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Home , Isaac Stern, Juilliard School

Monday Evening, April 2, 2018, at 8:00 Auditorium / Ronald O. Perelman Stage

THE

presents Juilliard Orchestra DAVID ROBERTSON , Conductor TOMER GEWIRTZMAN ,

CHARLES IVES Three Places in New England (1874–1954) The “St. Gaudens” in Boston Common (Col. Robert Gould Shaw and his Colored Regiment) Putnam’s Camp, Redding, Connecticut The Housatonic at Stockbridge

BÉLA BARTÓK Piano Concerto No. 3 (1881–1945) Allegretto Allegro religioso—[Poco più mosso]—Tempo I [Allegro vivace]—[Presto] TOMER GEWIRTZMAN , Piano

Intermission

ANTONÍN DVO ÁK Symphony No. 9 in E minor, Op. 95, Ř (1841–1904) From the New World Adagio—Allegro molto Largo Scherzo. Molto vivace Allegro con fuoco

Performance time: approximately 1 hour and 40 minutes, including one intermission

The taking of photographs and the use of recording equipment are not permitted in this auditorium.

Information regarding gifts to the school may be obtained from the Juilliard School Development Office, 60 Plaza, , NY 10023-6588; (212) 799-5000, ext. 278 (juilliard.edu/giving)

PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES. Notes ON THE PROGRAM by James Keller

CHARLES IVES Three Places in New England Born October 20, 1874, in Danbury, Connecticut; Died May 19, 1954, in

Charles Ives’ Three Places in New complete in full score, but the set went England —or the New England Sym - unnoticed and unperformed, not to re- phony , as he sometimes called it— emerge for another 15 years. In 1929 presents much documentary confusion. Nicolas Slonimsky asked Ives for some - One might trace its conceptual origin thing he might conduct with his Boston to just after his wedding in 1908, when Chamber Orchestra. Ives offered this Ives and his bride enjoyed a weekend symphony manqué for a full symphony outing that included a hike along the orchestra, and he then re-orchestrated Housatonic River near Stockbridge, (and considerably revised) the piece to Massachusetts. “The mist had not entirely bring it within the reach of Slonimsky’s left the river bed,” Ives recalled, “and the group. It is sometimes heard today in colors, the running water, the banks and that chamber-orchestra reduction, in elm trees were something that one would which the piano takes on a wicked always remember.” On June 30, 1908, he amount of what had previously been jotted a musical sketch relating to the assigned to other instruments. After the experience, and several years later— premiere, at New York’s Town Hall in apparently in 1911–13—he used that as a 1931, Ives came backstage to exclaim: point of departure for The Housatonic at “Just like a town meeting—every man Stockbridge movement, which stands as for himself. Wonderful how it came the finale. out!” In 1933 Slonimsky convinced a Boston publisher to issue the piece. By 1911 he seems to have been plan - This would be the first-ever commer - ning some sort of orchestral triptych cial publication of an Ives composition. that would conclude with a movement depicting the “Shaw Memorial” monu - In this concert, however, we hear the ment by Augustus Saint-Gaudens in full symphonic version—or rather, a Boston Commons. The first two move - best-guess reconstruction of Ives’ origi - ments came to naught, but the “St. nal version, since large chunks of the Gaudens” section found a place at the original scores were sliced off and dis - opening. In 1912 he set about creating carded in the course of Ives’ 1929 re- the second movement, Putnam’s Camp , orchestration. Writes James Sinclair in by essentially merging and working out the preface to the full-orchestra edition: two considerably earlier works, the “It became clear that the only proper Country Band March and the Overture way to revive Ives’ large-orchestra inten - and March: 1776, now brought together tions was to combine the original coloring to depict a child’s dream about a Re - with the compositional revisions of volutionary War camp in Connecticut. 1929. In this way the advantages of By 1914 all three movements were both scores would be preserved.” BÉLA BARTÓK Piano Concerto No. 3 Born March 25, 1881, in Nagyszentmiklós, Hungary (now Sînnicolau Mare, Romania); Died September 26, 1945, in New York City

Few though they be, the major works He hoped to present it to his pianist of Béla Bartók’s last years—the wife, Ditta Pásztory-Bartók, for her Concerto for Orchestra (1943, revised 42nd birthday on October 31, 1945, 1945), the Sonata for Solo Violin imagining that she could use it to (1944), the Piano Concerto No. 3 ensure concert bookings after he was (1945), and the fragmentary Viola gone. He nearly made it. As he labored Concerto (1945)—tower as high points on the concerto during the summer of of 20th-century . It is a miracle 1945 at Saranac Lake, his condition they were written at all, pendants to a deteriorated and he returned to New composing career that Bartók himself York earlier than he had planned. His viewed as over. He had grown increas - health grew increasingly perilous, and ingly desperate as National Socialism on September 22 he was taken by overtook Central Europe in the 1930s ambulance from his apartment on West but felt compelled to stay in Hungary 57th Street to West Side Hospital, to look after his adored mother. When where he died four days later. He had she died, in 1939, he wasted little time worked on the concerto through his preparing his exit, and in the fall of last evening at home and managed to 1940 he and his family arrived in New finish all but the last 17 measures of its York, where he spent the five years that orchestration; before leaving in the remained to him. ambulance, he asked his son Peter to draw the requisite bar-lines on the The 59-year-old Bartók felt depressed music paper. “He counted the bar-lines and isolated in his new surroundings. to make sure their number was cor - He lacked energy and was plagued by rect,” wrote Peter, “then added a dou - ill health, the first symptoms of the ble line to the last one and added the leukemia that would kill him. He held word: ‘Vége’ [Hungarian for ‘The out little hope for his future as a com - End’].” The missing music was sup - poser. By the summer of 1943 he was plied by Bartók’s pupil and friend Tibor confined to a hospital. His weight had Serly. Ditta soon returned to Hungary, fallen to 87 pounds and he was all but where she lived in semi-seclusion for a bankrupt when the conductor Serge couple of decades before she ever Koussevitzky dropped by the hospital to played the piece in public. By and large , commission the Concerto for Orchestra. her role in this spectacularly beautiful concerto—greatly lyrical, sometimes Working on that piece jump-started prayerful, often mysterious, appealingly Bartók’s creativity and he judiciously naturalistic (even incorporating quota - committed himself to a few new proj - tions of bird songs in the “night music” ects, of which a Piano Concerto, his of its middle movement)—was limited third, held special personal signifi cance. to serving as muse. ANTONÍN DV Oˇ RÁK Symphony No. 9 in E minor, Op. 95, From the New World Born September 8, 1841, in Nelahozeves, near Kralupy, Bohemia (now the Czech Republic); Died May 1, 1904, in Prague, Bohemia

