Frances Burney D'arblay and Anglican Womanhood, 1752 – 1840
Frances Burney d’Arblay and Anglican Womanhood, 1752 – 1840. Daniel James Edward Alexander Waterfield. Queens’ College. March, 2019. This dissertation is submitted for the degree of Doctor of Philosophy. Acknowledgements: With thanks to Andrew C. Thompson, Sophie Coulombeau, Peter Sabor, Catherine Nygren, John Overholt, Amy Erickson, Nicholas Dixon, and to Kevin Feeney, Tim Oliver, Chris Evans, Henry Coleman, Anthony Breach, Jack Thompson, Toby Waterworth, Finn Trevarthen-Darby, Greg Williams, Jacob Weinbren, Ruth Rimmer, and Chris Terry for making sure I didn’t slack. I gratefully acknowledge the financial support of the Pigott Foundation, McGill-ASECS, and the Donald and Mary Hyde Fellowship at Harvard University. Most of all, to my wife, Becky Waterfield. Abstract. A resurgence of interest precipitated by Joyce Hemlow in the middle half of the twentieth century has rescued the British novelist Frances Burney d’Arblay’s (1752 – 1840) cutting social criticism from the shadow of her near-contemporary Jane Austen. Yet such work has – with the exception of recent work on the colonial contexts of the Burney family as a whole – centred on the standard gendered contexts of elite social spaces and marriage markets. Frances Burney, however, was the Anglican daughter of a Catholic mother, counted Burke, Garrick, Johnson, and Mrs Thrale among her friends after Evelina’s publication in 1778, spent five years as servant to Queen Charlotte, witnessing the Hastings Trial and George’s first illness, then married a French Roman Catholic émigré and spent ten years trapped in France during the Napoleonic War. Her father, a musicologist and teacher, struggled to reconcile a conservative elite sociability with the quasi-proscribed Catholicism of his wider circle.
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