EAST Meets EAST Orchestra
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What Makes Me Feel Drawn to KROKE Music Is Spiritual Reality of the Musicians, This Means Honesty and Authenticity of the Music
What makes me feel drawn to KROKE music is spiritual reality of the musicians, this means honesty and authenticity of the music. Nigel Kennedy The music is too dark to really represent traditional klezmer. At times, it is almost as if the Velvet Underground have been reborn as a klezmer band. Ari Davidov KROKE live are a hair-raisingly brilliant, unforgettable experience. John Lusk At times they sound jazzy, at times contemporary, at times classical. Their music is at once passionate and danceable. Dominic Raui KROKE (which means Kraków in Yiddish) was formed in 1992 by three friends and graduates of the Kraków Academy of Music: Jerzy Bawoł (accordion), Tomasz Kukurba (viola) and Tomasz Lato (double bass). The members of the group completed all stages of standard music education, including contemporary music. KROKE began by playing klezmer music, which is deeply set in Jewish tradition, and adding a strong influence of Balkan music. Currently, they draw inspiration from a variety of ethnic music from around the world, combining it with elements of jazz and improvisation, creating their own distinctive style. Initially, KROKE performed only in clubs and galleries situated in Kazimierz, a former Jewish district of Kraków. There, for the first time, one could listen to KROKE's songs. They later recorded their first cassette released at their own expense in 1993. While performing at the Ariel gallery, they came to the attention of Steven Spielberg, who was shooting Schindler's List in Kraków at the time. Spielberg invited them to Jerusalem, where he was shooting the final scenes. The group performed a concert at the Survivors' Reunion for those of Oskar Schindler's list who made it through the war. -
Music in a Marriage Ceremony Sunda Tradition "Nyawer" 1)
Jurnal International Seminar on Languages, Literature, Art and Education (ISLLAE) e-ISSN: 2685 - 2365 e-Jurnal:http://journal.unj.ac.id/unj/index.php/isllae Volume 1 Issue 2, July 2019 DOI: doi.org/10.21009/ISLLAE.01247 Received: 5 June 2018 Revised: 10 June 2018 Accepted: 14 August 2018 Published: 31 July 2019 Music in A Marriage Ceremony Sunda Tradition "Nyawer" 1) Dr. Caecilia Hardiarini, M.Pd1,a) Universitas Negeri Jakarta1) [email protected]) Abstract This study aims to determine the existence of Sundanese art, especially in traditional Sundanese marriage in terms of music and supporting tools. The method used is descriptive qualitative, located in Gunungsindur Regency Bogor by observation observe directly Nyawer process, interview and document analysis as complement of data. The results show that music in the Nyawer marriage ceremony contains the meaning that is spoken in the form of songs to be more impregnated very deeply. The poems that are written give meaning to the greatness of God who has brought together the couple and should the couple be able to interpret the life more wisely, able to be responsible to his partner Nyawer ceremony performed by Nyawer (male and female or both), with the accompaniment of Degung Gamelan instrument, or flute and vocals. Supporting tools in the form of materials that symbolize the source of sustenance and longevity for the bridal couple is placed on the bokor symbol of preservation of tradition. Key Words: Sunda Tradition, Music Ceremony, Nyawer Abstrak Penelitian ini bertujuan untuk mengetahui keberadaan seni Sunda, khususnya dalam pernikahan tradisional Sunda dalam hal musik dan alat pendukung. -
Curriculum Vitae