In June 1891 the American philanthro - The African-American presence in the pist Jeannette Thurber invited Antonín musical scene was immense during Dvo ák to direct the National Con - Dvo ák’s American years. Ragtime left ř ř servatory of Music in New York, which him cold, but he was fascinated by the she had been nurturing into existence repertoire of Negro spirituals. (The over the preceding several years. Dvo ák melody of Dvo ák’s second movement ř ř was persuaded. He served as the was later fashioned by one of his pupils school’s director from 1892 through into the song “Goin’ Home,” written in 1895, building its curriculum and fac - the style of a spiritual.) So far as Native ulty, appearing as a guest conductor, American music is concerned, we know and composing such masterworks as that he attended one of Buffalo Bill his String Quartet in F major (Op. 96, Cody’s Wild West shows in New York the American ), his String Quintet in E- in the spring of 1893, which would flat major (Op. 97), and his Symphony have included singing and dancing From the New World , which occupied from a group of Oglala Sioux. Since him during the winter and spring of Dvo ák was just then completing this ř 1893. Its premiere that December, with symphony, it is impossible that the Anton Seidl conducting the New York music he heard then could have inspired Philharmonic, was a huge success, a the work’s material in any direct way; peak of the composer’s career, and the and the same must be said of the critic for the New York Evening Post Iroquois performers Dvo ák encoun - ř proclaimed it “the greatest symphonic tered in Iowa a few months later at a work ever composed in this country.” performance given by the Kickapoo Medicine Company. Still, on the day of The title came to Dvo ák as an after - his new symphony’s premiere, the New ř thought, and he later explained that it York Herald ran an article in which signified nothing more than “impres - Dvo ák emphasized the work’s pur - ř sions and greetings from the New ported Native American connections, World.” But for that subtitle, a listener specifically citing parallels to Longfellow’s might not consider it less redolent of interminable poem “The Song of the “Czech spirit” than any of the com - Hiawatha,” which was in any case a poser’s other symphonies. Syncopated Romantic effusion modeled on a Finnish rhythms and modal melodies are epic rather than an authentic expres - emblematic of many folk and popular sion of any Native American culture. musical traditions, those of Bohemia and the U.S. included. Still, the work’s James M. Keller is program annotator title invites us to recall how interested of the (The Dvo ák really was in African-American Leni and Peter May Chair) and of the ř and Native American music, and musi - . Earlier ver - cologists have found in its melodies sions of these notes appeared in the echoes of such undeniably American programs of the New York Philharmonic tunes as “Swing Low, Sweet Chariot” and are used with permission. © New and “Massa Dear.” York Philharmonic. THE Artists

DAVID ROBERTSON , Conductor J A

David Robertson is currently in his Y

F R

valedictory season as music director of A the St. Louis Symphony Orchestra M (SLSO), and in his fifth as chief conduc - tor and artistic director of the Sydney Symphony Orchestra. This fall he becomes Juilliard’s director of conduct - ing studies, distinguished visiting faculty. He has served in artistic leadership positions at musical institutions includ - ing the Orchestre National de Lyon, and, as a protégé of , the Ensemble InterContemporain, which he led on its first North American tour. At the BBC Symphony Orchestra, he served as principal guest conductor. He the orchestra’s ongoing collaboration is a frequent guest at the world’s lead - with composer John Adams. The 2014 re- ing opera houses, including the Metro - lease of City Noir (Nonesuch Records)— politan Opera (where he is currently comprising works by Adams performed conducting a new production of Così by the SLSO with Robertson— won the fan tutte ), La Scala, Bayerische Staatsoper, Grammy Award for best orchestral per - Théâtre du Châtelet, and San Francisco formance. Robertson is the recipient of Opera. At he has led, numerous musical and artistic awards, among others, the Met Orchestra, and in 2010 was made a Chevalier de Lucerne Festival Orchestra, and St. l’Ordre des Arts et des Lettres. Devoted Louis Symphony Orchestra. He appears to supporting young musicians, Mr. regularly in Europe with the Royal Robertson has worked with students at Concertgebouw Orchestra, Czech Phil- the Aspen, Tanglewood, and Lucerne harmonic, Bayerische Rundfunk, and festivals, at the Paris Conservatoire, Dresden Staatskapelle, and at the Berlin Music Academy of the West, National Festival, Edinburgh Festival, BBC Proms, Orchestra Institute, and Juilliard. In and Munich’s Musica Viva Festival. 2014 he led the U.S. tour of the National Youth Orchestra of Carnegie Hall. During his 13 years with SLSO, Mr. Robertson has solidified the ensemble’s Born in Santa Monica, California, Mr. standing as one of the nation’s most Robertson was educated at London’s enduring and innovative orchestras. , where he His relationships with artists across a studied horn and composition before wide spectrum has been evidenced by turning to orchestral conducting. TOMER GEWIRTZMAN , Piano PianoFest in the Hamptons, and New York’s International Keyboard Institute Festival. Internationally he has appeared at festivals in Italy, Belgium, and Germany. At the 2015 Young Concert Artists International Auditions, Mr. Gewirtzman won first prize and five special performance prizes. He has also won first prize at Louisiana’s Wideman International Piano Competition and the piano prize and audience prize at N E the America/ Cultural Foundation’s H C Aviv Competition. Mr. Gewirtzman G N

