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From the Violin Studio of Sergiu Schwartz
CoNSERVATORY oF Music presents The Violin Studio of Sergiu Schwartz SPOTLIGHT ON YOUNG VIOLIN VIRTUOSI with Tao Lin, piano Saturday, April 3, 2004 7:30p.m. Amamick-Goldstein Concert Hall de Hoernle International Center Program Polonaise No. 1 in D Major ..................................................... Henryk Wieniawski Gabrielle Fink, junior (United States) (1835 - 1880) Tambourin Chino is ...................................................................... Fritz Kreisler Anne Chicheportiche, professional studies (France) (1875- 1962) La Campanella ............................................................................ Niccolo Paganini Andrei Bacu, senior (Romania) (1782-1840) (edited Fritz Kreisler) Romanza Andaluza ....... .. ............... .. ......................................... Pablo de Sarasate Marcoantonio Real-d' Arbelles, sophomore (United States) (1844-1908) 1 Dance of the Goblins .................................................................... Antonio Bazzini Marta Murvai, senior (Romania) (1818- 1897) Caprice Viennois ... .... ........................................................................ Fritz Kreisler Danut Muresan, senior (Romania) (1875- 1962) Finale from Violin Concerto No. 1 in g minor, Op. 26 ......................... Max Bruch Gareth Johnson, sophomore (United States) (1838- 1920) INTERMISSION 1Ko<F11m'1-za from Violin Concerto No. 2 in d minor .................... Henryk Wieniawski ten a Ilieva, freshman (Bulgaria) (1835- 1880) llegro a Ia Zingara from Violin Concerto No. 2 in d minor -
Tianjin Juilliard Faculty Concert
The Tianjin Juilliard School presents Tianjin Juilliard Faculty Concert Monday, February 25, 2019, 7:00pm Cosmos Hall SAINT-SAËNS Fantaisie for Violin and Harp, Op. 124 GLINKA Romance for Violin, Cello, and Harp MOZART Oboe Quartet in F Major, K. 370/368b Intermission BRAHMS Piano Quintet, Op. 34 I. Allegro non troppo II. Andante, un poco Adagio III. Scherzo. Allegro IV. Finale. Poco sostenuto-Allegro non troppo Program order and selections are subject to change. Changes will be announced from the stage. Learn more about The Tianjin Juilliard School by visiting our website: tianjin.juilliard.edu About the Artists Scott Bell Oboist Scott Bell has performed recitals as part of the Music in a Great Space series in Pittsburgh and Reykjavik, Iceland. He has also appeared with the Santa Fe Opera, Glimmerglass Opera, Atlanta Symphony, National Symphony, Minnesota Orchestra, and Milwaukee Symphony. He is a member of the critically acclaimed Pittsburgh Reed Trio. As well as having been a member of the two-time Grammy Award winning Pittsburgh Symphony since 1993, Bell also holds the Mr. and Mrs. William Rinehart endowed oboe chair. Bell has been on the faculties of Northern Illinois University, Tulane University, Trinity College, Wesleyan University, Carnegie Mellon University, and Duquesne University. He attended the Cleveland Institute of Music as a student of legendary oboist and pedagogue John Mack. In 1982, Bell became the first oboist to win First Prize at the prestigious Fernand Gillet Competition. Sheila Browne Recently named William Primrose Memorial Recitalist Sheila Browne has performed across six continents. She premiered a concerto written for her by Kenneth Jacobs at the international viola congresses in Australia and South Africa and recorded it with the Kiev Philharmonic. -
Smith College Alumnae Chorus to Honor Composer Alice Parker, Class of 1947, in Special Concert
Published on GazetteNet (http://www.gazettenet.com) Print this Page A lifetime of music; Smith College Alumnae Chorus to honor composer Alice Parker, class of 1947, in special concert By STEVE PFARRER Staff Writer Wednesday, September 17, 2014 (Published in print: Thursday, September 18, 2014) Who says your time singing in college has to end with graduation? For members of the Smith College Alumnae Chorus, launched four years ago, choral music remains a means for forging connections among graduates of different classes and keeping their voices raised in song. For Alice Parker, Smith class of 1947, choral music has been a lifelong calling — as a composer, a