Name: Taiseer Elias Date: 08/11/2015 CURRICULUM VITAE 1. Personal Details Permanent Home Address: P.O. Box 686, El-Fawar, 20200 Shefaram, Israel Home Telephone Number: (04) 986-2365 Office Telephone Number: (04) 828-8481 Cellular Phone: (050) 780-5055 Fax Number: (04) 986-2365 Electronic Address: [email protected] 2. Higher Education . A. Undergraduate and Graduate Studies Period of Name of Institution Degree Year of Approval of Study and Department Degree 1974–79 Rubin Conservatory graduated cum 1979 of Music - Haifa laude 1980–83 Jerusalem Academy performance and - of Music and Dance music education 1983–85 Hebrew University B.A. in 1985 of Jerusalem: musicology cum Musicology laude; Department minor in Arabic literature and language, and Theatre. 1986–91 Hebrew University M.A. in 1991 of Jerusalem: musicology cum Musicology laude Department 2001–07 Hebrew University Ph.D. in 2007 of Jerusalem: Musicology Musicology Department 1 B. Post-Doctoral Studies NONE 3. Academic Ranks and Tenure in Institutes of Higher Education Dates Name of Institution and Rank/Position Department 1982-1983 David Yellin Teachers Music Lecturer College, Jerusalem 1993 Oranim College, Tivon Music Lecturer 1993-1995 Arab Teachers Training Music Lecturer Institute - Beit Berl College, Kfar Saba 1996-Present Jerusalem Academy of Music Professor of Violin, and Dance: Eastern Music Oud, Singing and Department Theory - Adjunct Associate Professor (with tenure) 2001– 2011 Bar-Ilan University – Professor of Theory - Department of Music Adjunct Associate Professor -
Downloaded from Brill.Com09/26/2021 01:14:48PM Via Free Access Wim Van Zanten - 9789004261778 Downloaded from Brill.Com09/26/2021 01:14:48PM Via Free Access
PART FIVE THE ETHNIC MODERN Wim van Zanten - 9789004261778 Downloaded from Brill.com09/26/2021 01:14:48PM via free access Wim van Zanten - 9789004261778 Downloaded from Brill.com09/26/2021 01:14:48PM via free access <UN> <UN> CHAPTER ELEVEN MUSICAL ASPECTS OF POPULAR MUSIC AND POP SUNDA IN WEST JAVA Wim van Zanten Introduction: Sundanese Music and the Technology of Enchantment Research on popular music, particularly in the field of cultural studies, has tended to focus on political and sociological aspects, to the exclusion of musical structures and actual sounds. Whereas in most societies musi- cal genres are in the first place classified by social criteria, it is undeniable that also the technicalities of the music play a role: audiences hear the differences between, for instance, jaipongan and degung kawih perfor- mances. This is because these musics are produced in different ways, using different instruments, tone material, musical structure, etc. Alfred Gell made an important contribution to the anthropological study of art by pointing out that the production of art is a technological process. He mentions that there are ‘beautiful’ things, like beautiful women, beautiful horses and a beautiful sunset. However, art objects are made ‘beautiful’ by human beings and this requires technology. He criti- cizes sociologists like Pierre Bourdieu, who do not really look at an art object as a concrete product of human ingenuity, but only elaborately look at the represented symbolic meanings (Gell 1999:162). In contrast, Gell proposes that anthropologists should look at art as a ‘component of technology.’ We call something an object of art if it is the outcome of a technological process, the kind of processes in which artists are skilled. -
Of Manuscripts and Charters Which Are Mentioned In
