahamGraham Fuller Fuller resistance—most notably in The Wind That he was by the language of the communist a footnote to history: the story of the Shakes the Barley and the Allen-scripted Span books and leaflets a militant guest had sent Ken Loach's selfless attempt new offilm, the communist Jimmy's Hall, is ish Civil War film Land and Freedom (2005)— him. When the aristocratic pit owner John agitator James Gralton (1886-1945) and his has proved unavoidable. In contradistinction Pritchard (Edward Underdown) calls in fellow County Leitrim villagers to run a to the hyperbolic sequences of glorified may troops to harass the miners and their families dance hall and community center in the face hem and murder synonymous with Holly into submission, however, Joel and Ben find of anti-red paranoia and the puritanical wood cinema, talk is action in Loach's films. -
A State of Play: British Politics on Screen, Stage and Page, from Anthony Trollope To
Fielding, Steven. "The Televised Crisis." A State of Play: British Politics on Screen, Stage and Page, from Anthony Trollope to . : Bloomsbury Academic, 2014. 157–186. Bloomsbury Collections. Web. 25 Sep. 2021. <http://dx.doi.org/10.5040/9781472545015.ch-006>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 00:50 UTC. Copyright © Steven Fielding 2014. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 6 The Televised Crisis The Clangers was a children’s animated television series featuring what their creator Oliver Postgate described as ‘a small tribe or extended family of civil mouse-like persons living their peaceful lives on, in and around a small, undis- tinguished moon’. They were ‘plump and shocking pink, with noses that were long, perhaps for sucking up … soup’.1 Originally broadcast on BBC One during 1969–72, the series was repeated many times thereafter. On the night of 10 October 1974 the BBC showed a special episode, ‘Vote for Froglet’, one designed for grown-ups, in which the narrator informs the Clangers that ‘the proudest moment of the British people [is] a parliamentary election’. The purpose of the episode was, however, not to celebrate the state of democracy on the day the country went to the polls. Postgate had something he wanted to get off his chest. The grandson of George Lansbury, who led the Labour party during 1932–5, Postgate was from a left-wing bohemian family. Yet, as the post-war period developed, he came to believe that ‘the prospect of a just and loving social order based on the principles of true socialism’, for which his grandfather and parents had worked, would not materialize. -
Socialist Television Drama, Newspaper Critics and the Battle of Ideas During the Crisis of Britain’S Post-War Settlement
Socialist television drama, newspaper critics and the battle of ideas during the crisis of Britain’s post-war settlement Author: Steven Fielding Journal: Twentieth Century British History Accepted for Publication: 1 February 2019 More than ever, ideas matter to political historians: many have now taken an ‘ideational turn’.1 This is especially true of students of the 1970s, the decade when a fierce ideological battle with huge consequences for the future raged over Britain’s ailing post-war settlement. By keeping the profit motive intact and leaving untouched most bastions of estaBlished power, but expanding the role of government and giving organized laBour a Bigger voice, some believed the settlement had permanently placed Britain somewhere Between socialism and the free market.2 Sustained by what Paul Addison described as a limited ‘Whitehall consensus’, the settlement nonetheless remained the suBject of keen ideological debate.3 Economic growth and popular affluence however meant that those who wanted to firmly wrest it towards socialism or the free market were largely excluded from influence within government. But once Britain’s mounting economic proBlems were compounded By the quadrupling of the price of oil in 1973-4 and the country found itself in an inflation-fueled recession, the existential questions long asked by the far-left and radical right won new audiences beyond Whitehall.4 If measured in strictly parliamentary terms it was the right that won this battle of ideas. Margaret Thatcher’s election as Prime Minister in 1979 -
HOME-2016-Annual-Report.Pdf
