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Super Bowl Advertisers Embrace Diversity
SUPER BOWL ADVERTISERS EMBRACE DIVERSITY... CAUTIOUSLY Big Game marketers look to better represent women and minorities without offending anyone By Jeanine Poggi This year’s crop of Super Bowl commercials will feature two drag queens, an all-female cast, Ellen DeGeneres and her wife, and a “Queer Eye” guy. It's a step in better representing modern society by casting more diverse ethnicities, lifestyles and cultural perspectives in the Big Game. It’s an effort that shouldn’t further fracture a divided nation, but Sabra Chief Marketing Officer Jason Levine says, “Inclusive Credit: Illustration by Tam Nguyen marketing, even under the best intentions, can find itself feeding into the divisiveness of the country.” And if there is one goal nearly all Super …of the celebrities that appeared Bowl LIV advertisers have, it’s to not alienate a particular group or political in Super Bowl LIII commercials, ideology. 25 were male while just 13 were female, according to data from To that end, those who are at least attempting to recast Super Bowl E-Poll Market Research. commercials, which historically have not been friendly to women or minorities, are doing so in the least controversial way possible--—by cushioning them with humor. Making space For its second consecutive Super Bowl ad, Olay was inspired by shows like Amazon’s “The Marvelous Mrs. Maisel” and “Fleabag” in its effort to depict women in roles typically held by men, especially in the fields of science and technology. Starring an all-female cast of celebrities, including YouTuber Lilly Singh, comedian Busy Philipps, Taraji P. -
2020 Submissions
2020 Submissions FEMALE VOCALIST CORINNA SOWERS ADLER Second Stories; Songs from the Heart; Winter Song The Triad, Laurie Beechman, Oakeside Bloomfield Cultural Center LUCILLE CARR-KAFFASHAN How the Light Gets In Don’t Tell Mama CYNTHIA CRANE This Is a Changing World, My Dear Don’t Tell Mama SALLY DARLING And Kurt Weill Begat Kander & Ebb Don’t Tell Mama, Urban Stages DAWN DEROW The House That Built Me Laurie Beechman GOLDIE DVER Back in Mama’s Arms Don’t Tell Mama RENEE KATZ When It Happens to You: Renee Katz Sings Jule Styne; How Can I Keep From Singing Don't Tell Mama, Laurie Beechman ANN KITTREDGE Fancy Meeting You Here; Movie Nite Feinstein’s/54 Below, Urban Stages, Feinstein’s at Vitello's, Beach Cafe ANGELA LEONE Mathis and More Don’t Tell Mama SUSANNE MACK Where I Belong Pangea, Don’t Tell Mama NICCI NICHOLAS Nothin’ Can Be Done Don’t Tell Mama LESLIE OROFINO Shine Don’t Tell Mama, BJ Ryan's Magnolia Room YAEL RASOOLY Glamour in the Dark; Love Must Have an End Laurie Beechman, Don’t Tell Mama WENDY SCHERL Town & Country; You’ll See Laurie Beechman, Davenport’s, BJ Ryan's Magnolia Room JILL SENTER Celebrate the Moment Laurie Beechman - 1 - MAUREEN KELLEY STEWART There Will Never Be Another You: The Songs of Harry Warren; A Gershwin Sampler; Everything’s Coming Up Roses: The Music of Jule Styne Laurie Beechman, Mohonk Mountain House, Sharon Country Club, Spencertown Academy Art Center MAUREEN TAYLOR Cosmic Connections: The Lyrics of Michael Colby Don’t Tell Mama STEPHANIE TRUDEAU Chavela: Think of Me Don’t Tell Mama LISA VIGGIANO From Lady Day to The Boss Pangea, Don’t Tell Mama ROBIN WESTLE In the Summer of ‘69 Don’t Tell Mama AMY BETH WILLIAMS Meet Me at the Bar Don’t Tell Mama MALE VOCALIST ARI AXELROD A Celebration of Jewish Broadway Birdland Theater, The Kranzberg (St. -
Drag Artist Interviews, 2019