INDEX OF MANUSCRIPTS AND CHARTERS WHICH ARE MENTIONED IN TABLES A AND B 1 Page Page Adip. - Adiparwa . 94 Dj.pur. - Jayapural}.a . 106 Ag. - Agastyaparwa . 103 Dpt. - VangQang petak . 106 A.N. - Afiang Nilartha . 1(}3 A.P. - Arjuna Pralabda 103 E46 91 A.W. - Arjunawijaya 100 Gh. - Ghatotkaca.\;raya 97 Babi Ch. A . 94 G.O. - GeQangan Ch. 90 BarabuQur (inscription) 90 Gob1eg Ch. (Pura Batur) B . 95 Batuan Ch.. 94 Batunya Ch. A I . 93 H. - Hari\;raya Kakawin 106 Batur P. Abang Ch. A 94 Hr. - Hariwijaya 106 B.B. - Babad Bla-Batuh 103 Hrsw. - Kidung Har~awijaya . 107 Bebetin Ch. A I . 91 H.W. - Hariwang\;a 95 B.K. - Bhoma.lcawya . 104 J.D. - Mausalaparwa . 110 B.P. - Bhi~maparwa . 104 Br. I pp. 607 ff. 95 K.A. - Kembang Arum Ch. 92 pp. 613 ff.. 95 Kid. Adip. - Kidung Adiparwa 106 pp. 619 ff.. 95 K.K. - KufijarakarQ.a . 108 Br. II pp. 49 if. 95 K.O. I . 92 Brh. - Brahmal}.Qa-pural}.a . 105 II 90 Bs. - Bhimaswarga 104 V 94 B.T. - Bagus Turunan 104 VII . 93 Bulihan Ch.. 97 VIII 92 Buwahan Ch. A 93 XI 91 Buwahan Ch. E 97 XIV 91 B.Y. - Bharatayuddha 96 XV. 91 XVII 92 C. - Cupak 106 XXII 93 c.A. - Calon Arang 105 Kor. - Korawa\;rama . 108 Campaga Ch. A 97 Kr. - Krtabasa 108 Campaga Ch. C 99 Kr.B. - Chronicle of Bayu . 106 Catur. - Caturyuga 106 Krsn. - Kr~l}.iintaka 108 Charter Frankfurt N.S. K.S. - Kidung Sunda . 101 No. -
Analisis Organologi Kecapi Siter 20 Dawai Semi Elektrik Buatan Buyoeng Di Bengkel Jentreng Kecamatan Indihiang Kota Tasikmalaya
Magelaran: Jurnal Pendidikan Seni, Vol 3. No. 1, Juni 2020, ISSN: 2620-8598 Analisis Organologi Kecapi Siter 20 Dawai Semi Elektrik Buatan Buyoeng Di Bengkel Jentreng Kecamatan Indihiang Kota Tasikmalaya. Pini Budiasari Universitas Muhammadiyah Tasikmalaya [email protected] Asep Wasta, M.pd. Universitas Muhammadiyah Tasikmalaya [email protected] Wan Ridwan Husen Universitas Muhammadiyah Tasikmalaya [email protected] ABSTRAK Skripsi ini berjudul “Analisis Organologi Kecapi siter buatan Buyoeng” . Jenis Kecapi bermacam-macam salah satunya adalah jenis kecapi siter. Penelitian ini bertujuan untuk menjawab permasalahan yang peneliti temukan dan untuk memberikan informasi kepada masyarakat tentang bagaimana memilih alat musikn kecapi yang baik. Kecapi yang dapat dikatakan baik berkualitas dilihat dari beberapa aspek, seperti bunyi yang dihasilkan, kualitas bahan baku dan estetika bentuk kecapi. Hal ini penting untuk diketahui karena banyak masyarakat yang mahir memainkan alat musik kecapi tanpa mengetahui kualitas alat musik kecapi. Metode penelitian yang digunakan dalam penelitian ini adalah metode deskriptif analitik dengan pendekatan kualitatif yakni menganalisis dan mendeskripsikan apa yang peneliti peroleh dilapangan ke dalam tulisan. Peneliti ini juga memperoleh bagaimana proses pembuatan kecapi berdasarkan hasil penelitian, kemudian dikaitkan dengan ilmu organologi yang berhubungan dengan ilmu akustika serta diperoleh struktur kecapi, sumber bunyi yang dihasilkan. Objek penelitian ini adalah kecapi siter 20 dawai -
Land- En Volkenkunde
Music of the Baduy People of Western Java Verhandelingen van het Koninklijk Instituut voor Taal- , Land- en Volkenkunde Edited by Rosemarijn Hoefte (kitlv, Leiden) Henk Schulte Nordholt (kitlv, Leiden) Editorial Board Michael Laffan (Princeton University) Adrian Vickers (The University of Sydney) Anna Tsing (University of California Santa Cruz) volume 313 The titles published in this series are listed at brill.com/ vki Music of the Baduy People of Western Java Singing is a Medicine By Wim van Zanten LEIDEN | BOSTON This is an open access title distributed under the terms of the CC BY- NC- ND 4.0 license, which permits any non- commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https:// creativecommons.org/ licenses/ by- nc- nd/ 4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. Cover illustration: Front: angklung players in Kadujangkung, Kanékés village, 15 October 1992. Back: players of gongs and xylophone in keromong ensemble at circumcision festivities in Cicakal Leuwi Buleud, Kanékés, 5 July 2016. Translations from Indonesian, Sundanese, Dutch, French and German were made by the author, unless stated otherwise. The Library of Congress Cataloging-in-Publication Data is available online at http://catalog.loc.gov LC record available at http://lccn.loc.gov/2020045251 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. -
Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY -
Music and Music Intervention for Therapeutic Purposes in Patients with Ventilator Support; Gamelan Music Perspective Suhartini, S.Kp., MNS1
Music and Music Intervention for Therapeutic Purposes in Patients with Ventilator Support; Gamelan Music Perspective Suhartini, S.Kp., MNS1 Background: Gamelan music is one of folk music for Javanese people. Several research studies testing the effects of music were conducted in Western countries. The music studies for therapeutic purposes used classical music commonly. Even in Indonesia, some researchers may use that music for therapeutic purposes. This concern article explains the perspective music and music intervention as therapeutic purposes, view with Javanese classical music. Objectives: To explore the evidence of music and music intervention for therapeutic purposes and to describe the perspective of gamelan music used in nursing intervention Methods: Using five bibliography databases (MEDLINE, CINAHL, Science Direct, Interscience, and Proquest) were searched from 1999-2010 for original clinical reports or reviews that evaluated the use of complementary therapy for therapeutic intervention in patients with ventilator support. The term of complementary therapy, anxiety, and pain were used in a comprehensive search of electronic databases. Articles were screened and excluded based on the title and abstract information. Results: Music brings about helpful changes in the emotional and physical health of patients, and has the ability to provide an altered state of physical arousal and subsequent mood improvement by processing a progression of musical notes of varying tone, rhythm, and instrumentation for a pleasing effect. Conclusion: Music can be used for therapeutic purposes, for instance to reduce anxiety, to decrease pain sensation, and some effects of psychological impact. Include, the gamelan music can be offer for patients for Javanese people in Indonesia. Key words: Music, music intervention, therapeutic purposes 1 Lecturer of Emergency and Critical Care Nursing, School of Nursing, Medical Faculty, Diponegoro University, Semarang, Indonesia. -
2016-03-23 Dt-Michel
1 WDR 3 Jazz & World Redaktion: Dagmar Töpfer Mittwoch, 22.05-24.00 Uhr Datum: 23.03.2016 Klezmer for my love - Feidman, Avital, Kasbek & Co. Moderation: Babette Michel ___________________________________________________________________________ UNSERE KONZERTTIPPS: Giora Feidman & Rastrelli Cello Quartett: Jubiläumstournee zum 80. Geburtstag 11.04.2016 Philharmonie, Köln 13.04.2016 Ev. St. Reinoldikirche, Dortmund Wirbeley 29.06.2016 Domforum, Köln Juriy Gurzhy: „Born in UA“ 09.04.2016 Stadtgarten, Köln Zion 80 (Jon Madof, Frank London, Matt Darriau u.a.) 08.05.2016 Acht Brücken Festival, Stadtgarten Köln Äl Jawala 13.04.2016 Bahnhof Langendreer, Bochum Beckmann spielt Cello Vol. II 26.03.2016 Schumannsaal, Düsseldorf 27.03.2016 Schumannsaal, Düsseldorf 01.04.2016 St. Maria im Kapitol, Köln Mikail Aslan im Radio 09.04.2016, 20.05.-22.00 Uhr WDR 3 Konzert (Aufnahme des Konzertes bei Klanglandschaften Mülheim/Ruhr) ********************************************************** MUSIKLISTE: Titel: Fuga y misterio Interpret: Avi Avital Komp. / Text / Bearb.: Astor Piazzolla / Bearb.: Juan Esteban Cuacci CD-Titel: Between Worlds, track 10 Verlag / Label / Bestell-Nr. / LC-Nr.: Deutsche Grammophon / 4791069 GH / LC 00173 / EAN: 028947910695 Zeit: 7'30 Titel: So they dance in Safad Interpret: Giora Feidman Komp. / Text / Bearb.: traditionell / Bearb.: Giora Feidman CD-Titel: The incredible clarinet, track 13 Verlag / Label / Bestell-Nr. / LC-Nr.: Pläne / PLÄNE 88725 / LC 00972 / EAN: 4007198838381 Zeit: 2'30 Titel: Moanin Interpret: Giora Feidman & Rastrelli Cello Quartett Komp. / Text / Bearb.: Bobby Timmons / Bearb.: Peter Breiner CD-Titel: Klezmer Bridges, track 1 Verlag / Label / Bestell-Nr. / LC-Nr.: Pianissimo Musik GmbH / PM 0934 / LC 20164 / EAN: 4260184040469 Zeit: 4'41 2 Titel: Di grine kuzine - Sher Interpret: Yxalag Komp. -