conductor and teacher. Parker, 88, has composed for decades, earning particular notice for her arrangements of folk songs and hymns for vocal ensembles. She collaborated for years on such material with the late Robert Shaw, known as “the Dean of American Choral Conductors.” On Sunday, Sept. 21, Parker and the Alumnae Chorus (SCAC) will join forces at Smith to celebrate Parker’s lifetime achievements in a 2 p.m. show at Sweeney Concert Hall. Part of the performance, which will be conducted by Parker, has a special connection to the Valley as well: Parker will lead the chorus in a rendition of her song cycle “Three Seas,” a suite based on the poetry of Emily Dickinson. Members of the SCAS, most of whom performed with one of more vocals groups at Smith when they were students, say the opportunity to work with Parker is an exciting one. “It’s really an honor,” Sarah Muffly, class of 2008 and the chorus’ secretary, said in a recent phone call from her home in the New York area. -
Music for Viola and Piano, September 30, 2018 Lawrence University
Lawrence University Lux Conservatory of Music Concert Programs Conservatory of Music 9-30-2018 12:00 AM Music for Viola and Piano, September 30, 2018 Lawrence University Follow this and additional works at: https://lux.lawrence.edu/concertprograms Part of the Music Performance Commons © Copyright is owned by the author of this document. Recommended Citation Lawrence University, "Music for Viola and Piano, September 30, 2018" (2018). Conservatory of Music Concert Programs. Program 311. https://lux.lawrence.edu/concertprograms/311 This Concert Program is brought to you for free and open access by the Conservatory of Music at Lux. It has been accepted for inclusion in Conservatory of Music Concert Programs by an authorized administrator of Lux. For more information, please contact [email protected]. Guest Recital Music for Viola and Piano Sheila Browne, viola Julie Nishimura, piano Sunday, September 30, 2018 6:00 p.m. Harper Hall Sonatensatz from the F-A-E Sonata, WoO posth. 2 Johannes Brahms (1833-1897) Sonata for Viola and Piano (1979) George Rochberg Allegro moderato (1918-2005) Adagio lamentoso Fantasia: Epilogue INTERMISSION Convergence (2009) Andrea Clearfield (b. 1960) Sonata for Viola and Piano (1919) Rebecca Clarke Impetuoso (1886-1979) Vivace Adagio PERFORMER BIOS Hailed by the New York Times as a “stylish player” for a concerto performance in Carnegie Hall’s Stern Auditorium, violist Sheila Browne is an accomplished international soloist, chamber musician and professor. Honored to be named the William Primrose Memorial Recitalist of 2016, Ms. Browne has performed in major halls on six continents, including solo performances with the Juilliard Orchestra, Kiev Philharmonic, New World Symphony, in Carnegie Hall with the New York Women’s Ensemble, South African International Viola Congress Festival Orchestra, and the Viva Vivaldi!, Reina Sofia and German French chamber orchestras, and with the Highland Mountain Correctional Center Women’s String Orchestra in Alaska. -
Emily Dickinson in Song
1 Emily Dickinson in Song A Discography, 1925-2019 Compiled by Georgiana Strickland 2 Copyright © 2019 by Georgiana W. Strickland All rights reserved 3 What would the Dower be Had I the Art to stun myself With Bolts of Melody! Emily Dickinson 4 Contents Preface 5 Introduction 7 I. Recordings with Vocal Works by a Single Composer 9 Alphabetical by composer II. Compilations: Recordings with Vocal Works by Multiple Composers 54 Alphabetical by record title III. Recordings with Non-Vocal Works 72 Alphabetical by composer or record title IV: Recordings with Works in Miscellaneous Formats 76 Alphabetical by composer or record title Sources 81 Acknowledgments 83 5 Preface The American poet Emily Dickinson (1830-1886), unknown in her lifetime, is today revered by poets and poetry lovers throughout the world, and her revolutionary poetic style has been widely influential. Yet her equally wide influence on the world of music was largely unrecognized until 1992, when the late Carlton Lowenberg published his groundbreaking study Musicians Wrestle Everywhere: Emily Dickinson and Music (Fallen Leaf Press), an examination of Dickinson's involvement in the music of her time, and a "detailed inventory" of 1,615 musical settings of her poems. The result is a survey of an important segment of twentieth-century music. In the years since Lowenberg's inventory appeared, the number of Dickinson settings is estimated to have more than doubled, and a large number of them have been performed and recorded. One critic has described Dickinson as "the darling of modern composers."1 The intriguing question of why this should be so has been answered in many ways by composers and others. -