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Southern Illinois University Edwardsville Southern Illinois University Edwardsville SPARK SIUE Faculty Research, Scholarship, and Creative Activity 2020 Drag Artist Interviews, 2019 Ezra Temko [email protected] Adam Loesch SIUE, [email protected] Follow this and additional works at: https://spark.siue.edu/siue_fac Part of the Gender and Sexuality Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Theatre and Performance Studies Commons, and the Sociology of Culture Commons Recommended Citation Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). This Article is brought to you for free and open access by SPARK. It has been accepted for inclusion in SIUE Faculty Research, Scholarship, and Creative Activity by an authorized administrator of SPARK. For more information, please contact [email protected]. Drag Artist Interviews, 2019 To cite this dataset as a whole, the following reference is recommended: Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). To cite individual interviews, see the recommended reference(s) at the top of the particular transcript(s). Interview -
Chapter Sampler
Chapter Sampler Renée Ahdieh Max Brooks The Beautiful Devolution Page 2 Page 25 Kat Cho Holly Jackson Wicked Fox A Good Girl’s Guide to Murder Page 37 Page 68 Zack Jordan Natalie Mae The Last Human The Kinder Poison Page 92 Page 119 Silvia Moreno-Garcia Erin Morgenstern Mexican Gothic The Starless Sea Page 148 Page 174 Naomi Novik Stephanie Perkins A Deadly Education There’s Someone Inside Page 188 Your House Page 234 Tochi Onyebuchi Emily Skrutskie War Girls Bonds of Brass Page 258 Page 281 Sabaa Tahir Charles Yu An Ember in the Ashes Interior Chinatown Page 311 Page 360 The Beautiful Renée Ahdieh Click here to learn more about this book! RENé E AHDIEH G. P. PUTNAM’S SONS G. P. Putnam’s Sons an imprint of Penguin Random House LLC, New York Copyright © 2019 by Renée Ahdieh. Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader. G. P. Putnam’s Sons is a registered trademark of Penguin Random House LLC. Visit us online at penguinrandomhouse.com Library of Congress Cataloging-in-Publication Data is available upon request. Printed in the United States of America. ISBN 9781524738174 1 3 5 7 9 10 8 6 4 2 Design by Theresa Evangelista. Text set in Warnock Pro. -
Lessons in Neoliberal Survival from Rupaul's Drag Race
Journal of International Women's Studies Volume 21 Issue 3 Feminist Comforts and Considerations amidst a Global Pandemic: New Writings in Feminist and Women’s Studies—Winning and Article 3 Short-listed Entries from the 2020 Feminist Studies Association’s (FSA) Annual Student Essay Competition May 2020 Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race Phoebe Chetwynd Follow this and additional works at: https://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Chetwynd, Phoebe (2020). Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race. Journal of International Women's Studies, 21(3), 22-35. Available at: https://vc.bridgew.edu/jiws/vol21/iss3/3 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2020 Journal of International Women’s Studies. Postfeminist Hegemony in a Precarious World: Lessons in Neoliberal Survival from RuPaul’s Drag Race By Phoebe Chetwynd1 Abstract The popularity of the reality television show RuPaul’s Drag Race is often framed as evidence of Western societies’ increasing tolerance towards queer identities. This paper instead considers the ideological cost of this mainstream success, arguing that the show does not successfully challenge dominant heteronormative values. In light of Rosalind Gill’s work on postfeminism, it will be argued that the show’s format calls upon contestants (and viewers) to conform to a postfeminist ideal that valorises normative femininity and reaffirms the gender binary. -
A Killjoy's Introduction to Religion
