The Tufts Daily Volume Lxxv, Issue 54
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Super Bowl Advertisers Embrace Diversity
SUPER BOWL ADVERTISERS EMBRACE DIVERSITY... CAUTIOUSLY Big Game marketers look to better represent women and minorities without offending anyone By Jeanine Poggi This year’s crop of Super Bowl commercials will feature two drag queens, an all-female cast, Ellen DeGeneres and her wife, and a “Queer Eye” guy. It's a step in better representing modern society by casting more diverse ethnicities, lifestyles and cultural perspectives in the Big Game. It’s an effort that shouldn’t further fracture a divided nation, but Sabra Chief Marketing Officer Jason Levine says, “Inclusive Credit: Illustration by Tam Nguyen marketing, even under the best intentions, can find itself feeding into the divisiveness of the country.” And if there is one goal nearly all Super …of the celebrities that appeared Bowl LIV advertisers have, it’s to not alienate a particular group or political in Super Bowl LIII commercials, ideology. 25 were male while just 13 were female, according to data from To that end, those who are at least attempting to recast Super Bowl E-Poll Market Research. commercials, which historically have not been friendly to women or minorities, are doing so in the least controversial way possible--—by cushioning them with humor. Making space For its second consecutive Super Bowl ad, Olay was inspired by shows like Amazon’s “The Marvelous Mrs. Maisel” and “Fleabag” in its effort to depict women in roles typically held by men, especially in the fields of science and technology. Starring an all-female cast of celebrities, including YouTuber Lilly Singh, comedian Busy Philipps, Taraji P. -
2020 Submissions
2020 Submissions FEMALE VOCALIST CORINNA SOWERS ADLER Second Stories; Songs from the Heart; Winter Song The Triad, Laurie Beechman, Oakeside Bloomfield Cultural Center LUCILLE CARR-KAFFASHAN How the Light Gets In Don’t Tell Mama CYNTHIA CRANE This Is a Changing World, My Dear Don’t Tell Mama SALLY DARLING And Kurt Weill Begat Kander & Ebb Don’t Tell Mama, Urban Stages DAWN DEROW The House That Built Me Laurie Beechman GOLDIE DVER Back in Mama’s Arms Don’t Tell Mama RENEE KATZ When It Happens to You: Renee Katz Sings Jule Styne; How Can I Keep From Singing Don't Tell Mama, Laurie Beechman ANN KITTREDGE Fancy Meeting You Here; Movie Nite Feinstein’s/54 Below, Urban Stages, Feinstein’s at Vitello's, Beach Cafe ANGELA LEONE Mathis and More Don’t Tell Mama SUSANNE MACK Where I Belong Pangea, Don’t Tell Mama NICCI NICHOLAS Nothin’ Can Be Done Don’t Tell Mama LESLIE OROFINO Shine Don’t Tell Mama, BJ Ryan's Magnolia Room YAEL RASOOLY Glamour in the Dark; Love Must Have an End Laurie Beechman, Don’t Tell Mama WENDY SCHERL Town & Country; You’ll See Laurie Beechman, Davenport’s, BJ Ryan's Magnolia Room JILL SENTER Celebrate the Moment Laurie Beechman - 1 - MAUREEN KELLEY STEWART There Will Never Be Another You: The Songs of Harry Warren; A Gershwin Sampler; Everything’s Coming Up Roses: The Music of Jule Styne Laurie Beechman, Mohonk Mountain House, Sharon Country Club, Spencertown Academy Art Center MAUREEN TAYLOR Cosmic Connections: The Lyrics of Michael Colby Don’t Tell Mama STEPHANIE TRUDEAU Chavela: Think of Me Don’t Tell Mama LISA VIGGIANO From Lady Day to The Boss Pangea, Don’t Tell Mama ROBIN WESTLE In the Summer of ‘69 Don’t Tell Mama AMY BETH WILLIAMS Meet Me at the Bar Don’t Tell Mama MALE VOCALIST ARI AXELROD A Celebration of Jewish Broadway Birdland Theater, The Kranzberg (St. -
Drag Artist Interviews, 2019
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Southern Illinois University Edwardsville Southern Illinois University Edwardsville SPARK SIUE Faculty Research, Scholarship, and Creative Activity 2020 Drag Artist Interviews, 2019 Ezra Temko [email protected] Adam Loesch SIUE, [email protected] Follow this and additional works at: https://spark.siue.edu/siue_fac Part of the Gender and Sexuality Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Theatre and Performance Studies Commons, and the Sociology of Culture Commons Recommended Citation Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). This Article is brought to you for free and open access by SPARK. It has been accepted for inclusion in SIUE Faculty Research, Scholarship, and Creative Activity by an authorized administrator of SPARK. For more information, please contact [email protected]. Drag Artist Interviews, 2019 To cite this dataset as a whole, the following reference is recommended: Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). To cite individual interviews, see the recommended reference(s) at the top of the particular transcript(s). Interview -
