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Drag Artist Interviews, 2019
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Southern Illinois University Edwardsville Southern Illinois University Edwardsville SPARK SIUE Faculty Research, Scholarship, and Creative Activity 2020 Drag Artist Interviews, 2019 Ezra Temko [email protected] Adam Loesch SIUE, [email protected] Follow this and additional works at: https://spark.siue.edu/siue_fac Part of the Gender and Sexuality Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Theatre and Performance Studies Commons, and the Sociology of Culture Commons Recommended Citation Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). This Article is brought to you for free and open access by SPARK. It has been accepted for inclusion in SIUE Faculty Research, Scholarship, and Creative Activity by an authorized administrator of SPARK. For more information, please contact [email protected]. Drag Artist Interviews, 2019 To cite this dataset as a whole, the following reference is recommended: Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). To cite individual interviews, see the recommended reference(s) at the top of the particular transcript(s). Interview -
A Killjoy's Introduction to Religion
Buzzsprout MY PODCASTS MY PROFILE HELP LOG OUT Keeping It 101: A Killjoy's Introduction to Religion Episodes Players Website Directories Resources Podcast Settings Stats Back to Episode Transcript Export Done, Back to Episode Episode: Extracurriculars: Ru-ligion Ru-vealed! the T on Religion & Drag Race Last Saved 14 minutes ago. Ilyse Keeping It 101: A Killjoy's Introd… This is Keeping it 101, a killjoy's introduction to religion podcast. Extracurriculars: Ru-ligion Ru-vealed! the T on Religion & Drag Race Megan What's up nerds? Share Info 00:00 | 59:11 Ilyse Hi. Hello. I'm Ilyse Morgenstein Fuerst a professional and professorial killjoy living, Speakers working, and raising killjoys on the traditional and ancestral lands of the Abenaki Ilyse people. I'm a scholar of Islam, imperialism, racial ization of Muslims and the history of Megan religion Located at the University of Vermont. RPDR Megan Simpsons Hi. Hello. I'm Megan Goodwin, the other unapologetic feminist killjoy on keeping at ADD SPEAKER 101 Broadcasting. Get it From the Land of the Wabenaki Confederacy, the Abenaki and the Aucocisco Peoples. I'm a scholar of gender, sexuality, white supremacy, minority religions, politics and America, located at Northeastern University--slash currently, my couch--and I coordinate Sacred Writes, public scholarship on religion, a Luce funded project that helps scholars and nerds like yourself share their expertise with folks who don't talk and study and think about religion all the time. Megan Hey, it's an extracurricular episode. Schools fun and all, but it's after school when the magic of learning really happens. -
Sa Truth-Bomb — You Shouldn’T Miss Pride This Year
Live Your Truth: Here’s a truth-bomb — you shouldn’t miss Pride this year Pride returns to PVD this June 15 and it promises to be more energetic than ever! The theme of this year’s celebration of the LGBTQ community is Live Your Truth. “The Live Your Truth theme for 2019 reflects what’s at the heart of Pride: an opportunity to be exactly who you are, out in the open,” explained Joe Lazzerini, president of RI Pride. “The Live Your Truth theme simultaneously celebrates the numerous different genders, skin colors, sexual orientations, ages, races, religions, physical and mental abilities, national origins, and ethnicities (among many other factors) that make each of us who we are.” The main event, the street carnival Pride Fest, is being billed as the biggest yet, with more than 200 food, beer and craft vendors set to descend on the city’s downtown for an unrivalled celebration of love, art and equality. A rally and speaking program will take place at 3pm commemorating the 50th Anniversary of Stonewall. The main stage will