A started his piano studies at the age of Y I J eight with Raaya Shpol at the Rubin Pianist Tomer Gewirtzman has appeared Conservatory in Haifa and continued as a soloist with the Israel Philharmonic with Vadim Monastirski from the as well as numerous other orchestras in Rubin Academy in Jerusalem. From his native Israel, and with the Mariinsky 2008 to 2011 he served in the Israeli Orchestra in St. Petersburg, and in the Defense Forces, where he combined U.S. with the Shreveport, Charlottesville, military service with music studies with Bucks County, and South Arkansas Arie Vardi. He earned his master’s symphonies. In recital he has appeared degree at Juilliard, working with Sergei at London’s Steinway Hall, Boston’s Babayan, and was a recipient of a Isabella Stewart Gardner Museum, and Kovner Fellowship. He continues his in the Young Concert Artists Series in studies with Mr. Babayan at the New York and Washington, D.C. He school in the artist diploma program. has also performed at music festivals in Celia Ascher Artist Diploma Fellowship, the U.S. including Bravo! Vail, Aspen, Fanya Woll Scholarship JUILLIARD ORCHESTRA , Director of Conducting and Orchestral Studies, Chair in Musical Studies David Robertson, Guest Conductor

Violin I Cello English Horn Trombone Ashley Jeehyun Park, Matthew Chen, Victoria Chung Kevin Carlson, Concertmaster Principal Jonathan Gentry Principal Ludvig Gudim Clara Abel Russell Hoffman Stephen Whimple, Qianru Elaine He Laura Andrade Prin cipal Yujie He Frankie Carr Clarinet Colin Laursen Noah Koh Na Yoon Kim, Bass Trombone Byungchan Lee Isabel Kwon Principal Filipe Alves Jasmine Lin Guilherme Nardelli Alec Manasse, Yi Hsin Cindy Lin Monegatto Principal Tuba Rannveig Marta Sarc Max Oppeltz Sunho Song, Colin Benton Carolyn Semes Andree Werner Principal Sophia Stoyanovich Minji Won Timpani Ziyao Sun Bass Clarinet Taylor Hampton, Agnes Tse Double Bass Alec Manasse Principal Jacqueline Tso Andrew Sommer, Leo Simon, Principal Angela Wee Principal Bassoon David Yoon, Emma Zhuang Timothy Chen Joshua Elmore, Principal Yi-Hsuan Annabel Principal Violin II Chiu Thomas English, Percussion Cherry Choi Tung Janice Gho Principal Tyler Cunningham, Yeung, Principal Dominic Law Jacob Wellman, Principal Amelia Dietrich Zachary Marzulli Principal Taylor Hampton, Hiu Sing Fan Jack McGuire Principal Randall Goosby Kathryn Morgan Contrabassoon David Yoon, Sumire Hirotsuru Stewart Joshua Elmore Principal Soo Yeon Kim Evan Saddler Andrew Koonce Flute French Horn Leo Simon Wei Lu James Dion Kaci Cummings, Zhi Ma Blanchard, Principal Harp Naoko Nakajima Principal Avery Roth- Alexis Colner, Kenneth Renshaw Hae Jee Ashley Cho, Hawthorne, Principal Jin Wen Sheu Principal Principal Adam Phan Jieming Tang Olivia Staton, Nathaniel Helenmarie Vassiliou Principal Silberschlag, Piano/Celeste Principal Yu Fu Viola Piccolo Lee Cyphers Chloé Thominet, James Blanchard Thea Humphries Organ Principal Hae Jee Ashley Cho Daniel Ficarri Sofia Basile Trumpet En-Chi Cheng Oboe Wyeth Aleksei, Andrea Fortier Victoria Chung, Principal Esther Kim Principal Maximilian Morel, Minji Kim Jonathan Gentry, Principal Joseph Peterson Principal Benedetto Salvia, Erin Pitts Russell Hoffman, Principal Tabby Rhee Principal Sophia Sun Meagan Turner Jacob van der Sloot ABOUT THE JUILLIARD ORCHESTRA Juilliard’s largest and most visible stu - of world-renowned guest conductors this dent performing ensemble, the Juilliard season including Thomas Adès, Joseph Orchestra, is known for delivering pol - Colaneri, Edo de Waart, Chen Lin, David ished and passionate performances of Robertson, Speranza Scappucci, and works spanning the repertoire. Com - , as well as faculty mem - prising more than 350 students in the bers and Mr. Gilbert. bachelor’s and master’s degree programs, The Juilliard Orchestra has toured across the orchestra appears throughout the the U.S. and throughout Europe, South 2017–18 season in more than a dozen America, and Asia, where it was the first performances on the stages of Western conservatory ensemble allowed Hall, Carnegie Hall, , to visit and perform following the open - and Juilliard’s Peter Jay Sharp Theater. ing of the People’s Republic of in The season opened in August with a 1987, returning two decades later, in collaboration between Juilliard and 2008. Other ensembles under the Finland’s Sibelius Academy members Juilliard Orchestra umbrella include conducted by Esa-Pekka Salonen with the conductorless Juilliard Chamber concerts in , Helsinki, and Orchestra, the Juilliard Wind Orchestra, Stockholm. The orchestra is a strong and the new-music groups AXIOM and partner to Juilliard’s other divisions, New Juilliard Ensemble. appearing in opera and dance produc - tions. Under the musical leadership of David Robertson will become The Alan Gilbert, the director of conduct - Juilliard School’s director of conduct - ing and orchestral studies, the Juilliard ing studies, distinguished visiting faculty, Orchestra welcomes an impressive roster at the beginning of the 2018 –19 season.