JUILLIARD ORCHESTRA New World Records 80396 Conducted by CHRISTOPHER KEENE, PAUL ZUKOFSKY and JAMES DEPREIST
JUILLIARD ORCHESTRA New World Records 80396 Conducted by CHRISTOPHER KEENE, PAUL ZUKOFSKY and JAMES DEPREIST DAVID DIAMOND Symphony No. 5 MILTON BABBITT Relata I VINCENT PERSICHETTI Night Dances James DePreist has been music director and conductor of the Oregon Symphony since 1980 and a distinguished guest conductor in America and abroad. Recent and future appearances include the New York Philharmonic, the Philadelphia Orchestra, the Chicago Symphony, the Bournemouth Symphony and the Lausanne Chamber Orchestra. In 1971, Antal Dorati chose DePreist to become his associate conductor with the National Symphony Orchestra. He later was named music director of the Quebec Symphony, from 1976 to 1983. In 1991, DePreist becomes principal conductor of the Malmo Symphony, one of Sweden's four largest orchestras. He is the nephew of the legendary contralto Marian Anderson. Paul Zukofsky is director of the Juilliard 20th Century Ensemble. In addition to his activities at Juilliard, he is artistic director of "Summergarden" at the Museum of Modern Art, program coordinator of the "American Composer" series at the Kennedy Center, and music director of the Youth Symphony of Iceland. Music director of the Colonial Symphony of Madison, New Jersey from 1978 to 1987, he has also been director of the Zukofsky seminar in orchestra repertoire at the Reykjavik College of Music. A leading performer of American violin music, Zukofsky has performed world premieres of concerti by Sessions, Wuorinen, and Glass, and solo works by Babbitt, Cage, Carter, and Crumb. Recognized as both a conductor and an arts administrator, Christopher Keene became general director of the New York City Opera in March 1989. -
Usc Thornton Oriana Women's Choir and Apollo Men's Chorus
UNIVERSITY OF SOUTHERN CALIFORNIA THORNTON SCHOOL OF MUSIC USC THORNTON ORIANA WOMEN’S CHOIR AND APOLLO MEN’S CHORUS FRIDAY | OCTOBER 28, 2016 | 8:00PM NEWMAN RECITAL HALL ORIANA WOMEN’S CHOIR IRENE APANOVITCH conductor MICHAEL DAWSON co-conductor ASHLEY RAMSEY co-conductor HANBO MA accompanist APOLLO MEN’S CHORUS ERNEST H. HARRISON conductor SCOTT RIEKER co-conductor DA’JON JAMES co-conductor LUIS REYES accompanist PROGRAM ORIANA WOMEN’S CHOIR PABLO CASALS Eucaristica Ashley Ramsey, conductor CHARLES IVES At the River Irene Apanovitch, conductor RANDALL THOMPSON “A Girl’s Garden” from Frostiana Irene Apanovitch, conductor MICHAEL MCGLYNN The White Rose Michael Dawson, conductor GIDEON KLEIN Bachuri Le’an Tisa Ashley Ramsey, conductor Katharine LaMattina, soloist EUGENE SUCHON Bodaj by vás čerti vzali Michael Dawson, conductor MICHAEL MCGLYNN, arr. Song for Jerusalem Michael Dawson, conductor Sunmi Shin, soloist Kathy Tu, soloist Clare Wallmark, soloist SRUL IRVING GLICK “Psalm 23” from Psalm Trilogy Irene Apanovitch, conductor OSCAR PETERSON Hymn to Freedom Irene Apanovitch, conductor APOLLO MEN’S CHORUS MICHAEL COX Praise him! Ernest H. Harrison, conductor MXOLISI MATYILA Bawo Thixo Somnadla Mxolisi Matyila Ernest H. Harrison, conductor AARON COPLAND Simple Gifts Scott Rieker, conductor ROBERT SHAW & Blow the Man Down Scott Rieker, conductor ALICE PARKER Da’Jon James, soloist Daniel Newman-Lessler, soloist David Massatt, soloist ROBERT SHAW & Vive L’Amour Da’Jon James, conductor ALICE PARKER Stephan Pellisier, soloist Ivan Tsung, soloist Luke Can Lant, soloist JOHN FARMER Fair Phyllis Scott Rieker, conductor AARON COPLAND The Dodger Ernest H. Harrison, conductor Chung Ming Zen, soloist Daniel Newman-Lessler, soloist Stephan Pellissier, soloist PAUL BASLER Sing to the Lord Ernest H. -
Juilliard Pre-College Symphony Photo by Michael Divito