be hosted by local celebrity Lulu Locks, comedian John Kelley and local drag performers Annie B. Frank, Kira Stone and Complete Destruction. The stage will feature New England based gay dance party guru DJ Ephraim Adamz. The mainstage will feature headlining acts Alaska 5000 and Adore Delano from “RuPaul’s Drag Race All Stars” Season 2 and Monique Heart and Jasmine Masters from “RuPaul’s Drag Race All Stars” Season 4 alongside popular drag king Spikey Van Dykey. From New York City, Brian Faltudo, best known from his role in School of Rock will grace the stage performing songs off of his new album. -
Rupaul's Drag Race from Screens To
‘Tens, Tens, Tens Across the Board’: Representation, Remuneration, and Repercussion – RuPaul’s Drag Race from Screens to Streets Max Mehran A Thesis in The Mel Hoppenheim School of Cinema Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (Film Studies) at Concordia University Montréal, Quebec, Canada January 2020 Ó Max Mehran, 2020 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Max Mehran Entitled: ‘Tens, Tens, Tens Across the Board’: Representation, Remuneration, and Repercussion – RuPaul’s Drag Race from Screens to Streets and submitted in partial fulfillment of the requirements for the degree of Master of Arts (Film Studies) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: ________________________________ Chair Luca Caminati ________________________________Examiner Haidee Wasson ________________________________Examiner Glyn Davis ________________________________Supervisor Kay Dickinson Approved by ________________________ Graduate Program Director Luca Caminati ________________________ Dean of Faculty Rebecca Duclos Date: January 20th, 2020 iii ABSTRACT ‘Tens, Tens, Tens Across the Board’: Representation, Remuneration, and Repercussion – RuPaul’s Drag Race from Screens to Streets Max Mehran Since its inception, RuPaul’s Drag Race (Drag Race) (2009-) has pitted drag queens against each other in a series of challenges testing acting, singing, and sewing skills. Drag Race continues to become more profitable and successful by the year and arguably shapes cultural ideas of queer performances in manifold ways. This project investigates the impacts of exploitative labour practices that emerge from the show, the commodification of drag when represented on screen, and how the show influences drag and queer performances off screen. -
Câmara Aceita 1, De 2 Pedidos De Cassação
VOCÊ SABE DE ONDE A VERDADE VEM Fundador: Felipe Faria Desde 1988 R$ 1,50 • ANO 31 • Sexta-feira, 06/12/2019 • Nº 8.920 • diariodeuberlandia.com.br POLÍTICA CEMIG Moradores do Glória recebem nova CÂMARA ACEITA 1, DE 2 iluminação LED e aquecimento solar Página | A4 PEDIDOS DE CASSAÇÃO SÍLVIO AZEVEDO DE VEREADORES PROCESSO SERÁ CONTRA ALEXANDRE NOGUEIRA, QUE ESTÁ PRESO; MARCIO NOBRE SE LIVRA Página | A3 ALINE REZENDE/CMU DIVULGAÇÃO FISCALIZAÇÃO Mais de 200 obras entram na mira de fiscais do Crea em ação na cidade Página | A4 PROJETO SOCIAL Crianças de até 5 anos do Cidade da Música fazem apresentação natalina Página | B1 ARAÍPEDES LUZ/SECOM PMU Sol com muitas nuvens durante o dia. Períodos de nublado, com DÓLAR COMERCIAL -0,333% EURO COMERCIAL -0,232% ANUNCIAR | ASSINATURAS | SAC REDAÇÃO +0,29% SALÁRIO chuva a qualquer hora. BOVESPA MÍNIMO R$ 998 110.622,273 PTS NASDAQ +0,05% 99860 5002 MAX 27° MIN 21º R$ 4,1883 R$ 4,6510 3236 3545 [email protected] SEXTA-FEIRA DIÁRIO DE UBERLÂNDIA PÁGINA2 06 DE DEZEMBRO DE 2019 www.diariodeuberlandia.com.br O conteúdo desta coluna Mariana Segala é de responsabilidade do autor e não representa, Jornalista necessariamente, a opinião [email protected] EMPREENDEDORISMO E INOVAÇÃO do Diário de Uberlândia. tas, outras nem tanto – estabe- pessoas que entrevistei muitos Começou com uma solução de como não canso de repetir, dos O poder das leci com algumas delas. meses atrás e que, na ocasião, prontuário eletrônico, comprou seus abnegados integrantes. conexões Eventos grandiosos como me ajudaram a ilustrar o fenô- uma corretora de planos de saú- O interessante é que o esse – repletos de palestras ins- meno da inovação em reporta- de e agora oferece, ela mesma, Uberhub trouxe para junto de Interagir com o ecossistema piradoras, atividades inusitadas gens publicadas por aí. -