Orchestra Administration Adam Meyer, Associate Dean and Director, Music Division Joe Soucy, Assistant Dean for Orchestral Studies

Joanna K. Trebelhorn, Matthew Wolford, Michael McCoy, Orchestra Director of Orchestral and Operations Manager Librarian Ensemble Operations Lisa Dempsey Kane, Principal Deirdre DeStefano, Orchestra Orchestra Librarian Management Apprentice

BOARD OF TRUSTEES Ellen and James S. Marcus Institute for Vocal Arts Bruce Kovner, Chair Brian Zeger, Artistic Director J. Christopher Kojima, Vice Chair Kirstin Ek, Director of Curriculum and Schedules Katheryn C. Patterson, Vice Chair Monica Thakkar, Director of Performance Activities Julie Anne Choi Greg Margolies Pre-College Division Kent A. Clark Vincent A. Mai Yoheved Kaplinsky, Artistic Director Kenneth S. Davidson Ellen Marcus Ekaterina Lawson, Director of Admissions and Academic Affairs Barbara G. Fleischman Nancy A. Marks Anna Royzman, Director of Performance Activities Keith R. Gollust Stephanie Palmer McClelland Evening Division Mary Graham Christina McInerney Danielle La Senna, Director Joan W. Harris Lester S. Morse Jr. Matt Jacobson Stephen A. Novick Library Edward E. Johnson Jr. Joseph W. Polisi Jane Gottlieb, Vice President for Library and Karen M. Levy Susan W. Rose Information Resources; Director of the C.V. Starr Teresa E. Lindsay Deborah Simon Doctoral Fellows Program Sarah Billinghurst Solomon Enrollment Management and Student Development Michael Loeb William E.“Wes” Stricker, MD Joan D. Warren, Vice President Kathleen Tesar, Associate Dean for Enrollment Management Barrett Hipes, Associate Dean for Student Development TRUSTEES EMERITI Sabrina Tanbara, Assistant Dean of Student Affairs June Noble Larkin, Chair Emerita Cory Owen, Assistant Dean for International Advisement and Diversity Initiatives Mary Ellin Barrett William Buse, Director of Counseling Services Sidney R. Knafel Katherine Gertson, Registrar Elizabeth McCormack Tina Gonzalez, Director of Financial Aid John J. Roberts Teresa McKinney, Director of Community Engagement Camille Pajor, Title IX Coordinator Todd Porter, Director of Residence Life JUILLIARD COUNCIL Howard Rosenberg MD, Medical Director Mitchell Nelson, Chair Beth Techow, Administrative Director of Health and Counseling Services Michelle Demus Auerbach Jean-Hugues Monier Holly Tedder, Director of Disability Services Barbara Brandt Terry Morgenthaler and Associate Registrar Brian J. Heidtke Pamela J. Newman Gordon D. Henderson Howard S. Paley Finance Peter L. Kend John G. Popp Christine Todd, Vice President and Chief Financial Officer Younghee Kim-Wait Grace E. Richardson Irina Shteyn, Director of Financial Planning and Analysis Paul E. Kwak, MD Jeremy T. Smith Nicholas Mazzurco, Director of Student Accounts/Bursar Min Kyung Kwon Alexander I. Tachmes Administration and Law Sophie Laffont Anita Volpe Maurice F. Edelson, Vice President for Administration and General Counsel Joseph Mastrangelo, Vice President for Facilities Management EXECUTIVE OFFICERS AND SENIOR ADMINISTRATION Myung Kang-Huneke, Deputy General Counsel Carl Young, Chief Information Officer Office of the President Steve Doty, Chief Operations Officer Joseph W. Polisi, President Dmitriy Aminov, Director of IT Engineering Jacqueline Schmidt, Chief of Staff Caryn Doktor, Director of Human Resources Adam Gagan, Director of Security Office of the Provost and Dean Scott A. Holden, Director of Office Services Ara Guzelimian, Provost and Dean Jeremy Pinquist, Director of Client Services, IT José García-León, Associate Dean for Academic Affairs Helen Taynton, Director of Apprentice Program Robert Ross, Assistant Dean for Preparatory Education Kent McKay, Associate Vice President for Production Development and Public Affairs Alexandra Day, Associate Vice President for Marketing Dance Division and Communications Taryn Kaschock Russell, Acting Artistic Director Katie Murtha, Acting Director of Development Lawrence Rhodes, Artistic Director Emeritus Benedict Campbell, Website Director Katie Friis, Administrative Director Amanita Heird, Director of Special Events Drama Division Susan Jackson, Editorial Director Richard Feldman, Acting Director Sam Larson, Design Director Katherine Hood, Managing Director Lori Padua, Director of Planned Giving Ed Piniazek, Director of Development Operations Music Division Nicholas Saunders, Director of Concert Operations Adam Meyer, Associate Dean and Director Edward Sien, Director of Foundation and Corporate Relations Bärli Nugent, Assistant Dean, Director of Adrienne Stortz, Director of Sales Joseph Soucy, Assistant Dean for Orchestral Studies Tina Matin, Director of Merchandising Stephen Carver, Chief Piano Technician Rebecca Vaccarelli, Director of Alumni Relations Joanna K. Trebelhorn, Director of Orchestral and Ensemble Operations Juilliard Global Ventures Christopher Mossey, Senior Managing Director Historical Performance Courtney Blackwell Burton, Managing Director for Operations Robert Mealy, Director Betsie Becker, Managing Director of Global K–12 Programs Benjamin D. Sosland, Administrative Director; Gena Chavez, Managing Director, The Juilliard School Assistant Dean for the Kovner Fellowships Nicolas Moessner, Managing Director of Finance and Risk Management Jazz , Director of Juilliard Jazz Aaron Flagg, Chair and Associate Director A Tianjin Primer