Percussion Ensemble
Indonesian Video Tape (9) Music from Bali 9-1 “Selar jupun” - Gamelan from Bali – percussion ensemble; shows bonang, kenong, then gender barung, gong, kendang (horizontal drum); shows whole gamelan orchestra 9-2 ”Pendet” – devotional dance accompanied by gamelan; stylized dancing; more prominent use of wind instruments in this example 9-3 – “Baris” – warrior’s dance drill; notice how music follows dance movements (increase in activity, change in dynamics, accents dancer’s movements); use of ostinato; notice change of tempo; listen to drummer signal transitions to new musical sections; 9-4 “Lelong keraton” – court dance; stylized dance with expressive eye movements (female); listen for suling (flute) and sudden change of tempo 9-5 “Kebyar Trompong” – seated dance with gong set; notice hand gestures, facial expressions; performer also plays instrument; listen to easily identifiable phrase lengths; 9-6 “Calonarang” – dance drama; introduction by gamelan; then entrance of dancers (maidservants); entrance of Matah Gedé (Calonarang); story told through words/singing/dancing (similar to western opera); story revolves around an epidemic in the land and the battle between good and evil. Indonesian Video Tape (10) Bali 10-1 Kecak- kecak is a style of men’s chorus that involves theatrics. It is a relatively new art form, having been developed in the 1930’s. They use their voices to imitate the gamelan ensemble. Originally developed for exorcising demons, now more a tourist entertainment. The story line is from the Ramayana (a mythical text). Java 10-2 Wayang – shadow puppet play. Often used to celebrate weddings; accompanied by full gamelan; wayang is a nine-hour performance; puppets on the puppeteer’s right represent “good” and those on the left represent “evil”. -
Nigel Kennedy Is Back and He's Showing No Signs of Mellowing
Still playing the rebel: Nigel Kennedy is back and he's showing no signs of mellowing Nigel Kennedy returns for a gig at London's Tower Festival as his seminal Vivaldi album gets a 20th anniversary re- release. He still has the haircut, the attitude, and he's still angry – about conductors, the price of CDs, Palestine, country music, Margaret Thatcher, and much more. Jessica Duchen met him, and then partied... Friday, 4 September 2009 Sunset over the Brandenburg Gate, Berlin, and Nigel Kennedy is giving a special performance with his jazz quintet to mark the conclusion of the World Athletics Championships. "Berlin – nummer eins!" the mohican-crested renegade fiddler shouts to the crowd from a stage opposite the landmark. He takes a spoof bow, flapping his hands while pony-galloping forward and back, telling the crowd that this is "Shakespearean". "Oh, Nigel," his manager sighs, "what are you doing?" Later, after his trademark greeting, "monster!", we settle in his dressing-room tent, Kennedy nursing an outsize tumbler of neat vodka, to discuss what he really is doing. At 52, outwardly the bad boy of the violin hasn't changed much since his ever-controversial recording of Vivaldi's The Four Seasons 20 years ago, when it got into The Guinness Book of Records as the highest-selling classical album ever and caused near-apoplexy in the classical world. The record industry is marking the anniversary with a special re-release, but Kennedy has long since moved on. He works hard, plays hard – the night before he'd been partying until 9am – and never stops dreaming up new projects.