Movies to See Thanksgiving
WE MADE A LIST AND CHECKED IT TWICE! THE MUST-SEE M IES, TV&MORE P. 16 NOVEMBER 16, 2018 #1537 “Yet I still can’t get Hamilton tickets.” RETURNS A star is reborn! Emily Blunt and Lin-Manuel Miranda are practically perfect in every way in this delightful sequel. BY MARC SNETIKER EW 11 16 2018 R E V P I E Y W A D 2 I 0 L 1 O 8 H FEATURES NEWS AND COLUMNS 16 Mary Poppins 4 Returns Sound Bites Emily Blunt shoots for the stars in this 6 delightful sequel. The Must List BY MARC SNETIKER 12 22 Entertaining More Holiday Weekly Musts Tips for hosting 10 movies to see Thanksgiving. during the holidays, plus the TV, 14 music, and books News to look forward to! The major titles BY EW STAFF and topics of the SCAD Savannah Film Festival. 60 The Bullseye REVIEWS 36 Movies 42 TV 52 Music 56 Books Emily Blunt photo- graphed exclusively for EW on Oct. 27, 2018, in Savannah ON THE COVER Lin-Manuel Miranda as Jack and Emily Blunt as Mary Poppins in Mary Poppins Returns. Courtesy of Disney. FOLLOW US ON: EW Radio SiriusXM Channel 105 @EntertainmentWeekly @EntertainmentWeekly @EW @EWSnaps PHOTOGRAPH BY BY BENEDICTNAME HERE EVANS MONTH XX, 2018 EW.COM 1 THE WEEK’S BESTBEST TWEEET OF THE WEEK Chrissy Teigen @chrissyteigen “if talking about my plans to work out were an actual workout, I would be ... the rock” —The Lip Sync Battle personality, “Thought I’d end up with wishing she had Dwayne Johnson’s gym work ethic Sean/But he wasn’t a match/ Wrote some songs about Ricky/ Now I listen and laugh/Even almost got married/And for Pete, I’m so thankful/Wish I could -
Drag Artist Interviews, 2019
Southern Illinois University Edwardsville SPARK SIUE Faculty Research, Scholarship, and Creative Activity 2020 Drag Artist Interviews, 2019 Ezra Temko [email protected] Adam Loesch SIUE, [email protected] Follow this and additional works at: https://spark.siue.edu/siue_fac Part of the Gender and Sexuality Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Theatre and Performance Studies Commons, and the Sociology of Culture Commons Recommended Citation Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). This Article is brought to you for free and open access by SPARK. It has been accepted for inclusion in SIUE Faculty Research, Scholarship, and Creative Activity by an authorized administrator of SPARK. For more information, please contact [email protected]. Drag Artist Interviews, 2019 To cite this dataset as a whole, the following reference is recommended: Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). To cite individual interviews, see the recommended reference(s) at the top of the particular transcript(s). Interview Participants Amie Vanité .......................................................................................................................................1 -
Warren Hastings Capstone Andrae Alexander 1 May 2020 Final
Warren Hastings Capstone Andrae Alexander 1 May 2020 Final Capstone Summary Drag: Live Event’s Emerging Juggernaut GE/Music Elective 4 Units, satisfies A&G GEs Learning Objectives (15 weeks) 1. 1.1: Understanding what drag is and where it comes from. a. Queer Theory b. Drag Queens vs. Transgender Women c. Origins of drag i. 80s ballroom culture in NYC ii. Paris is burning 2. 1.2: Iconic Drag figures and drag media a. Divine b. RuPaul c. the desert movie drag queen d. look up more examples 3. 1.3: How drag has recently broken through into the mainstream a. RuPaul’s Drag Race / rise of reality television b. gay rights movement c. commodication of queer identity d. the rise of MUA and makeup e. screening of one episode of rupaul’s drag race i. ensure that the class has an understanding of what drag race is ii. fun 4. 