A great deal has happened in Tianjin since September 28, 2015, when Juilliard president Joseph W. Polisi announced plans for The Tianjin Juilliard School. Last spring, Alexander Brose was selected to serve as the first executive director and C.E.O. and Wei He as the artistic director and dean. From the ceremonial ground breaking over the summer to the start of construction earlier this year, the school is gearing up to welcome its first class in 2019.

Beijing Tianjin The Tianjin Juilliard School

CHINA

Where is The Tianjin Juilliard School? • Tianjin is the third largest city in China, and • Designed by the internationally the school will be adjacent to a high-speed renowned firm, Diller Scofidio + rail station with one-hour service to Renfro, The Tianjin Juilliard School downtown Beijing. The school is located building will have state-of-the-art in a beautiful, riverside park along the Hai teaching and performance spaces, River in the New Binhai Area, Tianjin. and a multi-faceted learning environment.

• The Tianjin Juilliard School builds on the city’s rich artistic heritage by establishing a new crossroad for Juilliard’s network of artists, teachers, friends, and students. o

• The ribbon-like Hai River—the largest r t e i

water body in Northern China—weaves p a p a P

through Tianjin. It is spanned by 21 bridges o i d

and offers easy access to the Haihe u a l C Cultural Square and Haihe River Bund Alex Brose and Wei He Park, among other attractions.

Learn and Play at The Tianjin Juilliard School • The inaugural group of 100 students in the U.S.-accredited program will be immersed in one of three core areas: orchestral studies,

chamber music, or collaborative piano. n u S

g n a i l n

• The audition-based Tianjin Juilliard School a Y Pre-College program will admit up to 200 Joseph W. Polisi at the ground breaking ceremony of students, ages 8 to 18. The Tianjin Juilliard School in June 2017

• As many as 150 performances every year will be presented in the 700-seat concert Become Part of the Culture hall, 299-seat recital hall, or 250-seat • Tianjin’s artistic tapestry includes the black box theater. development of Peking Opera and China’s first conservatory offering • Juilliard Imagination, an innovative study in Western music. learning environment, will feature interactive exhibitions curated for • When in Tianjin, one can take a stroll adults and children alike. through Five Great Avenues, a fascinating area with historic buildings featuring a wealth of diverse architectural styles from across Europe. o r f n e R

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y s e t r u o C Artist rendering of The Tianjin Julliard School campus Juilliard Annual Supporters

The Juilliard School is deeply grateful to the following individuals, foundations, and corporations for their annual gifts and pledges in support of scholarship funding and Juilliard’s multifaceted performance and educational activities.

Over $1 million The Philanthropy Roundtable $10,000–$14,999 The Jerome L. Greene Foundation Phyllis and Charles Rosenthal American Turkish Society Bruce and Suzie Kovner The Fan Fox and Leslie R. Samuels AON Foundation Ellen Marcus Foundation Jody and John Arnhold Katheryn C. Patterson and Thomas The Shubert Foundation, Inc. Bootsie Barth‡ L. Kempner Jr. Jeremy Smith Mercedes T. Bass Susan and Elihu Rose Foundation Bruce B. Solnick, Ph.D. Anne L. Bernstein Helen V. Vera and Kent A. Clark Ms. Diana Bersohn $500,000–$999,999 Sander and Norma K. Buchman International Foundation for Arts $25,000–$49,999 Fund and Culture Arnhold Foundation Joyce and Barry Cohen Michael E. Marks Family Foundation Crankstart Foundation The Edwin Caplin Foundation Florence and Paul DeRosa $250,000–$499,999 Susanne D. Ellis Memorial Fund Max H. Gluck Foundation Edward John Noble Foundation Vivian Donnelley Lincoln Center Corporate Fund Joan and Peter Faber Dr. Lee MacCormick Edwards Sidney E. Frank Foundation Charitable Foundation $100,000–$249,999 The George L. Shields Foundation Syril H. Frank The Annenberg Foundation The Horace W. Goldsmith Candice and John Frawley Pierre T. Bastid Foundation Peter J. Frenkel Foundation, Inc. Constance Goulandris Foundation Princess Grace Foundation–USA Allen R. and Judy Brick Freedman Beth and Christopher Kojima Gordon D. Henderson Abraham & Mildred Goldstein Marjorie and Michael Loeb Charitable Fund Charitable Trust Stephanie and Carter McClelland/ Mr. and Mrs. Peter Kend Dr. Elliot Gross and The Stephanie and Carter Heidi Castleman Klein Dr. Alice Helpern McClelland Foundation Sophie Laffont Jennifer and Bud Gruenberg Deborah J. Simon LCU Fund for Women’s Education Dr. Daniel E. Haspert Sarah Billinghurst Solomon and Edward F. Limato Foundation HighBrook Investors Howard Solomon The Moca Foundation Peter Chung-Tao Ho and Marcelline Thomson Enid and Lester Morse Anisa Sosothikul The Virginia B. Toulmin Foundation Raymond-Cryder Designated Fund Mr. and Mrs. Scott Kauffmann Anonymous of the Lehigh Valley Community Frances Kazan Foundation Younghee Michelle Kim-Wait $50,000–$99,999 Barbara J. Slifka Sidney R. Knafel and Anna E. Schoen-René Fund at The Anonymous (4) Londa Weisman New York Community Trust Dr. Min Kwon and Dr. Leonard Lee The Achelis and Bodman $15,000–$24,999 Dominique and Frédéric Laffont Foundations Edwin L. Artzt Marya Martin and Akin Gump Laurel and Clifford Asness Kenneth S. Davidson The Augustine Foundation Bohram Harold W. McGraw Jr. Family Norman S. Benzaquen Barbara and Gary Brandt Foundation Choi & Burns, LLC Brian and Darlene Heidtke Mr. and Mrs. Jean-Hugues J. Dan J. Epstein and the Dan J. Elinor and Andrew Hoover Monier Epstein Family Foundation The Katzenberger Foundation, Inc. Terry Morgenthaler and Barbara G. Fleischman Wynton L. Marsalis Patrick Kerins Edythe Gladstein Karen Kriendler Nelson Leslie and Mitchell Nelson Keith and Barbara Gollust Joseph S. Piropato and Paul Howard S. Paley Ms. Mary L. Graham Michaud Ian Parker Joan W. Harris/The Irving Harris Evelyn and John Popp John R. Philpit Foundation Dr. Gary Portadin The Presser Foundation Matt Jacobson and Pre-College Parents’ Association of Julia Raiskin Kristopher L. Dukes The Juilliard School Grace E. Richardson Karen and Paul Levy James S. Rowen Mr. and Mrs. Frank J. Rodriguez Terry and Bob Lindsay Jack Seidler and Yaru Liu Elizabeth S. Sheppard Vincent and Anne Mai Schuld Family Fund Alexander I. Tachmes Nancy A. Marks Marjorie Tallman Educational Christina M. McInerney Cecil M. Yarbrough and Foundation The Ambrose Monell Foundation Ronald S. Csuha Robert and Jane Toll Stephen Novick and Evan Galen‡ Anonymous (6) Doris Travis LoRaine Kent Vichey Memorial Trust

