CIVIL ACTION WILLIAM TUCKER, Her Husband, : Plaintiffs, : NO
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Free Views Tiktok Free Views Tiktok CLICK HERE TO ACCESS TIKTOK GENERATOR tiktok auto liker hack In July 2021, "The Wall Street Journal" reported the company's annual revenue to be approximately $800 million with a loss of $70 million. By May 2021, it was reported that the video-sharing app generated $5.2 billion in revenue with more than 500 million users worldwide.", free vending machine code tiktok free pro tiktok likes and followers free tiktok fans without downloading any apps The primary difference between Tencent’s WeChat and ByteDance’s Toutiao is that the former has yet to capitalize on the addictive nature of short-form videos, whereas the latter has. TikTok — the latter’s new acquisition — is a comparatively more simple app than its parent company, but it does fit in well with Tencent’s previous acquisition of Meitu, which is perhaps better known for its beauty apps.", In an article published by The New York Times, it was claimed that "An app with more than 500 million users can’t seem to catch a break. From pornography to privacy concerns, there have been quite few controversies surrounding TikTok." It continued by saying that "A recent class-action lawsuit alleged that the app poses health and privacy risks to users because of its allegedly discriminatory algorithm, which restricts some content and promotes other content." This article was published on The New York Times.", The app has received criticism from users for not creating revenue and posting ads on videos which some see as annoying. The app has also been criticized for allowing children younger than age 13 to create videos. -
Death Row Records
The New Kings of Hip-Hop Death Row Records “You are now about to witness the strength of street knowledge.” —N.W.A. Contents Letter from the Director ................................................................................................... 4 Mandate .......................................................................................................................... 5 Background ...................................................................................................................... 7 Topics for Discussion ..................................................................................................... 10 East Coast vs. West Coast .................................................................................... 10 Internal Struggles................................................................................................. 11 Turmoil in Los Angeles ........................................................................................ 12 Positions ........................................................................................................................ 14 Letter from the Director Dear Delegates, Welcome to WUMUNS XII! I am a part of the class of 2022 here at Washington University in St. Louis, and I’ll be serving as your director. Though I haven’t officially declared a major yet, I’m planning on double majoring in political science and finance. I’ve been involved with Model UN since my freshman year of high school, and I have been an active participant ever since. I am also involved -
And Duet Announce an Alliance to Present and Market the On-Demand Music Subscription Service Created by Sony Music Entertainment and Universal Music Group
Yahoo! and Duet Announce an Alliance to Present and Market the On-Demand Music Subscription Service Created by Sony Music Entertainment and Universal Music Group SANTA CLARA, NEW YORK and PARIS -- April 5, 2001 -- Today, Yahoo! Inc. (Nasdaq: YHOO), a leading global Internet communications, commerce and media company, and Duet, the online digital music subscription service created by the world's two largest music companies, Universal Music Group and Sony Music Entertainment, announced an alliance to present and market Duet's U.S. service to visitors to the Yahoo! network and Yahoo!