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Comparative Feminist Studies Comparative Feminist Studies Series Editor Chandra Talpade Mohanty Syracuse University Syracuse, NY, USA Comparative Feminist Studies foregrounds writing, organizing, and reflection on feminist trajectories across the historical and cultural borders of nation-states. It takes up fundamental analytic and political issues involved in the cross-cultural production of knowledge about women and feminism, examining in depth the politics of scholarship and knowledge in relation to feminist organizing and social movements. This series draws on feminist thinking in a number of fields, targeting innovative, comparative feminist scholarship; pedagogical and curricular strategies; community organizing, and political education. Volumes in this series will provide systematic and challenging interventions into the (still) largely Euro-­ Western feminist studies knowledge base, while simultaneously highlighting the work that can and needs to be done to envision and enact cross-cultural, multiracial feminist solidarity. More information about this series at http://www.palgrave.com/gp/series/14906 Dustin Harp • Jaime Loke Ingrid Bachmann Editors Feminist Approaches to Media Theory and Research Editors Dustin Harp Jaime Loke Department of Communication Bob Schieffer College of University of Texas at Arlington Communication Arlington, TX, USA Texas Christian University Fort Worth, TX, USA Ingrid Bachmann School of Communications Pontificia Universidad Católica de Chile Santiago, Chile Comparative Feminist Studies ISBN 978-3-319-90837-3 ISBN 978-3-319-90838-0 (eBook) https://doi.org/10.1007/978-3-319-90838-0 Library of Congress Control Number: 2018945543 © The Editor(s) (if applicable) and The Author(s) 2018 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Cover credit: RichVintage/E+/Getty Printed on acid-free paper This Palgrave Macmillan imprint is published by the registered company Springer International Publishing AG part of Springer Nature. The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland To my sons, Austin and Cameron, who remind me each day of the importance in bringing boys along for the feminist fight. —D.H. To my two beautiful daughters, Madeleine and Charlotte, I have had no greater success. —J.L. To my family, for their support and understanding of feminist concerns. —I.B. ACKNOWLEDGMENTS Our project began as an inquiry into contemporary feminist media theory and research. Feminist scholars who were finally making inroads in academia at greater numbers almost half a century ago gained momentum in those early years—a momentum that has produced amazing work over the decades. We were curious: What does the academic field of feminist media look like now? Our contributors offer answers to that question and we are forever grateful for their scholarship and patience. As a result of their efforts, this edited collection is a compilation of some important and interesting recent work in feminist media theory and research. As for their patience, the task of putting this project together took much longer than expected and we learned lessons that we did not anticipate, particularly in relation to the publishing process. Some of these lessons we shared with our contributors along the way as we hoped to pass on our knowledge in the spirit of feminist sisterhood. We would also like to extend our deepest gratitude to the many friends and colleagues who have provided valuable feedback, support, and guid- ance. Each of us has encountered mentors throughout our years in the feminist media scholarship community and we are grateful for all they have given to us and our community. Dustin Harp is especially thankful to Carolyn Byerly, Linda Steiner, and Gigi Durham (all of whom are included in this volume), as each has provided so much invaluable advice and encouragement over her years in academia. We are also thankful to one another. We are beyond grateful for the collaborative work we accomplish, the ease with which we work together, and the friendship we share. We dedicate this book to every feminist who works tirelessly to make it a more equal world for us all. vii CONTENTS 1 Through a Feminist Kaleidoscope: Critiquing Media, Power, and Gender Inequalities 1 Ingrid Bachmann, Dustin Harp, and Jaime Loke Part I Feminist Theories 17 2 Feminism, Theory, and Communication: Progress, Debates, and Challenges Ahead 19 Carolyn M. Byerly 3 The Applicability of Symbolic Annihilation in the Middle East 37 Elizabeth A. Lance and Christina M. Paschyn 4 Sleeping with the Enemy: The Male Gaze and Same-Sex Relationships on Broadcast Network Television 53 W. Cory Albertson 5 The Affective Turn in Feminist Media Studies for the Twenty-First Century 65 Amanda K. Kennedy ix x CONTENTS 6 Girls, Media, and Sexuality: The Case for Feminist Ethics 83 Meenakshi Gigi Durham 7 Queer and Feminist Approaches to Transgender Media Studies 93 Mia Fischer Part II Feminist Issues and Arenas 109 8 Feminist Sports Media Studies: State of the Field 111 Dunja Antunovic and Erin Whiteside 9 Online Framing on Abortion and Violence in South America: Dissonant Sense Making 131 Claudia Lagos and Lorena Antezana 10 States of Exception: Gender-based Violence in the Global South 147 Sujata Moorti 11 Bringing Race into Feminist Digital Media Studies 159 Lori Kido Lopez 12 Conservative Women in Power: A New Predicament for Transnational Feminist Media Research 167 Esra Özcan 13 Gender and the Mediated Political Sphere from a Feminist Theory Lens 183 Dustin Harp and Ingrid Bachmann CONTENTS xi Part III Feminist Strategies and Activism 195 14 “Hashtag Feminism”: Activism or Slacktivism? 197 Gina Masullo Chen, Paromita Pain, and Briana Barner 15 Teaching Girls Online Skills for Knowledge Projects: A Research-Based Feminist Intervention 219 Stine Eckert and Linda Steiner 16 (Re)writing Women’s Lives: A Call for Media Scholars to Renew Their Efforts at Feminist Biography 237 Marilyn Greenwald 17 The Intangible Stories of War Carpets: War, Media, and Mediation 257 Minoo Moallem Index 271 NOTES ON EDITORS aND CONTRIBUTORS EDITORS Dustin Harp is an associate professor in the Department of Communication and Director of the Women’s and Gender Studies Program at the University of Texas at Arlington. She received her doctorate degree from the University of Wisconsin, Madison, School of Mass Communication, and her master’s degree from the School of Journalism at the University of Texas at Austin. Her research explores intersections between women and marginalized communities, journalism, and mass communication, with a specific interest in the new digital media environment and social media. She primarily con- siders how groups are represented in mediated discourses and ways in which they have been situated as producers of news and knowledge, par- ticularly in the digital environment. Several of her works have analyzed the intersection of female politicians and media. She is the author of Desperately Seeking Women Readers (2007). Her research appears in top mass commu- nication, gender, and media journals, including Feminist Media Studies, Communication, Culture & Critique, Media, Culture & Society, Journalism & Mass Communication Quarterly, Women’s Studies in Communication, Journal of Magazine and New Media Research, Communication & Society/ Comunicacion y Sociedad, and Journalism among others. Jaime Loke is an assistant professor in the Bob Schieffer School of Communication at Texas Christian University. Her research interests rest on the intersection of women and minorities, mass media, and the new online public spheres from a critical and cultural theoretical perspective. A constant theme that runs through her research is how race and gender constructions xiii xiv NOTES ON EDITORS AND CONTRIBUTORS in the mass media contribute to society’s hegemonic ideologies on minori- ties. Her research has been published in Feminist Media Studies, Journalism & Mass Communication Quarterly, Journalism Studies,Women’s Studies in Communication, and several other top journals. Ingrid Bachmann is an associate professor in the School of Communications at Pontificia Universidad Católica de Chile, where she chairs the Journalism Department. A former reporter, her research inter- ests include gender, political communication and language, with emphasis in cross-national comparisons. She primarily focuses on the role of the
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