Anita and Thomas Volpe Sabine Renard Lenni and Perry Lerner John J. Yarmick Mary G. Roebling Musical Mrs. John M. Lewis George K. Yin and Mary J. Walter Scholarship Fund, Inc. Nancy Long, PhD and Marc Waldor Robert K. Yin Ida & William Rosenthal Foundation Lucille and Jack Yellen Foundation Dale Zand Yukari Saegusa Christopher and Beth Lyon Judy Francis Zankel Gillian Sorensen Robert and Bridget Lyons Anonymous (2) Annaliese Soros Mr. and Mrs. Adam E. Max Claudia and Michael Spies James and Stephania McClennen $7,500–$9,999 Alec P. Stais and Elissa Burke Mr. Rodney McDaniel Ron Daniel & Lise Scott Kristine Jarvi Tyler Paula P. Michtom Mr. and Mrs. Jonathan File Sedgwick A. Ward Tim B. Nelson and Bernard Holtzman Marjorie and Irving Weiser Lisa M. Benavides Mitzi Koo Doreen and Martin Weisfuse Stanley Newman and McKinsey & Company, Inc. Nathaniel Wertheimer and Dr. Brian Rosenthal Sharon Ruwart and Tom Melcher Taya Schmid Michael Nochomovitz Anonymous (2) Andrew P. Willoughby James Park and Jungmin Kim Anonymous (7) Celia Paul and Stephen Rosen $5,000–$7,499 Craig and Stefanie Pintoff Margot Adams $2,500–$4,999 Judy and Jim Pohlman Mr. and Mrs. Robert J. Appel Mr. and Mrs. Kwangkyun Ahn Arthur C. Press Walter and Marsha Arnheim Dr. Audrey S. Amdursky Dr. and Mrs. Stephen D. Mr. and Mrs. Seymour Askin, Jr. Michelle and Jonathan Auerbach Prystowsky Janet E. Baumgartner Emanuel and Yoko Ax Ms. Wenhua Qi Marshall S. Berland and Casey C. Bayles Donna M. Romer John E. Johnson Philip A. Biondo Pamela and Richard Rubinstein Anne Louise and Matthew Bostock Lucienne and Claude Bloch, M.D. Diane Kelly Ryan Nicholas Brawer Mr. Robert Brenner Carol A. Scancella Mrs. Isabel Brenes Trudy and Julius Brown Gregg Schenker Bryan Cogman and Mandy Olsen Elaine J. Budin Nancy Schloss Dudley and Michael Del Balso Steven C. Calicchio Foundation Miriam K. Schneider Georgeann Delli Venneri Kathryn G. Charles Richard E. Schneyer J. Christopher Eagan Beverly and Herbert Chase Geraldine L. Sedlar and Mr. and Mrs. Anthony Evnin Mr. Kenneth H. Chase Richard Miners Ms. Nancy Fisher Ernest and Mary Chung Sandra Semel Seth E. Frank Betsy L. Cohn Mr. Jiuling Shi Alan S. Futerfas and Theodore Cohn Marjorie and Michael Stern Bettina Schein Anne and Stephen Cunningham The Margot Sundheimer Foundation Beth and Gary Glynn Isabel Cunningham Elise C. and Marvin B. Tepper Arlene‡ and Edmund Grossman Vivien and Michael Delugg Barbara and Donald Tober Nancy and Bruce Hall John R. Doss Anthony and Elaine Viola Harold P. Hope III Robert & Mercedes Eichholz Jonathan and Candace Wainwright The Harkness Foundation Foundation Suzanne Weil for Dance Marilyn and Steven Emanuel Susan M. Whelan Japanese Chamber of Commerce Dr. Edythe Fishbach Theodore Wilson and Industry of New York Elyse Fried Rebecca Wui and Raymond Ko Edward and In-Aie Kang Foundation Emma Gruber Anonymous (2) Keller-Shatanoff Foundation Alec and Christy Guettel John and Patricia Klingenstein Maire E. Gullichsen-Ehrnrooth ‡ = In Memoriam Sharon and Cary A. Koplin Geoffrey Hoefer Mrs. William M. Lese Judy and Lindley Hoffman As of 2/23/18 Helen Little Katherine L. Hufnagel Mr. Jerome N. Lowenthal Juilliard Alumni Association Mr. and Mrs. Peter L. Malkin of Japan Sylvia and Leonard Marx Jr. Elma and Howard Kanefield Christopher L. Owens Mel and Elaine Kaplan B. Gregory Palitz Tomer Kariv The Laura Pels International Barbara and Paul Krieger Foundation for Theater Paul E. Kwak, M.D. Edith Polvay-Kallas Jay H. Lefkowitch, M.D.