Juilliard Pre-College Symphony Photo by Michael DiVito Juilliard Pre-College Centennial For more than 100 years Juilliard’s Pre-College Division has cultivated new generations of classical musicians by providing gifted students with the highest quality of performing arts education. These young musicians are the future of performing arts around the world. Providing scholarship support to all students with need is one of the most critical challenges of the Pre-College Division. With your help, we can make a Pre-College education possible for today’s most promising young artists. Your tax-deductible gift can also provide vital support for faculty and other program enhancements that have made Juilliard Pre-College one of the premier music preparatory programs in the world. #juilliardpc100 For more information or to make a gift to Juilliard Pre-College, please contact Koos Schrijen at (212) 799-5000, ext. 605, or [email protected]. Make a gift today by visiting giving.juilliard.edu/pre-college100 The Juilliard School presents Juilliard Pre-College Symphony Adam Glaser, Conductor Nayoun Kim, Violin Pusheng Wang, Piano Saturday, May 4, 2019, 7:30pm Peter Jay Sharp Theater MANUEL DE FALLA The Three-Cornered Hat: Suite No. 2 (1876-1946) The Neighbor’s Dance (Seguidillas) The Miller’s Dance (Farruca) Final Dance (Jota) MAURICE RAVEL Tzigane, Rapsodie de concert, for Violin and Orchestra (1875-1937) Nayoun Kim, Violin FRANZ LISZT Totentanz (Dance of Death) for Piano and Orchestra (1811- 86) Pusheng Wang, Piano Intermission FELIX MENDELSSOHN Symphony No. 3 in A Minor, Op. 56 (“Scottish”) (1809-47) Andante con moto—Allegro un poco agitato Vivace non troppo Adagio Allegro vivacissimo—Allegro maestoso assai Performance time: approximately 1 hour and 30 minutes, including an intermission This performance is supported in part by the Muriel Gluck Production Fund. -
Three Choral Compositions by Alice Parker
Louisiana State University LSU Digital Commons LSU Major Papers Graduate School 2005 Three choral compositions by Alice Parker: a conductor's analysis of Songstream, Angels and Challengers, and Songs from "The Dragon Quilt" Jennifer Sue King Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_majorpapers Part of the Music Commons Recommended Citation King, Jennifer Sue, "Three choral compositions by Alice Parker: a conductor's analysis of Songstream, Angels and Challengers, and Songs from "The Dragon Quilt"" (2005). LSU Major Papers. 48. https://digitalcommons.lsu.edu/gradschool_majorpapers/48 This Major Paper is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Major Papers by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. THREE CHORAL COMPOSITIONS BY ALICE PARKER: A CONDUCTOR’S ANALYSIS OF SONGSTREAM, ANGELS AND CHALLENGERS, AND SONGS FROM “THE DRAGON QUILT” A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music by Jennifer S. King B. Mus. New Mexico State University, 1986 M. Mus., University of New Mexico, 1996 D.M.A., Louisiana State University, May, 2005 Acknowledgements My undying thanks and love go to my husband and children for many years of sacrifice and support. I owe a debt of gratitude to Dr. Kenneth Fulton at Louisiana State University for his inspiration, assistance, and patience. -
National Endowment for the Arts Annual Report 1989
National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1989. Respectfully, John E. Frohnmayer Chairman The President The White House Washington, D.C. July 1990 Contents CHAIRMAN’S STATEMENT ............................iv THE AGENCY AND ITS FUNCTIONS ..............xxvii THE NATIONAL COUNCIL ON THE ARTS .......xxviii PROGRAMS ............................................... 1 Dance ........................................................2 Design Arts ................................................20 . Expansion Arts .............................................30 . Folk Arts ....................................................48 Inter-Arts ...................................................58 Literature ...................................................74 Media Arts: Film/Radio/Television ......................86 .... Museum.................................................... 100 Music ......................................................124 Opera-Musical Theater .....................................160 Theater ..................................................... 172 Visual Arts .................................................186 OFFICE FOR PUBLIC PARTNERSHIP ...............203 . Arts in Education ..........................................204 Local Programs ............................................212 States Program .............................................216 -