STORIES FROM HOME 2015-2016 HOME HOME IN THE MEDIA ★★★★★ DIRTY, RAUCOUS, AND AGLITTER WITH TAWDRY SEDUCTION. THE TIMES – THE FUNFAIR EVEN ON A TYPICALLY BALMY MAY MORNING IN MANCHESTER… MY SPIRITS ARE ELATED. WE HEAR A LOT FROM GEORGE OSBORNE ABOUT A “NEW NORTHERN POWERHOUSE”, BUT I’VE JUST EMERGED FROM A NORTHERN POWERHOUSE THAT’S UP AND RUNNING. THE TIMES ★★★★ BLANCHE MCINTYRE’S INNOVATIVE [PRODUCTION] SPOTLIGHTS THE CHORUS IN A WELCOME, RITUALISTIC REINVENTION. THE GUARDIAN – THE ORESTEIA MAGICAL… DIRECTOR WALTER MEIERJOHANN SHOULD FEEL JUSTIFIABLY PROUD OF THIS FIRST HOME CHRISTMAS PRODUCTION WHICH HITS ALL THE RIGHT NOTES. THE RIGHT NOTES GAYDIO – INKHEART THE SHOW EXCELS IN THE VISUALS… IT SHOULD ALSO BE LAUDED FOR SUPPORTING THE CREATION OF SIGNIFICANT ARTWORKS THROUGH THE MANY COMMISSIONS, CLEARLY PRODUCED TO A HIGH QUALITY. ART MONTHLY – THE HEART IS DECEITFUL ABOVE ALL THINGS MAGICAL… – A TRULY SPECIAL LIVE EVENT. HUFFINGTON POST – ICARUS AT THE EDGE OF TIME IT IS A HUGE FEATHER IN THE CAP OF HOME... IT IS ALSO ANOTHER MILESTONE IN MANCHESTER’S LONG ASSOCIATION WITH FILM-MAKING IN HONG KONG AND LONG MAY IT CONTINUE. NORTHERN SOUL – CRIME: HONG KONG STYLE 2 A YEAR OF NEW EXPERIENCES, NEW VOICES AND NEW STORIES JONTY CLAYPOLE, Over the following months, I saw These are some of the UK’s greatest CHAIR OF HOME TRUSTEES, many of the early shows at HOME. talents, already seeing HOME as a TALKS ABOUT JOINING HOME AT From the innovation of Golem to the lynchpin in the national ecology of THE START OF THE JOURNEY. provocative playfulness of Joana producing venues that enables the UK to Hadjithomas and Khalil Joreige's maintain its reputation as a world leader I'm lucky to have spent the last I Must First Apologise, what struck me for culture. -
October 15 — March 16 INKHEART: WHAT IF EVERY Book YOU READ… BECAME REAL?
octOBER 15 — march 16 INKHEART: WHAT IF EVERY book YOU READ… BECAME REAL? New theatre season: Shakespeare, Beckett, Complicite and more James Benning’s Greatest Hits From Safe to Space: new exhibitions Jim Allen: A Retrospective PICK ME UP & TAKE ME HOMEBOOK NOW AT HOMEmcr.org or call 0161 200 1500 1 COntents see more, 4 quick season guide save 6 PEOPLE AND PLACES money! – JAMES BENNING dear reader: 10 october 14 november 16 Still Relevant AfteR All These Years When you work on – Jim Allen 18 december Ticket Saver a building project 19 january Book top price tickets for three different theatre shows at the same 20 february time and save 20%. Look for the such as HOME it’s easy ticket saver stamp on eligible shows. 21 our home is your home Offer does not include previews, 22 AL and AL: £5 student super advance tickets INCIDENTS OF TRAVEL or £10 tickets. The same amount to think that the of tickets must be purchased IN THE MULTIVERSE for each show and all tickets must be purchased at the same 26 HOME & the Chinese time. Subject to availability and opening date marks Film Forum UK cannot be used retrospectively or in conjunction with other 28 march discounts or offers. 30 Times, tickets the end; that your & where to find us Great theatre 31 next issue from just £10 (or less!) job’s done once the Most of our theatre shows have seats priced from £10. Students can also take advantage doors are open... of super advance tickets for most theatre shows and film screenings, priced at just £5. -
Master Thesis in History University of Oslo
HIS4090 Autumn 2018 Candidate 317 A Convergence of Narratives: The Holocaust & Israeli historiography since 1982 Master Thesis in History Torstein Kvernvold Myhre University of Oslo Department of Archeology, Conservation and History (IAKH) Autumn 2018 1 HIS4090 Autumn 2018 Candidate 317 Acknowledgements I would like to thank the faculty at IAKH at the University of Oslo, and in particular my supervisor Douglas Rossinow for giving me invaluable feedback at critical stages during the writing of this thesis from January 2017 to November 2018. His guidance has been crucial in helping me do research that made this paper possible. My fellow students at UiO have contributed greatly to stirring some of the journey this writing process has taken me through. My dear father has also continued to give me crucial guidance in the art of argumentation. I would also like to thank mr. Norman Finkelstein for indulding in a personal correspondence with me, both in person and in writing. His answers to questions have greatly contributed to helping me place this thesis in a political-ideological context. I would lastly give a dearest thank you to my dearest Kristine, for her unrelenting patience on my behalf. 2 HIS4090 Autumn 2018 Candidate 317 Abstract This master thesis is a historiographic analysis of how the Holocaust has been utilized to strengthen and legitimize Israel as a Jewish state, and how this push has shaped academic, cultural and political discourse on the Israeli/Palestinian conflict since 1983. By analysis of secondary literature on Israel's relationship to the Holocaust, this thesis will explore how perceived links between the two play a key role in the shaping of academic and political discourse on the Israeli/Palestinian conflict. -