Please consider making an investment in the future of dance, drama, and music today and help The Juilliard School remain at the forefront of education. For more information or to make a gift, please contact the Development Office at (212) 799-5000, ext. 278, or [email protected]. The Augustus Juilliard Society

The Augustus Juilliard Society recognizes those who have included The Juilliard School in their long-range financial plans with a bequest, gift annuity or trust arrangement. These future gifts will help ensure that Juilliard may continue to provide the finest education possible for tomorrow’s young artists. The school expresses its deep appreciation to the following members:

Donald J. Aibel Michael Stephen Gallo Ning Liang Veronica Maria Alcarese Anita L. Gatti Joseph M. Liebling Douglas S. Anderson Thelma and Seymour Geller, Jerry K. Loeb Mitchell Andrews on behalf of Jane Geller Richard Lopinto Dee Ashington Rabbi Mordecai Genn Ph.D. Eileen Lubars Jack Bakal Mark V. Getlein Chuck Manton Richard Beales Pia Gilbert Cyril‡ and Cecelia Marcus Yvette and Maurice‡ Bendahan John R. Gillespie Serena B. Marlowe Donald A. Benedetti Professor Robert Jay Glickman Dolores Grau Marsden Helen Benham Dr. Ruth J.E. Glickman Sondra Matesky Elizabeth Weil Bergmann Sheryl Gold Stephanie and Carter McClelland Marshall S. Berland and Terrine Gomez and The Stephanie and Carter John E. Johnson The Venerable John A. Greco McClelland Foundation Anne L. Bernstein Drs. Norman and Gilda Greenberg Joseph P. McGinty Benton and Fredda Ecker Bernstein Arlene‡ and Edmund Grossman James G. McMurtry III, M.D. Leslie Goldman Berro Miles Groth, Ph.D. Dr. and Mrs. N. Scott McNutt Susan Ollila Boyd Emma Gruber Pauline and Donald B.‡ Meyer Mrs. George E. Boyer Rosalind Guaraldo Stephen A. Meyers and Peter A. Boysen Ruth Haase Marsha Hymowitz-Meyers Nina R. Brilli Mr. and Mrs. Robert S. Haggart Jr. Paula P. Michtom Steven and Colleen Brooks Louise Tesson Hall Leo‡ and Anne Perillo Michuda Carol Diane Brown and Ralph Hamaker Warren R. Mikulka Daniel J. Ruffo Stephen and Andrea Handleman Stephen Mittman Beryl E. Brownman Meleen O’Brien Harben Robert A. Morgan Lorraine Buch Rev. Tozan Thomas Hardison Valerie Wilson Morris Eliane Bukantz Ralph‡ and Doris Harrel Diane Morrison Felix N. Calabrese Judith Harris and Tony Woolfson Mark S. Morrison Alan‡ and Mary Carmel Robert G. Hartmann L. Michael and Dorothy Moskovis Mr. and Mrs. N. Celentano Robert Havery Gail Myers Wendy Fang Chen S. Jay Hazan M.D. Myron Howard Nadel Julie A. Choi and Claudio Cornali Betty Barsha Hedenberg Steven W. Naifeh and Dr. Barbara L. Comins and Brian J. Heidtke ‡ Mr. Michael J. Comins Gordon D. Henderson Anthony J. Newman Charlotte Zimmerman Crystal Mayme Wilkins Holt Oscar and Gertrude Nimetz Fund Rosemarie Cufalo Julie Holtzman Stephen Novick Christopher Czaja Sager Gerri Houlihan Mr.‡ and Mrs. Donald Parton Harrison R.T. Davis Katherine L. Hufnagel Celia Paul and Stephen Rosen Robert Lee Dean Joseph N. and Susan Isolano Jeanne M. and Stephen and Connie Delehanty Paul Johnston and Umberto Ferma Raymond Gerard‡ Pellerin Ronald J. Dovel and Thomas F. Lahr Janice Wheeler Jubin and Jane V. Perr M.D. John C. Drake-Jennings Herbert Jubin Jean Pierkowski Ryan and Leila Edwards Peter H. Judd Elissa V. Plotnoff Pinson Lou Ellenport Michael Kahn Fred Plotkin Audrey Ellinger Mr.‡ and Mrs. Martin Kaltman Judy and Jim Pohlman Lloyd B. Erikson George and Julia Katz Geraldine Pollack Eric Ewazen Younghee Kim-Wait Sidney J.‡ and Barbara S. Pollack Holly L. Falik Robert King John G. Popp Barbara and Jonathan File Linda Kobler and Dr. Thomas and Charlene Preisel Stuart M. Fischman J. D. Kotzenberg Arthur Press Dr.‡ and Mrs. Richard B. Fisk Bruce Kovner Bernice Price Judi Sorensen Flom Edith Kraft Gena F. Raps Ann Marie Smith Forde Mr. and Mrs. Paul A. Krell Nancy L. Reim Lorraine Fox Francine Landes Susan M. Reim John and Candice Frawley Sung Sook Lee Susan D. Reinhart Dr. Mio Fredland Paul Richards Lemma and Madeline Rhew Chaim Freiberg Wilhelmina Marchese Lemma‡ Michael Rigg Naomi Freistadt Loretta Varon Lewis‡ and Douglas Riva Constance Gleason Furcolo Norman J. Lewis Lloyd‡ and Laura Robb