Buzzsprout MY PODCASTS MY PROFILE HELP LOG OUT Keeping It 101: A Killjoy's Introduction to Religion Episodes Players Website Directories Resources Podcast Settings Stats Back to Episode Transcript Export Done, Back to Episode Episode: Extracurriculars: Ru-ligion Ru-vealed! the T on Religion & Drag Race Last Saved 14 minutes ago. Ilyse Keeping It 101: A Killjoy's Introd… This is Keeping it 101, a killjoy's introduction to religion podcast. Extracurriculars: Ru-ligion Ru-vealed! the T on Religion & Drag Race Megan What's up nerds? Share Info 00:00 | 59:11 Ilyse Hi. Hello. I'm Ilyse Morgenstein Fuerst a professional and professorial killjoy living, Speakers working, and raising killjoys on the traditional and ancestral lands of the Abenaki Ilyse people. I'm a scholar of Islam, imperialism, racial ization of Muslims and the history of Megan religion Located at the University of Vermont. RPDR Megan Simpsons Hi. Hello. I'm Megan Goodwin, the other unapologetic feminist killjoy on keeping at ADD SPEAKER 101 Broadcasting. Get it From the Land of the Wabenaki Confederacy, the Abenaki and the Aucocisco Peoples. I'm a scholar of gender, sexuality, white supremacy, minority religions, politics and America, located at Northeastern University--slash currently, my couch--and I coordinate Sacred Writes, public scholarship on religion, a Luce funded project that helps scholars and nerds like yourself share their expertise with folks who don't talk and study and think about religion all the time. Megan Hey, it's an extracurricular episode. Schools fun and all, but it's after school when the magic of learning really happens. -
Drag Queens During Super Bowl
Urgent Message From One Million Moms: Drag queens to make historical debut during Super Bowl LIV The NFL and Fox are set to make history this year by airing a Super Bowl ad that features drag queens. It’s will be the first commercial of its kind in Super Bowl history, and One Million Moms is asking that it be removed from the advertising lineup immediately. An ad promoting drag queens is not what we had in mind when urging the NFL to keep the Super Bowl LIV commercials and halftime entertainment family-friendly. The Sabra Hummus ad features drag queens Kim Chi and Miz Cracker, former contestants on RuPaul’s Drag Race. One is snacking on hummus while the other is trying to fit a football helmet over his perfectly teased hair without causing helmet hair. The tagline: “Hair We Go 02.02.20.” Sabra Dipping Company LLC is choosing to push an agenda of sexual confusion instead of promoting its actual product. The PC-inclusive ad blurs the biological distinctions between male and female. Normalizing this lifestyle is contrary to what conservative, Christian parents are teaching their children about God’s design for sexuality. Thanks Sabra! Now parents have to explain to their confused children! The NFL has not been very adept at dealing with controversies, and this year is no different. Please sign our petition to the NFL and FOX requesting Super Bowl LIV be kept suitable for all ages, since children will also be watching the game this Sunday, Feb. 2. To Take Action, sign the petition to the NFL and FOX urging the Sabra Hummus drag queen advertisement be canceled and removed from the Super Bowl commercial lineup immediately. -
The Iron Warrior 'S Distraction Newsletter
The Iron Warrior’s Distraction Newsletter The Funny Bits 1 Crossword Theme: RuPaul’s Drag Race Across 1: Confesses openly 6: Abyss 12: Fifth US president 14: Make more pointy 15: Type of membrane covering body cavities 16: Season 2 Miss Congeniality 17: Duck from Stuttgart? 