The Catholic Church and the Holocaust, 1930–1965 Ii Introduction Introduction Iii
Introduction i The Catholic Church and the Holocaust, 1930–1965 ii Introduction Introduction iii The Catholic Church and the Holocaust, 1930 –1965 Michael Phayer INDIANA UNIVERSITY PRESS Bloomington and Indianapolis iv Introduction This book is a publication of Indiana University Press 601 North Morton Street Bloomington, IN 47404-3797 USA http://www.indiana.edu/~iupress Telephone orders 800-842-6796 Fax orders 812-855-7931 Orders by e-mail [email protected] © 2000 by John Michael Phayer All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and re- cording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of Ameri- can University Presses’ Resolution on Permissions constitutes the only exception to this prohibition. The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Perma- nence of Paper for Printed Library Materials, ANSI Z39.48-1984. Manufactured in the United States of America Library of Congress Cataloging-in-Publication Data Phayer, Michael, date. The Catholic Church and the Holocaust, 1930–1965 / Michael Phayer. p. cm. Includes bibliographical references and index. ISBN 0-253-33725-9 (alk. paper) 1. Pius XII, Pope, 1876–1958—Relations with Jews. 2. Judaism —Relations—Catholic Church. 3. Catholic Church—Relations— Judaism. 4. Holocaust, Jewish (1939–1945) 5. World War, 1939– 1945—Religious aspects—Catholic Church. 6. Christianity and an- tisemitism—History—20th century. I. Title. BX1378 .P49 2000 282'.09'044—dc21 99-087415 ISBN 0-253-21471-8 (pbk.) 2 3 4 5 6 05 04 03 02 01 Introduction v C O N T E N T S Acknowledgments ix Introduction xi 1. -
Land and Freedom Teachers' Notes
Teachers Notes This film is about life in the forces which supported the Republican side in the Spanish Civil War. The story is told from the point of view of a volunteer from Liverpool. The director is Ken Loach and the screenwriter is Jim Allen. Both are experienced filmmakers of political vision and socialist commitment. GCSE and A Level History students of twentieth century history would find the film most relevant. It brings alive the pain and tragedy of the ideological struggles in Spain and the wider world in the first part of the twentieth century. GCSE and A Level Spanish students would find it of particular benefit because of the use of Spanish language and the film's insights into a deep and long-lasting wound in Spanish society. Students of A Level English and Art who are studying the 1930's would find it beneficial as so many leading intellectual figures became involved. In 1936, a young unemployed Communist Party member, David Carr, decides to join in the struggle against fascism. On arrival in Spain he chances upon the Partido Obrero de Unification Marxista (POUM) a group of revolutionary communists. Oblivious to the internal politics, David believes that any anti-fascist group on the left must be alright to join. David gets sucked into the struggles between the various left-wing factions, His decision about which group holds the true torch of the revolution becomes a matter of life and death. He sees the various republican groups tear themselves apart rather than focus their attention on their real enemy, the Nationalists. -
Reference Books