Daniel P. Robinson David Shapiro Walter and Elsa Verdehr Yvonne Robinson Dr. Robert B. Sharon Paul Wagenhofer Carlos Romero and Edmund Shay and Raymond Harris Dietrich and Alice Wagner Joanne Gober Romero Dr. Edward Shipwright Alberto and Paulina A. Waksman Linda N. Rose Robert D. Sholiton Stanley Waldoff Susan W. Rose Arthur T. Shorin Jessica Weber Dinah F. Rosoff Mel Silverman Catherine White Roxanne Rosoman Steven P. Singer M.D. and Miriam S. Wiener Sam and Deborah Rotman Alan Salzman M.D. Robert Wilder‡ and Roger F. Kipp Lynne Rutkin Barbara Thompson Slater Alice Speas Wilkinson Edith A. Sagul Bruce B. Solnick Yvonne Viani Williams Joan St. James Carl Solomon Sr. Margaret S. Williamson Riccardo Salmona Barbara H. Stark Dr. Theo George Wilson Harvey Salzman Sally T. Stevens Elizabeth R. Woodman Michael and Diane Sanders James Streem Edward Yanishefsky Nancy Schloss Henry and Jo Strouss Lila York Casiana R. Schmidt Cheryl V. Talib Forty-nine Anonymous Members Shelby Evans Schrader‡ and Phyllis K. Teich John Paul Schrader Tom Todoroff and Emily Moulton Irene Schultz Marie Catherine Torrisi ‡ = In Memoriam William C. Schwartz Dr. Marta Vago

For information about becoming a member of the Augustus Juilliard Society, please visit us on the web at www.plannedgiving.juilliard.edu. You may also call us directly at (212) 799-5000, ext. 7152, or write to [email protected].

Estates and Trusts

The Juilliard School is profoundly grateful for the generous gifts received from the following Estates and Trusts between January 1, 2017 and December 31, 2017. We remember the individuals who made these gifts for their vision in supporting future generations of young performing artists at Juilliard.

The Jere E. Admire Charitable Trust Trust of Edward Jabes Harold Alderman Trust Bernice F. Karlen Revocable Grantor Trust Estate of Joan Anderson Estate of Melvin Kartzmer Estate of Celia Ascher Estate of Shirley Lewenthal Estate of Ruth Bamdas Trust of Lillian B. Madway Estate of Katherine S. Bang Estate of Samuel Marateck The Claire Lois Bechter 1998 Trust Estate of Shirley Nai Pan Trust of Sonia Block Estate of Walter P. Pettipas Betty and Daniel Bloomfield Fund Estate of Cynthia L. Rec Estate of Alan Broder Estate of George T. Rhodes Estate of Ruth F. Broder Estate of Lillian Rogers Estate of George Bryant Howard and Ethel Ross Trust Estate of John Nicholson Bulica Estate of Harold C. Schonberg Estate of Annette Burford Bertha Seals Trust Estate of Margaret P. Butterly Arline J. Smith Trust Estate of Alice Shaw Farber Janice Dana Spear Trust Fima Fidelman Trust Estate of Bruce Steeg Dora L. Foster Trust Estate of Stanley Tucker Trust of Gordon A. Hardy Trust of Helen Marshall Woodward William J. Henderson Memorial Fund Estate of Mildred Zucker Frances B. Hoyland Trust Attend a Spring Performance at Juilliard

TUESDAAYY, APRIL 17 SAATTURDAAYY, APRIL 28 7:30pm • Paul Hall 7:30pm • Alice TullyTully Hall Juilliard Jazz Ensembles Joel Sachs Conducts the The Music of Wynton Marsalis New Juilliard Ensemble Tickets: $20 Jonathan Dawe’s Orooborium and works by Salvatore Sciarrino, Kolbeinn Bjarnason, and Alejandro Cardona TUESDAAYY, APRIL 17 Free tickets available at the Alice TTullyully Hall AND THURSDAAYY, APRIL 19 Box Office 7:30pm • Peter Jay Sharp Theater SAATTURDAAYYY,, APRIL 21 2pm • Peter Jay Sharp Theater FRIDAY, MAY 4 Juilliard Opera 7:30pm • Alice TullyTully Hall Rameau’s Hiipppolyte et Arriicie 24th Annual Lisa Arnhold Memorial Tickets $30 Recital: Argus Quartet Juilliard’s 2017-18 Graduate Resident String Quartet THURSDAAYY, APRIL 19 Featuring Mendelssohns’ String Quartet 7:30pm • Cathedral of St. John the Divine No. 1; Augusta Read Thomas’ Chi; Juilliard Organists Wuorinen’s Josquiniana; and Lutosławski’s Organ students of in works by String Quartet TToournemir u r n e m i re, Saint-Saëns, Chen, Laurin, Tickets: $20 Dupré, Goode, J.S. Bach, and Liszt Free, no tickets required

MONDAAYY, APRIL 23 7:30pm • Alice TullyTully Hall Jeffrey Milarsky Conducts Juilliard Orchestra Composers Concert Featuring works by Juilliard student composers, winners of the 2017–18 Juilliard Orchestra Composition Competition Free tickets available at the Alice TTullyully Hall Box Office

For tickets or more information visit juilliard.edu/calendar