® Music (http://music.yahoo.com). The Duet subscription service is expected to launch this summer. The on-demand Duet subscription service will offer consumers the opportunity to access a broad range of quality music online with speed, ease of use, and reliability while respecting artists' rights. The service will provide music enthusiasts with the ability to compile personalized playlists and to share them with other Duet members, among other features. The Duet service is expected to launch with streaming music and plans to add downloads shortly thereafter. The Duet subscription service will offer music from Sony Music and Universal Music on a non-exclusive basis. Duet also expects to offer music from other companies, in order to provide consumers with the best experience and access to the most compelling selection of music available. "Yahoo! is pleased to join Sony Music and Universal Music, the world's two largest music companies, to promote the Duet subscription service to U.S. music fans," said Jeff Mallett, president and chief operating officer, Yahoo! Inc. -
Creativecommission
CreativeCommission What is Creative Commission? Who has used it? Do you have examples of success? How does it work? How much do I pay? Is it a competition? Do I have to commission? Can anyone join? How many creatives do you have? What is Creative Commission? A freelance jobs portal for the music industry to discover new creatives for future projects • Launched in Summer 2014 ‘CC fills a definite skills requirement gap for a $4million of project briefs posted commissioner requiring creative specialisms’ • Creative department, Warner Music UK • Global creative community in +1000 cities Used by +1500 music execs worldwide ‘A fantastic resource for all labels and managers • looking to access quality creatives’ Wildlife Entertainment, Arctic Monkeys management MUSIC VIDEOS VIDEO CONTENT Video LIVE SESSIONS ALBUM ARTWORK BRANDING & LOGOS Design MERCHANDISE PORTRAITS REPORTAGE Photo LIVE PHOTOS WEBSITES SOCIAL MEDIA Digital E-COMMERCE Art by Jack Crossing How can music rights-holders make their money go further while feeding an increasing demand from fans for more visual content? Creative Commission thinks it has the solution. How we can help you We’re here to help make commissioning projects a little easier and more affordable. 1. Find new creative people to work with 2. More options for free for your next project 3. Specific skill sets which you don’t have in-house 4. Calling 911 - it’s an emergency! How to post your first brief Email Brian, Nick or Matt so we can help • Register you with an account ‘A simple, easy to use way to find high quality, -
Aaron Harrison
Before the UNITED STATES COPYRIGHT ROYALTY JUDGES Library of Congress Washington, D.C. ) In re ) ) DETERMINATION OF ROYALTY ) DOCKET NO. 14-CRB-0001-WR RATES AND TERMS FOR ) (2016-2020) EPHEMERAL RECORDING AND ) DIGITAL PERFORMANCE OF SOUND ) RECORDINGS (WEB IV) ) ) TESTIMONY OF AARON HARRISON Senior Vice President, Business & Legal Affairs, Global Digital Business, UMG Recordings, Inc. PUBLIC VERSION Witness for SoundExchange, Inc. PUBLIC VERSION BACKGROUND 1. I am Senior Vice President, Business & Legal Affairs, Global Digital Business, UMG Recordings, Inc. (“UMG Recordings”), a position I have held since 2013. UMG Recordings, Inc. is the primary recorded music company in the United States for the Universal Music Group. Universal Music Group (hereafter, “Universal”) is the colloquial name for the group of music related companies owned by Vivendi S.A. Together, these companies comprise the world’s largest recorded music company. Along with other members of the Business & Legal Affairs team in the Global Digital Business department, I negotiate deals with various digital music services that use Universal’s repertoire of sound recordings. Such services include on-demand and customized streaming services, download and ringtone stores, locker services, and various types of subscription services. I have negotiated deals on Universal’s behalf for the past nine years. During that time, I have negotiated more than 100 agreements with digital music services. 2. Prior to assuming my current position, I was Vice President, Business & Legal Affairs, eLabs, UMG Recordings. I began my employment with UMG Recordings in 2005 as Director, Business & Legal Affairs, eLabs. Prior to joining UMG Recordings, I was an attorney with the law firm Manatt, Phelps & Phillips, LLP, where my practice focused primarily on talent representation and advising companies in the acquisition of intellectual property and branded entertainment rights. -
F.B.T. V. Aftermath Agreement, F.B.T