REFERENCE BOOKS THE YAD VASHEM ENCYCLOPEDIA OF THE GHETTOS DURING THE HOLOCAUST Editor-in-Chief: Guy Miron; Co-editor: Shlomit Shulhani This pioneering project gathers data from research studies, historical information, testimonies and documents dealing with more than 1,100 ghettos throughout mainly Eastern Europe. It reflects the differences between each ghetto and reveals the radical changes in Jewish communal and individual life. The entries include the location, wartime name and geographical coordinates of each ghetto; and, for the larger ghettos, informational sections on the following: Pre-World War II; Soviet occupation; German (Nazi) occupation; ghetto setup; ghetto institutions and internal life; murder, terror and killing operations of ghetto inhabitants; underground and resistance; and number of survivors at liberation. Finalist of the 2010 National Jewish Book Award in the category of Holocaust Studies, and selected for the Booklist/RBB Editors’ Choice: Reference Sources Awards. (2009) ISBN: 978-965-308-345-5, Cat. No. 3455 2 volumes of 500 pp. each + DVD, hard cover, 22X28 cm. $198 (airmail included) 2 CATALOG 2015 ENCYCLOPEDIA OF THE HOLOCAUST Editors: Robert Rozett and Shmuel Spector Encyclopedia of the Holocaust is a comprehensive, authoritative reference that provides reliable information on this ignoble and frightening episode of modern history. It features eight essays on the history of the Holocaust and its antecedents, as well as coverage of such topics as the history of European Jewry, Jewish contributions to European culture, and the rise of antisemitism and Nazism. The essays are followed by more than 300 photographs and approximately 650 entries on significant aspects of the Holocaust, including people, cities and countries, camps, resistance movements, political actions, and outcomes. -
Preconditions: Nazism and the Turn from Anti-Judaism to Antisemitism
Gigliotti / The Holocaust Final Proof 15.10.2004 9:08am page 9 Part I Preconditions: Nazism and the Turn from Anti-Judaism to Antisemitism NORWAY FINLAND NORTHERN (3,000) SWEDEN (2,500) Percentage of Jews in population IRELAND (10,000) ESTONIA (5,000) 4–10 percent North Sea DENMARK LATVIA 1–4 percent IRELAND (8,000) Baltic (95,000) (5,000) GREAT Less than 1 percent Sea Gigliotti / The Holocaust Final Proof 15.10.2004 9:08am page 10 BRITAIN LITHUANIA (390,000) (155,000) NETHERLANDS (150,000) GERMANY USSR Atlantic Ocean POLAND (3,000,000) BELGIUM (175,000) (3,300,000) (70,000) CZECHOSLOVAKIA SWITZ. LUX. (360,000) (4,000) (25,000) AUSTRIA FRANCE (190,000) HUNGARY (350,000) (450,000) ROMANIA (800,000) PORTUGAL YUGOSLAVIA Black Sea ITALY (75,000) (4,000) SPAIN BULGARIA CORSICA (57,000) (5,000) (France) (50,000) ALBANIA TURKEY (200) GIBRALTAR in) pa SARDINIA (Britain) s. (S TANGIERS alearic I (Italy) B GREECE (Int. Zone) SPANISH M e d (75,000) MOROCCO i t e r SICILY r a n 300 miles FRENCH ALGERIA TUNISIA e MALTA a n MOROCCO (France) (France) S e a CRETE 400 km (Greece) Map 1 Europe and its Jews, 1938 Gigliotti / The Holocaust Final Proof 15.10.2004 9:08am page 11 Preconditions: Nazism and the Turn from Anti-Judaism to Antisemitism When discussing antisemitism as a central cause of the Holocaust, or what the Nazis termed ‘‘The Final Solution of the Jewish Question,’’ it is im- portant to distinguish between types of antisemitism. Also important are the comparative contexts of antisemitism’s historical development and re- ception, and its expression throughout the Nazi regime’s political and racial re-organization of German society through laws, decrees, terror and violence from 1933, for example, in and after the ‘‘Night of Broken Glass’’ or Kristallnacht of November 9–10, 1938. -
The Revolution Betrayed: an Interview with Ken Loach Author(S): Richard Porton and Ken Loach Source: Cinéaste , 1996, Vol
The Revolution Betrayed: An Interview with Ken Loach Author(s): Richard Porton and Ken Loach Source: Cinéaste , 1996, Vol. 22, No. 1 (1996), pp. 30-31 Published by: Cineaste Publishers, Inc. Stable URL: http://www.jstor.com/stable/41661139 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Cineaste Publishers, Inc. is collaborating with JSTOR to digitize, preserve and extend access to Cinéaste This content downloaded from 95.183.184.51 on Fri, 07 Aug 2020 09:26:40 UTC All use subject to https://about.jstor.org/terms CD Z3 O The Revolution OJ o 3" ZT O 0 Betrayed: š An Interview with Ken Loach 1°I g- I 3 1 O by Richard Porton ãT lä Loach , unquestionably one of Britain s most important wanted it to be an emotional story as well, with people who had tne ly filmmakers , zs fresi known for his gritty and compassionate limitations as well as the hopes of their times. .X X. portrayals of working-class life. Early in his career, a series Cineaste: How many drafts did the script go through ? of socially conscious BBC films established the fact that Loach was Loach: Hundreds, I would think.