18: Supermodel of the World and American 19: Louse’s egg 20: Bendelacreme is terminally this 24: One-use code for Final Fantasy 25: Rock containing precious minerals 26: Singer behind “How to be Lonely” 27: Center for Studies on Human Stress en français 28: Someone from Baghdad 2 Across 31: Nickname for Raven’s QB 33: What reading is 37: Loose garment covering whole body 38: Truth 41: Scuba dividing teacher acronym 44: Traditional Korean board game 45: Virus transmitted by mosquito, abbr. 46: Initials of famous scientologist 47: To be eliminated 52: Coral reef island in Philippines 53: It follows Mar. 54: Last name of Turkish actress Itir 55: Wrinkly dog breed 57: Slow tempo marking 60: Ugandan capital 61: Enters first with RPDR winner Bob 62: Ferret, e.g. 63: Makeup brand ________ Lauder Down 1: YYZ but for Amman 2: First person singular present indicate of “ir” in Portuguese 3: “_______ ___ was” by Tim Buckley 4: W in BMW according to Latrice Royale 5: Opposite of north 6: Cleric attached to secular organization 7: Villain of Frozen 8: Organization of German regional broadcasters 9: Monét X Change iconic dress material 10: Deserves 11: The best game on RPDR 13: Slovak company offering antivirus software 14: spend freely 20: Used to cite onlien articles 21: Make a mistake 22: Maple, e.g. -
Rupaul's Drag Race from Screens To
‘Tens, Tens, Tens Across the Board’: Representation, Remuneration, and Repercussion – RuPaul’s Drag Race from Screens to Streets Max Mehran A Thesis in The Mel Hoppenheim School of Cinema Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (Film Studies) at Concordia University Montréal, Quebec, Canada January 2020 Ó Max Mehran, 2020 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Max Mehran Entitled: ‘Tens, Tens, Tens Across the Board’: Representation, Remuneration, and Repercussion – RuPaul’s Drag Race from Screens to Streets and submitted in partial fulfillment of the requirements for the degree of Master of Arts (Film Studies) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: ________________________________ Chair Luca Caminati ________________________________Examiner Haidee Wasson ________________________________Examiner Glyn Davis ________________________________Supervisor Kay Dickinson Approved by ________________________ Graduate Program Director Luca Caminati ________________________ Dean of Faculty Rebecca Duclos Date: January 20th, 2020 iii ABSTRACT ‘Tens, Tens, Tens Across the Board’: Representation, Remuneration, and Repercussion – RuPaul’s Drag Race from Screens to Streets Max Mehran Since its inception, RuPaul’s Drag Race (Drag Race) (2009-) has pitted drag queens against each other in a series of challenges testing acting, singing, and sewing skills. Drag Race continues to become more profitable and successful by the year and arguably shapes cultural ideas of queer performances in manifold ways. This project investigates the impacts of exploitative labour practices that emerge from the show, the commodification of drag when represented on screen, and how the show influences drag and queer performances off screen. -
E Past, Present and Future of Drag in Los Angeles
Rap Duo 88Glam embrace Hip-Hop’s fearlessness • Museum Spotlights Ernie Barnes, Artist and Athlete ® MAY 24-30, 2019 / VOL. 41 / NO. 27 / LAWEEKLY.COM Q e Past,UEENDOM Present and Future of Drag in Los Angeles BY MICHAEL COOPER AND LINA LECARO 2 WWW.LAWEEKLY.COM | - , | LA WEEKLY L May 24 - May 30, 2019 // Vol. 41 // No. 27 // laweekly.com 3 LA WEEKLY LA Explore the Country’s Premier School of Archetypal and Depth Psychology Contents - , | | Join us on campus in Santa Barbara WWW.LAWEEKLY.COM Friday, June 7, 2019 The Pacifica Experience A Comprehensive One-Day Introduction to Pacifica’s Master’s and Doctoral Degree Programs Join us for our Information Day and learn about our various degree programs. Faculty from each of the programs will be hosting program-specific information sessions throughout the day. Don't miss out on this event! Pacifica is an accredited graduate school offering degrees in Clinical Psychology, Counseling Psychology, the Humanities and Mythological Studies. The Institute has two beautiful campuses in Santa Barbara nestled between the foothills and the Pacific Ocean. All of Pacifica’s degree programs are offered through monthly three-day learning sessions that take into account vocational, family, and other commitments. Students come to Pacifica from diverse backgrounds in pursuit of an expansive mix of accademic, professional, and personal goals. 