Lessons in Neoliberal Survival from Rupaul's Drag Race
Journal of International Women's Studies Volume 21 Issue 3 Feminist Comforts and Considerations amidst a Global Pandemic: New Writings in Feminist and Women’s Studies—Winning and Article 3 Short-listed Entries from the 2020 Feminist Studies Association’s (FSA) Annual Student Essay Competition May 2020 Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race Phoebe Chetwynd Follow this and additional works at: https://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Chetwynd, Phoebe (2020). Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race. Journal of International Women's Studies, 21(3), 22-35. Available at: https://vc.bridgew.edu/jiws/vol21/iss3/3 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2020 Journal of International Women’s Studies. Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race By Phoebe Chetwynd1 Abstract The popularity of the reality television show RuPaul’s Drag Race is often framed as evidence of Western societies’ increasing tolerance towards queer identities. This paper instead considers the ideological cost of this mainstream success, arguing that the show does not successfully challenge dominant heteronormative values. In light of Rosalind Gill’s work on postfeminism, it will be argued that the show’s format calls upon contestants (and viewers) to conform to a postfeminist ideal that valorises normative femininity and reaffirms the gender binary. -
A Killjoy's Introduction to Religion
Buzzsprout MY PODCASTS MY PROFILE HELP LOG OUT Keeping It 101: A Killjoy's Introduction to Religion Episodes Players Website Directories Resources Podcast Settings Stats Back to Episode Transcript Export Done, Back to Episode Episode: Extracurriculars: Ru-ligion Ru-vealed! the T on Religion & Drag Race Last Saved 14 minutes ago. Ilyse Keeping It 101: A Killjoy's Introd… This is Keeping it 101, a killjoy's introduction to religion podcast. Extracurriculars: Ru-ligion Ru-vealed! the T on Religion & Drag Race Megan What's up nerds? Share Info 00:00 | 59:11 Ilyse Hi. Hello. I'm Ilyse Morgenstein Fuerst a professional and professorial killjoy living, Speakers working, and raising killjoys on the traditional and ancestral lands of the Abenaki Ilyse people. I'm a scholar of Islam, imperialism, racial ization of Muslims and the history of Megan religion Located at the University of Vermont. RPDR Megan Simpsons Hi. Hello. I'm Megan Goodwin, the other unapologetic feminist killjoy on keeping at ADD SPEAKER 101 Broadcasting. Get it From the Land of the Wabenaki Confederacy, the Abenaki and the Aucocisco Peoples. I'm a scholar of gender, sexuality, white supremacy, minority religions, politics and America, located at Northeastern University--slash currently, my couch--and I coordinate Sacred Writes, public scholarship on religion, a Luce funded project that helps scholars and nerds like yourself share their expertise with folks who don't talk and study and think about religion all the time. Megan Hey, it's an extracurricular episode. Schools fun and all, but it's after school when the magic of learning really happens. -
Drag Queens During Super Bowl
Urgent Message From One Million Moms: Drag queens to make historical debut during Super Bowl LIV The NFL and Fox are set to make history this year by airing a Super Bowl ad that features drag queens. It’s will be the first commercial of its kind in Super Bowl history, and One Million Moms is asking that it be removed from the advertising lineup immediately. An ad promoting drag queens is not what we had in mind when urging the NFL to keep the Super Bowl LIV commercials and halftime entertainment family-friendly. The Sabra Hummus ad features drag queens Kim Chi and Miz Cracker, former contestants on RuPaul’s Drag Race. One is snacking on hummus while the other is trying to fit a football helmet over his perfectly teased hair without causing helmet hair. The tagline: “Hair We Go 02.02.20.” Sabra Dipping Company LLC is choosing to push an agenda of sexual confusion instead of promoting its actual product. The PC-inclusive ad blurs the biological distinctions between male and female. Normalizing this lifestyle is contrary to what conservative, Christian parents are teaching their children about God’s design for sexuality. Thanks Sabra! Now parents have to explain to their confused children! The NFL has not been very adept at dealing with controversies, and this year is no different. Please sign our petition to the NFL and FOX requesting Super Bowl LIV be kept suitable for all ages, since children will also be watching the game this Sunday, Feb. 2. To Take Action, sign the petition to the NFL and FOX urging the Sabra Hummus drag queen advertisement be canceled and removed from the Super Bowl commercial lineup immediately. -