1.4: Understanding the drag beyond rupaul a. what is the drag scene like b. Bring a drag queen to class c. the daily life of a touring drag queen d. understanding, in-depth, the rigor of a drag performers life e. homework i. go to a drag show 5. (split over 2 weeks)Market potential a. DragCon: 9million dollars, 40,000 attendees b. Various successful drag queen tours i. del rio wembley ii. trixie c. Instagram success i. millions of followers d. Youtube success i. Trixie Mattel & Katya, Review with a jew e. queens make thousands of dollars per gig, specialty gig f. makeup brands i. trixie cosmetics g. -
Emotion, Femininity and Everyday Experience
Emotion, Femininity and Everyday Experience Straight Female Audience’s Perception of RuPaul’s Drag Race Student name: Yoshino Akizuki Student number: 509330 Supervisor: Balázs Boross Master Arts, Culture and Society Erasmus School of History, Culture and Communication Erasmus University Rotterdam Master Thesis June 14, 2019 ABSTRACT An American reality TV program RuPaul’s Drag Race, in which drag queens compete with each other to be “America’s Next Drag Superstar,” has earned tremendous hit since it was first broadcast in 2009. Although Drag Race started as a niche program featuring drag queens and targeted only at the LGBTQ community, it is becoming a world-wide phenomenon in mainstream popular culture. Especially, straight female audiences have become a large percentage of the audience. However, why are straight women, who have not necessarily had a connection with drag culture, enthusiastic about Drag Race? Previous research on Drag Race are mainly textual analysis addressing particular issues such as race and ethnicity, social class, body shape and femininity (Darnell and Tabatabai, 2017; Edgar, 2011; Goldmark, 2015; LeMaster, 2015; Strings & Bui, 2014; Vesey, 2017). However, they lack the perspective of actual audience. And therefore, they do not explain the popularity among straight female audience. Since the audience of Drag Race has become increasingly diverse, different audiences interpret the contents differently. As Alasuutari (1999) explains using Stuart Hall’s encoding/decoding model, intended message from producers is not always received “correctly” by audiences. Therefore, it is significant to take into account the perspective of the audience. Furthermore, as Bird (2003) suggests audiences critically and actively interpret the message and put them in the context of everyday experience, we should closely examine the process of meaning-making. -
1 Rupaul's Drag Race and the Toronto Drag Scene Russ Martin
1 RuPaul’s Drag Race and the Toronto Drag Scene Russ Martin, Bachelor of Journalism Popular Culture Submitted in partial fulfillment of the requirements for the degree of Master of Arts Faculty of Social Sciences, Brock University St. Catharines, Ontario © 2020 2 For the drag artists who taught me to re-think gender. 3 Abstract The debut of the television show RuPaul’s Drag Race (Barbato, Bailey, and Charles) in 2009 marked the start of a new drag boom. The program’s commercial success throughout the 2010s brought drag performance into the mainstream cultural arena, prompting a host of effects on the historically grassroots culture of drag. This thesis project explores the show’s impact on one particular geographic community, the Toronto drag scene, which has been active in some capacity for at least 70 years. This ethnographic study is drawn from a year and a half in the field in the Toronto drag scene and a series of semi-structured interivews with nine research participations who took part in the 2018 edition of the Toronto-based drag pageant Crews and Tangos Drag Race. Using this group as a case study, this thesis demonstrates how Drag Race has influenced both the politics and aesthetics of the Toronto drag scene. Drawing from scholar Will Straw’s work on scene theory, I argue Drag Race now acts as global drag culture’s dominant system of articulation (Systems 369) and that it not only dictates trends in drag, but also provides the contemporary drag fan a rubric for understanding drag’s cultural meaning. -