man.7 In accordance with the Records Sold provision of the 1998 F.B.T. v. Aftermath agreement, F.B.T. was to receive between 12 and 20 percent of the adjusted retail price of all “full price records sold in the Unit- Eminem Raps the Record Industry ed States . through normal retail channels.” However, with respect to music that is licensed, the Masters Licensed provision of the agreement provided that “[n]otwithstanding the foregoing,” BY EDWIN F. MCPHERSON F.B.T. was to receive 50 percent of Aftermath’s net receipts “[o]n masters licensed by us . to others for their manufacture and sale n typical modern recording agreements, an artist receives of records or for any other uses.”8 During the negotiation of the anywhere from 15 to 20 percent of the “Published Price to agreement, the parties had no discussion about either the Records Dealers” (“PPD”) for physical recordings (primarily compact Sold provision or the Masters Licensed provision.9 I 1 discs) that are sold through “normal retail channels.” Previ- The agreement defined “master” as a “recording of sound, ously, artist royalties were based on the “Suggested Retail List without or with visual images, which is used or useful in the Price” (“SRLP”), with many deductions. However, with respect recording, production or manufacture of records.” However, to music that is “licensed” to third parties, the artist typically there was no definition in the agreement of the terms “licensed” has always received 50 percent of the net income that the label or “normal retail channels.”10 receives for that licensed music. -
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STIll BLACK,STIll SfRONG l STILL BLACK, STILL STRONG SURVIVORS Of THE U.S. WAR AGAINST BLACK REVOlUTIONARIES DHORUBA BIN WAHAD MUMIA ABU-JAMAL ASSATA SHAKUR Ediled by lim f1elcher, Tonoquillones, & Sylverelolringer SbIII01EXT(E) Sentiotext(e) Offices: P.O. Box 629, South Pasadena, CA 91031 Copyright ©1993 Semiotext(e) and individual contributors. Printed in the United States of America. ISBN 978-0-936756-74-5 1098765 ~_.......-.;,;,,~---------:.;- Contents DHORUDA BIN W"AHAD WARWITIllN 9 TOWARD RE'rHINKING SEIl'-DEFENSE 57 THE CuTnNG EDGE OF PRISONTECHNOLOGY 77 ON RACISM. RAp AND REBElliON 103 MUM<A ABU-JAMAL !NrERVIEW FROM DEATH Row 117 THE PRIsON-HOUSE OF NATIONS 151 COURT TRANSCRIPT 169 THE MAN MALCOLM 187 P ANIllER DAZE REMEMBERED 193 ASSATA SHAKUR PRISONER IN THE UNITED STATES 205 CHRONOLOGY OF THE BLACK PANTHER PARTY 221 FROM THE FBI PANTHER FILES 243 NOTES ON CONTRIBUTORS 272 THE CAMPAIGN TO FREE BLACK POLITICALPRISONERS 272 Contents DHORUBA BIN "W AHAD WAKWITIllN 9 TOWARD REnnNKINO SELF-DEFENSE 57 THE CurnNG EOOE OF PRISON TECHNOLOGY 77 ON RACISM, RAp AND REBEWON 103 MUMIA ABU-JAMAL !NrERVIEW FROM DEATH Row 117 THE PRIsoN-HOUSE OF NATIONS 151 COURT TRANSCRIPT 169 THE MAN MALCOLM 187 PANTHER DAZE REMEMBERED 193 ASSATA SHAKUR PJusONER IN THE UNITED STATES 205 CHRONOLOGY OF THE BLACK PANTHER PARTY 221 FROM THE FBI PANTHER FILES 243 NOTES ON CONTRmUTORS 272 THE CAMPAIGN TO FREE BUCK POLITICAL PRISONERS 272 • ... Ahmad Abdur·Rahmon (reIeo,ed) Mumio Abu·lomol (deoth row) lundiolo Acoli Alberlo '/lick" Africa (releosed) Ohoruba Bin Wahad Carlos Perez Africa Chorl.. lim' Africa Can,uella Dotson Africa Debbi lim' Africo Delberl Orr Africa Edward Goodman Africa lonet Halloway Africa lanine Phillip. -
Empowering a New Generation
| 1 Tuesday, January 29, 2019 Empowering a New Generation From Black Panther and convict to writer, poet, producer, college professor, Academy Award nominee, and youth advocate, Jamal Joseph’s life has taken a circuitous path to the present. His is a story of perennial social activism, advancing lessons from his Black Panther days to empower a new generation. Excuse Me, Young Brother, I Just Did In the late 1960s, Eddie Joseph was a high school honor student, slated to graduate early and begin college. That path took a detour. A long one. Impassioned to resolve the social, economic, and political wrongs he saw in his Bronx community and the nation, 15-year-old Eddie was drawn to the ideology of the Black Panther Party, which was just gaining a national presence. He remembers riding the subway to the Panther office in Harlem with two friends to offer his services, enraged by the recent assassination of Dr. Martin Luther King Jr. He was ready to fight, even kill if necessary, to serve the cause. At the Panther office, a