The Iron Warrior 'S Distraction Newsletter
The Iron Warrior’s Distraction Newsletter The Funny Bits 1 Crossword Theme: RuPaul’s Drag Race Across 1: Confesses openly 6: Abyss 12: Fifth US president 14: Make more pointy 15: Type of membrane covering body cavities 16: Season 2 Miss Congeniality 17: Duck from Stuttgart? 18: Supermodel of the World and American 19: Louse’s egg 20: Bendelacreme is terminally this 24: One-use code for Final Fantasy 25: Rock containing precious minerals 26: Singer behind “How to be Lonely” 27: Center for Studies on Human Stress en français 28: Someone from Baghdad 2 Across 31: Nickname for Raven’s QB 33: What reading is 37: Loose garment covering whole body 38: Truth 41: Scuba dividing teacher acronym 44: Traditional Korean board game 45: Virus transmitted by mosquito, abbr. 46: Initials of famous scientologist 47: To be eliminated 52: Coral reef island in Philippines 53: It follows Mar. 54: Last name of Turkish actress Itir 55: Wrinkly dog breed 57: Slow tempo marking 60: Ugandan capital 61: Enters first with RPDR winner Bob 62: Ferret, e.g. 63: Makeup brand ________ Lauder Down 1: YYZ but for Amman 2: First person singular present indicate of “ir” in Portuguese 3: “_______ ___ was” by Tim Buckley 4: W in BMW according to Latrice Royale 5: Opposite of north 6: Cleric attached to secular organization 7: Villain of Frozen 8: Organization of German regional broadcasters 9: Monét X Change iconic dress material 10: Deserves 11: The best game on RPDR 13: Slovak company offering antivirus software 14: spend freely 20: Used to cite onlien articles 21: Make a mistake 22: Maple, e.g. -
Rupaul's Drag Race Is Still Figuring out How to Handle Gender and Race Scott .J Mckinnon University of Wollongong, [email protected]
University of Wollongong Research Online Faculty of Social Sciences - Papers Faculty of Social Sciences 2018 RuPaul's Drag Race is still figuring out how to handle gender and race Scott .J McKinnon University of Wollongong, [email protected] Publication Details McKinnon, S. (2018). RuPaul's Drag Race is still figuring out how to handle gender and race. The onC versation, 28 June 1-5. Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] RuPaul's Drag Race is still figuring out how to handle gender and race Abstract For a reality TV show about a queer subculture, RuPaul's Drag Race has achieved extraordinary success. In the show, which winds up another series this Friday, drag queens compete to be named "America's Next Drag Superstar". Across 13 seasons (including three of RuPaul's Drag Race All Stars) it has graduated from niche programming on the LGBT cable station Logo to a mainstream, award-winning hit on the widely viewed VH1. In Australia, the show streams on Stan and is often highlighted as a drawcard in its ad campaigns. The show's wit and glamour go some way to explaining this success. Just as important, however, is the way in which Drag Race acts as a small-screen reflection of big issues happening in the wider world. Race, sex and religion are all front and centre. And the show is a real-time representation of current struggles over gender performance and identity. Yet paradoxically, Drag Race is both an agent and subject of this disruptive gender moment. -
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Sa Truth-Bomb — You Shouldn’T Miss Pride This Year