7 Experience Pacifica’s unique interdisciplinary degree programs GO LA...4 FILM...16 led by our renowned faculty. Celebrate punk history, explore the NATHANIEL BELL explores the movies opening Tour both of our beautiful campuses including the Joseph Campbell Archives and the Research Library. -
Of 69 FIRST NAME LAST NAME SALARY & WAGES JOB TITLE
CITY OF NORWALK TOP SALARIES 2013 FIRST NAME LAST NAME SALARY & WAGES JOB TITLE DEPARTMENT RANK ANTHONY DADDONA $219,392.96 DEPUTY SUPERINTENDENT SUPERINTENDENT 1 RUSSELL OUELLETTE $199,102.39 POLICE OFFICER POLICE DEPARTMENT 2 PAUL LARSEN $184,452.21 POLICE OFFICER POLICE DEPARTMENT 3 SHAWN WONG WON $176,186.01 POLICE LIEUTENANT POLICE DEPARTMENT 4 CHARLES PEREZ $175,914.36 POLICE SERGEANT POLICE DEPARTMENT 5 ASHLEY GONZALEZ $174,033.58 POLICE LIEUTENANT POLICE DEPARTMENT 6 SUZANNE KOROSHETZ $173,017.01 PRINCIPAL BRIEN MCMAHON HIGH SCHOOL 7 ANTHONY DITRIO $171,191.34 PRINCIPAL KENDALL ELEMENTARY SCHOOL 8 DEBORAH BELL-JOHNSON $170,881.79 ASSISTANT PRINCIPAL NATHAN HALE MIDDLE SCHOOL 9 JOHN REYNOLDS $170,441.37 PRINCIPAL JEFFERSON ELEMENTARY SCHOOL 10 GREGG SCULLY $170,195.87 POLICE SERGEANT POLICE DEPARTMENT 11 REGINALD ROBERTS $168,046.06 PRINCIPAL NORWALK HIGH SCHOOL 12 MYRNA TORTORELLO $165,652.21 PRINCIPAL CURR & INSTRUCTION 13 ELISA NELSON $163,532.21 ASSISTANT PRINCIPAL FOX RUN ELEMENTARY SCHOOL 14 LYNNE MOORE $162,511.44 PRINCIPAL WEST ROCKS MIDDLE SCHOOL 15 LINDA SUMPTER $161,011.53 PRINCIPAL PONUS RIDGE MIDDLE SCHOOL 16 JOSEPH VELLUCCI $161,011.50 PRINCIPAL ROTON MIDDLE SCHOOL 17 MARIE ALLEN $160,549.97 PRINCIPAL BRIGGS HIGH SCHOOL 18 GEORGE DALEY $160,244.79 POLICE OFFICER POLICE DEPARTMENT 19 DAVID NIEVES $159,744.45 POLICE OFFICER POLICE DEPARTMENT 20 THOMAS MATTERA $159,486.96 POLICE LIEUTENANT POLICE DEPARTMENT 21 MICHAEL SILVA $158,232.39 POLICE OFFICER POLICE DEPARTMENT 22 PAUL KRASNAVAGE $158,080.52 PRINCIPAL TRACEY ELEMENTARY -
P Assion Distribution Mipcom 2019 • New Programming
MIPCOM 2019 • NEW PROGRAMMING PASSION DISTRIBUTION PASSION PART OF THE TINOPOLIS GROUP Passion Distribution Ltd. No.1 Smiths Square 77-85 Fulham Palace Road London W6 8JA T. +44 (0)207 981 9801 E. [email protected] www.passiondistribution.com PASSION_MIPCOM 2019 CATALOGUE REDESIGN_COVER_V1.indd 1 20/08/2019 18:06 WELCOME Welcome to MIPCOM 2019 It is my absolute pleasure to share with you Passion Distribution’s latest slate of current and upcoming programmes and formats. As ever, we are incredibly proud to have partnered with some of the world’s most talented producers to bring you one of our most exciting and premium line-ups yet. Emmy-winning phenomenon RuPaul’s Drag Race continues its extraordinary journey with a new US series, and excitingly, UK WELCOME and Canadian local versions of this groundbreaking Drag Queens competition series too. As you’d expect, we’re also bringing to market some extraordinary human interest content. This includes entertaining insights into Outrageous Weddings; Stacey Dooley spending weekends with people from unusual walks of life; and people considering changing their life altogether, with aspirational brand new format Twice the Life for Half the Price. Trains, planes and automobiles, and in fact all forms of transport, are a strong feature of this slate. From the fascinating engineering series Architecture the Railways Built, to the aspirational World’s Most Expensive Cruise and the ultimate transport series that lifts the lid on the Secrets of Royal Travel! We look forward to welcoming you on