Elec Press Kit 10.09.Indd
��������������� ��������� About NDI “They say you can see the universe in a fl ower. In one hour, teaching a jig to a motley crew of students of all ages, Jacques d’Amboise lays bare the essence of all good education: discipline, eff ort, beauty, struggle, joy. In the process, he opens up a universe of possibilities for all who participate and reveals why an education in the arts must be the birthright of every human being.” – Howard Gardner, Director, Harvard University Graduate School of Education, Project Zero National Dance Institute (NDI) was founded in the belief that the arts have a unique power to engage children and motivate them toward excellence. Since it was founded in 1976 by New York City Ballet principal dancer Jacques d’Amboise, NDI has impacted the lives of over 2 million children. Under the artistic direction of Ellen Weinstein and a staff of professional dancer/choreographers and musician/composers, NDI strives to reach every child, transcending barriers of language, culture, and physical challenges. Not one child pays a penny for these programs. • Each year, NDI reaches over 35,000 New York City public elementary school students and their communities through classes, residencies and performances. • All NDI programs are off ered to children free of charge. • Through classes led by professional teaching artists, we provide a full-year program for 4,000 children in our 30 partner schools. • NDI works with mainstream, bilingual, and special education classes. • The majority of NDI dancers come from low-income communities. • Through our Advanced Scholarship Programs, exceptionally motivated children may extend their NDI experience up to the age of 15. -
Still/HERE BAMBILL BROOKLYN ACADEMY of MUSIC Harvey Lichtenstein, President & Executive Producer
1114 NEXT WAVE FESTIVAL 1994 NEXT WAVE COVER AND POSTER ARTIST ROBERT MOSKOWITZ STill/HERE BAMBILL BROOKLYN ACADEMY OF MUSIC Harvey Lichtenstein, President & Executive Producer in association with THE FOUNDATION FOR DANCE PROMOTION presents in the BAM Opera House November 30, 1994 at 7pm December 1-3 at 8pm BILL T. JONES/ARNIE ZANE DANCE COMPANY in STILL/HERE Conceived, choreographed and directed by: BILL T. JONES Visual concept and media environment by: GRETCHEN BENDER "Still" music composed and lyrics arranged by: KENNETH FRAZELLE cCStill" music sung by: ODETTA cCStill" music performed by: LARK STRING QUARTET with BILL FINIZIO, percussion cCDenial" monologue written by: LAWRENCE GOLDHUBER cCHere" music composed and arranged by: VERNON REID cCHere" recorded and mixed by: BRADSHAW LEIGH & VERNON REID Costumes by: LIZ PRINCE Lighting design by: ROBERT WIERZEL with ARTHUR AVILES JOSIE COYOC TORRIN CUMMINGS GABRI CHRISTA LAWRENCE GOLDHUBER ROSALYNDE LEBLANC ODILE REINE-ADELAIDE DANIEL RUSSELL MAYA SAFFRIN GORDON F. WHITE Still/Here is dedicated to all the participants of The Survival Workshops. Still/Here is performed in two parts with one intermission. Special support provided by The Ford Foundation, Geisler-Roberdeau, and The Harkness Foundations for Dance. Special thanks to Commercial Developments International/East, Inc., for providing BAM with the 55 Wall Street facility for the 1994 NEXT WAVE Gala supper. On the cover: Bill T. Jones, as photographed by Joanne Savio (upper left and right, lower right) and by Michael O'Neill (lower left). _ PROGRAM NOTES _ BILL T.JONES/ARNIE ZANE DANCE COMPANY STAFF Artistic Director Bill T. Jones Managing Director Jodi Pam Krizer Special Projects Director Bjorn Amelan Development Director Shawn Stewart Ruff Company Manager Quynh Mai Administrative Assistant Laurie LaRose Lighting Designer Robert Wierzel Production Manager/Lighting Supervisor Gregory Bain Technical Director Kelly Atallah Stage Manager James Irvine Rehearsal Director Andrea E.