TCC De Graduação
UNIVERSIDADE FEDERAL DE SANTA MARIA CENTRO DE CIÊNCIAS SOCIAIS E HUMANAS CURSO DE COMUNICAÇÃO SOCIAL PRODUÇÃO EDITORIAL Reginaldo Martins Barbosa Júnior RuPaul’s Drag Race: Performance e Tipificação Santa Maria, RS 2019 Reginaldo Martins Barbosa Júnior RUPAUL’S DRAG RACE: PERFORMANCE E TIPIFICAÇÃO Monografia apresentada ao Curso de Comunicação Social Produção Editorial, da Universidade Federal de Santa Maria (UFSM, RS), como requisito parcial para obtenção de grau de Bacharel em Comunicação Social Produção Editorial. Orientador: Prof. Dr. Flavi Ferreira Lisbôa Filho; Coorientadora: Mestranda Fernanda Perez Mendonça Santa Maria, RS 2019 Reginaldo Martins Barbosa Júnior RUPAUL’S DRAG RACE: PERFORMANCE E TIPIFICAÇÃO Monografia apresentada ao Curso de Comunicação Social Produção Editorial, da Universidade Federal de Santa Maria (UFSM, RS), como requisito parcial para obtenção de grau de Bacharel em Comunicação Social Produção Editorial. Aprovado em 05 de dezembro de 2019: ________________________________________ Flavi Ferreira Lisbôa Filho, Dr. (Orientador) ________________________________________ Fernanda Perez Mendonça (Coorientadora) _______________________________________ Tainan Pauli Tomazetti, Dr. _______________________________________ Luciomar de Carvalho Santa Maria, RS 2019 Agradecimentos Primeiramente, agradeço aos meus pais que me deram todo suporte e também pelo amor incondicional, necessários para que essa jornada fosse possível, me incentivando desde muito pequeno a seguir meus sonhos e querer ser uma pessoa sempre melhor. Agradeço meu irmão e minha irmã por sempre estarem do meu lado, e junto dos meus pais, formarem meu porto seguro. Agradeço as PEnteras, minhas segundas irmãs que caminharam do meu lado esses quatro anos de loucuras, incertezas, dores e alegrias. Pelas conversas, pelos “posadões”, por me aguentarem reclamando e por dividir tantas coisas. Levarei vocês para vida. -
Revisitando O Estereótipo Da Angry Black Woman Em Rupaul's Drag
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação 42º Congresso Brasileiro de Ciências da Comunicação – Belém - PA – 2 a 7/09/2019 I’m just here to fight: Revisitando o estereótipo da angry black woman em RuPaul’s Drag Race1 Matheus BIBIANO2 Caio MELO DA SILVA3 Fábio FREITAS4 Universidade Federal Fluminense, Niterói, RJ. Resumo O artigo propõe reflexões acerca dos estereótipos raciais construídos em narrativas de reality shows, utilizando a 10ª temporada de RuPaul’s Drag Race como objeto de análise na construção dos arcos apresentados, a partir da interação entre as suas participantes. Para tanto, contextualizamos o formato do programa e como ele se articula para prender sua audiência com a rotulação de personalidades, criando uma história ao longo da temporada. Neste cenário, buscamos entender as questões raciais abordadas durante o programa e como elas são tratadas pelas competidoras da edição. Palavras-chave: reality show; rupaul’s drag race; estereótipo; representação racial. INTRODUÇÃO Ao pensarmos em cenários que buscam o acolhimento e exaltação de comunidades marginalizadas à sociedade, podemos ter a breve impressão de que este será um ambiente livre de preconceitos e que problemas sociais serão reivindicados da mesma forma. Porém, neste artigo, tomaremos como objeto um dos principais responsáveis pelo aumento de visibilidade da cena drag5 no mundo, o reality show RuPaul’s Drag Race, para analisar a manutenção de estereótipos raciais desenvolvidos a partir da estrutura narrativa criada para suas competidoras, e como isso é desenvolvido nas discussões que ocorreram ao longo da 10ª temporada. Para isso, iremos considerar o programa principal e sua extensão, o Untucked, ambos de suma importância para entendermos o desenvolvimento narrativo ao decorrer da edição.