Live Your Truth: Here’s a truth-bomb — you shouldn’t miss Pride this year Pride returns to PVD this June 15 and it promises to be more energetic than ever! The theme of this year’s celebration of the LGBTQ community is Live Your Truth. “The Live Your Truth theme for 2019 reflects what’s at the heart of Pride: an opportunity to be exactly who you are, out in the open,” explained Joe Lazzerini, president of RI Pride. “The Live Your Truth theme simultaneously celebrates the numerous different genders, skin colors, sexual orientations, ages, races, religions, physical and mental abilities, national origins, and ethnicities (among many other factors) that make each of us who we are.” The main event, the street carnival Pride Fest, is being billed as the biggest yet, with more than 200 food, beer and craft vendors set to descend on the city’s downtown for an unrivalled celebration of love, art and equality. A rally and speaking program will take place at 3pm commemorating the 50th Anniversary of Stonewall. The main stage will be hosted by local celebrity Lulu Locks, comedian John Kelley and local drag performers Annie B. Frank, Kira Stone and Complete Destruction. The stage will feature New England based gay dance party guru DJ Ephraim Adamz. The mainstage will feature headlining acts Alaska 5000 and Adore Delano from “RuPaul’s Drag Race All Stars” Season 2 and Monique Heart and Jasmine Masters from “RuPaul’s Drag Race All Stars” Season 4 alongside popular drag king Spikey Van Dykey. From New York City, Brian Faltudo, best known from his role in School of Rock will grace the stage performing songs off of his new album. -
An Evening Of
An Evening of AOC’s annual gala looking to ‘unmask Hopethe stigma of HIV’ by Tammye Nash, Page 8 2 dallasvoice.com █ 05.18.18 toc05.18.18 | Volume 35 | Issue 2 headlines █ TEXAS NEWS 8 AOC ‘unmasking stigma’ with gala 9 Vets Center: services for LGBT vets 11 10 Doughman announces retirement 11 Silver Pride prom welcomes Tyler teens █ LIFE+STYLE 16 16 Adam Rippon: Olympics, DWTS, more 18 Aquaria is coming to Marty’s Live 20 REVIEW: ‘Beast’ keeps you guessing 21 Bianca Del Rio does it all May is Melonoma Awareness Month! Have you had your skin checked? █ ON THE COVER JB Foshee, MD Dermatology Center of Dallas Model: Steven Mobley. 8230 Walnut Hill Ln. Ste. 500 Photo by Tammye Nash. Dallas, TX 75231 • 214-739-5821 Design by Kevin Thomas. 18 Open Sunday 2-4 departments 6 The Gay Agenda 25 Best Bets 8 News 28 Jenny Block 15 CommUNITY 29 Scene 411 N. Montclair Ave - $525,000 Beautiful 3/2/3 LA Prairie- Style Home w Large Backyard & Oversized Lot 2,623 SF/Appr. • Winnetka Heights 16 Life+Style 32 MarketPlace Open Sunday 2-4 Open Sunday 2-4 818 Woodlawn Ave - $510,000 3111 Welborn #1402 - $869,000 Beautifully Restored Prairie Style, Extensively Renovated – Totally Remodeled Condo w Panoramic Dallas Skyline Views. 3/2.1/4LA 2,380 SF/Tax • Bishop Arts District 1/1.1/2 LA, 2,118 SF/BP • Oak Lawn/Turtle Creek Open Sunday 2-4 Open Sunday 2-4 VISIT OURMISTRESS ITALIAN 4709 Alta Vista - $1,490,000 1999 McKinney #1006 -$850,000 Elegant Custom Home on .42 acres w/Lagoon Style Pool– Contemporary Hi-Rise Loft w Premium Finishes & 2 Balconies 4/3.2/4LA 5,416 SF/Appr. -
The Trouble with “Queerness”: Drag and the Making of Two Cultures by Katie Rebecca Horowitz a Dissertation Submitted in Part
The Trouble with “Queerness”: Drag and the Making of Two Cultures By Katie Rebecca Horowitz A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Rhetoric in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Linda Williams, Chair Professor Catherine Cole Professor Judith Butler Fall 2012 Abstract The Trouble with “Queerness”: Drag and the Making of Two Cultures by Katie Rebecca Horowitz Doctor of Philosophy in Rhetoric University of California, Berkeley Professor Linda Williams, Chair This dissertation responds to the frequent charge within academic and activist circles that queer theory is simply gay male theory cloaked in more inclusive language. Taking as its starting point an ethnographic case study of drag king and queen performance cultures, it challenges the efficaciousness of an everything and the kitchen sink approach to queer theorizing and organizing. This work constitutes the first academic monograph centered on queer life in Cleveland, Ohio and is also the first to focus simultaneously on kinging and queening, a lacuna at once explained by and demanding interrogation of the fact that these practices have almost nothing in common with each other. Despite the shared heading of drag, these iconically queer institutions overlap little with respect to audience, movement vocabulary, stage persona, and treatment of gender, class, race, and sexuality. The radical (in)difference between these genres serves as a microcosmic representation of the perennial rift between lesbians and gay men and highlights the heteronormativity of the assumption that all of the identity categories subsumed under (and often eclipsed by) the queer umbrella ought a priori to have anything in common culturally, politically, or otherwise.