leader called the earnest teen up front. As Joseph stood by his side, the leader pulled open a desk drawer and reached far into it. Joseph’s heart pounded. He was prepared to be handed a gun—the power for social change. Instead, he was handed a stack of books, such as The Autobiography of Malcolm X and The Wretched of the Earth, Frantz Fanon’s 1961 work on the cultural foundations of social movements. Taken aback, Joseph said, “Excuse me, brother, I thought you were going to arm me.” The Panther’s reply: “Excuse me, young brother, I just did.” By 16, Eddie—now called Jamal—learned that the militant group the FBI declared to be “the greatest threat to America” was a multifaceted entity. -
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RIAA JULY 2018 GOLD & PLATINUM Janis Joplin | Janis Joplin's Greatest Hits AWARDS ALBUMS Columbia Records Various Artists | Hamilton (Original In July, RIAA certified Broadway Cast Recording) 128 Song Awards and Atlantic Records 25 Album Awards. All RIAA Awards dating back to 1958 are available at riaa. com/gold-platinum! Don’t miss the NEW riaa.com/ goldandplatinum60 site Luke Combs | This One's For You Shawn Mendes | Handwritten Columbia Nashville/River Island Records celebrating 60 years of Gold House Artists & Platinum Awards and many #RIAATopCertified milestones for your favorite artists! SONG ALBUM AWARDS 128 AWARDS 25 Youngboy Never Broke Again | Until Death Call My Name APG/Atlantic Records SONGS Drake | God's Plan Young Money/Cash Money/ Republic Records Taylor Swift | Look What You X Ambassadors | Renegades Dua Lipa | New Rules Migos | Walk It Talk It Ariana Grande | No Tears Made Me Do KidinaKorner/Interscope Warner Bros Records Quality Control Music/Motown Left to Cry Big Machine Records Records Records/Capitol Records Republic Records Jason Aldean | You Make It Easy Morgan Wallen | Up Down Nathaniel Rateliff & the Nicki Minaj | Chun-Li Selena Gomez | Bad Liar Broken Bow Records Big Loud Records Night Sweats | S.O.B. Young Money/Cash Money/ Interscope Records Fantasy/Stax Records Republic Records www.riaa.com // // // GOLD & PLATINUM AWARDS JULY | 7/1/18 - 7/31/18 MULTI PLATINUM SINGLE | 27 Cert Date | Title | Artist | Genre | Label | Plat Level | Release Date | 7/10/2018 That's What I Like Bruno Mars Pop Atlantic Records 11/18/2016 Bruno Mars & 7/10/2018 Pop Atlantic Records 11/18/2016 Finesse Cardi B 7/27/2018 Sorry Not Sorry Demi Lovato Pop Island Records 7/11/2017 R&B/ 7/27/2018 Wild Thoughts (Feat. -
Ursula Mctaggart
RADICALISM IN AMERICA’S “INDUSTRIAL JUNGLE”: METAPHORS OF THE PRIMITIVE AND THE INDUSTRIAL IN ACTIVIST TEXTS Ursula McTaggart Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy In the Departments of English and American Studies Indiana University June 2008 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy Doctoral Committee ________________________________ Purnima Bose, Co-Chairperson ________________________________ Margo Crawford, Co-Chairperson ________________________________ DeWitt Kilgore ________________________________ Robert Terrill June 18, 2008 ii © 2008 Ursula McTaggart ALL RIGHTS RESERVED iii ACKNOWLEDGEMENTS A host of people have helped make this dissertation possible. My primary thanks go to Purnima Bose and Margo Crawford, who directed the project, offering constant support and invaluable advice. They have been mentors as well as friends throughout this process. Margo’s enthusiasm and brilliant ideas have buoyed my excitement and confidence about the project, while Purnima’s detailed, pragmatic advice has kept it historically grounded, well documented, and on time! Readers De Witt Kilgore and Robert Terrill also provided insight and commentary that have helped shape the final product. In addition, Purnima Bose’s dissertation group of fellow graduate students Anne Delgado, Chia-Li Kao, Laila Amine, and Karen Dillon has stimulated and refined my thinking along the way. Anne, Chia-Li, Laila, and Karen have devoted their own valuable time to reading drafts and making comments even in the midst of their own dissertation work. This dissertation has also been dependent on the activist work of the Black Panther Party, the League of Revolutionary Black Workers, the International Socialists, the Socialist Workers Party, and the diverse field of contemporary anarchists. -
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